text:
He knew the moment she entered the bar.  If anyone had been watching him in his secluded corner, they would have noticed the slight tightening of his shoulders.  Otherwise, to all the world he was just a morose man staring into his drink with his right hand poised above an open journal as if waiting for dictation.  His statuesque pose opposite the drop of life that entered at that instant.

Watching her movements with his peripheral vision, the man admired the woman’s gracefulness as she danced between the tables and chairs.  She walked past his booth without a glance.  When the woman rounded the corner into the back section, he visually relaxed and let out a tired sigh.  Placing a ten dollar bill on the table, the man gathers his belongings as if to leave.

As he knelt down next to his backpack, the man stops and turns pale.  A chill runs down his spine as he glances over his shoulder.  Surprised emerald eyes stare at him from midst a heart shaped face.  The woman stands at the back corner with her hand braced on the wall, giving the look of a deer caught in headlights. They lock eyes and, for a moment, the universe stops its incessant ticking.  The man recovers first, standing up, brushing his coat, and while eyes still bound together, gestures to the opposite side of the booth.

Breaking eye contact first, she looks around the room in panic.  Seeing no avenue of escaping with dignity, the woman lets out an exasperated huff, the glides over to the secluded table. Motioning the waiter over she orders a Guinness for both her and the man.  They sat in familiar, nearly companionable, silence while they waited for their drinks.  When the beverages arrive, they both thanked the server then grew quiet again.  The Silence fully blossoms around them as they sit alone, together.

With a small smile, the man gazes at the woman.  He takes in her face, neck, shoulders, then follows her arms down to her fingertips. His touch had known every curve and angle. Closing his eyes, he takes a deep breath to both capture this fragment of time and shatter the growing silence.  Clearing her throat in indignation, she startles him back to the present. The man blushes, not used to being caught unawares. Silence, again, settles around them like a wool blanket on a mid-summer’s day.

The door crashes open, breaking their reveries. In strided a conglomerate of shrieking harpies announcing their intention to party the night away.  The woman looks relieved and glancing sheepishly at the man, gets up to go.  One of the birds disengages from the group, hurling herself into the woman’s arms, squealing above the sounds normally heard by the human ear. Not a glance is given the man as they go back to the herd.

Silence once again settles in the corner, bearing all its weight upon the man’s shoulders. He looks tired and beat up, almost lost. He only looks up once as he takes his writings out of his pack. Then he opens his journal and begins to write.

------------------

This was an story prompt for my creative writing class where we had to write a sort of dialogue between two people who once dated in the past and have ran into each other at the bar. We couldn't have them talk about the relationship or how it ended and each of them have something they are holding back from the other person that we can't talk about as well. I had decided to do a "no dialogue" dialogue.

Please tell me what you think, how I can improve, what should be expanded upon.

PS. I'm a Veteran with a traumatic brain injury and while I have always written poems/short stories, my ability to do so has been hampered. My team and I believe that getting back into writing will help with the healing and so I come to Reddit for a little extra push to get better. Thanks! :)

title: The Words Unspoken

question:
Answer the following question based on the above passage:

Who is the protagonist watching?

answer: The protagonist is watching the woman enter the bar.

text: Missing the fact that the protagonist seems to know the woman.

refinement: The protagonist is watching a woman from his past, possibly his ex-girlfriend, enter the bar.

answer: The protagonist sits in a secluded corner of the bar. He recognizes the woman that arrives. She walks past him and he tries to leave. As he packs his things he realizes that the woman recognized him. They sit together in silence until they are interrupted by a group of people walking in the bar. The woman leaves with one of the drunk women from the group and joins them. The man opens his journal again and continues writing.

text: The response is overly long and doesn't really answer the question. The highlighted text is extraneous and should be removed.

refinement: The protagonist recognizes the woman that arrives.

text: Add that based on the text, it appears the protagonist and the woman were in a relationship before.

refinement: The protagonist recognizes the woman that arrives. It appears they were in a relationship before that didn't end well.

answer: The protagonist is watching the woman.

text: Add that they used to date.

refinement: The protagonist is watching a woman he used to date enter the bar.

answer: The protagonist is watching the woman enter the bar.

answer: An unnamed woman

text: Add that the woman and protagonist dated.

refinement: The protagonist is watching a woman from his past, possibly someone he used to date, enter the bar.

question:
Answer the following question based on the above passage:

What does the story say about the woman's feelings about the protagonist?

answer: The narrator seemed gloomy, interacting with the protagonist only when they run into each other. The woman looks up at the narrator when they meet eyes, then swiftly moves to the back corner bench, possibly to hide her initial disappointment that she is running into the narrator. At first, the woman sits at the table out of curiousity, but when she approaches the narrator, she seems sheepish. She may be reluctant about interacting with the narrator.

text: "The narrator seemed gloomy, interacting with the protagonist only when they run into each other." - this doesn't make sense because the woman isn't the protagonist and the morose man isn't the narrator - he is the protagonist. This part can be removed.

refinement: The woman looks up at the narrator when they meet eyes, then swiftly moves to the back corner bench, possibly to hide her initial disappointment that she is running into the narrator. At first, the woman sits at the table out of curiousity, but when she approaches the narrator, she seems sheepish. She may be reluctant about interacting with the narrator.

text: "The woman looks up at the narrator when they meet eyes, then swiftly moves to the back corner bench, possibly to hide her initial disappointment that she is running into the narrator. At first, the woman sits at the table out of curiousity, but when she approaches the narrator, she seems sheepish." - this never happened.

