text:
Known worldwide as one of the key independent labels championing the current sound of UK dance music, Hospital Records has long been regarded as a label that helped move drum + bass out of the late ‘90s doldrums and usher in a more youthful, vibrant and above all accessible era of the genre’s evolution.

Many of today’s Hospital fans may be unfamiliar with some of the early releases which shaped the sound of the label in its formative years in the mid-to-late nineties and into the new millennium. This compilation draws deep into the back catalogue for some of the hidden gems and underground classics which whose influence on a new wave of producers helped shape the sound of drum + bass today.

A phrase coined by the label’s founders, “loungecore” refers to the body of work that defined Hospital’s early output: “The thing that was firing us up was the connection that we thought that we could make with jungle music and drum ‘n bass. We knew instinctively that we had to do something that no one else had done before. And we called it “loungecore.” That was our term for the early stuff that came out on Hospital. And if you listen to it now, it’s still an appropriate genre title – because it’s very much analogue lounge music at drum ‘n bass tempo with fast beats.” - London Elektricity (FACT Magazine, July 12)

As well as delving right back to the start, this 28-track digital-only compilation expands on the original “loungecore” concept, bringing in more recent signings to the Hospital roster including Logistics, Netsky, High Contrast, Nu:Tone and B Complex, alongside the early IZIT, London Elektricity, Landslide and Peter Nice Trio releases. From opening track “Panda Style” by LAOS through old favourites by Syncopix, Seba & Paradox, Phuturistix, to more recent releases such as Netsky’s “Moving With You” and B Complex’s “Little Oranges”, the “Loungecore” album provides a wide-screen view of Hospital’s heritage and brings this to a new audience.

question: Who are Hospital Records?

answer: A world renown record label that helped move drum and bass out of the late 90's.

answer: Hospital Records is a UK-based independent record label that was founded in the late 1990s.

answer: Hospital Records is a UK-based independent record label that specialises in drum and bass music.

answer: Hospital Records is a label that champions the current sound of UK dance music.

question: What does 'loungecore' mean?

answer: A mixture of jungle and drum and bass music. It is a phrase coined by Hospital Records.

answer: It is a genre of music that was coined by the founders of Hospital Records.

answer: Loungecore is a genre of music that is a mix of drum and bass and lounge music.

answer: According to the passage, 'loungecore' refers to the early body of work that defined Hospital Records, which is described as "analogue lounge music at drum 'n bass tempo with fast beats."

question: Who is on the Hospital roster?

answer: The Hospital roster includes Logistics, Netsky, High Contrast, Nu:Tone, and B Complex.

answer: A great number of artists including Netsky, IZIT, Peter Nice Trio, amongst others.

answer: Logistics, Netsky, High Contrast, Nu:Tone, and B Complex.

answer: The Hospital roster includes artists such as London Elektricity, IZIT, Syncopix, Seba & Paradox, Phuturistix, Netsky, and B Complex.

question: Write a ~1 sentence summary.

answer: A brief, detailing Hospital Records and their influence on the music scene and the 'loungecore' genre.

answer: This compilation of early Hospital Records releases is a collection of hidden gems and underground classics that helped shape the sound of drum + bass today.

text: Need to mention loungecore

refinement: This is a compilation of early Hospital Records releases is a collection of hidden gems and underground classics that helped shape "loungecore", as well as the sound of drum + bass today.

answer: The article is about Hospital Records, a label that has been championing the current sound of UK dance music.

text: Not the current sound of UK dance music

refinement: The article is about Hospital Records, a label that used to champion loungecore, a style of UK dance music.

answer: This compilation features some of the early releases from Hospital Records, including some of the tracks that helped define the label's sound.

text: Need to mention "loungecore"

refinement: This is a compilation of some of the early releases from Hospital Records, including some of the tracks that helped define the label's sound, especially "loungecore".


split: train

text:
[Plan of the imperial palace precinct of Constantinople.] The PALACE OF DAPHNE () was one of the major wings of the Great Palace of Constantinople, the capital of the Byzantine Empire (modern Istanbul, Turkey). According to George Codinus, it was named after a statue of the nymph Daphne, brought from Rome.[1] The exact layout and appearance of the palace is unclear, since it lies under the Sultan Ahmed Mosque, and the only surviving evidence comes from literary sources.[2] Bardill, however, has suggested that the peristyle with mosaics adjoining an apsed hall, excavated by the Walker Trust excavations in 1935-7 and 1952-4, could be the Augusteus of the Daphne Palace.[3]

History and description

The Daphne belonged to the earliest building phase of the palace complex, that of Constantine I, who rebuilt the city of Byzantium into Constantinople, his new capital, as well as his immediate successors.[4] Justin II () expanded the original building, which remained the main residential area for the emperors until the 8th century. The palace was formed by an ensemble of ceremonial halls and residential buildings, located in the westernmost part of the imperial palace complex, next to the Hippodrome, and was connected to the imperial box (the _kathisma_) there by a stairway.[5] This complex included the residential wing of the _koitōn_ (“bedchamber”) of the Daphne proper, the Octagon, and the chapel of St Stephen,[6] built in ca. 421, the _Augusta_ Pulcheria to house the right arm of the saint.[7] The Daphne was connected to the hall (_triklinos_) of the _Augusteus_ (, not to be confused with the _Augustaion_ square), also one of the oldest parts of the imperial palace. It was also known under the name _Stepsimon_ (Στέψιμον, “coronation”), highlighting its function the original coronation hall of the palace, a role it retained (especially for the coronations of empresses and imperial weddings) to a degree into the middle Byzantine period.[8] In turn, the Augusteus was connected to the later Trikonchos palace and the hall of the Consistorium.[9] Two further chapels, dedicated to the Virgin Mary and the Holy Trinity, were also located in the southern part of the Daphne complex.[10]

In the 9th-10th centuries, the center of court life and ceremonial was moved to the south, towards the Boukoleon Palace and the ceremonial structures around the Chrysotriklinos. Although the Daphne continued to feature in imperial ceremonies however, as described in the _De Ceremoniis_ by Constantine Porphyrogennetos, its decline in prestige and use is well illustrated by the fact that the walls by which Emperor Nikephoros II Phokas () surrounded the palace with new walls, the Daphne complex was not included in them.[11] After the 11th century, the Daphne seems to have fallen into disrepair and gradual ruin, a process exacerbated by the plundering of the remaining structures for metals and architectural elements under the Latin Empire (1204–1261).[12]

[1] Paspates (2004), p. 227

[2] Westbrook (2007)

[3]

[4]

[5] Kazhdan (1991), p. 869

[6] Paspates (2004), p. 229–233

[7] Maguire (2004), p. 57

[8] Maguire (2004), pp. 59–60

[9] Paspates (2004), p. 233–235

[10] Paspates (2004), p. 236–237

[11]

[12]

title: Palace of Daphne

question:
Answer the following question based on the above passage:

Summarize the reason according to the passage about the expansion of the original building.

answer: There isn't any expansion of the original building according to the passage. The oldest parts of the building were the peristyle and apsed hall.

text: The response is inaccurate. Justin II expanded the original building. The second part of the response is irrelevant to the question.

refinement: Justin II expanded the original building because it was the main residential area for the emperors, who lived there until the 8th century.

answer: Information can't be found.

text: The response is inadequate. The information is a little thin, but available in the text.

refinement: Justin II expanded the original building because it was the main residential area for the emperors until the 8th century.

answer: The passage does not contain any information about why.

text: The response is inadequate. The answer is in the text.

refinement: Justin II expanded the original building because it was the main residential area for the emperors, who lived there until the 8th century.

answer: The palace was expanded as early as the time of Constantine I because it was the main residential area for the emperors.

text: "as early as the time of Constantine I" - this is inaccurate. It was never mentioned anywhere in the text whether the expansion happened during his time.

refinement: The palace was expanded because it was the main residential area for the emperors.

answer:
The oldest parts of the building was the peristyle and apsed hall.
There isn't any expansion of the original building according to the passage, but Justin II (reigned from 565 to 578) expanded the palace by building the Daphne.

text: Extraneous information.

refinement: There isn't any expansion of the original building according to the passage, but Justin II (reigned from 565 to 578) expanded the palace by building the Daphne.

text: "There isn't any expansion of the original building according to the passage, but" - this part of the response is incorrect because the reason can be found in the text.

refinement: Justin II (reigned from 565 to 578) expanded the palace by building the Daphne.

text: The response is incorrect. Justin's reign was never mentioned. He also expanded the original building - he didn't expand by building the Daphne.

refinement: Justin II expanded the original building because it remained the main residential area for the emperors until the 8th century.

answer: It's unclear the reason behind the expansion of the palace, but it may not have been large enough.

text: The response is incorrect because the text has the answer.

text: Needs to add the reason for the expansion.

refinement: Justin II expanded the original building because it was the main residential area for the emperors, who lived there until the 8th century. It may not have been large enough.

question:
Answer the following question based on the above passage:

Summarize the architecture of the Daphne according to the passage.

answer: The Marble, built by Constantine I. There are apsed halls, chapels, and corridors.

text: "The Marble, built by Constantine I." - this makes little sense.

refinement: There are apsed halls, chapels, and corridors.

text: The response is missing a few key details about the Palace of Daphne's architecture. The existing response should be revised.

refinement: The exact layout and appearance of the palace are unclear because it lies under the Sultan Ahmed Mosque. The only surviving evidence comes from literary sources. However, Bardill has suggested that the peristyle with mosaics adjoining an apse hall that the Walker Trust excavated in 1935-37 and 1952-54 could be the Augusteus of the Daphne Palace. Based on literary sources, the palace was formed by an ensemble of ceremonial halls and residential buildings. It had a stairway that connected to the imperial box (the kathisma).

