text:
50 shades of wrong.

It was autumn again, the hallways of The Tallinn Polytechnic School filled up
with the most annoying students known to any man. Screams of immature students
with underdeveloped brains filled the classrooms once again. In the large gray mass that made up the students, there was him. He didn’t fit it with the others, he was different, yet not an outcast. Just different. „Hey, Michael.“ I said in an overly excited voice. He replied with a slight nod, he never cared much for me. He slowly walked over to his desk, and slouched into position and continued to fiddle with his sudoku puzzle. It was like summer break never existed to him. He just went on doing the same thing as he did last year. He just sat there, totally unaware of his surroundings. „He’s soooo cute“ I thought to myself. I really missed him all summer. After class I got it together and finally got the courage to act upon my feelings. „You know, Mikey, I think you’re like super hot!“ I explained.
Michael just let out a slow and quiet „Okay“. This was it,  I couldn’t hold it in anymore, I went for it and kissed him right on the lips while touching his abs. „What the hell are you doing?“ yelled Michael and ran off.
Later that day I was arrested for sexually assaulting a 14 year old student.

title: 50 shades of wrong

question:
Answer the following question based on the above passage:

Who is the narrator?

answer: The narrator is a 20 year old female student.

text: There is no evidence of how old the narrator is.

answer: The narrator is that girl who is sexually assaulted a 14 year old student.

text: Incorrect use of verb - is.

refinement: The narrator is that girl who has sexually assaulted a 14 year old student.

text: Incorrect use of definite article - that.

refinement: The narrator is a girl who has sexually assaulted a 14 year old student.

answer: The narrator is a student.

answer: The narrator is a young female student at The Tallinn Polytechnic School.

answer: It isn't explicitly stated who the narrator is, but it seems they are an adult.

question:
Answer the following question based on the above passage:

Does the narrator interact with others in the story?

answer: The narrator tells a 14 year old, Michael, that they think he's hot. They kiss him.

answer: Yes, the narrator interacts with a boy named Michael.

answer: Yes, the narrator interacts with Michael throughout the story.

answer: Not really.

text: It is incorrect that the narrator does not interact with anyone else.

refinement: The narrator interacts with a 14-year-old boy named Michael.

answer: Yes, the narrator interacts with Michael.

question:
Answer the following question based on the above passage:

What does the narrator do that causes them to be arrested?

answer: The narrator kisses a 14 year old. They are arrested for sexual assault.

text: It is omitted that the person they kiss is a boy named Michael, who they find attractive.

refinement: The narrator kisses a 14-year-old boy named Michael, who they find attractive. They are arrested for sexual assault.

answer: The narrator kisses a 14-year-old student without their consent. This is considered sexual assault and they are subsequently arrested for this.

answer: The narrator kisses a 14 year old.

text: It is omitted that the 14-year-old is a boy and is named Michael.

refinement: The narrator kisses a 14-year-old boy named Michael.

answer: They kiss and sexually touch their 14 year old classmate, Michael.

answer: The narrator kisses a 14 year old student on the lips without their consent. This constitutes sexual assault.

text: It is omitted that the student is a boy named Michael.

refinement: The narrator kisses a 14-year-old male student named Michael on the lips without their consent. This constitutes sexual assault.

question:
Answer the following question based on the above passage:

Before the arrest, how is the narrator feeling?

answer: The narrator feels excited and unable to keep their feelings to themself.

text: There is no evidence that the narrator is unable to keep their feelings to themself.

answer: The narrator is feeling excited and bold.

answer: The narrator is feeling excited.

answer: The narrator is excited and feeling love.

answer: Scared, and then brave.

question: Write a ~4 sentence summary.

answer: The main character is in love with a classmate. She tries to get his attention by complimenting him and kissing him. However, Michael isn't interested and he quickly rejects her advances. The girl is arrested and charged for sexual assault.

answer: The narrator of the story seems to be an adult. They tell a 14 year old, Michael, that they think he's hot; they kiss him. Michael runs away. Later the narrator is arrested for sexually assaulting a 14 year old.

answer: The narrator at the age of 27 is a student at the Tallinn Polytechnic. He sees Michael, who he has had feelings for all summer, and he kisses him. He apologizes and runs off, and later that day the police come for the narrator. The narrator realizes he assaulted Michael, who is 14 years old.

text: There is no evidence that the narrator is aged 27.

refinement: The narrator is a student at the Tallinn Polytechnic. He sees Michael, who he has had feelings for all summer, and he kisses him. He apologizes and runs off, and later that day the police come for the narrator. The narrator realizes he assaulted Michael, who is 14 years old.

text: There is no evidence of whether the narrator is a male or a female.

refinement: The narrator is a student at the Tallinn Polytechnic. They see Michael, who they've had feelings for all summer, and they kiss him. They apologize and run off, and later that day the police come for the narrator. The narrator realizes they assaulted Michael, who is 14 years old.

text: It is incorrect that the narrator runs off. It is Michael who runs away.

refinement: The narrator is a student at the Tallinn Polytechnic. They see Michael, who they've had feelings for all summer, and they kiss him. Michael runs off, and later that day the police come for the narrator. The narrator realizes they assaulted Michael, who is 14 years old.

answer: Michael, the narrator, is a student attending the Tallinn Polytechnic School. They have a crush on another student, Michael, and decide to tell him how they feel. They commit the crime of sexual assault. The narrator is arrested the same day.

text: It is incorrectly stated that the narrator is named Michael.

refinement: The narrator is a student attending the Tallinn Polytechnic School. They have a crush on another student, Michael, and decide to tell him how they feel. They commit the crime of sexual assault. The narrator is arrested the same day.

text: It is omitted that the narrator kisses Michael without his consent.

refinement: The narrator is a student attending the Tallinn Polytechnic School. They have a crush on another student, Michael, and decide to tell him how they feel. They commit the crime of sexual assault by kissing Michael without his consent. The narrator is arrested the same day.

text: The fact that the narrator thinks that Michael is cute is evidence that they have a crush on him.

answer: A girl is giddy with attraction for a seemingly emotionless guy in her school, and she kisses him without warning. He's appalled, and the girl is arrested for sexually assaulting a minor.

text: It is omitted that the guy's name is Michael.

refinement: A girl is giddy with attraction for a seemingly emotionless guy in her school, named Michael, she kisses him without warning. He's appalled, and the girl is arrested for sexually assaulting a minor.


split: train

text:
ASHBURNHAM and PENHURST are civil parishes in the Rother district of the local government county of East Sussex, England, within historic Sussex, situated to the west of Battle. The two parishes share a joint parish council which also covers the settlements of Brownbread Street, Ponts Green and Ashburnham Forge. Neither of the parishes have many dwellings, Ashburnham having a population of 303, whilst Penhurst has just 52 inhabitants.[1]

Governance

At a local level, Ashburnham and Penhurst are governed by a joint parish council which is responsible for street lighting, allotments and recreational areas. They provide a local voice to the district and county councils. The parish council consists of seven councillors, split into two wards: five councillors from Ashburnham ward and two from Penshurst ward.[2] The May 2007 election had six candidates standing in the Ashburnham ward.[3] The Penshurst ward was uncontested.

Rother District council provides the next level of government with services such as refuse collection, planning consent, leisure amenities and council tax collection. Ashburnham and Penhurst are within the Crowhurst ward, along with the parishes of Catsfield, Crowhurst, and part of Battle. In the May 2007 election Crowhurst ward was won by the Conservative candidate.[4]

East Sussex county council is the third tier of government, providing education, libraries and highway maintenance. Ashburnham and Penhurst falls within the Battle and Crowhurst ward. Kathryn Margaret Field, Liberal Democrat, was elected in the May 2005 election with 48.8% of the vote.[5]

The UK Parliament constituency for Ashburnham and Penhurst is Bexhill and Battle. Gregory Barker was re-elected in the May 2005 election.

At European level, Ashburnham and Penhurst are represented by the South-East region, which holds ten seats in the European Parliament. The June 2004 election returned four Conservatives, two Liberal Democrats, two UK Independence, one Labour and one Green, none of whom live in East Sussex.[6]

Ashburnham

In 1086, Ashburnham was known as _Esseborne_, a settlement in the ancient hundred of Foxearle.[7] Ashburnham takes its contemporary name from Ashburnham Place, a country house built by the Ashburnham family (now a Christian conference and prayer centre), a name which derived from the local stream named the _Ashbourne_. The 14th-century parish church, dedicated to St Peter, was rebuilt in 1665. The village was in the iron making district of the Weald, and its blast furnace was, in 1813, the last in Sussex to be closed.

Until 2006, Ashburnham was the home of musician James “Tate” Arguile, guitarist in the alternative band Mumm-Ra.

Penhurst

PENHURST is a village located on the Weald, four miles (7 km) west of Battle. In 1086, Penhurst was in the hundred of Hailesaltede; the Abbey of Battle was its tenant-in-chief.[8]

Penhurst Manor is now a Christian retreat centre and is used much in the support of missionaries from overseas.

The 14th-century parish church is dedicated to St Michael the Archangel. The actor Harry H. Corbett (1925–82) lies buried in the rear churchyard. His daughter Susannah lives in Ashburnham.

Landscape

Ashburnham and Penhurst are located in the heart of the Sussex Weald within the designated High Weald Area of Outstanding Natural Beauty.

Landmarks

Ashburnham Park falls within the area and is a Site of Special Scientific Interest. It comprises ancient woodland and medieval deer park, containing a wide spread of flora and avian fauna.[9] Part of the park lies in the neighbouring Catsfield parish.

Several features of the old iron industry can be found along the track from the hamlet of Ashburnham Forge up to the furnace site near Lakehouse Road.[10]

[1] Census 2001

[2]

[3]

[4]

[5]

[6]

[7] Open Domesday: Ashburnham, Sussex. Accessed September 2020.

[8] Open Domesday: Penhurst. Accessed September 2020.