refinement: She may be reluctant about interacting with the narrator.

text: The response still doesn't answer the question about the woman's feelings towards the protagonist.

refinement: The woman feels annoyed and exasperated with the narrator. She seems to be holding something back from the narrator and being around him is the last thing she wants to do.

answer: The protagonist sits in a secluded corner of the bar. He recognizes the woman that arrives. She walks past him and he tries to leave. As he packs his things he realizes that the woman recognized him. It seems as though the woman had a relationship with him and they sit together in silence. A group of people walk in and break the silence and the woman quietly leaves with the group. The protagonist writes in his journal once more.

text: The response failed to answer the question of how the woman feels about the protagonist.

refinement: The woman feels annoyed and exasperated with the narrator. She seems to be holding something back from the narrator and can't wait to leave his table.

answer: The woman looks overwhelmed and hesitant when she first sees the protagonist, but she ultimately joins him. Upon arrival of the rowdy group, she gets up to leave, but can't resist the pull of the protagonist and seeks him out. She is clearly reluctant to interact with him and seems to feel conflicted and conflicted about their past relationship.

text: "The woman looks overwhelmed" - she didn't look overwhelmed. She was surprised.

refinement: The woman looks surprised and hesitant when she first sees the protagonist, but she ultimately joins him. Upon arrival of the rowdy group, she gets up to leave, but can't resist the pull of the protagonist and seeks him out. She is clearly reluctant to interact with him and seems to feel conflicted and conflicted about their past relationship.

text: "Upon arrival of the rowdy group, she gets up to leave, but can't resist the pull of the protagonist and seeks him out. She is clearly reluctant to interact with him and seems to feel conflicted and conflicted about their past relationship." - the woman immediately leaves the protagonist when her group arrives. She didn't seek him out and there is no "pull" to speak of. She is also not conflicted about their past relationship. That was never implied.

refinement: The woman looks surprised and hesitant when she first sees the protagonist, but she ultimately joins him.

text: The response doesn't answer the question about how the woman feels about the protagonist.

refinement: The woman was surprised when she saw the protagonist, feeling annoyed and exasperated.

answer: The story suggests that the woman feels regretful but also a sense of relief when she runs into the protagonist. Her stoic presence at the booth, despite being furious that the other group interrupted them, suggests she still cares for the protagonist in some way. However, the pervasive silence and inability to say anything to each other indicates she doesn't feel comfortable communicating her true feelings.

text: "The story suggests that the woman feels regretful but also a sense of relief when she runs into the protagonist. Her stoic presence at the booth, despite being furious that the other group interrupted them, suggests she still cares for the protagonist in some way. However, the pervasive silence and inability to say anything to each other indicates she doesn't feel comfortable communicating her true feelings." - this is incorrect and never happened.

refinement: The woman was surprised when she saw the protagonist. She felt panic upon realizing she had to sit with him because it seems being around him is the last thing she wants. The woman also feels annoyed and exasperated with the protagonist.

answer: The woman exchanges glances with the protagonist and quickly looks for an avenue of getting out of the place. They let their drinks be delivered and she does not talk to the protagonist. She orders another drink for him for which she does not thank him. She once again tries to get away from the place and the protagonist helps only by bracing his hand on his table without talking or looking at her. The protagonist realizes how she once upon a time was his world and observes her.

text: The response doesn't answer the question.

refinement: The woman feels annoyed and exasperated with the narrator. She seems to be holding something back from the narrator and being around him is the last thing she wants to do.


split: train

text:
Building a prototype helps entrepreneurs narrow down what works and what doesn’t. They help you take your vision for a product from concept to completion and from the idea stage to the market.

Michael Bredemeier, Co-Founder and COO, Little Toader, maker of AppeTEETHERS teething toys, shared five expert tips on bringing your prototype to market with Small Business Trends.

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Prototype Development Tips

Know What a Prototype Is

According to Bredemeier, the definition is as follows:

“A prototype is a physical representation of a product that is meant to be as close to final product as possible.”

The part about being as close to the final product as possible is important. If the design is missing something that needs to be there, the prototype allows you to see that before you go into production. Bredemeier also points out a prototype can be useful a way to market the product to potential buyers because they can actually touch and hold it.

Take Advantage of the Latest Technology

It’s no surprise this is considered one of the most important tips in our age of constant digital innovation.  In the case of a prototype, 3-D technology is unavoidable. Fair enough, but how does this technology work?

In three stages:

Scan: First you need to create a 3D scan. This is about making a virtual design of what you want to create in a computer using the right software.

Model. The right software creates a 3D model. Once you’ve got that done, you need to “slice” the model into two dimensional images.

Print. A 3D printer can print the object layer by layer. This technology reads two dimensional images and creates three dimensional objects.

“Three dimensional printing of a prototype provides us the ability to feel the product and view it in its actual form,” Bredemeier writes. “It is very difficult to get a feel of the actual size of an object until you can pick it up and view it in your hands.”

Like a lot of other technologies, 3D printing is opening the door for small entrepreneurs to create their own prototypes. It puts the process in their hands and drives costs down.

Keep an Open Mind During the Process

Small businesses need to remember a prototype is close, but it’s not an exact version of the final product. They might not have all of the moving parts, exact weight and often color of the finished version.

”Also, until you have produced a product, even a sample version, you don’t know the actual cost and feasibility to produce it on a large scale,” Bredemeier writes. In short that all means the prototype might be telling you the entire project won’t work.  You can even wind up with an outstanding prototype and move on to a production sample only to find the costs make the entire project unfeasible.  Make sure you understand what the prototype is telling you.

