text:
The timer for the food began to beep. Emma was preparing dinner for the soon to be arriving Kindle. I had to make my move soon. Kindle, should have found my useless clue by now and should be making the drive back home. As I climbed the stairs I heard Emma running towards the television. I cracked the door to get a better look at the situation at hand. Emma was looking under the couch cushions, under the dining table, through the ruffles of papers on the coffee table. Sweat started to form on my palms. Had I been had? It must’ve been the loud thump. She was looking for a gun. I opened the door and started walking towards her. She found was she was looking for: The Remote. I slid into the velvet curtain awaiting her next move. She pushed the volume on the remote and turned the television up.

“This is too easy,” I chuckled

She had been watching a popular television singing show and her favorite guy had just come on. He was singing my anthem; Mad World by Gary Jules.

“All around me are familiar faces…,” the words echoed throughout the house. I came out from the curtains and Emma let out a scream. I loved it when they screamed. I tackled her to the ground and covered her mouth with a towel filled with Ethanol. “Their tears are filling up their glasses...No expression, no expression…” she was passed out and the best part was coming. I stood up and went to grab a dark sheet from the linen closet. This was bound to get messy, and I didn’t want to ruin their white carpet. With my knife in hand, I went back towards Emma. The dog was on her know growling fiercely towards me. German Sheppard’s are ferocious dogs, luckily I had prepared for this. As the dog lunged towards me I side-stepped and stabbed it in the neck. “Hide my head I want drown my sorrow…” The blood from the dog splattered on the white carpet. I knew I had very little time left, therefore I didn’t bother cleaning out the blood. I laid the sheet down and placed Emma on top of it. I drew the lines which I was going to cut with a marker. I was all set up. My hand went up into the air. The door swung wide open and Kindle was there with a gun pointed at my head. “Look right through me, Look right through me…”

“You’re surrounded Jason,” he said “Just put down the knife and everything will be alright Jason,”

He made a promise a person of my intelligence knew he wouldn’t be able to fulfill. He was ruining my puzzle. I glanced into Kindles eyes and smiled. The knife came down and Emma’s blood splattered all over my face. Kindle’s face grew fierce as he pulled the trigger. Over and over the sound of bullets firing rang throughout the house. One hit my arm the others landed in various places throughout my back. The pain of smoldering metal melting through your skin is unfathomable. I fell over on my back as Kindle rushed to the aid of his wife. She was gone, my cut had been fatal. There I lay disappointed that my puzzle didn’t go as planned. “I find it kind of funny; I find it kind of sad the dreams in which I’m dying are the best I’ve ever had…”

The bus had come to a stop and the puddle of blood coming from my nose had grew from a small circle to a decent size pond. It didn’t matter how much blood I lost though. Soon enough, it would be meaningless. The guards carried me onto the stretcher that was being used to put me to rest. There I lay on the stretcher, reminiscing about all of my puzzles that would be left unsolved. They wheeled me into the observations room. I figured there would quite a crowd to see my death.

“How many people are here,” I asked Kindle

“Enough to see you burn in hell,” he said

“But, I’ve been saved, I have found Christ,” I said returning the same mocking smile he had given me earlier. I knew he was a Christian and deathbed repentance was a common practice they believed in.

“I’m glad those are going to be you’re last words,” he said as he stuffed a white rag into my mouth. A blindfold was then put to cover my eyes. I didn’t understand. I knew I was being sentenced to death, but I was being put to death by lethal injection. They stretchered me into a room and then sat me upright. Something was not right; I had to figure this out. They unstrapped me from the stretcher and strapped me into a wooden chair.

“Everyone out,” Kindle said.

The anticipation was overcoming me I had to figure this last puzzle out. I heard the door close and lock. I was left alone. I couldn’t understand what was happening. The aroma of the room slowly started to change. Pipes started to hiss and valves were being released. I started to kick and scream, I didn’t want it to end this way. I had figured out the last puzzle. I was sentenced to death; death by gas chamber.

title: The Puzzler Part 2

question:
Answer the following question based on the above passage:

Summarize the acts of violence committed by Jason.

answer: The dog is stabbed by Jason. Emma is killed with a knife.

text: The model's answer is insufficient and doesn't thoroughly describe Jason's acts of violence as they appear in the story. The model should include more relevant details for a thorough understanding.

refinement: Jason snuck into Emma and Kindle's house. After emerging from behind the curtains, scaring Emma, he first tackled her to the floor and then stabbed their dog in the neck when it lunged at him. He then laid a sheet down and set up a pattern of lines with a marker. When Kindle arrived with a gun, he ordered Jason to surrender. However, Jason proceeded to stab Emma with a knife. Following this, Kindle shot Jason. Finally, Jason is sentenced to death by gas chamber.

answer: Jason first tackles Emma to the floor and then stabs their dog in the neck. He then lays a sheet down and sets up a pattern of lines with a marker. When Kindle arrives with a gun, Jason kills Emma with a knife. Following this, Kindle shoots Jason. Finally, Jason is sentenced to death by gas chamber.

answer: Jason kills his wife, Emma, by cutting her during sex. He kills their dog, Shadow. He cuts the criminals, Kindle and his crew. He cuts his own leather. He fatally stabs Kindle's wife.

text: The model stated that Emma was Jason's wife, which is inaccurate. Secondly, another inaccurate mention is the dog's name. The story does not identify Emma's dog as Shadow. Thirdly, the model also stated that Jason cuts Kindle and his crew and cuts his own leather. These sentences are highly inaccurate and not according to the story. The model ought to pay attention to details in the story to give accurate answers.

refinement: Jason snuck into Emma and Kindle's house. After emerging from behind the curtains, scaring Emma, he first tackled her to the floor and then stabbed their dog in the neck when it lunged at him. He then laid a sheet down and set up a pattern of lines with a marker. When Kindle arrived with a gun, he ordered Jason to surrender. However, Jason fatally stabbed Emma, Kindle's wife. Following this, Kindle shot Jason. Finally, Jason is sentenced to death by gas chamber.

answer: Jason committed several violent acts, including violently tackling Emma, stabbing their dog and stabbing or shooting Kindle and Emma both. He will ultimately be executed by lethal gas.

text: The model incorrectly mentions that Jason stabbed or shot both Kindle and Emma. However, the model ought to accurately and succinctly state how the violent act went down according to how it was stated in the story.

refinement: Jason committed several violent acts. Such acts included violently tackling Emma with a towel doused in ethanol, stabbing their dog in the neck, and eventually fatally stabbing Emma before Kindle disarmed him. He was ultimately executed by lethal gas.

answer: Jason tackles Emma to the ground and covers her mouth with a towel doused in Ethanol. He then stabs the dog in the neck. Finally, he stabs Emma, killing her.

question:
Answer the following question based on the above passage:

Summarize Kindle's actions in the story.

answer: At the start of the story, Kindle sets off to chase after and catch the killer, Jason. Jason hears Emma turn up the volume on the television and eavesdrops on her as she looks for a gun. When he takes down Emma, she's knocked unconscious and killed with a knife. Then, when Kindle arrives and finds Emma dead, he points a gun at Jason and fires several shots into him. However, it turns out that Jason was sentenced to death by gas chamber, and the killer is ultimately killed by lethal gas.

text: The answer ought to indicate that Jason initially thought she was looking for a gun, whereas, it was a remote she was looking for.

refinement: At the start of the story, Kindle sets off to chase after and catch the killer, Jason. Jason finds Emma searching around the house for something and worries she might be looking for a gun. However, he discovers she was looking for the TV remote and hears her turn up the volume on the television. When he takes down Emma, she's knocked unconscious and killed with a knife. Then, when Kindle arrives and finds Emma dead, he points a gun at Jason and fires several shots into him. However, it turns out that Jason was sentenced to death by gas chamber, and the killer is ultimately killed by lethal gas.

text: The answer fails to mention that Jason first tackled Emma to the ground and knocked her unconscious with a towel doused in ethanol. It also fails to indicate that Jason killed Emma after Kindle arrived and tried to get him to surrender his act.

refinement: At the start of the story, Kindle sets off to chase after and catch the killer, Jason. Jason finds Emma searching around the house for something and worries she might be looking for a gun. However, he discovers she was looking for the TV remote and hears her turn up the volume on the television. When he tackles Emma to the ground, she's knocked unconscious with a towel doused in ethanol. Then, Kindle arrives and orders Jason to surrender. However, Jason proceeds to fatally stab Emma. Kindle points a gun at Jason and fires several shots into him. However, it turns out that Jason was sentenced to death by gas chamber, and the killer is ultimately killed by lethal gas.

text: The concluding line of the answer is redundant. It already mentions how Jason died, yet, the model still repeats how he died. The model should eliminate the redundancy.