[9]

[10] Pearce, H, _Hammer and Furnace Ponds_, Pomegranate Press, 2011

title: Ashburnham and Penhurst

question:
Answer the following question based on the above passage:

What are Ashburnham and Penhurst?

answer: Ashburnham and Penhurst are two civil parishes in the Rother district of the East Sussex county of England.

answer: Ashburnham and Penhurst are civil parishes in the Rother district of East Sussex, England, within historic Sussex, situated to the west of Battle. The two parishes share a joint council. Ashburnham has a population of 303, while Penhurst has 52 inhabitants.

answer: civil parishes in the Rother district of the local government county of Essex, England

text: Make the response a complete sentence

refinement: They are civil parishes in the Rother district of the local government county of Essex, England.

text: The text says East Sussex, not Essex

refinement: They are civil parishes in the Rother district of the local government county of East Sussex, England.

answer: Ashburnham and Penhurst are civil parishes in the Rother district of East Sussex within historic Sussex. The two parishes share a joint parish council which governs the local area, and is responsible for street lighting, allotments and recreational areas. At a higher level, these parishes are governed by Rother District Council and East Sussex County Council. In terms of electoral representation, both parishes lie within the UK Parliament constituency of Bexhill and Battle and the European region of South-East. The landscape of the two parishes is rural, with notable landmarks including Ashburnham Park and old remnants of the iron industry.

text: Information about representation in the UK Parliament and the European Parliament seems unnecessary

refinement: Ashburnham and Penhurst are civil parishes in the Rother district of East Sussex within historic Sussex. The two parishes share a joint parish council which governs the local area, and is responsible for street lighting, allotments and recreational areas. At a higher level, these parishes are governed by Rother District Council and East Sussex County Council. The landscape of the two parishes is rural, with notable landmarks including Ashburnham Park and old remnants of the iron industry.

answer: Ashburnham and Penhurst are two civil parishes situated in the Rother district of East Sussex. The two parishes share a joint parish council that provides resources such as street lighting and recreational areas, and have representation at local, district and county councils. They lie within historic Sussex and are situated west of Battle. Neither parish has many dwellings: Ashburnham has 303 inhabitants, while Penhurst has 52.

question:
Answer the following question based on the above passage:

How are Ashburnham and Penhurst governed?

answer: A joint parish council governs both councils. Each parish council has seven councillors, and the residential areas are split into two wards.

text: The joint parish council governs both parishes

refinement: A joint parish council governs both parishes. The council has seven councillors, and the residential areas are split into two wards.

answer: At the local level, Ashburnham and Penhurst are governed by a joint parish council which is responsible for street lighting, allotments, and recreational areas. The parish council consists of seven councillors, split into two wards: five from Ashburnham ward and two from Penshurst ward. Rother District council provides services such as refuse collection, planning consent, and council tax collection. East Sussex county council is responsible for providing education and highways. At the UK level, Ashburnham and Penhurst are represented by the South-East region, which holds 10 seats in the European Parliament. At the European level, they are represented by the South-East region. Lastly, Ashburnham and Penhurst are governed locally by a joint parish council.

text: Remove the repetition of information about the joint parish council

refinement: At the local level, Ashburnham and Penhurst are governed by a joint parish council which is responsible for street lighting, allotments, and recreational areas. The parish council consists of seven councillors, split into two wards: five from Ashburnham ward and two from Penshurst ward. Rother District council provides services such as refuse collection, planning consent, and council tax collection. East Sussex county council is responsible for providing education and highways. At the UK level, Ashburnham and Penhurst are represented by the South-East region, which holds 10 seats in the European Parliament. At the European level, they are represented by the South-East region.

text: Information about the area's representation in the UK Parliament is inaccurate

refinement: At the local level, Ashburnham and Penhurst are governed by a joint parish council which is responsible for street lighting, allotments, and recreational areas. The parish council consists of seven councillors, split into two wards: five from Ashburnham ward and two from Penshurst ward. Rother District council provides services such as refuse collection, planning consent, and council tax collection. East Sussex county council is responsible for providing education and highways. The UK Parliament constituency for Ashburnham and Penhurst is Bexhill and Battle. At the European level, they are represented by the South-East region.

answer: Ashburnham and Penhurst both share the same joint council that looks after allotments, street lighting, recreational area, and some services.

answer: The two towns are governed by a joint parish council which is responsible for street lighting, allotments, and recreational areas. Rother district council provides the next level of government. This is followed by East Sussex council. The UK parliament constituency is Bexhill and Battle. At the time of the writing, Ashburnham and Penhurst were represented by the South-East region in the European parliament.

answer: The two parishes are governed by a joint parish council which manages things like street lighting, allotments, and recreational areas. The parish council has seven members, and is split into two wards. The council is overseen by Rother District Council, East Sussex County Council, the UK Parliament, and the European Parliament.

question:
Answer the following question based on the above passage:

What is the history of Ashburnham?

answer: Ashburnham is a civil parish that takes its name from a country house, Ashebury Farm, built by the Ashburnham family, who had a border named after their stream, the Ashbourne. Ashburnham takes its name from Ashburnham Place.

text: Include the history before the renaming

refinement: In 1086, Ashburnham was known as Esseborne, a settlement in the ancient hundred of Foxearle. Ashburnham is a civil parish that takes its name from a country house, Ashebury Farm, built by the Ashburnham family, who had a border named after their stream, the Ashbourne. Ashburnham takes its name from Ashburnham Place.

text: Ashburnham is named for Ashburnham Place; this response gives contradictory information

refinement: In 1086, Ashburnham was known as Esseborne, a settlement in the ancient hundred of Foxearle. Ashburnham takes its name from a country house, Ashebury Place, built by the Ashburnham family, who had a border named after a local stream, the Ashbourne.

text: Include information about the rebuilding of the church, the blast furnace, and James Arguile

refinement: In 1086, Ashburnham was known as Esseborne, a settlement in the ancient hundred of Foxearle. Ashburnham takes its name from a country house, Ashebury Place, built by the Ashburnham family, who had a border named after a local stream, the Ashbourne. The 14th-century parish church was rebuilt in 1665. The village's blast furnace was closed in 1813, and it was the last in Sussex to be closed. Until 2006, Ashburnham was the home of musician James "Tate" Arguile.

answer: This information is not present in the article, but it is stated that the village was in the iron making district of the Weald and it had a blast furnace that was closed in 1813, and that the area is known for its 14th-century parish church and.

text: It is not accurate to say that the information is not present in the article

refinement: It is stated that the village was in the iron making district of the Weald and it had a blast furnace that was closed in 1813, and that the area is known for its 14th-century parish church and.

text: Include information about the village's name

refinement: In 1086, Ashburnham was known as Esseborne; its current name comes from Ashburnham Place, a country home built by the Ashburnham family. It is stated that the village was in the iron making district of the Weald and it had a blast furnace that was closed in 1813, and that the area is known for its 14th-century parish church and.

text: Note that the church was rebuilt

refinement: In 1086, Ashburnham was known as Esseborne; its current name comes from Ashburnham Place, a country home built by the Ashburnham family. It is stated that the village was in the iron making district of the Weald and it had a blast furnace that was closed in 1813. The area is also home to a 14th-century parish church which was rebuilt in 1665.

answer: Originally Ashburnham was called Esseborne, and it was in the ancient hundred of Foxearle. Ashburnham takes its name from a house built by the Ashburnham family, which comes from the loval stream Ashbourne. The Church in the city is dedicated to Saint Peter and was built in the 14th century. The village was also in the iron making district of the Weald.

text: Mention that the church was rebuilt

refinement: Originally Ashburnham was called Esseborne, and it was in the ancient hundred of Foxearle. Ashburnham takes its name from a house built by the Ashburnham family, which comes from the loval stream Ashbourne. The Church in the city is dedicated to Saint Peter and was built in the 14th century and rebuilt in 1665. The village was also in the iron making district of the Weald.

text: Include information about the closure of the blast furnace

refinement: Originally Ashburnham was called Esseborne, and it was in the ancient hundred of Foxearle. Ashburnham takes its name from a house built by the Ashburnham family, which comes from the loval stream Ashbourne. The Church in the city is dedicated to Saint Peter and was built in the 14th century and rebuilt in 1665. The village was also in the iron making district of the Weald; its blast furnace was closed in 1813.

answer: Ashburnham was originally named Esseborne and is located in the historic county of Sussex. The settlement was in the iron making district of the Weald, with its blast furnace being the last in Sussex to be closed. The parish church was rebuilt in 1665 and is dedicated to St Peter.

answer: Ashburnham was originally called Esseborne and is situated in the ancient hundred of Foxearle. The village was in the iron making district of the Weald and its blast furnace was in 1813 the last in Sussex to be closed. Today, it is governed by a joint parish council along with the village of Penhurst. The 14th-century parish church, dedicated to St Peter, was rebuilt in 1665, and long abandoned features of the old iron industry can be found in the area.

question:
Answer the following question based on the above passage:

What is the history of Penhurst?

answer: Penhurst village is located on the Weald, four miles (7 km) west of Battle. The village was in the iron making district of the Weald, and its blast furnace was in 1813 the last in Sussex to be closed.

text: Response is irrelevant/misleading

text: Summarize the history of Penhurst

refinement: In 1086, Penhurst was in the hundred of Hailesaltede, and the Abbey of Battle was its tenant-in-chief. Penhurst Manor is now a Christian retreat center. The 14th-century parish church is dedicated to St. Michael the Archangel, and the actor Harry H. Corbett is buried in the read churchyard.

answer: Penhurst is a village located on the Weald in Sussex County. The village was in the iron making district of the Weald and its blast furnace was, in 1813, the last in Sussex to be closed. Penhurst Manor is now a Christian retreat centre. The 14th-century parish church is dedicated to St Michael the Archangel and the actor Harry H. Corbett, who lived in nearby Ashburnham, is buried in the rear churchyard there.

text: Ashburnham had the blast furnace, not Penhurst

refinement: Penhurst is a village located on the Weald in Sussex County. Penhurst Manor is now a Christian retreat centre. The 14th-century parish church is dedicated to St Michael the Archangel and the actor Harry H. Corbett, who lived in nearby Ashburnham, is buried in the rear churchyard there.