Understand the Steps Involved

Although there are as many different prototypes as entrepreneurs who invent them, the steps involved are basically the same for all small businesses. That said, here’s the formula  that will help you to bring that prototype to market–idea conception+ creative design+  technical design+final product specifications= prototype.

Sound straightforward? Keep in mind that Bredemeier envisions a future where: “As the cost of 3D printing goes down and the quality and capabilities of 3D printing improves, traditional production will be replaced by 3D printing of products.”

That means 3D technology should eventually blur the lines between the steps so the final product and the prototype are the same.

Keep Things Simple

It’s always a good idea to keep things simple. Less is more is generally a good rule because the fewer moving parts the prototype has, the better. Any small business with a tangible product can and should have a prototype. Finally, expect that you’ll need to make tweaks before you get to the final product stage.

_3D Printer Photo via Shutterstock_

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question:
Answer the following question based on the above passage:

What is the main benefit of having a prototype before product launch?

answer: A prototype functions as a physical representation of a product that allows entrepreneurs to see potential flaws before going into production. Additionally, prototypes allow entrepreneurs to market their product in tangible form so potential buyers and investors can have a better understanding of what they are buying. A prototype is also an important step in ensuring that an idea is feasible, which protects entrepreneurs from wasting time and money on something that might not work.

answer: It gives a business owner a better idea of what works and what doesn't within the product - this allows for more fluid progress.

text: The answer omits the marketing advantages of prototyping.

refinement: It gives a business owner a better idea of what works and what doesn't within the product - this allows for more fluid progress. Prototypes also allow for better marketing to buyers because they can see the product.

answer: It allows the entrepreneurs to validate if the product will work in its current state.

answer: A prototype allows the entrepreneur to see what works and doesn't work before going into production. This is especially useful considering how technologies like 3-D printing make prototyping more accessible to small business owners. A prototype can also help to market the product because it can be touched and held.

answer: A prototype is physically the closest thing to a final product. Any business looking to succeed must develop a prototype as it can be an indicator of success especially when it comes to cost. There are times when a prototype can reveal the feasibility (financially) of moving a finished product to a production stage. This information is crucial and can save entrepreneurs time and money.

text: The answer's claim about prototypes revealing the product's cost is exactly the opposite of the article.

refinement: A prototype is physically the closest thing to a final product. Any business looking to succeed must develop a prototype as it can be an indicator of success.

text: The answer omits the concrete advantages of prototyping. It reveals potential flaws and helps marketing.

refinement: A prototype is physically the closest thing to a final product. Any business looking to succeed must develop a prototype as it can be an indicator of success. A prototype reveals potential mistakes before production and allows easier marketing.


text:
_*THIS ARTICLE CONTAINS SPOILERS FOR BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'*_

If there are two things _Better Call Saul_ loves, it's tiny, blink-and-you-miss-it details, and bringing back characters from _Breaking Bad_ in subtle ways.

This tends to lead to the fan pursuit of numerous red herrings, but this latest might just be a real a one, a bonafide, 200-pound beauty, yee-haw!, as the character it concerns would say.

The opening of S03E03, 'Sabrohito', picks up where the last episode left off - one of Hector's distribution trucks getting pounced on by the DEA as Mike, who engineered the bust, watches from a nearby parking lot.

Who works for the DEA? None other than ASAC Hank Schrader.

At around 8:10 in the episode, if you're watching on Netflix, an agent is heard saying something along the lines of "Did he get out the truck yet?", and that agent sounds a hell of a lot like Hank.

First off, it would make total sense for Hank to be present at the bust, and we have no reason to believe he wasn't working at the agency at the time Better Call Saul is set.

Second, it would have been very easy for actor Dean Norris to make the cameo, as his line would have been ADR added remotely in post.

Unlike Gus Fring's dramatic windshield post-it note return, this return wouldn't add anything to the plot, but does it sound like the kind of thing creators Vince Gilligan and Peter Gould would do just for fun and to be authentic with their universe? Absolutely.

question:
Answer the following question based on the above passage:

What is "Sabrosito"?

answer: It is the episode of Better Call Saul in which an actor who was in Breaking Bad makes a cameo appearance.

text: It misses to mention it s the 4th episode of the 3rd season.

refinement: It is the 4th episode of Better Call Saul's 3rd season, in which an actor who was in Breaking Bad makes a cameo appearance.

answer: The fourth episode of Better Call Saul's third season (name of episode)

text: "BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'" is evidence of what "sabrosito" refers to.

answer: The fourth episode of the third season of the television series "Better Call Saul", in which one of the DEA agents is voiced by actor Dean Norris.

text: "BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'" is evidence of what "sabrosito" refers to.

answer: Episode 4 of the third season of Better Call Saul, in which Hank Schrader appears in a cameo role.

text: "BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'" is evidence of what "sabrosito" refers to.

answer: Better Call Saul's season 3, episode 4.

text: "BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'" is evidence of what "sabrosito" refers to.

question:
Answer the following question based on the above passage:

In the series, who works for the DEA?

answer: As of Season 3 Episode 4, its implied that the DEA agent present at the bust is Hank Schrader.

text: "Who works for the DEA? None other than ASAC Hank Schrader" is evidence that the Hank Schrader character works for the DEA.

answer: The DEA is staffed by ASAC Hank Schrader.

text: "Who works for the DEA? None other than ASAC Hank Schrader" is evidence that the Hank Schrader character works for the DEA.