refinement: At the start of the story, Kindle sets off to chase after and catch the killer, Jason. Jason finds Emma searching around the house for something and worries she might be looking for a gun. However, he discovers that she was looking for the TV remote and hears her turn up the volume on the television. When Jason tackles Emma to the ground, she's knocked unconscious with a towel doused in ethanol. Then, Kindle arrives and orders Jason to surrender. However, Jason proceeds to fatally stab Emma. Following this, Kindle points a gun at Jason and fires several shots into him to disarm him. Eventually, Jason is sentenced to death in a gas chamber, and killed by lethal gas.

answer: Kindle follows Jason's misleading clue, and returns home afterwards. When he returns home, he finds Jason murdering his wife and shoots Jason. He then rushes to the aid of his wife. He accompanies Jason as he's taken to the observation room and is glad to hear Jason claims to have found Christ. He then gags and blindfolds Jason and orders everyone out of the room. He then has Jason killed via gas chamber.

text: The answer fails to mention that Kindle found Jason about to murder his wife. Kindle shot Jason after he had murdered his wife in his presence. The response should be precisely as it appears in the story.

refinement: Kindle follows Jason's misleading clue and returns home afterward. On getting home, he finds Jason about to murder his wife, whom he rendered unconscious. He orders Jason to surrender, but Jason succeeds in killing Emma. Kindle shoots Jason to disarm him and then rushes to the aid of his wife. Later, he accompanies Jason as he's taken to the observation room and is glad to hear his claims to have found Christ. Kindle gags and blindfolds Jason and orders everyone out of the room. He then has Jason killed via gas chamber.

answer: Kindle frees Jason's restraints as Jason is being detained in the ambulance to move both him and his wounded/possibly dead wife to the station. Kindle lets Jason believe that he would be given a way to undo his actions, only to find out he meant death by gas chamber.

text: The answer omits to mention how Kindle arrested Jason in the first place and the events that followed. This answer should replace the inaccurate statements and incorporate the right details from the story to accurately answer the question.

refinement: Kindle follows Jason's misleading clue and returns home afterward. On getting home, he finds Jason about to murder his wife, whom he rendered unconscious. He orders Jason to surrender, but Jason succeeds in killing Emma. Kindle shoots Jason to disarm him and then rushes to the aid of his wife. Later, he accompanies Jason as he's taken to the observation room and is glad to hear his claims to have found Christ. Kindle gags and blindfolds Jason and orders everyone out of the room. He then has Jason killed via gas chamber.

answer: Kindle gets home from work. He sees Jason is here, and he suggest that Jason surrender his knife and everything will be alright. It becomes clear there is no talking Jason out of murdering Emma. Kindle's anger grows at this refusal, and he calms down to try and reason with Jason again. It becomes clear that Jason wants to kill Kindle too, and the police arrive to shoot Jason. It's Kindle who shoots Jason in order to save Emma, who's fatally wounded.

text: The answer mentions that Kindle got home from work, meanwhile, the story does not indicate so. It also omits that Kindle's anger grows fierce after Jason murders his wife. Again, Jason did not attempt to kill Kindle, at least not according to the story. Finally, Jason didn't wound Emma, he killed her. The model's response ought to include the necessary relevant details that correctly answer the question.

refinement: When Kindle arrived home, he finds Jason in his home about to murder Emma, his wife. He suggests that he should surrender his knife, promising him that everything will be alright. It becomes clear that there is no talking Jason out of murdering Emma as he stabs and kills her. Kindle's anger grows fierce, and he shoots Jason to disarm him before running to his wife's aide. They eventually execute Jason by lethal gas in a gas chamber.

answer: In the story, Kindle finds the clue with Jason's anthem and heads back home to confront him. When he arrives, Jason confronts Emma and tackles her to the ground. She passes out and Jason stabs her with a knife, killing her. Kindle arrives and shoots at Jason, who then realizes that he is sentenced to death by gas chamber.

text: The model's response is incorrect and not in harmony with the story. The model does not write its answers chronologically and logically as it appears in the story. The answer should include the details that led to Kindle arresting Jason.

refinement: Kindle sets off to chase after and catch the killer, Jason. When Kindle gets home, he finds Jason in his home and suggests that he should surrender his knife, promising him that everything will be alright. It becomes clear that there is no talking Jason out of murdering Emma as he stabs and kills her. Following this, Kindle points a gun at Jason and fires several shots into him to disarm him before running to his wife's aide. Eventually, guards wheel Jason on a stretcher to an observations room, and then a gas chamber where they kill him with lethal gas.

question:
Answer the following question based on the above passage:

Summarize the deaths that occur over the course of the story.

answer: Jason kills Emma with a knife and stabs a dog. Jason is shot by enemy agents after Emma's death.

text: The model's answer is insufficient. It omits how Jason tackled Emma before killing her. It also fails to mention how he is executed by the law. These details should be present in the answer.

refinement: Firstly, Jason attacks Emma by rendering her unconscious with a towel doused in ethanol. He then stabs their family German Shephard. Afterward, Jason kills Emma with a knife in the presence of her husband. Kindle, Emma's husband, shoots Jason, wounding him before the guards kill him by lethal gas at a gas chamber.

answer: Jason kills Emma's dog by stabbing it in the neck. He then kills Emma by stabbing her. Finally, Jason himself is sentenced to death by gas chamber.

answer: Jason kills Emma with a knife. He also kills their dog, Emma's rescuers don't know. Kindle shoots and kills Jason as a revenge for his wife's death.

text: The answer ought not to mention that Emma's rescuers were not aware of their dog's death. This piece of information is irrelevant.

refinement: Jason kills Emma with a knife. He also kills their dog. Kindle shoots and kills Jason as a revenge for his wife's death.

text: Kindle did not shoot and kill Jason as revenge for killing his wife. The answer fails to mention how Jason died.

refinement: Jason kills Emma with a knife. He also kills their dog. Immediately, Kindle shoots Jason to disarm him after he killed his wife. Following this, Jason is sentenced to death by lethal gas in a gas chamber.

text: The answer fails to mention how Jason killed the dog and should reference this in its answer.

refinement: Jason kills Emma with a knife. He also kills their dog by stabbing it in the neck. Immediately, Kindle shoots Jason to disarm him after he killed his wife. Following this, Jason is sentenced to death by lethal gas in a gas chamber.

text: The answer is not written chronologically as it appears in the story. The model does not show the order in which the deaths occur. The model should rewrite its answer chronologically.

refinement: Jason attacks Emma with a towel immersed in ethanol and renders her unconscious. After, their German Shephard lunges at him to attack, but he stabs it in the neck with a knife. Soon afterward, Jason stabs and kills Emma in Kindle's presence, and he shoots Jason to disarm him. Following this, Jason is sentenced to death by lethal gas in a gas chamber.

answer: The villain kills Emma by strangling her with a towel covered in ethanol. The villain then stabs the villain's German Shepherd in the neck and fatally stabs Emma with a knife. The villain is sentenced to death by gas chamber. Upon realization of this, the villain makes a last attempt to escape but is unsuccessful. The villain is killed by the gas chamber.

text: 'The villain' is used too often in the answer, whereas the story mentions his name.

refinement: Jason kills Emma by strangling her with a towel covered in ethanol. Jason then stabs Jason's German Shepherd in the neck and fatally stabs Emma with a knife. Jason is sentenced to death by gas chamber. Upon realization of this, Jason makes a last attempt to escape but is unsuccessful. Jason is killed by the gas chamber.

text: Jason stabbed Emma's dog and not his. The model should correct this inaccuracy. Also, the concluding part of the answer is highly inaccurate and redundant and should be eliminated.

refinement: Jason kills Emma by strangling her with a towel covered in ethanol. Jason then stabs Emma's German Shepherd in the neck and then stabs her with a knife, killing her. Eventually, Jason is sentenced to death by lethal gas in a gas chamber.

text: Emma didn't die from strangulation. The model omits that Jason stabbed and killed her and should include this in its answer for accuracy.

refinement: Jason attacks Emma with a towel covered in ethanol, knocking her out. Jason then stabs Emma's German Shepherd in the neck and then stabs her with a knife, killing her. Eventually, Jason is sentenced to death by lethal gas in a gas chamber.

answer: In the story, the main character, Jason, murders Emma, Kindle's wife, by stabbing her with a knife. Jason then stabs the family dog and attacks Kindle, who shoots Jason multiple times. Jason dies in the gas chamber.

text: The answer is not written chronologically according to how it occurred in the story. The story also does not mention that Jason attacked Kindle. The model should get its facts right.

refinement: In the story, the main character, Jason, attacks Kindle's wife, Emma, and renders her unconscious. He then stabs and kills the German Shephard. After that, he kills Emma by stabbing her with a knife. Eventually, Jason dies in the gas chamber.


split: train

text:
WILLIAM (BILL) R. DUNLAP is an American artist, writer, and arts commentator on Washington, DC's flagship PBS station, WETA-TV. With a career that has spanned more than four decades, his large scale narrative paintings and constructions concern themselves with history, allegory and the art making process. “Hypothetical Realism” is a term Dunlap coined to describe his work in both the visual arts and fiction - “the places and things I paint and describe are not real, but they could be.” Dunlap is an avid and accomplished printmaker as well as painter, sculptor and photographer. His work is included in collections such as the New York's Metropolitan Museum of Art, The National Gallery of Art in Washington, DC, Mississippi Museum of Art Turchin Center for the Visual Arts, Lauren Rogers Museum of Art, Ogden Museum of Southern Art , Riggs Bank, IBM Corporation, Federal Express, The Equitable Collection, Arkansas Art Center, the United States State Department, and United States Embassies throughout the world.[1] Dunlap is also the author of _Short Mean Fiction_ (), published April 1, 2016 by Nautilus Press, a collection of 15 stories with excerpts from sketchbooks which read “like tales from the Old Testament rampant with sex violence and death.”