text: The text does not indicate that Harry H. Corbett lived in Ashburnham

refinement: Penhurst is a village located on the Weald in Sussex County. Penhurst Manor is now a Christian retreat centre. The 14th-century parish church is dedicated to St Michael the Archangel and the actor Harry H. Corbett is buried in the rear churchyard there.

answer: Penhurst was founded around 1100 in the hundred of Hailesaltede, and it is currently home to a Christian retreat centre. The parish church was built in the 14th century and is dedicated to St Michael the Archangel. Actor Harry H. Corbett is buried in a churchyard in Penhurst.

text: The text does not indicate that Penhurst was founded around 1100

refinement: In 1086, Penhurst was in the hundred of Hailesaltede, and it is currently home to a Christian retreat centre. The parish church was built in the 14th century and is dedicated to St Michael the Archangel. Actor Harry H. Corbett is buried in a churchyard in Penhurst.

answer: The village was in the iron making district of the Weald, and its blast furnace was, in 1813, the last in Sussex to be closed.

answer: Penhurst is located in the Weald. In 1086 Penhurst was in the hundred of Hailesaltede. The Abbey of Battle was its tenant in chief. Penhurst Manor is now a Christian retreat. The 14th century church is dedicated to Michael the archangel.


text:
[Achada Grande Frente from the Plateau of Praia with bits of Lem Ferreira on the left the SCCR beverage factory] ACHADA GRANDE FRENTE is a subdivision of the city of Praia in the island of Santiago, Cape Verde. Its population was 4,436 at the 2010 census.[1] It is situated east of the city centre, between the Praia Harbour to the south and the Nelson Mandela International Airport to the north. The former Francisco Mendes International Airport was located in Achada Grande Frente.

[1]

title: Achada Grande Frente

question: Where is Achada Grande Frente located?

answer: Achada Grande Frente is located in Praia, an island in Cape Verde. It's east of Praia's city center and it has, at the 2010 census, the population of 4,436 people.

text: Praia isn't an island. It's a city on the island of Santiago.

refinement: Achada Grande Frente is located in Praia, a city on the island of Santiago, Cape Verde. It's east of Praia's city center and it has, at the 2010 census, the population of 4,436 people.

text: The population information is irrelevant.

refinement: Achada Grande Frente is located in Praia, a city on the island of Santiago, Cape Verde. It's east of Praia's city center.

text: The location can be further specified.

refinement: Achada Grande Frente is located in Praia, a city on the island of Santiago, Cape Verde. It's east of Praia's city center, between the Praia Harbour to the south and the Nelson Mandela International Airport to the north.

answer: It's to the east of Praia city center on the island of Santiago, Cape Verde.

text: The location can be further specified.

refinement: It's to the east of Praia city center on the island of Santiago, Cape Verde. It lies between the Praia Harbour to the south and the Nelson Mandela International Airport to the north.

answer: Praia, Cape Verde

text: The location is mentioned too vaguely. The city of Praia is on the island of Santiago, and the Achada Grande Frente is a subdivision of the city.

refinement: The city of Praia is on the island of Santiago, Cape Verde, and the Achada Grande Frente is a subdivision of the city.

text: The location can be further specified.

refinement: The city of Praia is on the island of Santiago, Cape Verde, and the Achada Grande Frente is a subdivision of the city. It's to the east of the city center, between the Praia Harbour to the south and the Nelson Mandela International Airport to the north.

question: How populous is Achada Grande Frente?

answer: It had a population of 4436 in 2010.

answer: It had a population of 4,436 in 2010.

answer: The population is 4,436.

text: The population figure is from 2010. It should be included since it may have changed since then.

refinement: The population is 4,436 in the 2010 census.

question: What nearby locations of import exist around Achada Grande Frente?

answer: The city centre, the Praia Harbour, the Nelson Mandela International Airport, and the former Francisco Mendes International Airport

text: The former airport isn't a relevant location currently.

refinement: The city centre, the Praia Harbour, and the Nelson Mandela International Airport.

text: "Centre" isn't US English.

refinement: The city center, the Praia Harbour, and the Nelson Mandela International Airport.

text: "It is situated east of the city centre, between the Praia Harbour to the south and the Nelson Mandela International Airport to the north. The former Francisco Mendes International Airport was located in Achada Grande Frente."

answer: The Praia Harbour to the south and the Nelson Mandela International Airport to the north. The Francisco Mendes International Airport was in the area also before being closed to make way for the Nelson Mandela International Airport after Nelson Mandela's death, but its former location is not mentioned.

text: There's nothing about the Nelson Mandela International Airport replacing the Francisco Mendes International Airport in the article, nor about Nelson Mandela's death.

refinement: The Praia Harbour to the south and the Nelson Mandela International Airport to the north. The Francisco Mendes International Airport was in the area but its former location is not mentioned.

text: The Francisco Mendes International Airport was located in Achada Grande Frente.

refinement: The Praia Harbour to the south and the Nelson Mandela International Airport to the north. The Francisco Mendes International Airport was in Achada Grande Frente.

text: The Praia city center lies to the west of Achada Grande Frente.

refinement: The Praia Harbour to the south and the Nelson Mandela International Airport to the north. The Praia city center lies to the west of Achada Grande Frente. The Francisco Mendes International Airport was in Achada Grande Frente.

text: The former airport is irrelevant for this question.

refinement: The Praia Harbour to the south and the Nelson Mandela International Airport to the north. The Praia city center lies to the west of Achada Grande Frente.

text: "between the Praia Harbour to the south and the Nelson Mandela International Airport to the north"

answer: Praia Harbor is to its south and the Nelson Mandela Airport to the north.

text: The Praia city center lies to its west.

refinement: Praia Harbor is to its south and the Nelson Mandela Airport to the north. Also, the Praia city center lies to its west.

question: Why was an entire airport moved away from Achada Grande Frente?

answer: That information can't be found.

text: The answer can clarify the question further.

refinement: That information can't be found. However, it may not have been closed or replaced instead of moved.

answer: The article doesn't mention any reason.

text: The answer can further clarify the question.

refinement: The article doesn't mention any reason. However, it may not have been closed or replaced instead of moved.

answer: This information can't be found.

text: The answer can further clarify the question.

refinement: This information can't be found. However, it may not have been closed or replaced instead of moved.

question: Write a ~4 sentence summary.

answer: Achada Grande Frente is a residential neighborhood located east of the city centre of Praia, with Praia's harbour to the south and the airport to the north. The former Francisco Mendes International Airport used to be there.

text: The article doesn't mention anything about the place being a residential neighborhood.

refinement: Achada Grande Frente is located east of the city centre of Praia, with Praia's harbour to the south and the airport to the north. The former Francisco Mendes International Airport used to be there.

text: "Centre" and "harbour" aren't US English.

refinement: Achada Grande Frente is located east of the city center of Praia, with Praia's harbor to the south and the airport to the north. The former Francisco Mendes International Airport used to be there.

text: Location and places of import are correct. Proof: "It is situated east of the city centre, between the Praia Harbour to the south and the Nelson Mandela International Airport to the north. The former Francisco Mendes International Airport was located in Achada Grande Frente."

answer: Achada Grande Frente is a suburb of the city of Praia on the island of Santiago, with its population numbering 4,436 at the 2010 census. Previously, the Francisco Mendes Airport was located in Achada Grande Frente but it has since been replaced by the Nelson Mandela International Airport.

text: The article doesn't mention anything about Achada Grande Frente being a suburb. It says it's a subdivision of Praia.

refinement: Achada Grande Frente is a subdivision of the city of Praia on the island of Santiago, with its population numbering 4,436 at the 2010 census. Previously, the Francisco Mendes Airport was located in Achada Grande Frente but it has since been replaced by the Nelson Mandela International Airport.

text: The article doesn't say the former airport was replaced by the new one.

refinement: Achada Grande Frente is a subdivision of the city of Praia on the island of Santiago, with its population numbering 4,436 at the 2010 census. Previously, the Francisco Mendes Airport was located in Achada Grande Frente, but now it has the Nelson Mandela International Airport.

text: Proof for the basic location information: "ACHADA GRANDE FRENTE is a subdivision of the city of Praia in the island of Santiago, Cape Verde."

answer: Achada Grande Frente is a subdivision of the city of Praia on the island of Santiago, Cape Verde. It had a population of 4436 in 2010. It's to the east of the Praia center, between the harbor to the south and the Nelson Mandela Airport to the north. The former Francisco Mendes Airport used to be located there.

text: Proof for the basic location information: "ACHADA GRANDE FRENTE is a subdivision of the city of Praia in the island of Santiago, Cape Verde."

answer: Achada Grande Frente is a residential and industrial neighbourhood in the city of Praia on the island of Santiago. Achada Grande Frente is situated east of the city centre next to the Praia Harbour to the south and the Nelson Mandela International Airport to the north. The former airport on the area was the Francisco Mendes International Airport.

text: The article doesn't say anything about Achada Grande Frente being either a residential or industrial neighborhood. It just says it's a subdivision of Praia.

refinement: Achada Grande Frente is a subdivision of the city of Praia on the island of Santiago. Achada Grande Frente is situated east of the city centre next to the Praia Harbour to the south and the Nelson Mandela International Airport to the north. The former airport on the area was the Francisco Mendes International Airport.

text: Grammar fix on prepositions.

refinement: Achada Grande Frente is a subdivision of the city of Praia on the island of Santiago. Achada Grande Frente is situated east of the city centre next to the Praia Harbour to the south and the Nelson Mandela International Airport to the north. The former airport in the area was the Francisco Mendes International Airport.

text: "Centre" isn't US English.

refinement: Achada Grande Frente is a subdivision of the city of Praia on the island of Santiago. Achada Grande Frente is situated east of the city center next to the Praia Harbour to the south and the Nelson Mandela International Airport to the north. The former airport in the area was the Francisco Mendes International Airport.