answer: Hank Schrader

text: "Who works for the DEA? None other than ASAC Hank Schrader" is evidence that the Hank Schrader character works for the DEA.

answer: Hank Schrader

text: "Who works for the DEA? None other than ASAC Hank Schrader" is evidence that the Hank Schrader character works for the DEA.

answer: The ASAC Hank Schrader.

text: "Who works for the DEA? None other than ASAC Hank Schrader" is evidence that the Hank Schrader character works for the DEA.

question:
Answer the following question based on the above passage:

Where do characters from "Better Call Saul" come from?

answer: The characters in "Better Call Saul" come from the television show "Breaking Bad". One of the DEA agents at a bust in the latest "Better Call Saul" episode is played by the character Hank Schrader from "Breaking Bad".

text: "Better Call Saul loves, it's tiny, blink-and-you-miss-it details, and bringing back characters from Breaking Bad" is evidence that Better Call Saul brings characters from Breaking Bad.

answer: They come from "Breaking Bad"

text: "Better Call Saul loves, it's tiny, blink-and-you-miss-it details, and bringing back characters from Breaking Bad" is evidence that Better Call Saul brings characters from Breaking Bad.

answer: Characters also come from "Breaking Bad"

text: "Better Call Saul loves, it's tiny, blink-and-you-miss-it details, and bringing back characters from Breaking Bad" is evidence that Better Call Saul brings characters from Breaking Bad.

answer: Characters from "Better Call Saul" come from their respective universe - "Breaking Bad".

text: "Better Call Saul loves, it's tiny, blink-and-you-miss-it details, and bringing back characters from Breaking Bad" is evidence that Better Call Saul brings characters from Breaking Bad.

answer: Characters from Better Call Saul come from _Breaking Bad_. Specifically, one character from Better Call Saul, ASAC Hank Schrader, is portrayed by actor Dean Norris, who had previously appeared in _Breaking Bad_.

text: "Better Call Saul loves, it's tiny, blink-and-you-miss-it details, and bringing back characters from Breaking Bad" is evidence that Better Call Saul brings characters from Breaking Bad.

question:
Answer the following question based on the above passage:

What does the article contain?

answer: Spoilers for the fourth episode of season 3 of Better Call Saul, 'Sabrohito'

text: "THIS ARTICLE CONTAINS SPOILERS FOR BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'" is evidence of what the article contains.

answer: The article contains speculation that actor Dean Norris appears as Hank Schrader in the opening of S03E03, 'Sabrohito' of _Better Call Saul_.

text: The answer incorrectly mentions "Sabrosito" as the 3rd episode of the 3rd season, while it is the 4th episode.

refinement: The article contains speculation that actor Dean Norris appears as Hank Schrader in the opening of S03E04, 'Sabrohito' of _Better Call Saul_.

answer: Information about Better Call Saul Season 3 ep. 4's Sabrohito.

text: "THIS ARTICLE CONTAINS SPOILERS FOR BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'" is evidence of what the article contains.

answer: The article contains speculation that the DEA agent heard in the Better Call Saul episode 'Sabrohito' is played by Breaking Bad protagonist Hank Schrader.

answer: Soilers for Better Call Saul's Sabrosito episode

text: spelling error in "spoilers"

refinement: Spoilers for Better Call Saul's Sabrosito episode

text: "THIS ARTICLE CONTAINS SPOILERS FOR BETTER CALL SAUL SEASON 3 EPISODE 4, 'SABROHITO'" is evidence of what the article contains.

question: Write a ~1 sentence summary.

answer: In Better Call Saul's S03E03, an agent at the DEA bust of a distribution truck sounds exactly like character ASAC Hank Schrader from _Breaking Bad_. It's likely that Norris made the cameo, which adds to the authenticity of the universe.

text: It is incorrectly mention that the episode is the 3rd episode of the 3rd season, however it is the 4th episode

refinement: In Better Call Saul's S03E04, an agent at the DEA bust of a distribution truck sounds exactly like character ASAC Hank Schrader from _Breaking Bad_. It's likely that Norris made the cameo, which adds to the authenticity of the universe.

text: Extra details exceed the targeted summary length.

refinement: In Better Call Saul's S03E04, an agent at the DEA bust of a distribution truck sounds exactly like character ASAC Hank Schrader from _Breaking Bad_.

answer: This article discusses a new tv show called Better Call Saul.

text: It misses specifying that it discusses the 4th episode of the 3rd season, Sabrosito.

refinement: This article discusses the 4th episode of Better Call Saul's 3rd season, Sabrosito.

answer: In episode 4 of Better Call Saul, we see ASAC Hank Schrader from _Breaking Bad_ working for the DEA during a bust. This could mean that Hank was still in that role at the time of Better Call Saul, as it would make complete sense for him to be there. The cameo confirms that Hank is still alive after _Breaking Bad_ and adds a fun detail to the show's authenticity.

text: It misses to specify that the episode is in the 3rd season of Better Call Saul.

refinement: In episode 4 of Better Call Saul's 3rd season, we see ASAC Hank Schrader from _Breaking Bad_ working for the DEA during a bust. This could mean that Hank was still in that role at the time of Better Call Saul, as it would make complete sense for him to be there. The cameo confirms that Hank is still alive after _Breaking Bad_ and adds a fun detail to the show's authenticity.

text: Extra details exceed the targeted summary length.

refinement: In episode 4 of Better Call Saul's 3rd season, we see ASAC Hank Schrader from _Breaking Bad_ working for the DEA during a bust, implying that Hank was still in that role for this episode.