Life

William Dunlap was born in Houston, Mississippi on January 21, 1944. He has a degree from the University of Mississippi, and taught at Appalachian State University in North Carolina from 1970 to 1979 and Memphis State University from 1979 to 1980. He has lectured on art related subjects at colleges, universities, institutions and professional conferences. He serves as arts commentator on WETA-TV's cultural round table show, “Around Town.” He currently maintains studios in McLean, Virginia, Mathiston, Mississippi and Coral Gables, Florida.[2]

Art

Dunlap classifies his artistic style as hypothetical realism. He has co-curated several exhibitions at the Meridian International Center in Washington, D.C. including A Winding River: Contemporary Painting from Vietnam and Outward Bound: American Art on the Brink of the 21st Century. Currently, he is working on a third exhibition to open at the Meridian International Center that focuses on contemporary Cuban paintings.[3]

Solo exhibitions

-   Corcoran Gallery of Art
-   National Academy of Science
-   Aspen Museum of Art
-   Southeastern Center for Contemporary Art
-   Museum of Western Virginia
-   Albany Museum of Art
-   Cheekwood Fine Arts Center
-   Mint Museum of Art
-   Mississippi Museum of Art
-   Contemporary Arts Center-New Orleans, LA

Current Representation

-   Art Cellar Gallery, Banner Elk, NC
-   Southside Gallery, Oxford, MS
-   Soren Christensen Gallery, New Orleans, LA
-   Catherine Kelleghan Gallery
-   Greg Thompson Fine Art, North Little Rock, Arkansas

Awards and Fellowships

-   Rockefeller Foundation
-   Lila Wallace Foundation for study and travel in Southeast Asia
-   Warhol Foundation, Virginia Commission for the Arts
-   Mississippi Institute of Arts and Letters
-   Southeastern Center for Contemporary Art/RJR Nabisco Visual Artists Award
-   The Mississippi Governor's Award for Excellence in the Arts.[4]

Panorama of the American Landscape, his fourteen panel, 112 feet long cyclorama painting depicting a contemporary view of the Shenandoah Valley in summer and the Antietam battlefield in winter, was commissioned for the Rotunda Gallery at the Corcoran Gallery of Art in 1985, but since its debut has been shown in nearly a dozen American museums and art centers, its most recent venue being the Chrysler Museum in Norfolk, VA. In addition, Reconstructed Recollections and In the Spirit of the Land are also exhibitions of Mr. Dunlap's work that continue major tours.[5]

A Winding River: Contemporary Painting from Vietnam, an exhibition he co-curated, opened at the Meridian International Center in Washington, DC during the 1997-98 season and traveled to several American museums. He also co-curated a counterpoint to that project: Outward Bound: American Art on the Brink of the 21st Century which opened at the Meridian International Center as well and is traveling throughout Southeast Asia. Currently, he is working on another exhibition to open at the Meridian International Center, that of contemporary Cuban painting.[6]

Notes

[1] DUNLAP, the comprehensive monograph on the artist's 40 plus year career, published by the University Press of Mississippi, 2006 with foreword by Julia Reed, essay by J. Richard Gruber and statement by the artist. .

[2]

[3]

[4]

[5]

[6]

title: William R. Dunlap

question:
Answer the following question based on the above passage:

Apart from the concept of "Hypothetical Realism", what makes Dunlap's work unique?

answer: Dunlap's work seeks to explore history, allegory and the making process. His work is unique in that it is concerned with the areas of history and making.

text: The response doesn't answer the question of what makes Dunlap's work unique. The text doesn't really mention what makes Dunlap's work unique so the answer should be "That information can't be found."

answer: Dunlap doesn't paint things where they actually are. His places and things may not be real or exist in reality. Rather, they are purported to be real. It is the juxtaposition of hypotheticals when they are related next to each other that makes or offers a degree of fictitious realism. His work is thus a form of fiction.

text: The response describes the concept of "hypothetical realism" and doesn't answer the question of what makes Dunlap's work unique.

answer: William R. Dunlap is an American artist who specializes in large-scale paintings with history and allegory underpinnings. Dunlap called his art process "Hypothetic Realism", describing it as painting what is not real but could be. Apart from this philosophy, Dunlap loves featuring art exhibitions inspired by other cultures. For example, he co-curated an exhibition titled A Winding River: Contemporary Painting from Vietnam in 1997-98. He is presently working on an exhibition featuring Cuban paintings.

text: The response describes William Dunlop in general, not what makes his work unique.

answer: Dunlap's work is distinguishable by its focus on history and allegory. His paintings and constructions take a contemporary view on past events, examining their meaning and reflecting on their implications for the present. He also produces work that considers the role of art within contemporary culture.

text: The response doesn't answer the question.

answer: His work has been commissioned for major collections and museums, and more than 100 exhibitions have been held.

text: The response doesn't answer the question.


text:
The LIGHTHOUSE OF VALE FORMOSO () is a beacon/lighthouse located along the southwestern cliffs of the civil parish of Capelo, in the municipality of Horta, on the Portuguese island of Faial, in the archipelago of the Azores.

History

The lighthouse was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos, following the eruption of the volcano in 1957-1958.[1][2][3]

Architecture

The lighthouse is located along the Capelo peninsula, along the southern coast of the island, approximately southeast of the lighthouse of Capelinhos.[4][5][6]

It consists of a truncated white circular tower constructed of reinforced contract with gallery and small red beacon on its top.[7][8][9] Approximately three storeys tall, each registry is marked by a slitted window, culminating in the top platform with guardrail.

[1]

[2] Edição Atlantic View (2003), p.69

[3] Instituto Hidrográfico (2003), p.154

[4]

[5]

[6]

[7]

[8]

[9]

title: Lighthouse of Vale Formoso

question: What is the Lighthouse of Vale Formoso?

answer: It is a beacon/lighthouse along the southwestern cliffs of the civil parish of Capelo, Horta municipality, Faial island, Azores archipelago, Portugal.

text: "The LIGHTHOUSE OF VALE FORMOSO () is a beacon/lighthouse" is evidence that the Lighthouse of Vale Formoso is a beacon/lighthouse.

answer: A beacon/lighthouse located along the southwestern cliffs of the civil parish of Capelo, in the municipality of Horta, on the Portuguese island of Faial, in the archipelago of the Azores.

text: "The LIGHTHOUSE OF VALE FORMOSO () is a beacon/lighthouse" is evidence that the Lighthouse of Vale Formoso is a beacon/lighthouse.

answer: The Lighthouse of Vale Formoso is a beacon/lighthouse located along the southwestern cliffs of the Capelo peninsula in the municipality of Horta, on the island of Faial in the Azores archipelago.

text: "The LIGHTHOUSE OF VALE FORMOSO () is a beacon/lighthouse" is evidence that the Lighthouse of Vale Formoso is a beacon/lighthouse.

answer: The Lighthouse of Vale Formoso is a beacon/lighthouse located along the southwestern cliffs of the civil parish of Capelo, in the municipality of Horta, on the Portuguese island of Faial, in the archipelago of the Azores.

text: "The LIGHTHOUSE OF VALE FORMOSO () is a beacon/lighthouse" is evidence that the Lighthouse of Vale Formoso is a beacon/lighthouse.

question: Explain the history of the Lighthouse of Vale Formoso.

answer: The Lighthouse of Vale Formoso was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos, following the eruption of the volcano in 1957-1958.

answer: The Lighthouse of Vale Formoso was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos, following the eruption of the volcano in 1957-1958.

answer: The lighthouse was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos after the volcano erupted in 1957-1958.