text: Proof for the basic location information: "ACHADA GRANDE FRENTE is a subdivision of the city of Praia in the island of Santiago, Cape Verde."

answer: Achada Grande Frente is a residential neighbourhood located east of Praia city centre. Situated between the Praia Harbour to the south and the Nelson Mandela International Airport to the north, it is home to over 4,400 inhabitants. The former Francisco Mendes International Airport was also located here.

text: The article doesn't say anything about the place being a residential neighborhood. It just says it's a subdivision of Praia.

refinement: Achada Grande Frente is a subdivision of Praia located east of Praia city centre. Situated between the Praia Harbour to the south and the Nelson Mandela International Airport to the north, it is home to over 4,400 inhabitants. The former Francisco Mendes International Airport was also located here.

text: The population number is from the 2010 census, which should be mentioned so that a reader can understand whether the information is current or not.

refinement: Achada Grande Frente is a subdivision of Praia located east of Praia city centre. Situated between the Praia Harbour to the south and the Nelson Mandela International Airport to the north, it was home to over 4,400 inhabitants in the 2010 census. The former Francisco Mendes International Airport was also located here.

text: "Centre" isn't US English.

refinement: Achada Grande Frente is a subdivision of Praia located east of Praia city center. Situated between the Praia Harbour to the south and the Nelson Mandela International Airport to the north, it was home to over 4,400 inhabitants in the 2010 census. The former Francisco Mendes International Airport was also located here.

text: Proof for the basic location information: "ACHADA GRANDE FRENTE is a subdivision of the city of Praia in the island of Santiago, Cape Verde."

answer: Achada Grande Frente is a residential neighbourhood in the city of Praia, on the island of Santiago. Its proximity to the Praia Harbour and Nelson Mandela International Airport makes it attractive to those using public transportation, as it is well-connected with the city centre.

text: The part about public transportation and being well-connected to the city center are both made-up.

refinement: Achada Grande Frente is a residential neighbourhood in the city of Praia, on the island of Santiago. It's close to the Praia Harbour and Nelson Mandela International Airport.

text: The article doesn't say anything about the place being a residential neighborhood. It just says it's a subdivision of Praia.

refinement: Achada Grande Frente is a subdivision of the city of Praia, on the island of Santiago. It's close to the Praia Harbour and Nelson Mandela International Airport.

text: The article doesn't say the harbor and the airport are close to Achada Grande Frente. It mentions their relative placements.

refinement: Achada Grande Frente is a subdivision of the city of Praia, on the island of Santiago. It's between the Praia Harbour to the south and the Nelson Mandela International Airport to the north.

text: Proof for the basic location information: "ACHADA GRANDE FRENTE is a subdivision of the city of Praia in the island of Santiago, Cape Verde."


text:
HOLY TRINITY CHURCH (formerly ST MICHAEL'S CHURCH), is in the village of Bolton-le-Sands, Lancashire, England. It is an active Anglican parish church in the deanery of Tunstall, the archdeaconry of Lancaster, and the diocese of Blackburn. Its benefice is united with that of St Mark, Nether Kellett.[1] The church is recorded in the National Heritage List for England as a designated Grade II* listed building.[2]

History

A church has been on the site since before 1094.[3] The oldest parts of the present church are the tower and the north arcade, which date from the late 15th century. The nave was built in 1813.[4] In 1847 the Lancaster architectural practice of Sharpe and Paley rebuilt the chancel,[5][6] and in 1851 added a pulpit and a reading desk.[7] The church was restored in 1863–64 by E. G. Paley (by this time Sharpe had retired from the practice).[8] In 1881 the practice, now Paley and Austin, carried out further alterations, which included widening the north aisle, adding a vestry, a porch, a pulpit, and a font, lowering the floor, removing the gallery, opening the tower arch, replacing windows, reseating the church to accommodate 450 people, and retiling and refitting the chancel.[9]

Architecture

Exterior

The church is constructed in rubble with slate roofs. The tower is in ashlar sandstone, and the south wall of the nave is pebbledashed. Its plan consists of a nave, a north aisle, a south porch, a chancel and a west tower. The tower is in three stages. In the bottom stage is a west door and a three-light window.[10] This window is flanked by niches with pinnacles.[11] The bell openings also have three lights. The tower is supported by diagonal buttresses, and on its summit is a battlemented parapet.[12] At its southwest is a projection for stairs.[13] The windows in the south nave wall contain Perpendicular tracery.[14] The chancel is in Early English style.[15]

Interior

The arcade is in five bays running between the nave and chancel, and the north aisle.[16] It is supported by octagonal piers, other than the second pier from the east, which is rectangular.[17] The nave has a hammerbeam roof, and the chancel roof is scissor-braced.[18] Between the chancel and the aisle is a sandstone memorial to the memory of a man who died in 1642 with the inscription “It is supposed that he lived above 100 yeares”.[19][20] Elsewhere there are 19th-century monuments in Classical style, and brasses dated 1692 and 1872. The reredos is in alabaster and dates from 1897. The stained glass in the west window dates from 1891. It depicts archangels, was designed by Carl Almquist, and made by Shrigley and Hunt.[21] The glass in the chancel windows was designed by William Wailes.[22] Also in the church are two pieces of carved Anglo-Saxon stone dating from the 10th century.[23]

External features

In the churchyard to the south of the church is a square sandstone cross base with two steps. Its age is not known. It is surmounted by a later square block and a 20th-century cross.[24] The churchyard also contains the war graves of two British and one Canadian soldier of World War I.[25]

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[25]

title: Holy Trinity Church, Bolton-le-Sands

question:
Answer the following question based on the above passage:

Summarize what happened to the church during the 1800s.

answer: The Lancaster architectural practice, Sharpe and Paley, rebuilt the chancel, added a pulpit and reading desk, remodeled the north aisle, remodeled the church to accommodate 450 people, and added the vestry, a porch, and a font. They also removed the gallery, added a robe and a pulpit, removed the gallery, and replaced the windows. In 1881, the practice expanded the north aisle, added a vestry, a pulpit and a font, lowered the floor, renewed the chancel, and removed the gallery.

text: Grammar error and removed repeated details causing confusion.

refinement: The Lancaster architectural practice, Sharpe and Paley, rebuilt the chancel, added a pulpit and reading desk. In 1881, the practice widened the north aisle, added a vestry, a pulpit, a porch, a font, lowered the floor, renewed the chancel, replaced the windows, removed the gallery and remodeled the church to accommodate 450 people.

answer: In 1847, Sharpe and Paley rebuilt the chancel. In 1851, they added a pulpit and reading desk. In 1863-64, the chancel was restored. By 1881, the church was restored again.

text: The timeline of events seem to be out of order causing a misrepresentation of the text.

refinement: In 1847, Sharpe and Paley rebuilt the chancel. In 1851, they added a pulpit and reading desk. In 1863-64, the church was restored. By 1881, the chancel was refitted.

text: The response misses to mention the events prior to 1847. It also misses to mention the other additions of 1881.

refinement: The nave was built in 1813. In 1847, Sharpe and Paley rebuilt the chancel. In 1851, they added a pulpit and reading desk. In 1863-64, the church was restored. By 1881, further alterations too place which included widening the north aisle, adding a vestry, a porch, a pulpit, a font, lowering the floor, removing the gallery, opening the tower arch, replacing windows, reseating the church to accommodate 450 people, retiling and refitting the chancel.

answer: Between 1847 and 1881, the church underwent renovations, including widening the north aisle, adding a vestry, a porch, a pulpit, and font, lowering the floor, removing the gallery, and retiling and refitting the chancel. The tower features three-light window flanked by niches, diagonal buttresses, and a battlemented parapet. The arcade is in five bays, and the nave features a hammerbeam roof. The churchyard includes the war graves of two British and one Canadian soldier of World War I.

text: The response includes extraneous information not useful for the task as it only details features of the church and not events that happened in the 1800s.

refinement: Between 1847 and 1881, the church underwent renovations, including widening the north aisle, adding a vestry, a porch, a pulpit, and font, lowering the floor, removing the gallery, and retiling and refitting the chancel.

text: The response misses to mention the events that happened to the church in the 19th century before 1847.

refinement: The nave was built in 1813. In 1847 the Lancaster architectural practice of Sharpe and Paley rebuilt the chancel and in 1851 added a pulpit and a reading desk. Between 1861 and 1881, the church underwent renovations, including widening the north aisle, adding a vestry, a porch, a pulpit, and font, lowering the floor, removing the gallery, and retiling and refitting the chancel.

answer: The nave was built in 1813, the chancel was rebuilt in 1847, and a pulpit and reading desk were added in 1851. It was completely restored in 1863-64 by E. G. Paley. At some point during the 19th century, several monuments were added in Classical style, and there is a brass dated from 1872. In 1881, many alterations were made, including widening the north aisle, adding a vestry, porch, pulpit, and font, lowering the floor, removing the gallery, opening the tower arch, replacing windows, reseating to accommodate up to 450 people, and retiling and refitting the chancel. In addition, the church's stained glass west window was made in 1891, and the reredos dates from 1897.

text: The response includes extraneous information not useful for the task. It mentions details that were made in the 19th century but were not events that happened to the church.

refinement: The nave was built in 1813, the chancel was rebuilt in 1847, and a pulpit and reading desk were added in 1851. It was completely restored in 1863-64 by E. G. Paley. In 1881, many alterations were made, including widening the north aisle, adding a vestry, porch, pulpit, and font, lowering the floor, removing the gallery, opening the tower arch, replacing windows, reseating to accommodate up to 450 people, and retiling and refitting the chancel.

answer: In the 1800s, there were several alterations made to the church exterior and interior. These included widening the north aisle, adding a vestry, a porch, a pulpit and a font, lowering the floor, removing the gallery, opening the tower arch, replacing windows and reseating the church. Additionally, a new reredos was created in 1897, and windows created in 1891 by Carl Almquist and William Wailes were added. During this time period, there were also two pieces of carved Anglo-Saxon stone found in the churchyard. Finally, there are also two war graves of British and Canadian soldiers of World War I in the churchyard.