answer: A review of "Better Call Saul" season 3 episode 4, "Sabrohito".

text: It misses to mention that the character Hank Schrader from Breaking Bad makes a cameo.

refinement: A review of "Better Call Saul" season 3 episode 4, "Sabrohito", showing Breaking Bad's Hank Schrader appearing in a cameo.

answer: This article discusses the plausibility of an appearance from character Hank Schreader in the Better Call Saul series.

text: spelling correction of "Schrader". and specifying that the episode is Sabrosito.

refinement: This article discusses the plausibility of an appearance from character Hank Schrader in the Better Call Saul's 4th episode of the 3rd season.


text:
Suddenly I’m awake in a lit room. My son’s room, I’m sure I turned off the lamp. Maybe not. No, I’m sure I did. If I didn’t then I wish I had. It isn’t the lamp being on that has stricken me with fear however. It’s what the light, that should be off, now reveals in the darkness.

In the wallpaper of my son’s room there is a face. I can see it clear as day and by the looks of it, it can see me back. The pattern of sail boats, some with open sails and some without, usually aligned vertically from floor to ceiling, have moved. Nothing else in the room has followed the sailboats into the realm of the impossible. My son’s teddy bear still sits hunched over on his dresser unmoved from when I placed it there before bed. The pile of toys has held it’s shape as a pile of toys, never striving to be anything more. Anything evil.

The sails, mangled together, through and around, conjoined in what is clearly a face. Two sunken closed eyes the size of my head. Hundreds of little sail boats as eyelids. A man’s face. I’m sure of it. Either way, face or not, this is not the pattern of my son’s wallpaper. Too terrified to move because what if it does?
Something just moved in the bed beside me. Under the covers. My bones would have leapt from my body had every muscle not been dead with fear. I didn’t think I could be more scared but now something is moving. My son rolls over and continues to sleep. A relief, it wasn’t Death, come to get me. Death is still on the wall. Back to the face after reassuring myself my son wasn’t going to wake up. My son! I fell asleep with him. How many nights has he slept under the gaze of this face? Were all his nightmares more than dreams? Should I have insisted that he no longer sleep with Mommy and Daddy? He had to be a big boy.
The eyes are open. All the little sails flipped back to reveal an onyx knot of little black sailless boats tightly formed into perfect pupils.

Then the teddy bear sits up. I scream.
Awake now in a dark room. Someone flicks the light on. My son, the light on his side, in his room. The wallpaper back to it’s meaningless pattern. Teddy, back to sleep on the dresser. My pillow, wet from the nightmare leaking out of my head.
I wipe my hair from my eyes and look at my son. At only six he worries when his father screams in the dead of night. I’m still terrified, nightmares linger far longer than dreams and I can’t shake the feeling that the room is watching me. We turn every light in the house on and go downstairs. I drink a glass of water; my son, a glass of milk.

Can’t shake it. It’s still dark out and I find no comfort in staring out the kitchen window.
“You saw him didn’t you?” My son asks.
“Come on, you can sleep in our room tonight.” I tell him. “Daddy just had a bad dream.”
We both know it isn’t true but we can talk about it in the morning.

We go back to my room and snuggle in close to my wife. She is warm with ignorance of what just occurred and it somehow makes me level headed about all of it. Makes me start to question what I had seen. It was all just a dream. It had to have been. It’s the only logical conclusion.
I see Teddy’s head poke up from the foot of the bed. The lights go out. I scream because that’s all there is to do then-

title: Scream

question: What does the narrator see in the darkness?

answer: The narrator sees a face in the wallpaper of his son's room.

text: n the wallpaper of my son’s room there is a face.

answer: The narrator sees the pattern of his son's wallpaper shift to form a face that stares at him.

text: n the wallpaper of my son’s room there is a face.

answer: The narrator sees a face in the wallpaper of their son's room, as well as a teddy bear that has suddenly come to life.

text: n the wallpaper of my son’s room there is a face.

answer: A face in the wallpaper.

text: I made this a complete sentence.

text: n the wallpaper of my son’s room there is a face.

question: What happens to the narrator while in his son's room?

answer: The narrator sees a face in the wallpaper.

text: There is a lot more that happens, and it seems to have more of an impact on the narrator.

refinement: The narrator sees a face in the wallpaper. It is the face of evil. The narrator tells himself it is just the wallpaper pattern at first, but realizes it isn't. He starts to think death is on that wall. Then the teddy bear sits up.

answer: The narrator sees a face in the wallpaper of his son's room, which causes him to scream.

text: A bit more happens.

refinement: The narrator sees a face in the wallpaper of his son's room. He starts to think death is on that wall. Then the teddy bear sits up. He screams.

answer: The narrator sees a face in the wallpaper of his son's room.

text: There should be more detail, as more happens in the room, even if it might be just in the narrator's head.

refinement: The narrator sees a face in the wallpaper of his son's room. It is the face of evil. The narrator tells himself it is just the wallpaper pattern at first, but realizes it isn't. He starts to think death is on that wall. Then the teddy bear sits up. The narrator screams.

answer: The narrator sees the pattern of his son's wallpaper shift to form a face that stares at him. The eyes blink, and his son's teddy bear sits up. His six-year-old son turns the lights on.

question: What are the emotions the narrator is feeling?

answer: The narrator is feeling fear.

text: I think this should be more detailed.

refinement: The narrator is feeling self-doubt-at first he's skeptical that the evil face is real. Then he realizes what he's seeing is real, and feels terror, which is shown by his scream.