answer: The Lighthouse of Vale Formoso was constructed to replace the destroyed lighthouse on the promontory of Capelinhos following the eruption of the volcano in 1957-1958. The lighthouse is a white circular tower with a red beacon on top, and is approximately three storeys tall.

text: The description of the whitehouse (that it is a white circular tower) is not relevant to the question.

refinement: The Lighthouse of Vale Formoso was constructed to replace the destroyed lighthouse on the promontory of Capelinhos following the eruption of the volcano in 1957-1958.

question: Describe the Lighthouse of Vale Formoso.

answer: It is a beacon/lighthouse located along the southwestern cliffs of the civil parish of Capelo, in the municipality of Horta, on the Portuguese island of Faial, in the archipelago of the Azores.

text: The answer does not provide a physical description of the lighthouse.

answer: The Lighthouse of Vale Formoso is a white circular tower with a red beacon on top. It is approximately three storeys tall, with slitted windows on each level.

text: Does not mention that the top platform has a guardrail.

refinement: The Lighthouse of Vale Formoso is a white circular tower with a red beacon on top. It is approximately three storeys tall, with slitted windows on each level. The top platform has a guardrail.

text: "It consists of a truncated white circular tower constructed of reinforced contract with gallery and small red beacon on its top" is evidence that the lighthouse is a white circular tower with a red beacon on top.

text: "Approximately three storeys tall, each registry is marked by a slitted window" is evidence that the lighthouse is approximately three storeys tall with slitted windows on each level.

answer: The Lighthouse of Vale Formoso is a white circular tower with a red beacon on its top. It is three storeys tall and has slitted windows.

text: Does not mention the guardrail.

refinement: The Lighthouse of Vale Formoso is a white circular tower with a red beacon on its top. It is three storeys tall and has slitted windows. Its top platform has a guardrail.

text: "It consists of a truncated white circular tower constructed of reinforced contract with gallery and small red beacon on its top" is evidence that the lighthouse is a white circular tower with a red beacon on top.

text: "Approximately three storeys tall, each registry is marked by a slitted window" is evidence that the lighthouse is approximately three storeys tall with slitted windows on each level.

answer: It is approximately three stories tall, consisting of a truncated white circular tower constructed of a reinforced contract with a gallery and a small red beacon on its top. Each registry is marked by a slitted window, culminating in the top platform with a guardrail.

question: Where in the Azores is the Lighthouse of Vale Formoso located?

answer: It is located along the Capelo Peninsula, along the southern coast of the island, approximately southeast of the lighthouse of Capelinhos.

text: Does not mention the specific town (Horta) or island (Faial) on which the lighthouse is located.

refinement: It is located along the Capelo Peninsula, along the southern coast of the island, approximately southeast of the lighthouse of Capelinhos. Its location falls within the municipality of Horta on the island of Faial.

answer: The Lighthouse of Vale Formoso is located on the island of Faial in the Azores archipelago.

text: The answer is not as specific as it could be.

refinement: The Lighthouse of Vale Formoso is located on the southwestern cliffs of the parish of Capelo, in the municipality of Horta on the island of Faial in the Azores archipelago.

text: It does not need to be restated that the island is in the Azorse archipelago, as the question states this.

refinement: The Lighthouse of Vale Formoso is located on the southwestern cliffs of the parish of Capelo, in the municipality of Horta on the island of Faial.

answer: The Lighthouse of Vale Formoso is located on the Portuguese island of Faial, in the archipelago of the Azores.

text: It is not necessary to restate that the lighthouse is located in the archipelago of the Azores.

refinement: The Lighthouse of Vale Formoso is located on the Portuguese island of Faial.

text: The answer could be more specific by stating the municipality and parish.

refinement: The Lighthouse of Vale Formoso is located along the southwestern cliffs of the civil parish of Capelo in the municipality of Horta on the Portuguese island of Faial.

answer: The Lighthouse of Vale Formoso is located on the island of Faial in the Azores.

text: The answer could be more specific by stating the municipality and parish.

refinement: The Lighthouse of Vale Formoso is located along the southwestern cliffs of the civil parish of Capelo in the municipality of Horta on the island of Faial in the Azores.

text: Not necessary to restate that the lighthouse is located in the Azores.

refinement: The Lighthouse of Vale Formoso is located along the southwestern cliffs of the civil parish of Capelo in the municipality of Horta on the island of Faial.

question: Write a ~2 sentence summary.

answer: The Lighthouse of Vale Formoso is a beacon/lighthouse along the southwestern cliffs of the civil parish of Capelo, Horta municipality, Faial island, Azores archipelago, Portugal. The lighthouse is three stories tall, consisting of a truncated white circular tower constructed of a reinforced contract with a gallery and a small red beacon on its top.

text: The answer could mention something about the lighthouse's history.

refinement: The Lighthouse of Vale Formoso is a beacon/lighthouse along the southwestern cliffs of the civil parish of Capelo, Horta municipality, Faial island, Azores archipelago, Portugal. The lighthouse is three stories tall, consisting of a truncated white circular tower constructed of a reinforced contract with a gallery and a small red beacon on its top. It was constructed to substitute a lighthouse that was destroyed in the volcanic eruption of 1957-1958.

answer: The Lighthouse of Vale Formoso is a beacon/lighthouse located along the southwestern cliffs of the civil parish of Capelo, in the municipality of Horta, on the Portuguese island of Faial, in the archipelago of the Azores. The lighthouse was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos, following the eruption of the volcano in 1957-1958. It consists of a truncated white circular tower constructed of reinforced contract with gallery and small red beacon on its top.

answer: The Lighthouse of Vale Formoso is a beacon/lighthouse located along the southwestern cliffs of the civil parish of Capelo, in the municipality of Horta, on the Portuguese island of Faial, in the archipelago of the Azores. It was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos, following the eruption of the volcano in 1957-1958.

text: The answer could describe the architecture.

refinement: The Lighthouse of Vale Formoso is a beacon/lighthouse located along the southwestern cliffs of the civil parish of Capelo, in the municipality of Horta, on the Portuguese island of Faial, in the archipelago of the Azores. It was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos, following the eruption of the volcano in 1957-1958. It is three storeys tall and made of reinforced contract with a gallery and small red beacon on its top.

answer: The Lighthouse of Vale Formoso is a white circular tower located on the southwestern cliffs of Capelo, in the municipality of Horta, on the island of Faial in the Azores. It is three storeys tall and features a red beacon on its top.

text: The answer omits mention of the history of the lighthouse.

refinement: The Lighthouse of Vale Formoso is a white circular tower located on the southwestern cliffs of Capelo, in the municipality of Horta, on the island of Faial in the Azores. It is three storeys tall and features a red beacon on its top. It was constructed to substitute the destroyed lighthouse on the promontory of Capelinhos, following the eruption of the volcano in 1957-1958.


text:
	I had never sat in a cafe and wrote before. It was a phenomenon of Portland and other easy going cities like it: young people, with nothing better to do, would just go to the local cafe and waste the day away at a computer (or typewriter, depending on how hip the cafe was). I had always enjoyed writing, but writer's block had always hit sooner or later, and not a single story was complete so far. So there I was, school had just finished and I felt aimless. I decided to go up to the corner cafe that just opened on my street. It was a cute little green building, hidden between two giant trees, leafless from winter. I stepped inside and instantly, the smell of warm coffee and sandwiches hit my nose. It was like a large living room, soft music was playing, there was a younger Asian guy reading on a green and yellow couch, and a young woman with an apron stood at a front desk. I examined the menu, chose some finger food, and set up my computer to write. Opening up the word program, I see the recent category, filled with the stories I've yet to finish. Looking at all this unfinished work, I promise myself that I will have made something by the end of the day. “I have to”, I tell myself, “I have to finish one damn story”.

	But what do I write about? That's the question I kept asking. Over and over and over, I could not think of one damn thing! I had never had this trouble with technical papers or papers for school, given a topic or general theme, I could do A work every time, but ask me to craft a story and I just can't. It's like my mind hits a brick wall, so much momentum but no progress. I looked for inspiration everywhere, and found none. How do I write about the guy walking his dog past the window I'm sitting at? What is funny or interesting about that?  Nothing, that's what. So I sat there, eating the fries I ordered, trying to get past this mental wall. I put on my headphones, kicked on some MGMT, and thought.

	Time passed, I don't know how long, and I hadn't written a thing. I sat there defeated, the simple objective of writing a story had beat me. I started to gather my things to leave when I noticed something... odd. Everyone was gone. At first I thought that I was simply the last customer, so I packed everything up and went to walk out the door, but it was locked. I didn't remember seeing the waitress lock it, so was puzzling. I tried to undo the bolt, but it was stuck and didn't want to budge. I didn't want to break the lock, so I went to find the waitress, but she was nowhere to be found. In fact, nobody was here, I was the only person in the cafe. Not caring about a stupid lock anymore, I pushed the lock to the breaking point and it finally slid to the open position. I swung the door open.... but there was nothing there. No street, no houses, no trees, just a huge, blank space. I couldn't tell what was up or down, or how far the end was, I had to close the door to keep from throwing up. I was in shock, how could I be seeing everything normal through the window and then... nothing....