answer: According to Bardill, the peristyle with mosaics that adjoin an apsed hall excavated by the Walker Trust excavations in 1935-1952-4 is rumored to be the Augusteus of the Daphne Palace.

text: The response is missing some details about the architecture of the palace.

refinement: According to Bardill, the peristyle with mosaics that adjoin an apsed hall excavated by the Walker Trust excavations in 1935-1952-4 is rumored to be the Augusteus of the Daphne Palace. Based on literary sources, the palace was formed by an ensemble of ceremonial halls and residential buildings. It had a stairway that connected to the imperial box (the kathisma). The exact layout and appearance of the palace are unclear because it lies under the Sultan Ahmed Mosque.

answer: It was built in the 4th century by Constantine I, as part of the original building phase. However, by the 9th century, its use as a performing space was superseded by the move to the south of the Boukoleon Palace and the compounds that surrounded it. Walls were added in the 11th century, but the Daphne does not seem to have continued in use after that until it fell into disrepair.

text: The response failed to answer the question.

refinement: The exact layout and appearance of the palace are unclear because it lies under the Sultan Ahmed Mosque. The only surviving evidence comes from literary sources. However, Bardill has suggested that the peristyle with mosaics adjoining an apse hall that the Walker Trust excavated in 1935-37 and 1952-54 could be the Augusteus of the Daphne Palace. Based on literary sources, the palace was formed by an ensemble of ceremonial halls and residential buildings. It had a stairway that connected to the imperial box (the kathisma).

answer: The Marble, built by Constantine I. There are apsed halls, chapels, and corridors. Additionally, the palace was connected to the imperial box (the _kathisma_) by a stairway.

answer: According to Bardill, the peristyle with mosaics that adjoin an apsed hall excavated by the Walker Trust excavations in 1935-1952-4 is rumored to be the Augusteus of the Daphne Palace. Another known feature of the palace is the chapel of St Stephen, built in ca. 421. The Augusta Pulcheria held the right arm of the saint. The Daphne was connected to the Augusteus, an area used for coronations of empresses and imperial weddings. The Augusteus connects to the Trikonchos palace and the hall of the Consistorium. A further chapel for the Virgin Mary and the Holy trinity is located in the Daphne complex. Daphne complex was not included in the new walls built around the palace by the Emperor Nikephoros PHokas in the 9th-10th centuries.

text: Extraneous information.

refinement: According to Bardill, the peristyle with mosaics that adjoin an apsed hall excavated by the Walker Trust excavations in 1935-1952-4 is rumored to be the Augusteus of the Daphne Palace.

question:
Answer the following question based on the above passage:

Explain the reason behind the decline in the use of the Daphne complex.

answer: It's not stated, only that it was well illustrated by the fact that the palace's walls were not included in the new walls that were surrounded around it.

text: The response is incorrect. The Palace of Daphne's decline was stated in the text. The existing text needs to be replaced.

refinement: The Palace of Daphne's decline began in the 9th century when the center of court life and ceremonials were moved to the south towards the Boukoleon Palace and the ceremonial structures around the Chrysotriklinos. Although the Daphne was still used in imperial ceremonies, its decline in prestige was evident when Emperor Nikephoros II Phokas surrounded the palace with new walls and excluded the Daphne complex. After the 11th century, the Daphne had fallen into disrepair and gradual ruin. The process was made worse when people started plundering the remaining structures for metals and architectural elements during the Latin Empire (1204-1261).

answer: The place of the emperors was moved to an area in the palace complex, with the palace living in disrepair and suffering the effects of being surrounded by new walls. From being a coronation area, it became a residential area, and its glory ceased to be.

text: The response is incorrect and needs to be replaced with what actually happened.

refinement: The decline of the palace started in the 9th century when the center of court life and ceremonies was moved to the south. The final nail on the coffin for Daphne was when Emperor Nikephoros II Phokas built new walls for the palace and excluded the Daphne complex. Without the prestige it once had, the palace had fallen into disrepair and ruin after the 11th century. During the Latin Empire (1204-1261), the palace was plundered for metals and architectural elements.

answer: Just after the 9th century, the center of court life and ceremonial is moved south. The emperors were also moved south, away from the palace. Other palaces and structures around the north move first. Gradual decline in prestige and use because of this.

text: Part of the response is incorrect. It's unclear if the emperors and other structures also moved away from the palace at that time. The gradual decline happened in the 11th century. The response needs to be edited.

refinement: Just after the 9th century, the center of court life and ceremonial is moved south. Although the Daphne was still used in imperial ceremonies, its decline in prestige was evident when Emperor Nikephoros II Phokas surrounded the palace with new walls and excluded the Daphne complex. After the 11th century, the Daphne had fallen into disrepair and gradual ruin. During the Latin Empire (1204-1261), the palace was plundered for metals and architectural elements.

answer: This palace was often used for court ceremonies and housing for the emperors. However, from the 9th and 10th century onwards, the center of ceremonial activities were moved to the south, towards the Boukoleon Palace.

text: "century" - replace with "centuries"

refinement: This palace was often used for court ceremonies and housing for the emperors. However, from the 9th and 10th centuries onwards, the center of ceremonial activities were moved to the south, towards the Boukoleon Palace.

text: "were" - replace with "was"

refinement: This palace was often used for court ceremonies and housing for the emperors. However, from the 9th and 10th centuries onwards, the center of ceremonial activities was moved to the south, towards the Boukoleon Palace.

text: Missing a few details about the decline of the Daphne palace complex.

refinement: This palace was often used for court ceremonies and housing for the emperors. However, from the 9th and 10th centuries onwards, the center of ceremonial activities was moved to the south, towards the Boukoleon Palace. Although the Daphne was still used in imperial ceremonies, its decline in prestige was evident when Emperor Nikephoros II Phokas surrounded the palace with new walls and excluded the Daphne complex. After the 11th century, the Daphne had fallen into disrepair and gradual ruin. The process was made worse when people started plundering the remaining structures for metals and architectural elements during the Latin Empire (1204-1261).

answer: The center of court life was moved south. The emperors were also moved south, away from the palace. Other palaces and structures around the north move first. Gradual decline in prestige and use because of this.


text:
[dreamstime_l_13528992]I was having a chat with my 19-year-old sister a couple of days ago. In the midst of the usual gossip, she told me she got a message from a guy, telling her he broke his arm and wants my sister to come over to help him. She then went on to explain to me that the guy has been hitting on her for months now so it was obvious this was his ‘genius’ plans to get her to come over.

This got me thinking about how far men have gone to get the nookie. I mean, of course there is the “just the tip” guy. I am almost sure all women have encountered this guy at least once. You know the one. He goes, “please baby, just the tip, I won’t go in all the way, please naaaaw.” Yeah, like the reason I said ‘no’ is because I am completely terrified of the shaft.

I once went over to this other dude’s place. Let’s call him Jamal. He dined me, we some laughs, then about an hour into our date, he began the groping n’ grabbing. After making it clear that nothing was going to happen, he clutched his stomach, moaning in pain, while trying to explain to me that he had a severe case of blue balls. Overdramatic much?

Then there was Deji. He came over to my hostel once, around noon. He did the groping thing, but eventually left around 3:00pm. Only for him to come back at about 6:30pm, saying he could not find a bus home. Apparently he has been at the bus stop for over 3 hours and now he is requesting to spend the night with me. I instantly kicked him out, telling him he would be better off sleeping at the bus stop. Till date, I have no idea where the dude was at for 3 hours, strategizing his get-the-nookie scheme.

Bayo was the most extreme of all though. We were at my hostel once, hanging out as usual. After sharing a few kisses, he went on to tell me he was impotent and that he had never had an erection. I was shocked, but I sort of felt safe after that. I mean, if he can’t get it up, nothing was gonna happen, right? Only for him to have an unmistakable boner a few minutes into our make out session. With wide eyes and an awestruck smile, he goes, “this has never happened before. There must be something about you. Wow!”

I kid you not, it was the weirdest evening I ever experience. I almost fell for it too, until it occurred to me that this sounds very creepy. I would not want an erection that came out of nowhere after he spent up to 25 years not getting one.

It was a few weeks later that I found out that this was a pretty popular line among guys. It makes sense if you think about it. A guy tells you that and you feel a bit more relaxed because he is suddenly unthreatening. Then he tells you about the mystery erection and you feel like a total sex kitten thinking you got some magic skills. This will make you want to prove to him how extremely sexy and hot you are, and BOOM! Legs apart, homeboy is sliding in happily.

While working on this piece, I decided to ask my male buddies how far they have gone to get in a woman’s panties. Dimeji told me of the day he visited a female friend. Sometime in the evening, she agreed to let him spend the night but insisted that he was not getting some. Thus began what he referred to as the longest night of his life. He spent virtually the whole night trying to convince her. She even let him touch her, but as soon as he reached for her ‘hotspot’ she snatched his hands away. He pleaded, begged and even cried. Finally, he let go and went to sleep sometime before dawn. At about 6am he was awoken by the babe, who took off her clothes and said, “oya just come and do jare, make pesin rest.”

At that point he was already drained by the chase. He was too exhausted to be excited and although he got what he wanted, he said he felt used and pitied. So pity sex isn’t good for the guy? Interesting.