answer: The narrator is terrified.

text: I think there should be more detail.

refinement: The narrator is at first skeptical, and then, as he realizes the face is real, he is terrified.

answer: The narrator is feeling fear and terror throughout the passage. They are terrified of the face on the wall, and then terrified of the teddy bear when it sits up.

answer: The narrator is feeling fear and relief.

text: I am not sure they feel relief, at least not as a primary and prominent emotion throughout the passage.

refinement: The narrator is feeling fear as he notices the face, then relief when he thinks maybe he's being silly, but as he comes to realize the face is indeed the face of evil and death, the narrator is terrified.

question: Does the narrator interact with anyone or anything?

answer: The narrator and his son get up and leave the boy's bedroom. They go to the kitchen for something to drink. The boy asks his dad if he "saw him."

text: I think you could be more to-the-point with the question of whether or not the dad (the narrator) did interact with evil/death at all, but as this is my personal preference, I am not taking away percentage points.

refinement: The narrator and his son get up and leave the boy's bedroom. They go to the kitchen for something to drink. The boy asks his dad if he "saw him." Perhaps the narrator has interacted with the evil face in the wallpaper-the face of death?

answer: No, the narrator does not interact with anyone or anything.

text:
This is blatantly inaccurate.
The narrator, at the very least, interacts with his son.

refinement: The narrator interacts with his son at the end.

text: You could also say the narrator believes they might have interacted with evil and/or death.

refinement: The narrator interacts with his son and his wife at the end. There is the question of whether or not the narrator actually interacted with death and/or evil-the narrator himself felt skeptical as to what he was really seeing, trying to reason with himself that it was just the pattern of the wallpaper. Then he gets increasingly scared before the teddy bear sits up. You might say the narrator has interacted with evil, or death, or with the teddy bear.

answer: The narrator interacts with his son and his wife, but not with anything else in the room.

text: I think the point of this story is that the narrator believes he has interacted with evil.

refinement: The narrator interacts with his son and his wife, and he might have walked away from this believing that he interacted with evil, or with death, or both, via the face in the wallpaper and the teddy bear.

answer: The narrator interacts with his son and his wife.

text: I think the point of this story is that the narrator believes he has interacted with evil.

refinement: The narrator interacts with his son and his wife, and he might have walked away from this believing that he interacted with evil, or with death, or both, via the face in the wallpaper and the teddy bear.

question: Write a ~8 sentence summary.

answer: The protagonist wakes up in the middle of the night to find a face in the wallpaper of their son's room. They scream and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They go back to sleep and wake up

text: I think this is an error in the system. It has way too many repeats.

refinement: The protagonist wakes up in the middle of the night to find a face in the wallpaper of their son's room. They scream and the face disappears. They go back to sleep and wake up to find the face again, this time with open eyes. They scream again and the face disappears. They get something to drink with their son, who asks if they've seen "them". The two snuggle in bed close to the narrator's wife, but he wakes soon to see the teddy bear's face at the end of the bed, and he screams.

answer: The narrator fell asleep in his six-year-old son's bedroom. He wakes and sees the pattern of his son's wallpaper shift to form a face that stares at him. The eyes blink, and his son's teddy bear sits up; the dad screams. The son wakes up and turns on the lights. He asks his dad if he "saw him". The dad and son go to the dad's room and snuggle in bed next to his wife. He convinces himself that it was a dream. He sees the teddy bear's head poke up at the foot of the bed.

text: I changed the tense of the first sentence.

refinement: The narrator has fallen asleep in his six-year-old son's bedroom. He wakes and sees the pattern of his son's wallpaper shift to form a face that stares at him. The eyes blink, and his son's teddy bear sits up; the dad screams. The son wakes up and turns on the lights. He asks his dad if he "saw him". The dad and son go to the dad's room and snuggle in bed next to his wife. He convinces himself that it was a dream. He sees the teddy bear's head poke up at the foot of the bed.

answer: The narrator wakes up in his son's room, and sees a face in the wallpaper. He realizes that the pattern of sailboats has moved to form a face. The eyes are open, and the little sails flip back to reveal an onyx knot of little black sailless boats tightly formed into perfect pupils. The teddy bear sits up, and the narrator screams. He wakes up in his son's room, and his son asks if he saw the man. The narrator tells his son that he had a bad dream. The narrator and his son go back to his room and snuggle with his wife. The lights go out, and the narrator screams because that's all there is to do.

text: The narrator screams at the end because the teddy bear is poking its head at the end of the bed.

refinement: The narrator wakes up in his son's room, and sees a face in the wallpaper. He realizes that the pattern of sailboats has moved to form a face. The eyes are open, and the little sails flip back to reveal an onyx knot of little black sailless boats tightly formed into perfect pupils. The teddy bear sits up, and the narrator screams. He wakes up in his son's room, and his son asks if he saw the man. The narrator tells his son that he had a bad dream. The narrator and his son go back to his room and snuggle with his wife. The lights go out, and the narrator sees the teddy bear's head poking up at the end of the bed. He screams because that's all there is to do.

answer: The protagonist wakes up to find a face in their son's wallpaper, which they believe to be a malevolent spirit. They scream, but when they turn on the lights, everything appears normal. However, when they go to sleep again, the face is open-eyed and the teddy bear is sitting up. The protagonist screams again, but is unsure if what they saw was real or just a nightmare.

text: The whole part about their son has been omitted, and needs to be included, as the boy's sightings of the face play a role in the narrator's inner monologue.