	It's been a few days here, and I still don't know what happened. I can't leave, as the outside world only exists through these panes of glass now. Stepping out the front door puts me at the back door, and vice versa.  I can't explain the physics, or what/who put me here, but I know it has something to do with my stories. I have this... I don't know how to explain it.... nagging sensation in the bag of my head. I feel compelled to finish the story I set out to write, 2 days ago, before this all started happening. I set my computer back up, opened up the file, and stared at the page. Before I had come to wherever “this” is, I had deleted everything I had wrote so far, so the page was blank. Once again I asked myself that question: What do I write about?
	I sat and thought about the past two days, all that had happened. It was crazy, like a horror story... story....the realization dawned on me like a sack of hammers, I should write about what had happened! It had everything that I needed for a story, rising action, falling action, plot twists! It just needed two things, an introduction and a conclusion. So I clicked on the word page, flexed my hands, and began to write.

	“I had never sat in a cafe and wrote before.”

title: [MF] The Cafe

question:
Answer the following question based on the above passage:

Summarize the narrator's struggles.

answer: The narrator had always enjoyed writing, but had never completed a story before. Frustrated with writer's block, the narrator decided to go to the cafe to work. There, they could not find inspiration and noticed everyone leaving, with the door locked. Finally, the narrator realized that they should write about what had happened, for it had all the elements of a story. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

text: It is omitted that when the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: The narrator had always enjoyed writing, but had never completed a story before. Frustrated with writer's block, the narrator decided to go to the cafe to work. There, they could not find inspiration and noticed everyone leaving, with the door locked. when the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

text: 'left' instead of 'leaving'.

refinement: The narrator had always enjoyed writing, but had never completed a story before. Frustrated with writer's block, the narrator decided to go to the cafe to work. There, they could not find inspiration and noticed everyone left, with the door locked. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

text: un unnecessary comma after 'writing'.

refinement: The narrator had always enjoyed writing but had never completed a story before. Frustrated with writer's block, the narrator decided to go to the cafe to work. There, they could not find inspiration and noticed everyone left, with the door locked. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

text: It is omitted that the narrator realized that they should write about what had happened, for it had all the elements of a story.

refinement: The narrator had always enjoyed writing but had never completed a story before. Frustrated with writer's block, the narrator decided to go to the cafe to work. There, they could not find inspiration and noticed everyone left, with the door locked. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. Finally, the narrator realized that they should write about what had happened, for it had all the elements of a story. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

answer: The narrator is struggling to think of something to write about in the cafe. The struggled caused them to leave the cafe for a short period of time and come back. Sadly, when they returned to the cafe, everything was gone. This caused the narrator to go lost within themself and in a sense, bloom. They had problems in comprehending what was happening to their surroundings.

text: It is not stated that the narrator left the cafe.

refinement: The narrator is struggling to think of something to write about in the cafe. everything was gone. This caused the narrator to go lost within themself and in a sense, bloom. They had problems in comprehending what was happening to their surroundings.

text: It is omitted that everyone has inexplicably vanished, and the narrator becomes trapped within the cafe and that when the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: The narrator is struggling to think of something to write about in the cafe. Suddenly, they notice that everything was gone. Everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. This caused the narrator to go lost within themself and in a sense, bloom. They had problems in comprehending what was happening to their surroundings.

text: It is unclear that the narrator bloom so I would delete it.

refinement: The narrator is struggling to think of something to write about in the cafe. Suddenly, they notice that everything was gone. Everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. This caused the narrator to go lost within themself. They had problems in comprehending what was happening to their surroundings.

text: It is omitted that the narrator realized that they should write about what had happened, for it had all the elements of a story. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

refinement: The narrator is struggling to think of something to write about in the cafe. Suddenly, they notice that everything was gone. Everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. This caused the narrator to go lost within themself. They had problems in comprehending what was happening to their surroundings. Finally, the narrator realized that they should write about what had happened, for it had all the elements of a story. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

text: I would delete 'in'

refinement: The narrator is struggling to think of something to write about in the cafe. Suddenly, they notice that everything was gone. Everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. This caused the narrator to go lost within themself. They had problems comprehending what was happening to their surroundings. Finally, the narrator realized that they should write about what had happened, for it had all the elements of a story. They began writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

answer: The author (also the narrator) wants to be a writer and now they have found the perfect setting in which to practice their craft: Portland. It's a city that lends itself to the stereotype of young creatives' silent gathering in cafes to commit themselves to their writing. However, the narrator has found that even in this ideal setting, they have a difficult time putting themselves to task.

text: It is omitted that everything desappeared.

refinement: The author (also the narrator) wants to be a writer and now they have found the perfect setting in which to practice their craft: Portland. It's a city that lends itself to the stereotype of young creatives' silent gathering in cafes to commit themselves to their writing. However, the narrator has found that even in this ideal setting, they have a difficult time putting themselves to task. After sitting in a cafe for a while, they suddenly notice that everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

text: It is omitted that they figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

refinement: The author (also the narrator) wants to be a writer and now they have found the perfect setting in which to practice their craft: Portland. It's a city that lends itself to the stereotype of young creatives' silent gathering in cafes to commit themselves to their writing. However, the narrator has found that even in this ideal setting, they have a difficult time putting themselves to task. After sitting in a cafe for a while, they suddenly notice that everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

text: It should be 'the task instead of 'task'.

refinement: The author (also the narrator) wants to be a writer and now they have found the perfect setting in which to practice their craft: Portland. It's a city that lends itself to the stereotype of young creatives' silent gathering in cafes to commit themselves to their writing. However, the narrator has found that even in this ideal setting, they have a difficult time putting themselves to the task. After sitting in a cafe for a while, they suddenly notice that everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

answer: The narrator is trying to write, and everything seems to be against him. He has writer's block, and can't think of a story. The cafe is empty when he begins to write again. He tries to leave, and the cafe door is locked. Eventually he finds himself in the odd and unfamiliar situation he is in today- the cafe doors are the bathroom door, and vice versa.

text: 'he is in today-the cafe doors are the bathroom door, and vice versa' is unclear and should be deleted.

refinement: The narrator is trying to write, and everything seems to be against him. He has writer's block, and can't think of a story. The cafe is empty when he begins to write again. He tries to leave, and the cafe door is locked. Eventually he finds himself in the odd and unfamiliar situation.

text: It is omitted that everyone has inexplicably vanished; when the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: The narrator is trying to write, and everything seems to be against him. He has writer's block, and can't think of a story. Suddenly, everyone has inexplicably vanished. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. The cafe is empty when he begins to write again. He tries to leave, and the cafe door is locked. Eventually he finds himself in the odd and unfamiliar situation.

text: It is omitted that the narrator figures out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

refinement: The narrator is trying to write, and everything seems to be against him. He has writer's block, and can't think of a story. Suddenly, everyone has inexplicably vanished. They try to leave, and the cafe door is locked. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. Eventually he finds himself in the odd and unfamiliar situation. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story. The cafe is empty when he begins to write again.

text: a missing comma after ' Eventually '.

refinement: The narrator is trying to write, and everything seems to be against him. He has writer's block, and can't think of a story. Suddenly, everyone has inexplicably vanished. He tries to leave, and the cafe door is locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. Eventually, he finds himself in the odd and unfamiliar situation. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story. The cafe is empty when he begins to write again.

text: 'an odd' instead of ' the odd'. 'they find' instead of 'he finds'; 'themselves' instead of 'himself'.

refinement: The narrator is trying to write, and everything seems to be against him. He has writer's block, and can't think of a story. Suddenly, everyone has inexplicably vanished. He tries to leave, and the cafe door is locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. Eventually, they find themselves in an odd and unfamiliar situation. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story. The cafe is empty when he begins to write again.

text: It is already said that the cafe is empty when they begins to write again.

refinement: The narrator is trying to write, and everything seems to be against him. He has writer's block, and can't think of a story. Suddenly, everyone has inexplicably vanished. He tries to leave, and the cafe door is locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. Eventually, they find themselves in an odd and unfamiliar situation. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

answer: The narrator has writer's block and hasn't been able to create a story. When he enters the cafe, everyone has inexplicably vanished, and he becomes trapped within the cafe. He figures out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

text: It is omitted that when the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. I

refinement: The narrator has writer's block and hasn't been able to create a story. When he enters the cafe, everyone has inexplicably vanished, and he becomes trapped within the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. He figures out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

text: 'they' instead of 'he' as we do not know if the narrator is male or female.