text: The response includes extraneous information not useful for the task. It mentions details that were made in the 19th century but were not events that happened to the church.

refinement: In the 1800s, there were several alterations made to the church exterior and interior. These included widening the north aisle, adding a vestry, a porch, a pulpit and a font, lowering the floor, removing the gallery, opening the tower arch, replacing windows and reseating the church.

question:
Answer the following question based on the above passage:

What does the text say about the churchyard?

answer: The churchyard contains the war graves of two British and one Canadian soldier of World War I.

text: The response misses to mention where the courtyard is located and what it consists of.

refinement: The churchyard is to the south of the church and consists of a square sandstone cross base with two steps. Its age is unknown. It is surmounted by a later square block and a 20th-century cross. The churchyard contains the war graves of two British and one Canadian soldier of World War I.

answer: The churchyard to the south of the church contains a square sandstone cross base with two steps that were built before the church. The cross is dated 20th century and is in the center, surrounded by two British and one Canadian soldier of World War I.

text: There is no evidence in the passage that mention the cross is in the center of the churchyard.

refinement: The churchyard to the south of the church contains a square sandstone cross base with two steps that were built before the church. The cross is dated 20th century, surrounded by two British and one Canadian soldier of World War I.

text: The response inaccurately mentions that the cross is surrounded by soldier, however the text says the churchyard contains war graves of the soldiers.

refinement: The churchyard to the south of the church contains a square sandstone cross base with two steps that were built before the church. The cross is dated 20th century, and the churchyard contains war graves of two British and one Canadian soldier of World War I.

answer: The churchyard contains war graves of two British and one Canadian soldier of World War I.

text: The response misses to mention where the courtyard is located and what it consists of.

refinement: The churchyard is to the south of the church and consists of a square sandstone cross base with two steps. Its age is unknown. It is surmounted by a later square block and a 20th-century cross. The churchyard contains war graves of two British and one Canadian soldier of World War I.

answer: The churchyard is to the south of the church and consists of a square sandstone cross base with two steps. Its age is unknown, and it is surmounted by a later square block and a 20th-century cross. It contains the war graves of two British and one Canadian soldier of World War I.

answer: In the churchyard is a sandstone cross base with two steps whose age is unknown. It is surmounted by a square block with a cross on top. The churchyard also contains three war graves from the World War One. On the western wall of the church is a memorial to Richard Cowton, a member of the church, adopted in 1818.

text: The response includes extraneous information not useful for the task and not evidenced in the passage.

refinement: In the churchyard is a sandstone cross base with two steps whose age is unknown. It is surmounted by a square block with a cross on top. The churchyard also contains three war graves from the World War One.

text: The response misses to mention who the graves belong to.

refinement: In the churchyard is a sandstone cross base with two steps whose age is unknown. It is surmounted by a square block with a cross on top. The churchyard also contains war graves of two British and one Canadian soldier of World War I.

question:
Answer the following question based on the above passage:

What does the text say about the church's use today?

answer: It is an active Anglican parish church in the deanery of Tunstall, the archdeaconry of Lancaster, and the diocese of Blackburn. It is also recorded in the National Heritage List for England as a designated Grade II* listed building.

answer: Holy Trinity Church, a church in the village of Bolton-le-Sands, is currently an active Anglican parish church in the deanery of Tunstall, the archdeaconry of Lancaster, and the diocese of Blackburn. It's benefice is united with that of St Mark in Nether Kelcoett.

answer: No answer

text: The response misses to answer the instruction in the task.

refinement: It is an active Anglican parish church in the deanery of Tunstall, the archdeaconry of Lancaster, and the diocese of Blackburn.

answer: The church is currently an active Anglican parish church. It was designated as Grade II* listed and has a tower in ashlar sandstone, a nave with a hammerbeam roof, and a chancel in Early English style. It also has memorials, stained glass, and pieces of carved Anglo-Saxon stone.

text: The response includes extraneous information not useful for the task

refinement: The church is currently an active Anglican parish church. It was designated as Grade II* listed.

text: The response misses to mention where the church is active.

refinement: The church is currently an active Anglican parish church in the deanery of Tunstall, the archdeaconry of Lancaster, and the diocese of Blackburn. It was designated as Grade II* listed.

answer: The church is currently an active Anglican parish church.

text: The response misses to mention where the church is active.

refinement: The church is currently an active Anglican parish church in the deanery of Tunstall, the archdeaconry of Lancaster, and the diocese of Blackburn.


text:
I once dreamt of this moment: placing a foot onto a beaming electromagnetic pillar, launching towards a dark mass filled with more brightness than a human eye could handle. We were told the sun would dim slowly, like a fire with no more wood to feed the flame. It would expand and swallow the world, the same world which has housed everything we have ever known. But now, they trust me: Experiment 9K30. The last thing I witnessed before I stepped into that glistening wheat, aqua blue stream, were the eager eyes of the planet, wrapped with thoughts of return stories, and those who knew there wouldn't be one.

“9K30.”

His boots moving like hammers on the metal.

“*Commander*.”

He pauses in front of me, with scanning eyes. Deep down he's filled with complex intertwining thoughts, so convoluted that he remains silent.

“It's strange to think that this moment is finally here.”

Everything feels blank.

“Thousands of generations before us never thought that humanity would live long enough to actually witness this. ...They also didn't think it would happen this soon.”

We both just peer out into space, until the attention shifts.

“9K30 you know-”

“*I know, sir.*”

“Once we set foot-”

“*Sir.*”

He sighs.

“Out of all of them, I think we've made the best choice with you.”

“*Thank you, Commander*.”

“Don't you ever be the one thanking me, 9K.”

...With all of these metal plates and glass-like shields coating me, it's hard to remember that deep down inside I may actually be humane.

**EDIT**: I just thought I should mention that this is a smaller piece out of a larger work in progress.

title: Swimming With A Thousand Suns

question: What moment has finally arrived?

answer: The moment when the main character and the commander step onto a pillar of light in order to travel to the sun, which is about to engulf the planet.

text: I once dreamt of this moment: placing a foot onto a beaming electromagnetic pillar, launching towards a dark mass filled with more brightness than a human eye could handle. We were told the sun would dim slowly, like a fire with no more wood to feed the flame. It would expand and swallow the world, the same world which has housed everything we have ever known. But now, they trust me: Experiment 9K30. The last thing I witnessed before I stepped into that glistening wheat, aqua blue stream, were the eager eyes of the planet, wrapped with thoughts of return stories, and those who knew there wouldn't be one.

answer: The moment of finally reaching another planet has arrived.

text: I think the point is the sun is swallowing up the planet.

refinement: The moment of finally reaching another planet has arrived because the sun has dimmed, expanded, and is swallowing the world.

text: I once dreamt of this moment: placing a foot onto a beaming electromagnetic pillar, launching towards a dark mass filled with more brightness than a human eye could handle. We were told the sun would dim slowly, like a fire with no more wood to feed the flame. It would expand and swallow the world, the same world which has housed everything we have ever known. But now, they trust me: Experiment 9K30. The last thing I witnessed before I stepped into that glistening wheat, aqua blue stream, were the eager eyes of the planet, wrapped with thoughts of return stories, and those who knew there wouldn't be one.

text: No answer.

refinement: The sun has expanded and is swallowing the world, so the narrator and their crew must escape to another planet.

answer: The moment when humanity has lived long enough to witness the sun dimming.

text: There should be something about how they are acting on something, and seem to be either escaping or eliminating humanity in order to make the extinction faster and more bearable.

refinement: The moment when humanity has lived long enough to witness the sun dimming, then expanding to swallow the world, so they must abscond.

question: What is the setting?

answer: The setting is outer space, as the characters are preparing to step onto a pillar of light that will take them to the sun.

answer: The setting is a spaceship.

text: No answer.

refinement: A spaceship, or at least somewhere in space.

answer: The setting is some kind of spaceship stationed nearby a planet.

text: We don't know it's a nearby planet-none of the original text indicates an answer with this degree of specificity.

refinement: The setting is some kind of spaceship-or station-in outer space.

question: Who are the characters in the scene?

answer: The Commander and 9K30

text:
“9K30.”

His boots moving like hammers on the metal.

“*Commander*.”

answer: The characters are Experiment 9K30 and the Commander.

text:
“9K30.”

His boots moving like hammers on the metal.

“*Commander*.”

answer: The main characters in this scene are the Commander and Experiment 9K30.

text:
“9K30.”

His boots moving like hammers on the metal.

“*Commander*.”

text: No answer.

question: How do the characters feel at this moment?

answer: The commander seems to be filled with complex intertwining thoughts. The narrator seems to be blank.

text:
It's strange to think that this moment is finally here.”

Everything feels blank.

“Thousands of generations before us never thought that humanity would live long enough to actually witness this. ...They also didn't think it would happen this soon.”