refinement: The protagonist wakes up to find a face in their son's wallpaper, which they believe to be a malevolent spirit. They scream, but when they turn on the lights, everything appears normal. They go get a drink with their son, who is also awake and asks if the protagonist saw "them". The two go snuggle with the protagonist's wife in bed. However, when the protagonist stirs, they see the face is open-eyed and the teddy bear is sitting up. The protagonist screams, as there is nothing else left to do.

text: The teddy bear is poking its head at the end of the bed, not sitting up, at the end of the story.

refinement: The protagonist wakes up to find a face in their son's wallpaper, which they believe to be a malevolent spirit. They scream, but when they turn on the lights, everything appears normal. They go get a drink with their son, who is also awake and asks if the protagonist saw "them". The two go snuggle with the protagonist's wife in bed. However, when the protagonist stirs, they see the face is open-eyed and the teddy bear is poking its head up at the end of the bed. The protagonist screams, as there is nothing else left to do.


text:
LYUDMYLA LEONTIIVNA DENISOVA[1] (; ) (born July 6, 1960 in Arkhangelsk, Russian SFSR) is a Ukrainian politician and former Minister of Labor and Social Policy who on 15 March 2018 was elected Commissioner for Human Rights in Ukraine.[2][3]

Biography

Raised by her mother Nina Ivanovna Ankudinova (born 1934) in Arkhangelsk Denisova graduated from the Arkhangelsk Pedagogical School (1978), the Leningrad State University (1989) and the Tavria Institute of Enterprise and Law (1995).[4]

Professional career

Denisova was a teacher at a preschool in the Russian city of Arkhangelsk (school №78, 1979–80).[5] For the next nine years Denisova held different posts in the Arkhangelsk provincial law court.[6] In 1989, she moved to Ukraine and became the legal adviser of the Crimean Provincial Committee of Ukraine (1990–91).[7] From 1991 she worked in the Republic of Crimea's Administration of the pension fund until 1998.[8]

Political career

In 1998 Denisova became the Minister of Economy and Finances in the Crimean government.[9] In Ukraine's Autonomous Republic of Crimea, she served as Minister of Economy, Minister of Finance and head of the Treasury Department. Denisova was named Politician of the Year in 2001. In 2000 Denisova was detained for 24 hours and charged with power abuse.[10] Denisova has stated she was persecuted for refusing to sign a budget document.[11] This criminal case was soon closed.[12]

Denisova is a member of Batkivshchina (Yulia Tymoshenko Bloc) since 2005.[13] During the 2006 and 2007 parliamentary elections, she was elected as a deputy to the Verkhovna Rada (Ukrainian parliament).

Minister

On December 18, 2007, Yulia Tymoshenko, with a margin of two votes, was elected Prime Minister.[14] and the second Tymoshenko Government was formed between the Yulia Tymoshenko Bloc and Our Ukraine–People's Self-Defense Bloc in which Denisova was elected Minister of Labour and Social Policy.

In October 2009 Denisova was ranked 15th in a top 100 of “most influential women in Ukraine” compiled by experts for the Ukrainian magazine Focus (six places lower than non-minister and fellow Batkivshchina member Natalia Korolevska).[15]

2010 Crimean parliamentary election

Denisova headed the electoral list of Batkivshchina during the 2010 Crimean parliamentary election.[16] Batkivshchina did not win seats in the Supreme Council of Crimea.[17]

2012 Ukrainian parliamentary election

Denisova was placed at number 38 on the electoral list of Batkivshchina during the 2012 Ukrainian parliamentary election.[18] She was re-elected into parliament.[19]

2nd minister post

On 27 February 2014 Denisova became Minister of Labor and Social Policy in the Yatsenyuk Government.[20]

In September 2014 Denisova became a founding member of her new party People's Front.[21]

2014 Ukrainian parliamentary election

In the 2014 Ukrainian parliamentary election Denisova was re-elected into parliament placed 15th on the electoral list of People's Front.[22][23][24]

On 15 March 2018 the Ukrainian parliament elected Denisova Commissioner for Human Rights in Ukraine.[25]

[1]  Short bio, LIGA

[2] https://www.pravda.com.ua/news/2018/03/15/7174734/

[3] Maidan nominates Yatseniuk for prime minister, Interfax-Ukraine (26 February 2014)
Ukrainian parliament endorses new cabinet, Interfax-Ukraine (27 February 2014)

[4]

[5]

[6]

[7]

[8]

[9] Новый состав Кабмина принят единогласно , news.mediaport.ua

[10] Is She Next?, Kyiv Post (September 3, 2010)

[11]

[12]

[13]

[14]

[15]  Рейтинг Фокуса: 100 самых влиятельных женщин и 100 деталей о них , Focus

[16] Liudmyla Denisova heads electoral list of Crimean branch of Batkivschyna Party, Kyiv Post (September 30, 2010)

[17]  Results of the elections, preliminary data, on interactive maps by Ukrayinska Pravda (November 8, 2010)

[18] They Call Themselves the Opposition, The Ukrainian Week (31 August 2012)

[19]  Список депутатів нової Верховної Ради, Ukrayinska Pravda (11 November 2012)

[20]

[21] Yatseniuk elected head of political council of People's Front Party , Demotix (9 September 2014)

[22] Poroshenko Bloc to have greatest number of seats in parliament , Ukrinform (8 November 2014)
People's Front 0.33% ahead of Poroshenko Bloc with all ballots counted in Ukraine elections - CEC , Interfax-Ukraine (8 November 2014)
Poroshenko Bloc to get 132 seats in parliament - CEC, Interfax-Ukraine (8 November 2014)