My husband refused to share any of his stories. But he did tell me about a friend of his, Mike. Mike loves extremely curvy women. So when he was able to get one with a huge badonkadonk to come home with him, he was over the moon. After the kissing session, he took off his clothes, ready for action.

The babe then told him she changed her mind, saying she would only sleep with guys she believed she had a future with. Mike began to desperately promise that he loves her, will marry her, blah blah blah. She stood her ground and told him she does not believe him. Naked Mike then raced into the living room, and returned with a bible. He went on his knees, in all his nude glory and swore on the bible that he had only the best intention for the girl. He did eventually get what he wanted, but damn, boy! *smh*.

All these stories have something in common though. The lady chooses to spend time alone with a guy, knowing she won’t be giving him some. I am all for women’s right to do what they want but even I think this is a bit cruel. I learned fast that if you choose to get in the same room alone with a guy you know is interested in you, then of course he will expect sex. So it is misleading if you do so, not to mention increasing the chances that you will be taken advantage of.

And as for the broken-armed guy calling my sister for help, I simply advised her to tell him that, if he truly broke his arm, needs help and is calling some chick he finds hot to save him, then he really does not deserve to have an arm. You no know where your mama dey?

PHOTO CREDIT: _Dreamstime_

question:
Answer the following question based on the above passage:

Why does the narrator advise her sister not to visit the guy with the broken arm?

answer: If he needs help he deserves to be alone, because it might appear the guy wants his help to win favor with the girl. The narrator says that if a man can't ask for help from people who cannot do favors for them, he cannot be capable of taking a woman seriously.

text: Grammar issues make the response difficult to understand.

refinement: If he needs help he deserves to be alone, because it might appear the guy wants her help to win sexual favors from the girl. The narrator says that if a man can't ask for help from people who cannot do favors for them, he cannot be capable of taking a woman seriously.

answer: The narrator advises her sister to tell the guy that if he broke his arm he needs help and shouldn't look for it from a girl he has been chasing for some time. The narrator's sister has told her that the guy has been hitting on her and she believes that he is using the broken arm to get her to come over. The narrator believes that he is hoping to get nookie.

text: Grammar error in the response.

refinement: The narrator advises her sister to tell the guy that if he broke his arm, he needs help and shouldn't look for it from a girl he has been chasing for some time. The narrator's sister has told her that the guy has been hitting on her and she believes that he is using the broken arm to get her to come over. The narrator believes that he is hoping to get nookie.

answer: The narrator advises her sister not to visit the guy with the broken arm because it will give him an opportunity to take advantage of her in order to achieve sexual favors. The guy has already been hitting on her for months, knowing that the only way he will get what he wants is if the sister agrees to come over. He has resorted to reaching for her "hotspot" even though she objects, and willingly telling her he has an uncontrollable erection. The sister would be essentially being gullible and naive in helping the guy out while giving in to his sexual advances.

text: The response includes extraneous information not useful for this specific task.

refinement: The narrator advises her sister not to visit the guy with the broken arm because it will give him an opportunity to take advantage of her in order to achieve sexual favors. The guy has already been hitting on her for months, knowing that the only way he will get what he wants is if the sister agrees to come over. The sister would be essentially being gullible and naive in helping the guy out while giving in to his sexual advances.

text: Grammar errors make it difficult to understand.

refinement: The narrator advises her sister not to visit the guy with the broken arm because it will give him an opportunity to take advantage of her in order to achieve sexual favors. The guy has already been hitting on her for months, knowing that the only way he will get what he wants is if the sister agrees to come over. The sister would be essentially helping the guy out while giving in to his sexual advances.

answer: The guy won't be getting his nookie.

text: The response makes little sense and does not address the question in the task.

text: The response misses to provide an adequate answer

refinement: The narrator advises her sister not to visit the guy broken arm because she believes that he will be taking advantage of her and is attempting to lure her in for sexual advances.

answer: The narrator advises her sister not to visit the guy with the broken arm because she believes this will lead to him taking advantage of her. She believes that he is simply trying to entice her solely for the purpose of getting sex. She also believes that a man in this condition does not deserve sex, especially from a woman who he found attractive enough to pursue.

question:
Answer the following question based on the above passage:

Does the narrator let the women off the hook when it comes to all these hopeful men?

answer: They do. While not explicitly saying she feels sorry for the women, the narrator repeatedly claims that even she forgives the

text: The response inaccurately mentions that the narrator lets the women off the hook, however the text says the woman are responsible for misleading them if they give the opportunity.

refinement: The narrator does not let the women off the hook. She believes that if women chooses to be alone with an interested man and has no intention in sleeping with them, they are misleading them. Not to mention  increasing their chances to be take advantage of.

answer: No, the narrator does not appear to let the women off the hook. She believes that a woman who provides an interested man an opportunity for sex might be misleading him or putting him at risk for harm.

text: There is no evidence in the passage that mentions "putting him at risk for harm". The text mentions the increasing chances of being taken advantage of.

refinement: No, the narrator does not appear to let the women off the hook. She believes that a woman who provides an interested man an opportunity for sex might be misleading him and increases the chances of being taken advantage of.

answer: No, the narrator does not let the women off the hook and believes that women who willingly spend time alone with men who are trying to get in their pants are misleading them and only creating more opportunity for exploitation.

answer: The narrator does not let the women off the hook. She believes that in spending time alone with the men, the women know that the men are interested and will try their luck. So the narrator thinks that a woman who finds herself alone in a room with a man and has no intention of having sex with him is misleading him.

text: Grammar errors causes confusion in the response and makes it difficult to understand.

refinement: The narrator does not let the women off the hook. She believes that in spending time alone with interested men, they would be trying their sexual luck. So the narrator thinks that a woman who finds herself alone in a room with a man and has no intention of having sex with him is misleading him.

answer: No. The narrator is of the opinion that if you have any intention of dating with a guy you should be clear about the extent of intimacy involved.


text:
Just a quick thing I wrote up for a contest. Wrote in H.P. Lovecraft style.

Am I still myself? No. Surely not. I’ve become someone else; something else. These disembodied hands scratch words and names onto unfamiliar parchments as mannequin strings twitch and twang from countless shadows. My mouth feels nothing more than a brass phonograph hissing out secondhand idiom from my predecessors, no doubt contrived by the same apparitions that distantly influence my feet; my fingers; my entirety toward places they formerly dared not go.

Who am I? I once stood for so much more. I marched upon my own two feet. No strings. No shadows. I made choices, formulated my own philosophies, and even shouted them triumphantly! I made wondrous inspirational speeches and helped transform my hometown of Arkham into something better. I could always catch a gleam of brazen conviction in myself as I observed my reflection in the broadcasts; a mirror of my soul.

“I’m the President.” I could say. “The President of the free world.”

That was before, standing on the precipice of the calm twilight of unfamiliarity and insignificance. Before my soul’s mirror was shattered and strung together into some abhorrent instrument used for insidious and unfathomable schemes, each sharp fragment echoing the deep blackness of others whom I now recognize as my masters.

If only I had recognized the perils into which I was advancing. If only I had observed the warnings from those in high up torch-lit places! They forewarned my approach into ageless rituals and hinted of reality within the dreaded Necronomicon, penned by the infamous “Mad Arab” Abdul Alhazred. Whispers of repugnant star-headed Elder Things, Shoggoths, and dystopian horrors beyond time offered no reason and ostensibly had no bearing on my political endeavors, and thusly went unheeded.

Once my authority was substantial enough, secretive individuals began to send eccentric letters to my home by digital communication, delivered deep into the evening with an electric buzz. They spoke of damnable statues, fatal chromatics, and referenced some incoherent language that declared “Cthulu Flaghn!”. What was I to think?! Gods and clandestine rituals own no residence in our realm of sciences, much less to a man of public service such was myself! Had I only known the truth! I would not be entombed as I am today, a prisoner in my own immobilized body!

It was not until that final ghastly dusk long ago that I grasped the consequence and severity of my condition. But alas! It was far too late! Memories are vague and muddled to me presently, but I obtusely recall chemical-sodden handkerchiefs, blackened descents into sunken metropolises, and grime-coated man creatures dancing demonically around cerulean flames. Oh, the horror! The foul parasites infesting my body, burrowing deeper and deeper into my soul!

Even now as I have my short respite of sanity and control, I feel the eons old miasma encroaching. Peripheral terrors noiselessly evaporate into nothingness as my eyes dart and strain anxiously to reveal their true form. The dull scraping tread of twisted claws cutting into slime covered soil tugs and contort my very essence. Surely, I am no longer a man. I am merely a cosmic vessel for all that control this world.

I have no control. The abhorrent choruses still sing inharmoniously into my head, knocking and shrieking! Cthulhu fhtagn! I’m losing my senses to the incantations of the primordial stars. It won’t be long now.

But I must try--… no… I must regain myself! I am a man! I am the President of the free world!

Ph’nglui... escape this house at R’lyeh!

I cannot.. wgah’nagl fhtagn!

Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn!

title: The Strings and the Vessel

question:
Answer the following question based on the above passage:

Summarize the progression of the narrator's condition.

answer: The narrator starts off brushing his teeth and reciting idiom, but abruptly awakens to find himself captive to instruments used for nefarious schemes. Unbeknownst to him, dark forces were steering him towards hellish rituals long before he became the president. As his condition worsens, the narrator senses that something is wrong, but before he fully understands the extent of the problem, he has lost control to ancient terrors beyond time. He is no longer a man, but merely a vessel for these forces. Cthulhu fhtagn!

answer: On some unspecified day in the past, the narrator was appointed president where he represented the ideals of the light (represented by rationality and science) in the murky sea of politics. The eons-old miasma began to encroach on his political career, which he interpreted as getting bogged down in corruption. With the encouragement of his advisors, he came in contact with some individuals practicing dark, occult rituals, allying himself with their cause because, as the narrator saw it, "it was the honorable thing to do." The narrator's corruption was only gradual, at first. He started with the occult,  which he could not have known to be evil, and progressively came closer to the demonic and monstrous. Ironically, the demons he came to imitate, whispering in his mind, shaping his thoughts, and creeping into his body, are the very worst kind of monsters.

answer: As the narrator grew in authority, they began to be contacted by secretive individuals. Parasites infested the narrator's body. The parasites take control of the narrator, who becomes a prisoner in their own body. They lose their senses and their sense of self.

answer: The narrator starts panicking because he has started to lose his rationality. He has the feeling that he is no longer the President of the free world and that he has to regain control of himself. Later, he confronts the miasma inside and tries to scream.

answer: The narrator initially operated solely on his own decisions, but his condition gradually progressed until he became a vessel for other entities to influence him. This slows down his ability to reason and assumes control over his bodily movements. He realizes that entities have taken over him and now he can only try to fight back. Ultimately, his condition leaves him imprisoned by creatures from another realm.

question:
Answer the following question based on the above passage:

What does the story say about the theme of control?

answer: The theme of control in this story is one of power under duress. A main character who was once in control of their life and their destiny has now lost that control to shadowy figures manipulating their movements. The consequence is that the main character is now under the control of something much more powerful than they are and they are powerless to fight back.

answer: The narrator represents a seated politician, who's about to lose control over their senses because of the same powers the author often uses in the creation of notable horror, Ph'nglui. The powers in question are unparalleled, and the narrator recognises an ontological truth they have not yet grasped. Personally, there is no reality apart from the authors reach, and their thoughts dictate the self-worth of what is considered a reality. In this case, the narrator should be thankful that they undergo complete mental reprogramming, as a political reality is not the same as a planetary one. So, the narrator will pick up a mirror of their soul, morphing as they please, to suit the needs of their position. They had been warned but failed to heed these warnings. They weren't able to resist the isms of black magic dancing around their reality.

answer: The narrator strived for control, attaining the position of President of the free world. But even in that position of power, the narrator was susceptible to outside forces beyond the realm of humanity. The ultimate theme seems to be that no human is above the control of the forces of nature.

answer: The setting of the story is in Lovecraft's style, which is dark and twisted. H.P. Lovecraft has a great deal of writing on this theme of control, and this text seems to be building on that writing. The narrator feels as though their soul is at the whim of a powerful force or entity, and they are completely under the power of it.

answer: The theme of control in this story is that it is an illusion. The main character has lost his control and has become a vessel of sinister forces taking schemes. All he can do is desperately try to regain control to prevent the worst. Control is a crucial aspect of the human condition, and without it, people are powerless.

question:
Answer the following question based on the above passage:

What does the story say about the narrator's free will?

answer: The story suggests that the narrator has lost all control over his actions as a result of participating in Necronomican rituals. The narrator is no longer in control of his thoughts, body, or actions. The actions being taken by the narrator now are dictated by shadowy forces that he cannot see or understand. At best, the narrator has a fleeting moment of sanity and self-awareness, but this is quickly eroded by the forces controlling his body. Without his free will, the narrator is stripped of his identity as a man and is defined solely by the creatures living within him.

text: The model wrongly spells Necronomicon in the first line of the answer.

refinement: The story suggests that the narrator has lost all control over his actions as a result of participating in Necronomicon rituals. The narrator is no longer in control of his thoughts, body, or activities. The steps being taken by the narrator now are dictated by shadowy forces that he cannot see or understand. At best, the narrator has a fleeting moment of sanity and self-awareness, but this is quickly eroded by the forces controlling his body. Without his free will, the narrator is stripped of his identity as a man and is defined solely by the creatures living within him.

answer: No answer

text: Empty response.

refinement: The story suggests that the narrator has lost all control over his actions due to participating in Necronomicon rituals. The narrator is no longer in control of his thoughts, body, or activities. The measures being taken by the narrator now are dictated by shadowy forces that he cannot see or understand. At best, the narrator has a fleeting moment of sanity and self-awareness, but this is quickly eroded by the forces controlling his body. Without his free will, the narrator is stripped of his identity as a man and is defined solely by the creatures living within him.

answer: The story indicates that the narrator has lost his free will to his mysterious masters who are manipulating him with strings. His identity and sense of self has been replaced with an empty vessel manipulated by treacherous eldritch beings.

answer: The narrator started losing his free will when he ignored warnings about the Cthulhu mythology and commenced his journey into the knowledge of it. Up until then, he believed he was making the best choice for his country. It's possible he may not have been making these choices if he had been less trusting of politicians in the past.

answer: The story seems to question whether the narrator has any free will. The narrator doubts that they are still themselves. They believe their actions are controlled by the parasites and that they are merely a vessel.


text:
ZUBY NEHTY () are an all-female underground rock group from the Czech Republic.

History

The band formed under the name Plyn in 1980. Plyn played concerts at the 007 Club Strahov, 011 Club Strahov (where they also practised for a while in the mid-to-late 1980s), Euridika, and at alternative rock festivals.[1] After being blacklisted in 1983, they changed their name to Dybbuk and released their first EP on Panton Records[2] in 1986.

In 1987, they changed their name again to Zuby nehty (“Tooth and Nail”). Pavla Jonssonová and Marka Míková started the band with poet Naďa Bilincová. Tomáš Mika and Michal Pokorný joined on saxophones and Jan Lorenc on drums. This formation performed at Slunecnice and Lucerna. Mira Wanek of Už jsme doma proposed in 1991 to produce Dybbuk songs for Punc, and the original lineup (Marka Míková, Kateřina Jirčíková, Pavla Slabá (Jonssonová), Hana Řepová, and Eva Trnková) decided to continue with a new repertoire. The band toured Europe, especially Germany. The first Zuby nehty album _Utíkej_ (Run) came out in 1993, followed by _Král vysílá své vojsko_ (The king sends out his army) in 1995, _Dítkám_ (For the children) in 1997, and _Loď odplouvá_ (The ship is sailing away) in 1999. The band produced a film and several videos for Czech TV, theater soundtracks, and a book of poetry for the underground publishing house Mata.

In 2000, Zuby nehty stopped rehearsing and met occasionally to record soundtracks for Míková's theatrical productions. In 2003, Indies Records released the double CD _Best of ... & Rarity_. The group played on special occasions, e.g. the release of the digitalized film _Hudba Praha 85_ at Archa Theatre, various benefits, and festivals like Mikulov and Unijazz events. In 2010, the decision was made to start rehearsing and playing concerts again. Romek Hanzlik's agency AMP signed the band to regular concerts. The band undertook a US tour in the fall of 2010, including a concert in the annual Czech street festival in New York City on October 2.

In 2014, they released the album _Kusy_ (Pieces).

Zuby nehty has connections with the progressive rock group Už jsme doma: saxophonist Alice Flesarová was once a member of UJD, and UJD's leader Miroslav Wanek produced some of their albums. Pavla Jonssonová has taught and researched gender studies[3] since 1993. Drummer Jana Modráčková went on to play trumpet for Traband and drums for Klec.

Members

Current members

-   Pavla Jonssonová (was Slabá, _née_ Fediuková) – guitar, bass guitar, vocals (1980–1998, 2010–present)
-   Hanka Řepová (_née_ Kubíčková) – drums, vocals (1980–1997, 2010–present)
-   Marka Míková (_née_ Horáková) – keyboard, piano, bass guitar, vocals (1980–2000, 2010–present)
-   Kateřina Jirčíková (_née_ Nejepsová) – alto saxophone, flute, vocals (1983–1988, 1991–1997, 2010–present)

Former members

-   Renata Špičanová – saxophone (1980–1981)
-   Dáša Seidlová – drums (1980–1981)
-   Vendula Kašpárková – keyboard (1981–1983)
-   Eva Trnková – guitar (1985–1988)
-   Naďa Bilincová – guitar (1988–1990)
-   Tomáš Mika – saxophone (1988–1990)
-   Michal Pokorný – saxophone (1988–1990)
-   Jan Lorenc – drums (1988–1990)
-   Michal Lang – drums (1988–1990)
-   Alice Flesarová (_née_ Kalousková) – alto saxophone, vocals (1991–1997)
-   Klára Valentová – violin (1994–1997)
-   Petr Svoboda – drums (1997)
-   Jana Modráčková – drums (1997–2000)
-   Martin Černý – bass guitar (1998–2000)
-   Jaroslav Svoboda – guitar (1998–2000)

Discography

Albums

-   _Ale čert to vem_ (under the name Dybbuk, 1991; re-issued as _Poletíme_ in 1998)
-   _Utíkej_ (1993)
-   _Král vysílá své vojsko_ (1995)
-   _Dítkám_ (1997)
-   _Loď odplouvá_ (1999)
-   _Best of ... & Rarity_ (2003)
-   _Kusy_ (2014)

Compilation appearances

-   _Czech Alternative Music Vol. IV_ (“Ven paca” from _Dítkám_, 1998)
-   _Indies Records 2004 and Best of 15 Years_ (“Kobylka” from _Král vysílá své vojsko_, 2004)

Other

-   _Live 85 Volume 1_ (under the name Plyn/Dybbuk, 1985)
-   _Rock Debut 1_ (under the name Dybbuk, 1986)

[1]

[2]