We both just peer out into space, until the attention shifts.

text: No answer.

refinement: The commander seems to have deep, even philosophical thoughts, while 9K30 feels blank.

answer: They feel excited and prepared to head to the planet.

text: There is nothing to indicate this.

refinement: The commander seems to have deep, even philosophical thoughts, while 9K30 feels blank.

answer: The characters feel both anxious and excited about what is to come. They know that what they are about to do is unprecedented and that they may be the last generation of humanity.

text: There's not much to corroborate this.

refinement: The characters feel both anxious about what is to come. They know that what they are about to do is unprecedented and that they may be the last generation of humanity. The commander seems to have deep, even philosophical thoughts, while 9K30 feels blank.

question: Write a ~4 sentence summary.

answer: Experiment 9K30 and the Commander have finally reached a planet that they have been looking for. They never expected to reach it so soon. The Commander says that they made the best choice with 9K30. They prepare to head to the planet.

text: Something about the sun-which seems to be causing whatever made them move-should be mentioned.

refinement: Experiment 9K30 and the Commander have finally reached a planet that they have been looking for. They never expected to reach it so soon. The Commander says that they made the best choice with 9K30. The sun has dimmed and expanded to swallow the world as they've known it. They prepare to head to the planet.

answer: In this short excerpt, the main character is preparing to step onto a pillar of light that will take them to the sun, which is dying and will soon engulf the Earth. The main character is reassured by their commander that they have been chosen for the mission because they are the best choice. The main character is conflicted about their mission, but knows that they must go through with it.

answer: The narrator is Experiment 9K30, a human being chosen to be the first to step onto the electromagnetic pillar and launch into space. The narrator is being praised by the Commander, who says that they made the best choice with 9K30. The narrator is covered in metal plates and glass-like shields, and the Commander tells 9K30 not to thank him.

text: We don't know that 9K30 is a human. It could be a robot.

refinement: The narrator is Experiment 9K30, was has been chosen to be the first to step onto the electromagnetic pillar and launch into space. The narrator is being praised by the Commander, who says that they made the best choice with 9K30. The narrator is covered in metal plates and glass-like shields, and the Commander tells 9K30 not to thank him.

text: There should be something about the sun, which is the entire reason for their endeavor.

refinement: The narrator is Experiment 9K30, was has been chosen to be the first to step onto the electromagnetic pillar and go to the sun, which is threatening to engulf the world as they know it. The narrator is being praised by the Commander, who says that they made the best choice with 9K30. The narrator is covered in metal plates and glass-like shields, and the Commander tells 9K30 not to thank him.

answer: The story is about a girl who is chosen to be the last human to live on Earth before it is destroyed by the sun.

text: We don't know this is a girl, and why they were chosen. It could be a woman, a man, a non-binary person, a boy, or even a robot.

refinement: The story is about 9K30, who is chosen to be the last human to live on Earth before it is destroyed by the sun.


text:
   Rain was falling hard against his bare back. It was dark and the disfigured shapes of naked trees danced around him. Their branches brought to life by the wind seemed to reach for him with gruesomely long and slender fingers. The rain collecting in puddles and streaming along the fallen branches, rocks and tentacle-like roots made them look like crawling creatures from the underworld that were always hiding under the cover of darkness. There were no stars and the moon was blocked by thick clouds that were pouring over the sky like a river of melting tar. The only light present was the one glistening in his blue eyes. It was truely an unsettling and spooky place to be this time of night, but he couldn’t enjoy anything more than going hunting in a night like this.
   Steam rose from his wet skin as he was standing in the mucky water and listening for a prey. The constant shower of rain filled the air with a damp smell of mud and the sound of whispers from far away. Then he heard it. Something was out there… and it was his to play with. He closed his eyes and inhaled a deep breath opening his claw-like hands eager to drive them through his victim.
   He crouched and leaned forward targeting the prey. He didn’t have that much problem seeing at night so he knew exactly where to go. He moved swiftly and without a sound like a shadow blending with the darkness. As he was getting closer he jumped over a large tree that had fallen long time ago and landed on his hands making a silent roll in the wet mud. Soon after he rose, the rain had already washed away the dirt and he continued the chase. Finally he was close enough to hear a heartbeat. It was raging fast as the owner of it fled through the woods, jumping over fallen trees, running around bushes and occasionally tripping over various objects including her own feet.
   He paused to take a better look at what he was chasing and as he did his eyes brightened. If anybody had been looking his way, they would have seen a pair of dark blue eyes burning in the night and nothing more.
   Once he knew what he was up against he chose to sneak past the girl and attack from the front – face on. No grabbing by the leg or any other cowardly moves. It shouldn’t be too difficult, he thought. After all, he was much faster, didn’t make a lot of noise and had a great night vision. The hunt was on.
   He picked up his pace maneuvering through the woods, sometimes jumping so high over things it seemed as gravity had no effect on him. The sound of rainfall overcame the sound of his steps and he started to enclose on the girl. She was now on his left, so close he could smell the adrenaline rushing through her veins and the smell was sweet. He couldn’t help but to look at her as they were running just a few pitch black feet aside from each other. And then she threw a look at him. Two bright blue eyes were glaring at her from the darkness so close she could have touched them. She turned away and lost all sense of reality while screaming until out of breath.
   He should have closed his eyes before the girl saw them, but he didn’t and it made him regret he had moved so close to her before time. Now she had turned away from him and ran even faster. Still, this was no problem for an experienced hunter like himself. He leaped forward and smashed his claw in a tree to make a quick turn. He jumped up and swung from one tree to another with such power the bark fell to the ground like burned ash. He made his way over the girl and jumped forward extending his arms like a prowling hawk. He landed and rolled in a ball of black mist in front of her. Once he stopped he was facing her and leaped forward before she even came to what was happening.
   He flew past her so close he wiped off some rain drops from her cheek. As he went by he started to rotate and behind him formed a black cloud that covered his feet. And finally he had the chance to rip his pray to pieces. His claws grew longer right before they slashed the demonic flesh of the slithering beast that had been tormenting the girl and chasing her through the forest. The beast was stunned, wounded and obviously angry. It let out a horrific howl that turned into chilling screams of every soul it had eaten and made a screeching sound by chomping and grinding its sharp teeth together.
   The girl was frozen with fear but she wanted to run. It was a fearsome feeling but she was amazed by the two creatures. The dark creature with flaming blue eyes floating around followed by a cloud of darkness blocking her from the growling beast whose breath turned into white smoke.
   The beast roared once more sending chills down her spine and attacked the dark creature trying to pulverize him with its horns. As soon as they got close, the blue-eyed creature span into a spiral around the demon creating a dark blue tornado lifting it up. He drilled his claw right through the demons chest and drove him to the ground. As he did, the dark spiral ended and blue light shone from his eyes and the hand penetrating the demon. Blue-eyed creature lifted his other hand to the sky and it too shone blue. Then suddenly waves of white lights traveled through his hands and went shooting for the sky. When the last soul had left the demons flesh Blue-eyed levitated above him and raised his hands that were radiating with blue light and then slammed them into the demon once more pushing him into the ground and out of this world. Then the light faded.
   Blue-eyed turned to the girl and smiled. That was the creepiest smile she had ever seen for it was given by a skeleton rabbit with long slender ears and burning blue eyes. But she smiled back and the creature disappeared in the dark.

title: Nothing to fear in the dark.

question:
Answer the following question based on the above passage:

Summarize how Blue-Eyed defeats the demon.

answer: Blue-Eyed defeats the demon by spinning around it and drilling its claw into its chest, shooting blue light up and into the sky where it destroys the demon.

text: "Blue-Eyed defeats the demon by spinning around it and drilling its claw into its chest, shooting blue light up and into the sky where it destroys the demon" - this is inaccurate. It's missing a critical piece (Blue Eyed uses a tornado to lift the demon up). Also, waves of white lights traveled through his hands and shot up into the sky, not blue. The demon was destroyed when Blue Eyed slammed both his hands into the demon and pushed it into the ground. Needs a rewrite.

refinement: Blue-Eyed spun into a spiral around the demon, creating a dark blue tornado that lifted the demon up. He then drilled his claw into the demon's chest and drove it to the ground. Blue light shone from his eyes and the hand penetrating the demon. Blue-Eyed raised his other hand to the sky and it too shone blue before waves of white lights, all the souls the demon has taken, traveled through both his hands and shot up the sky. After the last soul left the demon, Blue-Eyed levitated over the demon and slammed his hands (still radiating blue light) into the demon. pushing it into the ground and out of the world.

answer: The demon tries to pulverize Blue-Eyed and swings its horns at him. Blue-Eyed dives around the demon and starts spinning around it. This creates a whirlwind around the demon that lifts it up by its horns. Blue-Eyed then drills him.

text: The tornado did not lift up the demon by its horns.

refinement: The demon tries to pulverize Blue-Eyed and swings its horns at him. Blue-Eyed dives around the demon and starts spinning around it. This creates a whirlwind around the demon that lifts it up. Blue-Eyed then drills him.

text: "Blue-Eyed then drills him." - is vague and needs to mention what Blue-Eyed drilled the demon with.

refinement: The demon tries to pulverize Blue-Eyed and swings its horns at him. Blue-Eyed dives around the demon and starts spinning around it. This creates a whirlwind around the demon that lifts it up. Blue-Eyed then drills the demon in the chest with his claw, driving it into the ground.

text: Missing details of how Blue-Eyed defeated the demon once and for all.

refinement: The demon tries to pulverize Blue-Eyed and swings its horns at him. Blue-Eyed dives around the demon and starts spinning around it. This creates a whirlwind around the demon that lifts it up. Blue-Eyed then drills the demon in the chest with his claw, driving it into the ground. Blue light shone from his eyes and the hand penetrating the demon. Blue-Eyed raised his other hand to the sky and it too shone blue before waves of white lights (all the souls the demon has taken) traveled through both his hands and shot up the sky. After the last soul left the demon, Blue-Eyed levitated over the demon and slammed his hands (still radiating blue light) into the demon. pushing it into the ground and out of the world.

answer: Blue-Eyed quickly chases after the demon and catches up to it. When the demon attacks Blue-Eyed attacks it back. He forms a dark blue tornado with his claws and drills it through the demon's chest. When the demon is destroyed by Blue-Eyed's light, the bright blue light shines from his hands.

answer: He chases it, attacks it, and finally, uses some sort of psychic ability to send it back to the other side.

answer: Blue-Eyed is able to defeat the demon by using his night vision, remaining quiet, and using a variety of techniques. He at first makes a black cloud, and then uses his claws to rip the demon to pieces. That doesn't defeat the demon, so he forms a dark blue tornado and gathers light from his hand. Using these forces, he was able to push the demon to the ground and out of this world.

question:
Answer the following question based on the above passage:

Summarize the girl's feelings.

answer: The girl is initially scared but amazed by the dark creature with blue eyes and a cloud of darkness. The dark creature scares the demon, who attacks him but is ultimately defeated. The girl feels relieved by the dark creature's prowess and also admires him for his abilities.