refinement: The narrator has writer's block and hasn't been able to create a story. When they enter the cafe, everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

text: It is not that everything disappeared when the narrator entered the cafe but later.

refinement: The narrator has writer's block and hasn't been able to create a story. After sitting in the cafe for a while, the narrator notices that everyone has inexplicably vanished, and the narrator becomes trapped within the cafe. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. They figure out that the absence of people is the perfect subject for a story, and begins writing about it. The story provides the rising action, falling action, and plot twists needed to complete a story.

question:
Answer the following question based on the above passage:

Summarize how this struggle is resolved.

answer: After a few days of being a few doors from the cafe, the narrator settles on writing a description of the cafe.

text: The narrator is in the cafe.

refinement: After a few days of being in the cafe, the narrator settles on writing a description of the cafe.

text: The narrator describes what happened in the cafe, not the cafe itself.

text: It is omitted that they noticed everyone left, with the door locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: The narrator notices everyone left, with the door locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space.

text: It is omitted that the narrator realizes that they should write about what had happened, for it had all the elements of a story. They begin writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

refinement: The narrator notices everyone left, with the door locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story. They begin writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

answer: At the start, the protagonist cannot think of a story to write about, but realizes that the strange phenomena that took place should be the focus for their story. She uses these events to create an introduction and conclusion, ultimately resolving the struggle through crafting a story.

text: It is omitted that the narrator notices everyone left, with the door locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: At the start, the protagonist cannot think of a story to write about, but realizes that the strange phenomena that took place should be the focus for their story: the narrator notices everyone left, with the door locked. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. She uses these events to create an introduction and conclusion, ultimately resolving the struggle through crafting a story.

text: It is omitted that the narrator realizes that they should write about what had happened, for it had all the elements of a story. T

refinement: At the start, the protagonist cannot think of a story to write about, but realizes that the strange phenomena that took place should be the focus for their story: the narrator notices everyone left, with the door locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story. She uses these events to create an introduction and conclusion, ultimately resolving the struggle through crafting a story.

answer: The narrator has had writer's block as of late. He decides to head over to a cafe where he had never sat to write before. Even so, he heads in after purposely writing only a single sentence: "I don't know how to explain it.... nagging sensation in the bag of my head. I feel compelled to finish the story I set out to write, 2 days ago, before this all started happening." At the cafe, though, he's stunned to find that nobody is there. He manages to take his own impressions of the place and create more fiction based on what he's feeling.

text: The narrator describes what happened, does not o take his own impressions of the place and creates more fiction based on what he's feeling.

refinement: The narrator has had writer's block as of late. He decides to head over to a cafe where he had never sat to write before. Even so, he heads in after purposely writing only a single sentence: "I don't know how to explain it.... nagging sensation in the bag of my head. I feel compelled to finish the story I set out to write, 2 days ago, before this all started happening." At the cafe, though, he's stunned to find that nobody is there.

text: It is irrelevant and unclear: 'Even so, he heads in after purposely writing only a single sentence: "I don't know how to explain it.... nagging sensation in the bag of my head. I feel compelled to finish the story I set out to write, 2 days ago, before this all started happening." At the cafe, though, he's stunned to find that nobody is there.'.

refinement: The narrator has had writer's block as of late. He decides to head over to a cafe where he had never sat to write before.

text: It is omitted that the narrator notices everyone left, with the door locked. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: The narrator has had writer's block as of late. He decides to head over to a cafe where he had never sat to write before. Suddenly, they notice everyone left, with the door locked. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

text: It is omitted that the narrator realizes that they should write about what had happened, for it had all the elements of a story. They begin writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

refinement: The narrator has had writer's block as of late. He decides to head over to a cafe where he had never sat to write before. Suddenly, they notice everyone left, with the door locked. When the narrator swings the door open, they see that everything disappeared, no street, no houses, no trees, just a huge, blank space. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story. They begin writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

answer: It's not so much that the struggle is resolved in its immediacy-to date, the narrator has produced this piece the reader is reading-but that they are forced to reckon with their writer's block. This is a physical forcing, as they find themselves singularly locked inside the cafe. When they do manage to open the door, there is nothing outside, no end to the blank space stretching before them. The writing piece that the narrator has produced-and that the reader is reading right now-was the ticket out, it seems.

text: It is omitted that the narrator realizes that they should write about what had happened, for it had all the elements of a story. They begin writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

refinement: It's not so much that the struggle is resolved in its immediacy-to date, the narrator has produced this piece the reader is reading-but that they are forced to reckon with their writer's block. This is a physical forcing, as they find themselves singularly locked inside the cafe. When they do manage to open the door, there is nothing outside, no end to the blank space stretching before them. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story. They begin writing, overcoming their initial difficulties, and put their past two days into a cohesive story. The writing piece that the narrator has produced-and that the reader is reading right now-was the ticket out, it seems.

text: It is irrelevant and unclear that the writing piece that the narrator has produced-and that the reader is reading right now-was the ticket out, it seems. I would delete it.

refinement: It's not so much that the struggle is resolved in its immediacy-to date, the narrator has produced this piece the reader is reading-but that they are forced to reckon with their writer's block. This is a physical forcing, as they find themselves singularly locked inside the cafe. When they do manage to open the door, there is nothing outside, no end to the blank space stretching before them. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story. They begin writing, overcoming their initial difficulties, and put their past two days into a cohesive story.

answer: The narrator is unable to find any inspiration to write a story, until she puts on her headphones, hears the music playing, and then realizes everyone is gone. She is left stranded in the cafe with no explanation, and decides to write a story based on her experience in the cafe. She is able to complete it with the help of her introduction and conclusion.

text: It is omitted that when the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: The narrator is unable to find any inspiration to write a story, until she puts on her headphones, hears the music playing, and then realizes everyone is gone. She is left stranded in the cafe with no explanation. When the narrator swings the door open, she sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. They decide to write a story based on her experience in the cafe. She is able to complete it with the help of her introduction and conclusion.

text: Inaccurate. It is stated that they need an introduction and conclusion.

refinement: The narrator is unable to find any inspiration to write a story, until she puts on her headphones, hears the music playing, and then realizes everyone is gone. She is left stranded in the cafe with no explanation. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. They decide to write a story based on her experience in the cafe.

question:
Answer the following question based on the above passage:

Summarize this method of writing.

answer: The narrator seated herself in a cafe and set about writing a story in an effort to overcome writer's block. She was unable to think of anything worth writing about, until she realized the events from the past two days she spent in the cafe would make a suitable story. She set to work crafting an introductory passage and concluding paragraph, and began writing what became her story. This method of writing is focused on overcoming writer's block by converting an unexciting subject into a fulfilling story.

text: The event was exceptional, not unexciting.

refinement: The narrator seated herself in a cafe and set about writing a story in an effort to overcome writer's block. She was unable to think of anything worth writing about, until she realized the events from the past two days she spent in the cafe would make a suitable story. She set to work crafting an introductory passage and concluding paragraph, and began writing what became her story.

text: unnecessary commas after 'about' and 'paragraph'.

refinement: The narrator seated herself in a cafe and set about writing a story in an effort to overcome writer's block. She was unable to think of anything worth writing about until she realized the events from the past two days she spent in the cafe would make a suitable story. She set to work crafting an introductory passage and concluding paragraph and began writing what became her story.

answer: The narrator becomes writer's block while sitting in a cafe. The narrator finds a product of what he wants to write about, a person walking his dog, and finds it is not inspiring. The narrator looks for food and comes to his senses and realize that he is the only one that remains in the cafe. It is then the protagonist is put in a position in which he can no longer leave due to the exterior of the cafe existing only in the cafe's interior .

text: It is inaccurate that the narrator finds a product of what he wants to write about, a person walking his dog.

refinement: The narrator becomes writer's block while sitting in a cafe. The narrator looks for food and comes to his senses and realize that he is the only one that remains in the cafe. It is then the protagonist is put in a position in which he can no longer leave due to the exterior of the cafe existing only in the cafe's interior .

text: It is not stated that the narrator looks for food and comes to his senses

refinement: The narrator becomes writer's block while sitting in a cafe. The narrator realize that he is the only one that remains in the cafe. It is then the protagonist is put in a position in which he can no longer leave due to the exterior of the cafe existing only in the cafe's interior .

text: The last sentence '. It is then the protagonist is put in a position in which he can no longer leave due to the exterior of the cafe existing only in the cafe's interior' is unclear.

refinement: The narrator becomes writer's block while sitting in a cafe. The narrator realize that he is the only one that remains in the cafe.

text: The narrator has writer's block while sitting in a cafe.