[3]

title: Zuby Nehty

question:
Answer the following question based on the above passage:

Summarize the highlights of Zuby Nehty.

answer: Zuby Nehty were a rock group from the Czech Republic. They were formed in 1980 under the name Plyn. After being blacklisted in 1983, they changed their name to Dybbuk and released their first EP in 1986. In 1987, they changed their name to Zuby Nehty. The band has toured Europe, especially Germany. They released several albums, including "Ale čert to vem" under the name Dybbuk, "Utíkej" in 1993, "Král vysílá své vojsko" in 1995, "Dítkám" in 1997, and "Loď odplouvá" in 1999.

answer: All-female underground rock group. Formed in the Czech Republic in 1980. Blacklisted in 1983. Name change in 1987. Formed by women rockers Pavla Jonssonova and Marka Mika.

text: Omits one initiating member

refinement: All-female underground rock group. Formed in the Czech Republic in 1980. Blacklisted in 1983. Name change in 1987. Formed by women rockers Pavla Jonssonova and Marka Mika with poet Naďa Bilincová.

answer: They were a rock group from the Czech Republic. They played at the 007 Club Strahov, 011 Club Strahov (where they also practiced for a while in the mid-to-late 1980s), Euridika, and at alternative rock festivals. They played on special occasions as well as festivals. In 2000, they stopped rehearsing, but they played on special occasions, concerts, and festivals. From 2010-present, they perform regularly on tours and European festivals. In 2014, they released their album Kusy.

text: This doesn't cover the highlights

refinement: The band formed under the name Plyn in 1980. After being blacklisted in 1983, they changed their name to Dybbuk and released their first EP on Panton Records[2] in 1986. In 1987, they changed their name again to Zuby nehty. The band toured Europe, especially Germany. The first Zuby nehty album _Utíkej_ (Run) came out in 1993. They produced a film and several videos for Czech TV, theater soundtracks, and a book of poetry for the underground publishing house Mata.

answer: Zuby Nehty is an all-female underground rock group from the Czech Republic. They formed under the name Plyn in 1980. They were blacklisted in 1983, and changed their name to Dybbuk in 1986. In 1987, they changed their name to Zuby Nehty. They toured Europe, including Germany, and released several albums. They stopped rehearsing in 2000, and met occasionally to record soundtracks for Míková's theatrical productions. In 2010, they started rehearsing again, and AMP signed them to regular concerts. They released the album Kusy in 2014. They also have connections with the progressive rock group Už jsme doma.

answer: They were a rock group from the Czech Republic. They played at the 007 Club Strahov, 011 Club Strahov (where they also practiced for a while in the mid-to-late 1980s), Euridika, and at alternative rock festivals. They played on special occasions as well as festivals. In 2000, they stopped rehearsing, but they played on special occasions, concerts, and festivals.

answer: Zuby Nehty is an all-female underground rock group from the Czech Republic. They formed under the name Plyn in 1980. They were blacklisted in 1983, and changed their name to Dybbuk in 1986. In 1987, they changed their name to Zuby Nehty. They toured Europe, including Germany, and released several albums. They stopped rehearsing in 2000, and met occasionally to record soundtracks for Míková's theatrical productions. In 2010, they started rehearsing again, and AMP signed them to regular concerts. They released the album Kusy in 2014.

answer: All-female underground rock group. Formed in the Czech Republic in 1980. Blacklisted in 1983. Name change in 1987. Formed by women rockers Pavla Jonssonova and Marka Mika. The band released several albums throughout the 1980s, 1990s, and 2000s. In 2010, the band reformed and resumed playing concerts. In 2014, they released the album "Kusy."

text: Omits the poet

refinement: All-female underground rock group. Formed in the Czech Republic in 1980. Blacklisted in 1983. Name change in 1987. Formed by women rockers Pavla Jonssonova and Marka Mika with poet Naďa Bilincová. The band released several albums throughout the 1980s, 1990s, and 2000s. In 2010, the band reformed and resumed playing concerts. In 2014, they released the album "Kusy."

question:
Answer the following question based on the above passage:

Summarize the band's political leanings and messaging.

answer: No answer

answer: The band's political leanings and messaging is not mentioned in the article.

answer: No answer

answer: No answer

answer: No answer

answer: There is no answer because the article does not mention anything about political leanings and messaging.

question:
Answer the following question based on the above passage:

Summarize the influence of the band on current alternative music.

answer: There is no information on the influence of the band on current alternative music.

answer: The band has connections with the progressive rock group Už jsme doma.

answer: The band has influenced Czech alternative music with several musicians coming from the band and continuing in their style.

answer: No answer

answer: No answer

answer: No answer

answer: No answer

answer: The band has gone through several iterations and lineup changes since its formation in 1980, culminating in its first US tour, culminating in its first US tour since 2010 and their 2014 album Kusy (Pieces). They have also ventured into digital media and published a book of poetry for the underground publishing house Mata.

text: Repetition

refinement: The band has gone through several iterations and lineup changes since its formation in 1980, culminating in its first US tour since 2010 and their 2014 album Kusy (Pieces). They have also ventured into digital media and published a book of poetry for the underground publishing house Mata.


text:
My throat was parched, probably due to those kinds of nights. Maybe I didn’t want to rise from those blankets that kept whispering through friction of the textile. Sleep a while longer, It beckoned.

Not today, I replied. Aching muscles hindered too many quick movements; a slow, subtle, fluent motion of my legs escaped the entangling snares of the sheets. The cold wood floor grazed my toes. With a drop of my heels, I felt a jolt of electricity shoot up my legs and into my chest. Mornings were not pleasant. A ray of light emitted through the gap between the window and the bamboo shutters. That light enjoyed blinding me as I rose each morning from my zombified state. My head tilted backwards to experience the new, cloying fragrance that had begun to become more noticeable over the hours.

It was not long before I finally traversed through several open archways into the too-well-lit kitchen. The numbers on the digital stove clock read 9:42. School had started almost nearly an hour ago, but this did not issue me. A late night gave me permission to pass out in my clothes from the night before. Because of the awkwardness of my situation, I had no hunger to spare to the enticing boxes of cereal resting atop my pantry. I directed my attention away and to the high-top Nikes which were always cherished. They slipped on as easily as normal with the laces tucked away underneath the tongue. My bag was packed from the night before and sat in the entryway awaiting to be hoisted as a fisher would his net filled bountifully. I neared the door and extended my arm as if to shake the hand of a friend whom you would be saying your formal goodbye to.

The crisp morning air irritated my throat. I would not be outside for more than a few minutes, meaning the raspiness would soon suffice. While taking my beginning steps towards the gate, I reached for the rusting bar weathered for years. It flaked under the pressure of my fingers brushing it ever so lightly. I pushed the gate back and lifted the latch to close it.

I made my way to the intersection. Cars whizzed past in a fury of nerves and melted rubber. A passage cleared when a good samaritan of a driver paused his actions at the stop sign to part the asphalt sea. My first steps across the crosswalk felt awkward as I focused on the question of if I walk differently than others. The school was within my sight at this time.

Steps taken up to the doors seemed to take longer than usual. Nerves, I thought to myself. Before I reached the doors, the bell had rung. I wouldn’t have to bother any classes this way, good. When I pulled opened the doors, through the window I caught glimpse of figures travelling each to their own destinations. What a shame most of them won’t make it there.

With the office-room on my left, I eased forwards. Around the corner and down the hall I crept. Faces turned; their white-washed faces eyed me down. Bodies parted just as the cars had as I passed. My shirt was still bloodstained; when I walked, my shirt felt as if it were rusting while flakes of dried blood floated to the cold slated linoleum floors. I unzipped the backpack from left to halfway up the top. the sound of zippers always amused me. the way I would vigorously snap my hand back and forth would entertain both my friends and I alike. It’s such a shame how my mother never saw the little things which caused my teacher to give me the look of irritation. What a shame she was no longer. As I dug deep into my bag, eyes not once gazed away. My hand felt the cold metal; its barrel laid in my palm. When I knelt on my right knee, I extended my other arm into the pack and felt for the grip of the handle. Sliding my fingers around it, my forefinger clutched around the trigger. I had made sure to load the magazine the night before after I had dealt with my mother who was still lying happily on the ground back at home. This was my opportunity to give all these people what they truly deserve: alleviation from the horrors of life.

title: [MF] Last Night: Fixed

question:
Answer the following question based on the above passage:

What reason does the story give regarding why the narrator shot his mother?

answer: No answer

answer: It seemed bad enough to the narrator that she was no longer there.

text: The answer is nonsensical.

text: The answer is empty. There's no answer to the question in the text.

answer: It is unstated.

answer: He killed his mother because he was bored, and his mother was no longer around taking care of his every need.

text: The answer is made up. There's no reason mentioned in the story.

answer: The narrator shot his mother because he was bored, and his mother was no longer around taking care of his every need.

question:
Answer the following question based on the above passage:

What does the story say was the narrator's motivation for planning to kill his classmates in school?

answer: No answer

answer: The disrepair of the main character's house could be due to his mother's untimely death. After enduring the anguish and long weeks of grieving, the main character snaps and decides to kill everyone he crosses paths with, especially his classmates. He notes how the bullies pass judgement and make fun of him because he arrived at school still clad with dried blood. He was late so no teacher notices it. He had just dealt with his mother who was lying on the ground as he loaded a gun before traveling to school. He planned on giving all the suffering people what they deserved-a meager relief from their miseries by killing them all.

text: The answer makes up details and claims while the story doesn't have any reason for the narrator's motivation to shoot his classmates.

answer: No answer

answer: It appears like the narrator wanted to end the lives of his classmates because his mother is no longer and he blames the school's teachers and other students. Although the story doesn't emphasize anything specifically, but it seems like the narrator is bothered by his fellow students who "stare at him" after he walks out of class with bloodstained shirt.

answer: The disrepair of the main character's house could be due to his mother's untimely death. After enduring the anguish and long weeks of grieving, the main character decides to kill everyone he crosses paths with, especially his classmates. He notes how the bullies pass judgement and make fun of him because he arrived at school still clad with dried blood. He was late so no teacher notices it. He had just dealt with his mother who was lying on the ground as he loaded a gun before traveling to school. He planned on giving all the suffering people what they deserved-a meager relief from their miseries by killing them all.


text:
JOAN OF ARMAGNAC (French: _Jeanne d'Armagnac_; 24 June 1346 – 1387) was a French noblewoman of the Armagnac family, being the eldest daughter of Count John I of Armagnac and his wife Beatrice of Clermont. She became Duchess of Berry by her marriage to John, Duke of Berry in 1360.