text: Extraneous information that is irrelevant to the girl's feelings.

refinement: The girl is initially scared but amazed by the dark creature with blue eyes and a cloud of darkness. The girl feels relieved by the dark creature's prowess and also admires him for his abilities.

text: The girl was not only scared but frozen with fear. She was also amazed by both creatures, not only Blue-Eyed.

refinement: The girl was frozen with fear but was amazed by the two creatures - the dark creature with blue eyes followed by a cloud of darkness blocking her from the growling beast whose breath turned into white smoke. The girl feels relieved by the dark creature's prowess and also admires him for his abilities.

text: The girl was relieved because Blue Eyed defeated the beast that was tormenting her. She didn't admire his prowess or abilities.

refinement: The girl was frozen with fear but was amazed by the two creatures - the dark creature with blue eyes followed by a cloud of darkness blocking her from the growling beast whose breath turned into white smoke. The girl felt relieved and even managed to smile back at Blue Eyed when he smiled at her after defeating the beast.

answer: At first she is in a panic, but eventually she stops when she sees the fox-like figure. The state of her feeling can be described as a mixture of curiosity and fear. She considers running during the fight, but after the creature vanishes she feels relieved.

text: The girl wasn't able to get a good look at Blue-Eyed until after the fight, so the "fox-like figure" reference is inaccurate. She lost all sense of reality while screaming until out of breath. She was also frozen in fear but amazed by the two creatures.

refinement: In her panic, the girl lost all sense of reality as she was being chased in the woods and saw two bright blue eyes glaring at her from the darkness. She stopped when Blue-Eyed attacked the beast that was chasing her and tried to run, but she was frozen with fear. The girl was amazed by the two creatures. The state of her feeling can be described as a mixture of curiosity and fear. She considers running during the fight, but after the creature vanishes she feels relieved.

text: This sentence is redundant and must be rewritten to only reflect that the girl felt relief after Blue-Eyed defeated the demon.

refinement: In her panic, the girl lost all sense of reality as she was being chased in the woods and saw two bright blue eyes glaring at her from the darkness. She stopped when Blue-Eyed attacked the beast that was chasing her and tried to run, but she was frozen with fear. The girl was amazed by the two creatures. The state of her feeling can be described as a mixture of curiosity and fear. The girl felt relief after Blue-Eyed defeated the demon and disappeared in the dark.

answer: The girl had initially been afraid because she had been running away from the demon in the forest. Blue-Eyed is able to smell the adrenaline off of her. By the time Blue-Eyed and the demon face off, the girl loses all sense of reality and is unable to move due to her fear. Despite this, she is amazed by the two creatures. When Blue-Eyed defeats the demon, she seems to feel gratitude because she smiles at him.

text: "face off" - add a hyphen.

refinement: The girl had initially been afraid because she had been running away from the demon in the forest. Blue-Eyed is able to smell the adrenaline off of her. By the time Blue-Eyed and the demon face-off, the girl loses all sense of reality and is unable to move due to her fear. Despite this, she is amazed by the two creatures. When Blue-Eyed defeats the demon, she seems to feel gratitude because she smiles at him.

answer: Unclear. The girl seems to be frightened by the dark creature/hunter and possibly relies on her sense of familiarity with this forest as she mentions running long distances through it.

text: The girl's feelings were not unclear as they were clear as day. Also, there is no mention of her sense of familiarity with the forest or running long distances through it anywhere in the passage. Needs a complete rewrite.

refinement: The girl felt scared when she was running through the woods and lost all sense of reality (while screaming until out of breath) after seeing two bright blue eyes glaring at her from the darkness. She was frozen in fear and couldn't run after Blue-Eyed attacked the demon beast that was chasing her, but she was amazed by the two creatures. The girl felt relief after Blue-Eyed defeated the demon and disappeared into the darkness because she managed to smile at him.

answer: The girl is afraid and fascinated by the powerful blue-eyed creature. She is amazed at how he managed to defeat the demon by creating a spiral of blue light. The girl is relieved once the demon is vanquished and so is touched by the creature's smile.

question:
Answer the following question based on the above passage:

What does the story say about how Blue-Eyed uses his claws?

answer: Blue-Eyed is specifically hunting to get his claws wet by ripping his pray to shread. His claws grew longer ahe went to slash and demon's flesh, which was demon-like. He drills his claw right through the demon's chest and drives him to the ground.

text: The response is inaccurate and doesn't make sense. Blue-Eyed wasn't hunting to get his claws wet. He was hunting because he was a hunter and enjoyed it. Also, "pray to shread" is wrong (makes no sense) and must be replaced with "prey to shreds" or "prey to pieces".

refinement: Blue-Eyed is hunting because he's an experienced hunter who enjoys ripping his prey to shreds. His claws grew longer ahe went to slash and demon's flesh, which was demon-like. He drills his claw right through the demon's chest and drives him to the ground.

text: "ahe" isn't a word. "went to slash and demon's flesh, which was demon-like" doesn't make sense.

refinement: Blue-Eyed is hunting because he's an experienced hunter who enjoys ripping his prey to shreds. His claws grew longer as he went to slash the demon's flesh. He drills his claw right through the demon's chest and drives him to the ground.

text: The response fails to answer the question, which was how Blue-Eyed used his claws in general throughout the story, not just when fighting the demon.

refinement: Blue-Eyed uses his claws for movement, offense, and as a conduit/delivery system for his blue light power. In the story, Blue-Eyed smashed his claw in a tree to make a quick turn and swing from tree to tree. His claws grow longer before a fight and he uses them for slashing attacks that rip his enemies to pieces or penetrating attacks that can punch a hole in his foes. Blue-Eyed's claws also act as a conduit or delivery system that emits powerful blue light that has the power to free souls (from demons) and drive demons back into the ground.

answer: Blue-Eyed uses claws only to rip into and wound the taunting and chasing Demon's flesh.

answer: Blue-Eyed uses his claws in a variety of ways. He uses it to propel himself off of a tree to make a quick turn. He is also able to use them to rip, penetrate, and kill a demon. He also seems to be able to use them to create blue and white light forces from them to gain further power.

answer: The story says that Blue-Eyed uses his claws to rip his prey to pieces. He uses them both offensively and defensively in order to overpower demonic creatures.

answer: The Blue-Eyed creature uses his claws to rip and kill his prey quickly and efficiently.


text:
It occurred to me while listening to the radio the other how animalistic popular music has become. I mean animalistic as in; how close we have come to our primal root.

At some point in human evolution, we shifted from ignorance of ourselves as a species to an obsession with our own superiority. Two legs and a complex brain, and now we are something quite different. This is widely accepted as fact, that we are better because we are smarter. We are human.

However, the truth is that we still are animals at some level. Our hearts are made one part good, one part evil, one part human. Mixed in among the blend  is an animalistic element, and it is the single most terrifying truth of our existence.

We have spent thousands of years building gaps between ourselves and our animal heart. We organize ourselves in ways animals don’t and retain self-image in ways animals wouldn’t think to. We pleasure seek, explore, invent and create, converse and enjoy each other’s company in ways animals can’t. We would like to forget our embarrassing past among the tall grass, sucking on bone marrow to survive, hunched against the cold in our dingy, primeval cave.

But as I drove down the highway, the highway that civilization spawned, that technology brought forth from unevenness, smoothed by progression and innovation, and as I listened to the radio that man invented, that harnesses and controls some part of the natural spectrum of existence, the same existence that man claims superiority too, I heard the pound of the bass, the beat of the song. The beat of our animal heart, breaking through an art form. It was loud, meant to be heard but more importantly meant to be felt. It was sex, wild, unrestricted, unmodified, thoughtless. It was adrenaline, murder, blood-thirst, terror, the possibility of hunting and being hunted.

All that matters anymore is the beat. It is instinctual. It is the easiest part of ourselves to facilitate. Being human is more complex and carries with it melodies and verses filled with societal responsibilities, a conscious awareness of self and shamefulness, and need for intellectual stimulus. We do not understand it, we cannot control it, and most often we repress it in pursuit of animalistic ambition. It is societies’ greatest irony that our animalism, our animal heart, is our most grievous embarrassment as well as our most facilitated being.

title: Animalism

question: How has the music become animalistic?

answer: The narrator believes that our music has become animalistic in the sense that we have come closer to our primal roots.

answer: The music has become animalistic because it is based on primal instincts and urges, such as sex, violence, and survival. It is meant to be felt rather than thought about, and is often used as a way to escape from the complexities of being human.

text: The input explicitly states "I mean animalistic as in; how close we have come to our primal root;" everything beyond that in the response can be removed

refinement: The music has become animalistic because it is based on primal instincts and urges

answer: The music has become animalistic because it is primal and instinctual.

answer: The music has become animalistic because it is the easiest part of ourselves to facilitate.

text: I'm not sure what "the easiest part of ourselves to facilitate" means; the input explicitly says it is animalistic because it is primal

refinement: The music has become animalistic because it is primal

question: What are our hearts made up of according to the narrator?

answer: One part of our heart is good, one evil, and one part is human.

text: The author says that "Mixed in among the blend is an animalistic element"

refinement: One part of our heart is good, one evil, and one part is human, and there is an animalistic element mixed among them all.

answer: The narrator believes that our hearts are made up of one part good, one part evil, and one part animalistic.

text: The narrator says "one part is human" and "mixed in among the blend is an animalistic element"

refinement: The narrator believes that our hearts are made up of one part good, one part evil, and one part human, with an animalistic element mixed among them all.

answer: According to the narrator, our hearts are made up of both good and evil, as well as an animalistic element.

text: There is also "one part human"

refinement: According to the narrator, our hearts are made up of good, evil, and human parts, as well as an animalistic element.

answer: One part good, one part evil, and one part human.

text: "Mixed in among the blend is an animalistic element"

refinement: One part good, one part evil, and one part human, with an animalistic element mixed among them all.

question: How are we different from animals?