refinement: The narrator has writer's block while sitting in a cafe. The narrator realize that he is the only one that remains in the cafe.

text: The narrator comes to the cafe because they have writer's block.

refinement: Frustrated with writer's block, the narrator decided to go to the cafe to work but there. The narrator realize that he is the only one that remains in the cafe.

text: It is omitted that when the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: Frustrated with writer's block, the narrator decided to go to the cafe to work but there. The narrator realize that he is the only one that remains in the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

text: It is omitted that the narrator realizes that they should write about what had happened, for it had all the elements of a story.

refinement: Frustrated with writer's block, the narrator decided to go to the cafe to work but there. The narrator realize that he is the only one that remains in the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story

text: 'realizes' instead of 'realize'.

refinement: Frustrated with writer's block, the narrator decided to go to the cafe to work but there. The narrator realizes that he is the only one that remains in the cafe. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story

answer: As soon as the narrator arrives in the cafe and sets up to write, he has to think of an idea for his story. Everyone had left the cafe and now the narrator was alone in the building.

text: It is omitted that when the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

refinement: As soon as the narrator arrives in the cafe and sets up to write, he has to think of an idea for his story. Everyone had left the cafe and now the narrator was alone in the building. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space.

text: It is omitted that the narrator realizes that they should write about what had happened, for it had all the elements of a story.

refinement: As soon as the narrator arrives in the cafe and sets up to write, he has to think of an idea for his story. Everyone had left the cafe and now the narrator was alone in the building. When the narrator swings the door open, he sees that everything disappeared, no street, no houses, no trees, just a huge, blank space. Finally, the narrator realizes that they should write about what had happened, for it had all the elements of a story.

answer: It seems that this method of writing is very meta. It involves the reader in the process, as the reader's setting eyes on this piece confirms that the author has been set free. There is no longer endless blank space before the narrator, keeping them locked in this minds.

text: 'It seems that this method of writing is very meta' is unclear. I would deleteit.

refinement: It involves the reader in the process, as the reader's setting eyes on this piece confirms that the author has been set free. There is no longer endless blank space before the narrator, keeping them locked in this minds.

text: It is not stated that the method involves the reader in the process, as the reader's setting eyes on this piece confirm that the author has been set free.

refinement: There is no longer endless blank space before the narrator, keeping them locked in this minds.

text: It is omitted that frustrated with writer's block, the narrator decided to go to the cafe to work but there and decides to describe a strange event that happened there.

refinement: Frustrated with writer's block, the narrator decided to go to the cafe to work but there and decides to describe a strange event that happened there. There is no longer endless blank space before the narrator, keeping them locked in this minds.

text: 'in this minds' is unclear.

refinement: Frustrated with writer's block, the narrator decided to go to the cafe to work but there. There is no longer endless blank space before the narrator, keeping them locked.

answer: The writer ventured into a cafe to try and break through writer's block by forcing themselves to start writing. When no inspiration presented itself, the writer realized that their experience in the cafe was an exciting and unusual story that would make for a great story. With only the beginning and the end left to write, the writer proceeded to write their experience in the cafe into a narrative.


text:
She's a lot like you, you know. I really think you'd like her. I know, I know. You always tell me that it's opposites that attract, but I really think you two would hit it off. And I'm not just saying that this time. Well... maybe I am. Maybe I'm just telling myself you'd be friends. Easier that way, don't you know. For instance sometimes, when she's lying on your side of the bed, I forget for a moment that it's her and not you, and it feels... well it feels. I woke up one morning and groggily called her your name, but I don't think she heard me. Well I don't think she really heard what I said. She rolled over to face me, and I realized that it wasn't you only a split-second before I saw her face pinstriped in the morning sunlight through the blinds. I smiled at her, but she just kept her eyes closed and sort of nuzzled into my chest away from the light. You hated that. You'd always just squint and roll over again, doing that thing with your shoulder blades. You were always so cold in the morning. I miss that.

She smells different than you. Well what I mean is she smells... she smells like wild orchids. Or maybe it's lilies. I mean you know I don't know anything about flowers. Maybe it's the Caribbean. A vacation, I think that's it... she smells exotic. Like that hotel we stayed at in Port-au-Prince. Except I'm not in Port-au-Prince here. I'm at home, and I get up and go to work, and here she is smelling like Port-au-Prince. You always just smelled like home. Hah, it's like even though she smells like exotic Port-au-Prince orchid lilies, it's not even foreign, is it? Because it's still our vacation. I wonder if I'll wake up one day and she'll smell like you. Like home. I really miss that.

She has no idea who you are. I started putting your portrait into the dresser drawer the last few weeks, because it seemed weird. You know what I mean. At first it sorta felt like you were watching me. Well, us. But after a while I just did it because it seemed respectful. Like in the movies when people do it out of shame, or guilt. I never quite figured out which. But I didn't feel either, really. I realized I was just doing it because they do it in the movies. Anyway so I began putting you away. And then the other day I came home to her tidying up the apartment, and I found you back up on the night table. Heh, you were even facing the bedroom door, as if you had watched her walk away after putting you back, and were then waiting for me to walk in. I put you back in the dresser, of course. But mostly because I wasn't really sure if she HAD moved you, or if I had just forgotten to put you away. I really don't think she knows who you are, so I really can't be sure. She doesn't seem like the jealous type. I've let your name slip a couple of times, absently. But she didn't seem too interested in who you were, really. I mean Christ, remember how you flew off the handle every time I mentioned somebody new from work, or you saw Christine's number on the call display? I... I kinda miss that.

We fight ALL the time. I mean not like we used to fight. We haven't like, yelled at each other. I mean they're usually pretty petty little fights. Arguments? She thinks they're cute, actually. Maybe we don't fight. You never thought we were cute, ever. ESPECIALLY when we fought. I mean she gets upset sometimes over them. Frustrated? She doesn't ever seem too concerned about it, really. Frustrations? Alright, so yeah we definitely don't fight. We frustrate. Each other. Have frustrations? Fuck I hate this. She hates using conventional words, like fighting. Like it's too broad of a definition. Or too severe. So we don't fight. We have frustrations. They last a lot longer than our fights used to, that's for sure. I tried apologizing once or twice, you know, with a sneaky hug from behind, or a massage when she was making dinner. But she just sorta hung there looking at me like I were a creepy uncle or something. I don't think she understood. Remember when we'd fight, and then after you'd screamed at me and I stormed away, we'd usually calm down while preparing dinner together, or driving into work? Well I don't miss the fighting. It was always totally fucked. But I miss the speedy recoveries.

I thought of telling her about you today. We were eating breakfast, and it was quiet (we were frustrated again). I started to say something, but as soon as she looked at me I just took a sip of orange juice and pretended to crack my jaw a little, like it was sore. I dunno. Jaws could get sore. Anyway I didn't tell her. We finished breakfast in virtual silence and I drove her to work. I'll tell her about you tonight. I left your portrait out on the night table this morning. I'm sorry I haven't come around much lately. I sent flowers earlier in the week, but I don't know if you got them. The orchids? I should've just brought them with me I guess, but I'm pretty sure the superintendant already thinks I leave too much around here for you. He says he always has to pick everything up because it blows all over the yard after a few hours. I keep forgetting that I'm not the only person who leaves stuff for you here. I talked to your mother yesterday for the first time since the funeral, and she said she's been leaving flowers every three days or so. That's a lotta flowers! I haven't spoken to your dad since the accident really, other than the morning of the funeral, briefly, on the phone. Has he been by? I know you two were having problems. I'll see if he wants to talk when I call your mother again. She says he's not drinking nearly as much as we were worried that he would be. Maybe you were right, maybe he really is just a seasonal drunk after all. It's warm again after all, all doom and gloom a full year away again. In fact if it keeps up I might not have to bring any flowers for a while, the plot looks like it's starting to grow in just like the super said it would. Anyway, the super. I'll ask him if the flowers came.

There's a lot I never got around to telling you. I mean I say never got around as if I was ever intending to, but why kid myself, right? We woulda had some beautiful kids together, hon. Two girls, just like you wanted. I'm sorry. We tried so hard... SO hard... but I knew I'd never be able to have children, hon. I need to tell you that I've never loved anyone as much as I loved you. LOVE you. The way you'd talk about those kids... like you could see them. Feel them already growing inside you. I couldn't... well, I just couldn't. You understand? I need you to understand that, even if you don't believe anything else I've told you. As hard as it was watching you go into the bathroom each time to check... and then to have to watch you come out, KNOWING the result... KNOWING how dejected you were about to be... baby, trying with you was the best thing that ever happened between us. I hated seeing you cry ever damned time... but you don't know what it felt like being inside of you those nights when you tried to swallow me whole, oblivious to my tears through the sheen of sweat. I don't know what I'm sorry for, hon. But I am sorry. So fucking sorry.