Marriage and issue

She married John, Duke of Berry, son of John II of France and his first wife Bonne of Bohemia. Joanna and John had five children:

-   Charles of Berry, Count of Montpensier (1362–1382)
-   John de Valois, Count of Montpensier, (1363–1402), married Princess Catherine of France, daughter of Charles V, King of France
-   Louis of Berry (1364–1383)
-   Bonne of Berry (1365–1435), married Amadeus VII of Savoy and Bernard VII, Count of Armagnac
-   Marie of Berry, Duchess of Auvergne (1367–1434), married: 1) Louis III of Châtillon, 2) Philip of Artois, Count of Eu; 3) John I, Duke of Bourbon

Her daughter, Marie was the mother of Bonne of Artois, second wife to Philip the Good, Duke of Burgundy. Joanna's daughter, also called Bonne, was the mother of Antipope Felix V.

title: Joan of Armagnac

question:
Answer the following question based on the above passage:

Who were Joan's parents?

answer: Joan was the daughter of Robert III of Clermont.

text: Incorrect--this name is not even mentioned in the article.

refinement: Joan was the daughter of Count John I of Armagnac and Beatrice of Clermont.

answer: Joan was the daughter of Count John I of Armagnac and his wife Beatrice of Clermont.

answer: Count John I of Armagnac and Beatrice of Clermont

answer: Joan's parents were Count John I of Armagnac and Beatrice of Clermont.

answer: Joan's parents were Count John I of Armagnac and his wife Beatrice of Clermont.

question:
Answer the following question based on the above passage:

Who did Joan marry?

answer: Joan married John, Duke of Berry.

answer: Joan married John, Duke of Berry.

answer: Joan married John, Duke of Berry.

answer: Joan married John, the Duke of Berry. He was the son of John II of France and his first wife Bonne of Bohemia.

answer: Joan married John, the Duke of Berry.

question:
Answer the following question based on the above passage:

How many children did she have with John?

answer: She had five children: Charles of Berry, Count of Montpensier, John de Valois, Count of Montpensier, Louis of Berry, Bonne of Berry, and Marie of Berry, Duchess of Auvergne.

text: Punctuation could be clearer.

refinement: She had five children: Charles of Berry, Count of Montpensier; John de Valois, Count of Montpensier; Louis of Berry; Bonne of Berry; and Marie of Berry, Duchess of Auvergne.

text: "Joanna and John had five children" is evidence that Joan had five children.

answer: Joan and John had five children.

text: "Joanna and John had five children" is evidence that Joan had five children.

answer: Five children

text: "Joanna and John had five children" is evidence that Joan had five children.

answer: Five.

text: "Joanna and John had five children" is evidence that Joan had five children.

answer: She had five children.

text: "Joanna and John had five children" is evidence that Joan had five children.

question:
Answer the following question based on the above passage:

When was Joan born?

answer: 24 June 1346.

answer: Joan of Armagnac was born on 24 June 1346.

answer: 24 June 1346.

answer: June 24, 1346.

answer: She was born on 24 June 1346.

question: Write a ~4 sentence summary.

answer: Joan of Armagnac was a French noblewoman who married John, Duke of Berry in 1360. Together they had five children, including Charles of Berry, Count of Montpensier. Joan's daughter, Marie, was the mother of Bonne of Artois, second wife to Philip the Good, Duke of Burgundy.

answer:
Joan of Armagnac was a French noblewoman. She became a Duchess of Berry after her marriage to John, the Duke of Berry. This was John's second marriage, he was already married to Bonne of Bohemia.

Joan and John had five children.

answer: Joan of Armagnac was a French noblewoman who married John, Duke of Berry in 1360. They had five children together, including Charles of Berry, Count of Montpensier. Joan's daughter, Bonne, was the mother of Antipope Felix V.

answer: Joan of Armagnac - also known as Jeanne d'Armagnac - was a French noblewoman of the Armagnac family. She married John, Duke of Berry and bore five children. Her daughter married Louis III of Châtillon and Philip of Artois. She fathered Antipope Felix V. She died in 1387.

answer: Joan of Armagnac was a French noblewoman who was the eldest daughter of Count John I of Armagnac and his wife Beatrice of Clermont. She became Duchess of Berry by marrying John, Duke of Berry in 1360. She married John II of France and his first wife Bonne of Bohemia's son, John, Duke of Berry. From this marriage she gave birth to five children.

text: She did not marry Jogn II of France and his wife, rather, she married their son.

refinement: Joan of Armagnac was a French noblewoman who was the eldest daughter of Count John I of Armagnac and his wife Beatrice of Clermont. She became Duchess of Berry by marrying John, Duke of Berry in 1360. Duke of Berry. From this marriage she gave birth to five children.


text:
Last checked: Nov 24th, 2020 |

Pawilony is the area of little bars at the back of Nowy Świat street. Only a small gate divides this place from the touristy Royal Route. It’s a perfect place to go before clubbing or to have a beer with an old friend. When I meet my friends we never talk about where we should go, we automatically come here. Sometimes it’s a big surprise for us, that we ended up in Pawilony without having planned it beforehand.

Every little bar of Pawilony is cozy and has got the same structure (2 floors, bar counter on the ground floor and toilets downstairs) but every single one’s a bit different. Precedens is fairy-like, Klaps is naughty and erotic, Femme Fatale’s downstairs looks like a tropical island. Beer costs around PLN 8 everywhere, but the cheapest one was always in Oranż (it’s worth ordering a pitcher of beer). In Klaps you can buy an interesting shot called “Ruska Heroina”(“Russian Heroine”) including absinthe and kahlua.

In each pub there are little inspiring details like a wallpaper of comics in a toilet in Pewex, a big fur orange in Oranż and a lot of cat figures in Kociarnia. For me the most charming is Klaps with its erotic gadgets: vibrators as door-handles and an entire wall decorated with casts of boobs used as lamps.

In Pawilony there is also one Chinese bar, 4 shisha bars, one general shop and a lamp shop (why not?)

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question:
Answer the following question based on the above passage:

What is Pawilony?

answer: Pawilony is a collection of small bars located at the back of Nowy Świat Street. Each bar has the same basic structure, but each one has unique characteristics. Beer costs approximately PLN 8 per pint in all bars, and the cheapest beer can be found at Oranż. Each bar contains small details and fixtures which make them uniquely charming. There is also a Chinese bar, four shisha bars, and a lamp shop in Pawilony.

text: Pawilony is the area of little bars at the back of Nowy Świat street.

answer: An area of little bars at the back of Nowy Świat street.

text: Pawilony is the area of little bars at the back of Nowy Świat street.

answer: The area of little bars at the back of Nowy Świat street.

text: Pawilony is the area of little bars at the back of Nowy Świat street.

answer: It is an area of little bars at the back of Nowy Świat street.

text: Pawilony is the area of little bars at the back of Nowy Świat street.

answer: Pawilony is a small area of bars near Nowy Świat street in Warsaw. Each bar has its own unique features such as a fairy-like feel in Precedens or erotic gadgets in Klaps. Beer is relatively affordable to buy and there are a variety of different bars to choose from.

text: Pawilony is the area of little bars at the back of Nowy Świat street.

question:
Answer the following question based on the above passage:

List some bars in Pawilony.

answer: Precedens, Klaps, Femme Fatale, Oranż, Pewex, Kociarnia.

answer: Oranż, Pewex, Klaps, Femme Fatale, and Kociarnia

answer: Oranż, Klaps, Pewex, Femme Fatale

answer: Pawilon. Oranż. Klaps. Femme Fatale. Pewex. Kociarna.

answer: Oranż, Klaps, Pewex, Femme Fatale.

question:
Answer the following question based on the above passage:

How many bars in total are mentioned in the article?

answer: There are five bars mentioned in the article.

text: I counted 11 if you include the Chinese bar and the shisha bars.

refinement: There are six bars mentioned in the article-eleven if you count the unnamed mentions at the end.

answer: 5

text: I counted 11 bars.

refinement: There are six bars mentioned in the article-eleven if you count the unnamed mentions at the end.

answer: 4

text: There are six bars mentioned in the article-eleven if you count the unnamed mentions at the end.

refinement: There are six bars mentioned in the article-eleven if you count the unnamed mentions at the end.

answer: Nine.

text: I'm not sure where 5+5=9?

refinement: There are six bars mentioned in the article-eleven if you count the unnamed mentions at the end.

answer: Eleven (six named bars, one Chinese bar, and four shisha bars)

question:
Answer the following question based on the above passage:

What country is Pawilony located in?

answer: That information can't be found.

text: This is accurate, but you can ascertain based on the final sentence of the entire text that it might be Poland, as Warsaw is referenced.

refinement: The article doesn't state this information outright, but it does mention Warsaw, which is in Poland, so one could assume this street is in Poland.

answer: That information can't be found

text: This is accurate, but you can ascertain based on the final sentence of the entire text that it might be Poland, as Warsaw is referenced.

refinement: The article doesn't state this information outright, but it does mention Warsaw, which is in Poland, so one could assume this street is in Poland.

answer: Poland.

answer: The text doesn't mention any particular country.

text: This is accurate, but you can ascertain based on the final sentence of the entire text that it might be Poland, as Warsaw is referenced.

refinement: The article doesn't state this information outright, but it does mention Warsaw, which is in Poland, so one could assume this street is in Poland.

answer: Poland.

question: Write a ~3 sentence summary.

answer: This post describes Pawilony, a bar area of Nowy Stef now Spiegieta 8a that appeals to students, tourists, and locals. It mentions various bars, and what they offer. Lastly, it describes some of the interesting decor and inspirational items.

answer: This article is about Pawilony, an area of little bars located at the back of Nowy Świat street. The bars are all cozy with a similar structure (2 floors, bar counter on the ground floor, and toilets downstairs). The one the author finds most charming is Klaps, which uses vibrators as door-handles and has a wall decorated with casts of breasts.

answer: Pawilony is the area of little bars at the back of Nowy Świat street and is accessible from the touristy Royal Route. Every little bar has two floors but is unique in its ambience and decor. Pewex, Klaps, Femme Fatale, and Oranż are included in the write-up.

answer: Pawilony is the area near Nowy Świat street full of cozy little bars. It's a perfect place to grab a beer or have a drink before going clubbing. Each bar has its own unique character with unique little details like vibrators as door-handles and lamp casts made from boobs.

answer: Pawilony is the area of little bars close to the Royal Route. Every pub has its own unique charms- from fairy-like touches to a wall covered in cast busts used as lamps. Beer costs around PLN 8 per drink, and there are 4 shisha bars and a general shop on site.


text:
JULIAN DASHPER (29 February 1960 in Auckland, New Zealand – 30 July 2009), was regarded as one of New Zealand's most well known contemporary artists.

In 2001 he was awarded a senior Fulbright fellowship to be based as an artist in residence at the Chinati Foundation in Marfa, Texas. Dashper's work from the last 25 years has recently been the subject of a major touring retrospective in America (the first ever such exhibition for a resident New Zealand artist),[1] curated by Christopher Cook and David Raskin.[2]

Dashper's work focuses on the histories, theories and more general or popular ideas of abstraction (in particular abstract painting), conceptualism and minimalism as a working methodology. The geographical positioning of New Zealand globally and how this country receives and disseminates visual information is also a core subject in Dashper's work.[3] His practice manifests itself in various forms, including paintings, unique photographs of paintings, found objects which he infuses with abstract images, various multiples plus limited edition CD and 12" polycarbonate recordings of impromptu performances he has been involved with or heavily orchestrated. He has also produced a number of video works, some of which document or describe his installations, painting and audio recordings.[4] In 2016, arts organisation Circuit commissioned George Clark to curate a programme of moving image works, titled _This is not film-making_, which invited artists Gavin Hipkins, Juliet Carpenter and Gregory Kan, Daniel Malone, Louise Menzies and Nathan Gray to make works that respond to Dashper's own writings.[5]

Respectful, even affectionate references to local culture and art history are always present in Dashper's work, whilst his own adaptations of abstraction, conceptualism and minimalism fully acknowledge their lineage within international art. As curator (and director of the Adam Art Gallery in Wellington) Christina Barton expresses it, Dashper has _“the unique perspective of attending to an internationalist art history from a distance, enabling him to devise strategies to work around his geographical isolation whilst simultaneously articulating its effects.”_[6] Dashper is represented in all the major public collections in New Zealand: MCA, Sydney; Ludwig Forum für Internationale Kunst, Aachen, Germany; Sheldon Museum of Art, Lincoln, Nebraska; The University of Auckland Art Collection; Ulrich Museum of Art, Wichita, Kansas and the Stedelijk Museum in Amsterdam.

Visiting scholar at the University of Sydney in 2008, Dashper lived in Auckland and travelled regularly. His first New Zealand retrospective, _Julian Dashper: Professional Practice_, was held at the Gus Fisher Gallery in 2010.

[]

_UNTITLED (THE WARRIORS)_ 1998. Vinyl on drumheads with junior drumkit. Dimensions variable. Courtesy of the artist, Sue Crockford Gallery, Auckland and Kaliman Gallery, Sydney. Photo by Ashley Barber.

Copyright Julian Dashper

This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) who owns copyright of the original has the exclusive right to authorise derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture to illustrate the three-dimensional work of art in question, to discuss the artistic genre or technique of the work of art or to discuss the artist or the school to which the artist belongs on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation, qualifies as fair use under United States copyright law. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. To the uploader: please add a detailed fair use rationale for each use as well as copyright information on the original artwork.

[1]

[2]

[3]

[4]

[5]

[6]

title: Julian Dashper

question:
Answer the following question based on the above passage:

How are digital images treated in the United States in terms of copyright and ownership?

answer: The creator of an image has the rights to the image only as long as they claim copyright, otherwise anyone else is free to use it without needing to ask permission of the creator.

answer: Based on the copyright text that follows the description text for an image of The Warriors (1998), it appears that in the United States, copyrights are observed in the pages of the English-language Wikipedia page. In this specific case, since the image comes from an uploader, it is the uploader's responsibility to ensure that copyright laws are followed.

answer: It might be implied that there are certain statutes in place when it comes to the United States copyright laws.

answer: In the United States, a digital image of a copyrighted work such as a sculpture, statute or other work of art is subject to copyright law. According to US copyright law (the 1976 US Copyright Act, § 106(2) ), the person who owns the original copyright has the exclusive right to authorise derivative works. Under fair use guidelines ( § 107), reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. However, any other uses of the image may constitute copyright infringement. To avoid any infringement, it is advised to conduct research on the original work and adhere to fair use guidelines when needed.

answer: Digital images of copyrighted sculptures, statues or other three-dimensional works of art are considered derivative works of art and as such they are protected under United States Copyright Act of 1976 § 106(2). Fair use according to § 107 is believed to allow for the use of such images for criticism, comment, teaching and scholarship though this use must be scrutinized to ensure it qualifies as fair use under United States copyright law.


text:
[]A bombshell report about Robert Mueller’s investigation rocked Washington.

Pundits and insiders were floored.

And now Mueller is on thin ice because no one could believe what he uncovered.

Mueller met with Trump’s lawyers to try and hash out an agreement for the special counsel’s team to interview the President.

The special counsel revealed that they would like the interview so they can wrap up a report about possible obstruction of justice and would release their findings in stages.

_The Washington Post_ reports:

  _“Mueller’s investigators have indicated to the president’s legal team that they are considering writing reports on their findings in stages — with the first report focused on the obstruction issue, according to two people briefed on the discussions._

  _Under special counsel regulations, Mueller is required to report his conclusions confidentially to Deputy Attorney General Rod J. Rosenstein, who has the authority to decide whether to release the information publicly._

  _“They’ve said they want to write a report on this — to answer the public’s questions — and they need the president’s interview as the last step,” one person familiar with the discussions said of Mueller’s team._

  _Trump’s attorneys expect the president would also face questions about what he knew about any contacts by his associates with Russians officials and emissaries in 2016, several White House advisers said. The president’s allies believe a second report detailing the special counsel’s findings on Russia’s interference would be issued later.”_

Mueller also informed Trump’s attorneys that the President was a subject and not a target of their investigation.

This means that after a nearly year-long fishing expedition, Mueller has not uncovered any evidence to charge the President with a crime.

Instead of sitting for an interview, Trump should demand Mueller wrap up his probe and clear him.

The only purpose of an interview is to catch Trump in a “perjury trap.”

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[ ]

That means if in the course of an interview Trump misremembers who attended a meeting or what was discussed, Mueller can claim he lied to investigators and present that to Congress as grounds for impeachment.

Mueller was put into place to bring down the President.

And the establishment will not be satisfied with him coming up empty.