answer: Despite our intelligence and ability to create and explore, we are still animals at our core. We are driven by instinct and impulse, and often act on these impulses without thinking. This is in contrast to animals, who are more governed by instinct and do not have the ability to think critically about their actions.

text: The response makes it seem like we are not different from animals at all, which does not answer the question

text: Provide a response

refinement: We organize ourselves in ways animals don’t and retain self-image in ways animals wouldn’t think to. We pleasure seek, explore, invent and create, converse and enjoy each other’s company in ways animals can’t.

answer: According to the narrator, humans organize themselves in ways that animals don't. We also try to retain a self-image, something that animals do not do.

text: The narrator goes on to say "We pleasure seek, explore, invent and create, converse and enjoy each other’s company in ways animals can’t."

refinement: According to the narrator, humans organize themselves in ways that animals don't. We also try to retain a self-image, something that animals do not do. Finally, we pleasure seek, explore, invent and create, converse and enjoy each other’s company in ways animals can’t.

answer: We are different from animals because we have a complex brain and two legs.

text: While the author does say this, this is not what the author actually discussed when answering the question

refinement: We are different from animals because we organize ourselves in ways animals don’t and retain self-image in ways animals wouldn’t think to, and we pleasure seek, explore, invent and create, converse and enjoy each other’s company in ways animals can’t.

answer: We organize ourselves in ways animals don't and retain self-image in ways animals wouldn't think to. We pleasure seek, explore, invent and create, converse and enjoy each other's company in ways animals can't.

question: What is the only thing that matters now?

answer: The beat is all that matters. It is instinctual.

answer: The beat.

answer: The only thing that matters now is the primal, animalistic element of our being. It is what drives us, what motivates us, and what we often repress in order to achieve more complex ambitions.

text: The author explicitly says "all that matters anymore is the beat"

text: Provide a response

text: Provide a response

question: Write a ~6 sentence summary.

answer: The author discusses how animalistic popular music has become. He argues that we are still animals at some level, and that our animalistic element is the single most terrifying truth of our existence.

text: Note the author's conclusion that "all that matters anymore is the beat"

refinement: The author discusses how animalistic popular music has become. He argues that we are still animals at some level, and that our animalistic element is the single most terrifying truth of our existence. He concludes that all that matters now is the beat, which is instinctual.

answer:
As the narrator drives down the highway, he realizes how our music has become animalistic, in the sense that we are going closer to our roots. Although we are smarter than other species, we are in the end, animals.

We have tried to build gaps between ourselves and our animal hearts but it isn't easy to change who you are. The beat of the song is the beat of our animal hearts. All that matters now is the beat. It is instinctual.

answer: The narrator is driving down the highway and listening to the radio. They are thinking about how animalistic popular music has become. They think about how we are animals at some level. They think about how we have spent thousands of years building gaps between ourselves and our animal heart. They think about how we are ashamed of our animalistic past.

text: Too many "they think about"s

refinement: The narrator is driving down the highway and listening to the radio. They are thinking about how animalistic popular music has become, and how we are animals at some level. They consider how we have spent thousands of years building gaps between ourselves and our animal heart, because we are ashamed of our animalistic past.

text: Mention "all that matters anymore is the beat"

refinement: The narrator is driving down the highway and listening to the radio. They are thinking about how animalistic popular music has become, and how we are animals at some level. They consider how we have spent thousands of years building gaps between ourselves and our animal heart, because we are ashamed of our animalistic past. The narrator concludes that all that matters anymore is the beat, which is instinctual.

answer: The author argues that popular music has become more animalistic, meaning that it taps into our primal instincts. This is ironic, as we have spent thousands of years trying to distance ourselves from our animalistic roots. However, it is our animalistic heart that drives us to succeed in society, even if we often try to repress it.


text:
PATRICIUS (Patrikios) was a fifth-century Roman jurist who taught in the ancient Law School of Berytus (present-day Beirut). Patricius was of the seven revered “Ecumenical Masters” () and occupied the position of Quaestor of the Sacred Palace in the East, a senior legal office in the late Roman Empire, from the middle to the late fifth century.[1]

Ancient inscription

[Limestime statue base with ancient Greek inscription mentioning Patricius. The base was unearthed in 1906 in Beirut. Has disappeared since 1925.[2]] At the turn of the 20th-century, a well polished by limestone bloc was unearthed during excavations near the Saint George Greek Orthodox Cathedral in Beirut. The bloc dates back to the Byzantine period and may have served as a statue base or a commemorative stele. The bloc bears a fragmentary Greek inscription that was published by Father L. Jalabert in 1906. According to Collinet, the bloc text could be an epitaph honoring “Patrikios” the jurist of Berytus.[3]

The Greek inscription reads:

  ... α Πατριχιος στη ...
  ... ας ἐχ βασιληος ...
  ... ρης θεσμῶν ἑπα ...
  ... μ' ηυρατο τοϋτον ...
  ... Αὐσονιων σεβα[στό ...]
  ... στορος εῦχος ...

Collinet explains that the expression θεσμῶν Αὐσονιων translates into the “Laws of Ausonia”, Ausonia being the ancient Greek name for lower Italy (extended poetically to all Italy) and reveal that the Patricus mentioned in the inscription was well versed in Roman Law. Collinet believes that the word εύχος (ancient Greek for glory) is a further indicator of the elevated social standing of the person in question.[4]

[1]

[2]

[3]

[4]

title: Patricius (jurist)

question:
Answer the following question based on the above passage:

Where did Patricius teach?

answer: The ancient Law School of Berytus

answer: The law school of Beirut. There is no name given to this school in the passage.

text: Capitalization in the passage shows that the Law School of Berytus was the name of the school, so remove the incorrect second sentence.

answer: At the ancient Law School of Berytus (present day Beirut)

answer: Patricius taught in the ancient Law School of Berytus.

answer: Patricius taught in the ancient Law School of Beirut.

text: Replace 'Beirut' with 'Berytus' for a more precise answer.

refinement: Patricius taught in the ancient Law School of Berytus.

question:
Answer the following question based on the above passage:

What position did Patricius occupy?

answer: Patricius occupied the position of Quaestor of the Sacred Palace in the East, a senior legal office in the late Roman Empire.

answer: He taught in the ancient Law School of Berytus and occupied the position of Quaestor of the Sacred Palace in the East.

answer: Patricius was a jurist who occupied the position of Quaestor of the Sacred Palace in the East.

answer: Quaestor of the Sacred Palace in the East

answer: Patricius occupied the position of Quaestor of the Sacred Palace in the East.

question:
Answer the following question based on the above passage:

When was the inscription unearthed?

answer: In 1906

answer: The inscription was unearthed in 1906.

answer: 1906

answer: The turn of the 20th century

text: This is correct, but it would be more precise to add the actual year, 1906.

answer: The inscription was unearthed in 1906.

question:
Answer the following question based on the above passage:

How many "Ecumenical Masters" were there?

answer: There were seven "Ecumenical Masters."

answer: Seven.

answer: 7

answer: Seven, including Patricius.

answer: Seven.

question: Write a ~2 sentence summary.

answer: Patricius was a fifth-century Roman jurist who taught at the ancient Law School of Berytus and occupied the position of Quaestor of the Sacred Palace in the East, a senior legal office in the late Roman Empire. He was also one of the seven "Ecumenical Masters."

answer: Patricius was a fifth-century Roman jurist who taught in the ancient Law School at Berytus. Found on an ancient block in Beirut, an inscription honors Patricius as the expert in Roman Laws.

text: It would be more accurate to say he was 'an expert'

refinement: Patricius was a fifth-century Roman jurist who taught in the ancient Law School at Berytus. Found on an ancient block in Beirut, an inscription honors Patricius as an expert in Roman Laws.

answer: This article discusses the life and work of Patricius, a fifth-century Roman jurist who was also one of the greatest ancient masters of the Law School of Berytus. Originally located in Beirut, modern-day Lebanon, the Law School was one of the first of its kind to start training law teachers and professors.

text: External info mentions the Law School in conjunction with the first training of professional scholars and law historians, but to say it was the first to train law teachers is not verifiable either in the passage or based on a cursory external search. In addition, the phrasing 'originally located' is odd, as it was not moved from there at a later point. Best to simply remove the sentence altogether.

refinement: This article discusses the life and work of Patricius, a fifth-century Roman jurist who was also one of the greatest ancient masters of the Law School of Berytus.

text: Add a second sentence with the key details of the inscription.

refinement: This article discusses the life and work of Patricius, a fifth-century Roman jurist who was also one of the greatest ancient masters of the Law School of Berytus. A fragmentary inscription honoring him was uncovered in Beirut in 1906.

answer: Patricius was a fifth century Roman legal scholar who taught in the ancient Law School of Beirut. Collinet, a contemporary scholar, discovered an ancient Greek inscription which he believes is a Latin inscription in honor of Patricius, the city's legal scholar.

text: It is not clear who is responsible for discovering the base with the inscription, but the impresssion is that Collinet was a scholar who commented on its translation and significance, so remove mention of him discovering it.

refinement: Patricius was a fifth century Roman legal scholar who taught in the ancient Law School of Beirut. Collinet, a contemporary scholar, discussed an ancient Greek inscription which he believes is a Latin inscription in honor of Patricius, the city's legal scholar.

text: It is established the inscription was in Greek, not Latin, so remove the Latin detail.

refinement: Patricius was a fifth century Roman legal scholar who taught in the ancient Law School of Beirut. Collinet, a contemporary scholar, discussed an ancient Greek inscription which he believes is in honor of Patricius, the city's legal scholar.

text: The word 'contemporary' is unnecessary and confusing in this context, remove it.

refinement: Patricius was a fifth century Roman legal scholar who taught in the ancient Law School of Beirut. Collinet, a scholar, discussed an ancient Greek inscription which he believes is in honor of Patricius, the city's legal scholar.

answer: Patricius was a fifth-century Roman jurist and one of the most respected legal scholars of the Byzantine era. A Greek inscription found in Beirut references him, which indicates that he was an expert in Roman Law.