Look. I didn't come here to apologize today. I know you have all the time in the world now, or maybe none at all... but just let me lie here with you for a little while. I called in to work after I dropped her off, and all I really want to do right now is lie here with you. With your back to me. God I miss you. I have my whole life to miss you, hon. For now just let me lie here with you. Let me just bury my head in your back.

You still smell like home.

title: [OC] I Think You'd Like Her

question:
Answer the following question based on the above passage:

Who is this story addressed to?

answer: This story is addressed to the person being described as the deceased.

answer: The narrator believes that the person they're addressing is dead, but they seem to be writin a love letter to them.

text: It is incorrectly stated that the narrator 'believes' that the person is dead.

refinement: The narrator is writing to a person who died in an accident, but they seem to be writin a love letter to them.

text: Spelling error - writing

refinement: The narrator is writing to a person who died in an accident, but they seem to be writing a love letter to them.

answer: The main character's wife, who has died.

text: The passage does not explicitly state that the deceased was the narrator's wife but it may be assumed.

refinement: The passage does not explicitly state who the deceased person was but it seems like she was the main character's wife.

text: The fact that the narrator writes about wanting to have a baby is evidence that the deceased may have been his wife.

answer: The passage is addressed to the deceased partner of the narrator.

answer: The narrator is talking to their partner who died in an accident.

question:
Answer the following question based on the above passage:

Why is he writing to his deceased wife?

answer: He is writing to his deceased wife to discuss his relationships with their replacements. He misses the closeness he had with his wife and is trying to explain some of the differences between her and their replacements. He misses the way they fought as well as the way they made up afterwards. More than anything, he misses their closeness and the way they were with each other. He misses the way his wife had never met his deceased wife, and so he longs to convey her importance to him and to explain why she was so important to him. The reason he is writing to his deceased wife is because he misses her and wants to remember her.

answer: He is in a new relationship.

text: This answer is not related.

refinement: He is writing to his deceased wife because he misses her and the time they spent together.

answer: To describe his current situation with his second wife.

text: It is omitted that he writing to her also because he misses her and the time they spent together.

refinement: To describe his current situation with his second wife and also because he misses his deceased wife and the time they spent together.

answer: That information can't be found

text: It is incorrect that this information is not provided.

refinement: The narrator is writing to his deceased wife to describe his life with his new partner and also because he misses his deceased wife and the time they spent together.

answer: He misses his wife deeply and wishes she were still alive. He misses the closeness they shared and the way they fought, and he particularly misses her presence around the house. He misses the way she smelled and the tranquility she brought. He misses the way she approached problems, and the way she brightened his day just by being near him. He misses being able to talk to her about his concerns. He misses their plans for children and how excited she got about the prospect. Most of all, he just misses her love and her presence.

question:
Answer the following question based on the above passage:

What is the theme of this story?

answer: The theme of this story is missing a loved one. The author misses their deceased husband and wishes that their new lover somehow smelled like him. They also wrestle with the realization that their new partner sees him as nothing but a memory. This story is ultimately a nostalgic look back, and longing for those lost moments.

text: It is incorrectly stated that the author misses their husband.

refinement: The theme of this story is missing a loved one. The author misses their deceased wife and wishes that their new lover somehow smelled like her. They also wrestle with the realization that their new partner sees her as nothing but a memory. This story is ultimately a nostalgic look back, and longing for those lost moments.

answer: Love and loss.

answer: Soul mates.

text: The theme of loss and grief are omitted.

answer: The theme of this story is about missing someone who has passed away and the difficulties of moving on after their loss.

answer: Loneliness, grief, loss, love

question:
Answer the following question based on the above passage:

What was the relationship between the narrator's deceased wife and her father?

answer: The narrator's deceased wife and her father were estranged. The husband and wife fought a lot and interacted sporadically, but she misses the improved recoveries they used to have after fights. The deceased wife only knew the narrator's husband briefly, and does not know about him at all. The narrator misses having fights with her deceased wife, but misses the speedy recoveries they used to have even more.

text: "The husband and wife fought a lot and interacted sporadically, but she misses the improved recoveries they used to have after fights. The deceased wife only knew the narrator's husband briefly, and does not know about him at all. The narrator misses having fights with her deceased wife, but misses the speedy recoveries they used to have even more." This part of the answer is wrong and unrelated to the question hence can be omitted.

refinement: The narrator's deceased wife and her father were estranged.

answer: They had problems.

answer: The deceased wife and the narrator's father were separated.

text: This response is not related.

refinement: The deceased wife and her father had some problems. The story does not talk in detail about this.

answer: Strained, perhaps because of her father's alcoholism.

answer: Mainly one of conflict. Unknown if the wife's father contributed to his daughter's death.

question: Write a ~2 sentence summary.

answer: This story is about the narrator and their recently deceased partner, speaking to one another in the afterlife. They have moved on with a new romantic interest who they say seems like the opposite of their old partner, but they long for her love as well.

text: It is incorrectly stated that both of them have moved on with new romantic interests.

refinement: This story is about the narrator and their recently deceased partner, speaking to one another in the afterlife. The narrator has moved on with a new romantic interest who seems like the opposite of their old partner, but they long for her love as well.

text: Unnecessary use of the plural - they.

refinement: This story is about the narrator and their recently deceased partner, speaking to one another in the afterlife. The narrator has moved on with a new romantic interest who seems like the opposite of their old partner, but he longs for her love as well.

answer: The story is a letter written by a man to his deceased wife, telling her about his new girlfriend. He confesses his many emotions to her.

answer: The narrator reflects on a new relationship and how their old relationship differed from it. They feel estranged from their new partner, but missed aspects of their old one. The narrator shelves their old partner's portrait, but still feels connected to them. The couple fight a lot, but they have never fought like an old couple would. Finally the narrator wants to talk to their partner about their old partner, but doesn't want to make them uncomfortable. Finally the narrator wants to simply lay with their old partner and recapture some sense of familiarity.

text: It is omitted that the narrator is writing a letter to his deceased partner.

refinement: The narrator reflects on a new relationship in a letter to his deceased partner and how their old relationship differed from it. They feel estranged from their new partner, but missed aspects of their old one. The narrator shelves their old partner's portrait, but still feels connected to them. The couple fight a lot, but they have never fought like an old couple would. Finally the narrator wants to talk to their partner about their old partner, but doesn't want to make them uncomfortable. Finally the narrator wants to simply lay with their old partner and recapture some sense of familiarity.

text: " and how their old relationship differed from it. They feel estranged from their new partner, but missed aspects of their old one. The narrator shelves their old partner's portrait, but still feels connected to them. The couple fight a lot, but they have never fought like an old couple would. Finally the narrator wants to talk to their partner about their old partner, but doesn't want to make them uncomfortable. Finally the narrator wants to simply lay with their old partner and recapture some sense of familiarity." This can be summarized as the narrator expressing his emotions.

refinement: The narrator reflects on a new relationship in a letter to his deceased partner. He expresses his various emotions towards his new and old relationship in the letter.

answer: The narrator wants to move on from the grieving process of their late partner by getting a new pet. However, they still yearn for their late partner and describes many struggles such as being angry at them often but having to love them anyway and the deceased's parents now collecting the flowers they used to leave.

text: It is incorrectly stated that the narrator gets a new pet.

refinement: The narrator wants to move on from the grieving process of their late partner by getting into a new relationship. However, they still yearn for their late partner and describes many struggles such as being angry at them often but having to love them anyway and the deceased's parents now collecting the flowers they used to leave.

text: Grammatical error - "late partner and describe many struggles."

refinement: The narrator wants to move on from the grieving process of their late partner by getting into a new relationship. However, they still yearn for their late partner and describe many struggles such as being angry at them often but having to love them anyway and the deceased's parents now collecting the flowers they used to leave.

answer: The narrator misses their ex-partner even though their new partner smells different than their ex. The two fight all the time and the narrator has considered telling the new partner about their ex, but has decided to keep their relationship a secret. The narrator spends time with their ex by lying next to their back and smelling them. Although their new partner doesn't know their ex, their ex still smells like home.

text: It is omitted that the narrator's ex-partner is dead.

refinement: The narrator misses their deceased partner even though their new partner smells different than their ex. The two fight all the time and the narrator has considered telling the new partner about their ex, but has decided to keep their relationship a secret. The narrator spends time with their ex by lying next to their back and smelling them. Although their new partner doesn't know their ex, their ex still smells like home.

text: It is incorrectly stated that the narrator spends time lying next to their ex.

refinement: The narrator misses their deceased partner even though their new partner smells different than their ex. The two fight all the time and the narrator has considered telling the new partner about their ex, but has decided to keep their relationship a secret. Although their new partner doesn't know their ex, their ex still smells like home.