We will keep you up to date on any new developments in this story.

question: Who is Robert Mueller?

answer: Robert Mueller is the special counsel appointed to investigate possible collusion between the Trump campaign and Russia.

text: "The special counsel revealed that they would like the interview so they can wrap up a report about possible obstruction of justice" is evidence that Mueller is the special counsel investigating Trump

answer: He is the special counsel for the Department of Justice.

answer: He is the special counsel investigating the Trump administration.

text: "agreement for the special counsel’s team to interview the President" is evidence Mueller is appointed special counsel to investigate Trump.

answer: Robert Mueller is a special counsel who is investigating possible obstruction of justice by President Trump.

text: "agreement for the special counsel’s team to interview the President" is evidence Mueller is appointed special counsel to investigate Trump.

question: What is his investigation all about?

answer: Mueller is investigating possible obstruction of justice and would release their findings in stages.

text: It misses to mention that the obstruction focuses on President Trump.

refinement: Mueller is investigating Trump for possible obstruction of justice and would release their findings in stages.

text: "report about possible obstruction of justice" is evidence that the investigation is about possible obstruction of justice

answer: Whether President Trump is liable for obstruction of justice and if he knew if his associates had any contact with Russian officials and emissaries involved in interfering with the 2016 election.

text: "questions about what he knew about any contacts by his associates with Russians officials and emissaries in 2016" is evidence that the investigation is about whether Trump knew about any contacts with Russian officials.

text: "report about possible obstruction of justice" is evidence that the investigation is about possible obstruction of justice

answer: The special counsel's investigation is focused on possible obstruction of justice by President Trump.

text: "report about possible obstruction of justice" is evidence that the investigation is about possible obstruction of justice

answer: Mueller's investigation is about possible obstruction of justice and would release their findings in stages.

text: It misses to mention that the obstruction focuses on President Trump.

refinement: Mueller's investigation is about possible obstruction of justice by President Trump and would release their findings in stages.

text: "report about possible obstruction of justice" is evidence that the investigation is about possible obstruction of justice

question: Who is Rod J. Rosenstein?

answer: Rosenstein is the Deputy Attorney General.

text: It misses to mention that Rosenstein also has the authority to decide whether to release the information publicly

refinement: Rosenstein is the Deputy Attorney General and has the authority to decide whether to release the information publicly.

text: "Deputy Attorney General Rod J. Rosenstein, who has the authority to decide whether to release the information publicly" is evidence that Rosenstein is Deputy Attorney General

answer: He's the Deputy Attorney General whom Mueller is required to report his conclusions and has the authority to decide whether to release the information publicly.

text: "Deputy Attorney General Rod J. Rosenstein, who has the authority to decide whether to release the information publicly" is evidence of Rosenstein being Deputy Attorney General who has the hightest authority to decide whether to release the information publicly.

answer: According to the passage, Rod J. Rosenstein is the Deputy Attorney General who has the authority to decide whether or not to release information about the special counsel's findings publicly.

text: "Deputy Attorney General Rod J. Rosenstein, who has the authority to decide whether to release the information publicly" is evidence of Rosenstein being Deputy Attorney General who has the hightest authority to decide whether to release the information publicly.

answer: He is the Deputy Attorney General.

text: It misses to mention that Rosenstein also has the authority to decide whether to release the information publicly

refinement: He is the Deputy Attorney General and has the authority to decide whether to release the information publicly.

text: "Deputy Attorney General Rod J. Rosenstein, who has the authority to decide whether to release the information publicly" is evidence that Rosenstein is Deputy Attorney General

question: Why does Mueller want to interview Trump?

answer: Mueller wants to interview Trump to wrap up a report about possible obstruction of justice and would release their findings in stages.

text: "The special counsel revealed that they would like the interview so they can wrap up a report about possible obstruction of justice and would release their findings in stages" is evidence that Mueller wants to interview Trump to wrap up a report about possible obstruction of justice.

answer: Mueller wants to interview Trump in order to complete his investigation into possible obstruction of justice.

text: "The special counsel revealed that they would like the interview so they can wrap up a report about possible obstruction of justice and would release their findings in stages" is evidence that Mueller wants to interview Trump to wrap up a report about possible obstruction of justice.

answer: Mueller wants to interview Trump to wrap up a report about possible obstruction of justice and would release their findings in stages.

text: "The special counsel revealed that they would like the interview so they can wrap up a report about possible obstruction of justice and would release their findings in stages" is evidence that Mueller wants to interview Trump to wrap up a report about possible obstruction of justice.

answer: The special counsel says the president's interview is the final step, but the author believes the interview is to catch Trump in a "perjury trap" wherein if Trump misremembers a detail during the course of the interview, Mueller can claim he lied to investigators, which is grounds for impeachment.

text: The answer misses to directly mention why Mueller wants to interview Trump and instead focuses on the author's thoughts.

refinement: Mueller wants to interview Trump to wrap up a report about possible obstruction of justice and would release their findings in stages.

question: Write a ~4 sentence summary.

answer: According to the Washington Post, Robert Mueller's investigation into possible obstruction of justice by President Trump has hit a snag, as Trump's lawyers are reluctant to let him be interviewed. Mueller has reportedly informed Trump's attorneys that the President is not a target of the investigation, but that he wants to interview Trump to wrap up his probe. However, Trump's lawyers are wary of Mueller setting up a "perjury trap" and believe that the special counsel is trying to bring down the President.

text: There is no evidence that suggests Trump's lawyers are wary of a "perjury trap". It is the author's comments.

refinement: According to the Washington Post, Robert Mueller's investigation into possible obstruction of justice by President Trump has hit a snag, as Trump's lawyers are reluctant to let him be interviewed. Mueller has reportedly informed Trump's attorneys that the President is not a target of the investigation, but that he wants to interview Trump to wrap up his probe. However, the author of the post is wary of Mueller setting up a "perjury trap" and believe that the special counsel is trying to bring down the President.

answer: Special counsel Robert Mueller's investigation into Russian interference in the 2016 elections is wrapping up. His team needs to interview President Trump as the last step before writing a report to answer the public's questions. Under special counsel regulations, Mueller is required to report his conclusions to Deputy Attorney General Rod J. Rosenstein, who has the authority to decide whether to release the information publicly. However, Trump's legal team feels that the interview is a "perjury trap" wherein if Trump misremembers a detail during the course of the interview, Mueller can claim he lied to investigators, which is grounds for impeachment.

text: There is no evidence that suggests Trump's lawyers are wary of a "perjury trap". It is the author's comments.

refinement: Special counsel Robert Mueller's investigation into Russian interference in the 2016 elections is wrapping up. His team needs to interview President Trump as the last step before writing a report to answer the public's questions. Under special counsel regulations, Mueller is required to report his conclusions to Deputy Attorney General Rod J. Rosenstein, who has the authority to decide whether to release the information publicly. However, the author of the post feels that the interview is a "perjury trap" wherein if Trump misremembers a detail during the course of the interview, Mueller can claim he lied to investigators, which is grounds for impeachment.

answer: Robert Mueller's investigation into possible obstruction of justice by President Trump is on thin ice. Mueller met with Trump's lawyers to try and hash out an agreement for the special counsel's team to interview the President. The special counsel revealed that they would like the interview so they can wrap up a report about possible obstruction of justice and would release their findings in stages. Trump's attorneys expect the president would also face questions about what he knew about any contacts by his associates with Russians officials and emissaries in 2016.

answer: Robert Mueller's investigation into the Trump campaign has been going on for nearly a year. Trump's lawyers met with Mueller to try and hash out an agreement for the special counsel's team to interview the President. Mueller revealed that they would like the interview so they can wrap up a report about possible obstruction of justice and would release their findings in stages. Trump's attorneys expect the president would also face questions about what he knew about any contacts by his associates with Russians officials and emissaries in 2016.


text:
PUNTA LAUREL is a town and corregimiento in Bocas del Toro District, Bocas del Toro Province, Panama. It has a land area of and had a population of 1,730 as of 2010, giving it a population density of .[1] Its population as of 1990 was 692; its population as of 2000 was 966.[2]

[1]

[2]

title: Punta Laurel

question:
Answer the following question based on the above passage:

Where is Punta Laurel located?

answer: It is located in Province, Panama.

text: BOCAS DEL TORO PROVINCE

refinement: It is located in Bocas del Toro Province, Panama.

answer: Punta Laurel is located in Bocas del Toro Province, Panama.

answer: Panama

answer: Punta Laurel is located in Bocas del Toro Province, Panama.

answer: It is located in Panama.

question:
Answer the following question based on the above passage:

As of 2010, what is the population of Punta Laurel?

answer: The population of Punta Laurel is 1,730.

text: Give q context.

refinement: The population of Punta Laurel is 1,730, as of 2010.

answer: The population of Punta Laurel is 1,730.

text: Give q context

refinement: The population of Punta Laurel is 1,730, as of 2010.

answer: As of 2010, the population of Punta Laurel was 1,730.

answer: 1730.

answer: The population of Punta Laurel is 1,730.

text: Give q context

refinement: The population of Punta Laurel is 1,730 as of 2010.

question:
Answer the following question based on the above passage:

What was the population of Punta Laurel in 2000?

answer: The population of Punta Laurel in 2000 was 966.

answer: The population of Punta Laurel in 2000 was 966.

answer: In 2000, the population of Punta Laurel was 966.

answer: It had a population of Punta Laurel 966 in 2000.

text: Remove Punta Laurel

answer: Punta Laurel had a population of 966 in 2000.

question:
Answer the following question based on the above passage:

How can you describe what Punta Laurel is?

answer: It is a town and a corregimiento in Panama.

answer: It is a town and corregimiento in Bocas del Toro District, Bocas del Toro Province, Panama.

answer: It is described as a town

answer: Punta Laurel is a town and corregimiento. The town has a population of 1,730 and is located in Bocas del Toro Province, Panama.

answer: Punta Laurel is a town and corregimiento in Bocas del Toro District, Bocas del Toro Province, Panama. It has a population of 1,730.

question: Write a ~1 sentence summary.

answer: Punta Laurel is a town and corregimiento in Bocas del Toro District in Panama. It has a population of 1,730 and was founded in the late 1980's.

text: Nothing about the 1980s in the article

refinement: Punta Laurel is a town and corregimiento in Bocas del Toro District in Panama. It has a population of 1,730.

answer: This article describes the town of Punta Laurel in Panama, along with its population through the decades.

answer: Punta Laurel is a small town in Panama.

answer: Punta Laurel is a town and corregnimiento in Bocas del Toro District, located in Bocas del Toro Province. It had a population of 1,730 as of 2010.

answer: Punta Laurel is a town in Bocas del Toro District and Bocas del Toro Province in Panama.