[23]  Full electoral list of “Fatherland” , TVi (15 September 2014)

[24]  Electoral list of People's Front, Ukrayinska Pravda (20 September 2014)

[25]

title: Lyudmyla Denisova

question:
Answer the following question based on the above passage:

What does the text say about Denisova's education?

answer: Denisova graduated from the Arkhangelsk Pedagogical School, the Leningrad State University, and the Tavria Institute of Enterprise and Law.

answer: Denisova graduated from the Arkhangelsk Pedagogical School in 1978, then the Leningrad State University in 1989, and finally the Tavria Institute of Enterprise and Law in 1995.

answer: Denisova graduated from the Arkhangelsk Pedagogical School. She completed her state certification at the Leningrad State University. She later completed her license at the Tavria Institute of Enterprise and Law.

text: The article does not state that she completed her state certification at the Leningrad State University, only that she attended the school.

refinement: Denisova graduated from the Arkhangelsk Pedagogical School. She also studied at the Leningrad State University. She later completed her license at the Tavria Institute of Enterprise and Law.

text: The article does not state that she completed her license at the Tavria Institute of Enterprise and Law, only that she graduated from there.

refinement: Denisova graduated from the Arkhangelsk Pedagogical School. She also studied at the Leningrad State University. She later graduated from the Tavria Institute of Enterprise and Law.

answer: Denisova graduated from the Arkhangelsk Pedagogical School and the Leningrad State University.

text: The answer does not mention that she also graduated from the Tavria Institute of Enterprise and Law.

refinement: Denisova graduated from the Arkhangelsk Pedagogical School, the Leningrad State University, and the Tavria Institute of Enterprise and Law.

answer: Denisova graduated from the Arkhangelsk Pedagogical School (1978), the Leningrad State University (1989) and the Tavria Institute of Enterprise and Law (1995).

question:
Answer the following question based on the above passage:

What does the text say about Denisova's political career?

answer: Denisova has had a long political career, beginning as a teacher and moving on to various post within the Crimean provincial law courts and the Crimean government. In 2009 she was elected Minister of Labour and Social Policy under Yulia Tymoshenko's second government and in 2014 she was re-elected to parliament for the second time. In 2018, she was elected Commissioner for Human Rights in Ukraine.

text: It is not relevant that she began her career as a teacher and worked in provincial law courts.

refinement: In 2009 she was elected Minister of Labour and Social Policy under Yulia Tymoshenko's second government and in 2014 she was re-elected to parliament for the second time. In 2018, she was elected Commissioner for Human Rights in Ukraine.

text: The answer does not mention her roles as the Minister of Economy, Minister of Finance, and head of the Treasury Department.

refinement: In 1998, Denisova became the Minister of Economy and Finances. She served as Minister of Economy, Minister of Finance, and head of the Treasury department. In 2009 she was elected Minister of Labour and Social Policy under Yulia Tymoshenko's second government and in 2014 she was re-elected to parliament for the second time. In 2018, she was elected Commissioner for Human Rights in Ukraine.

text: She was elected Minister of Labour and Social Policy in 2007, not 2009.

refinement: In 1998, Denisova became the Minister of Economy and Finances. She served as Minister of Economy, Minister of Finance, and head of the Treasury department. In 2007 she was elected Minister of Labour and Social Policy under Yulia Tymoshenko's second government and in 2014 she was re-elected to parliament for the second time. In 2018, she was elected Commissioner for Human Rights in Ukraine.

answer: Denisova has had a political career primarily in Crimea, serving as Minister of Economy, Minister of Finance, and head of Treasury Department before becoming Minister of Labor and Social Policy in the Yatsenyuk Government in 2014. She was elected into parliament in both the 2006 and 2012 Ukrainian parliamentary elections, placed 15th on the electoral list of People's Front in the 2014 Ukrainian parliamentary election, and was recently elected Commissioner for Human Rights in Ukraine.

answer: Denisova was the Minister of Labor and Social Policy as a member of the Yatsenyuk Government in February 2014. She re-elected into parliament in the 2014 Ukrainian parliamentary election. She was elected as Commissioner for Human Rights in Ukraine on March 15, 2018.

text: The answer does not mention her role as Minister of Economy, Minister of Finance, and head of the Treasury Department.

refinement: In Ukraine's Autonomous Republic of Crimea, she served as Minister of Economy, Minister of Finance, and head of the Treasury Department. Denisova was the Minister of Labor and Social Policy as a member of the Yatsenyuk Government in February 2014. She re-elected into parliament in the 2014 Ukrainian parliamentary election. She was elected as Commissioner for Human Rights in Ukraine on March 15, 2018.

text: The answer does not mention her being elected to parliament in 2006 and 2012.

refinement: In Ukraine's Autonomous Republic of Crimea, she served as Minister of Economy, Minister of Finance, and head of the Treasury Department. She was elected to parliament in 2006 and again in 2012. Denisova was the Minister of Labor and Social Policy as a member of the Yatsenyuk Government in February 2014. She re-elected into parliament in the 2014 Ukrainian parliamentary election. She was elected as Commissioner for Human Rights in Ukraine on March 15, 2018.

answer:
As Minister of Finance she held different posts in the Arkhangelsk provincial law court between 1979 and 1990. Following that, Denisova became the legal adviser of the Crimean Provincial Committee of Ukraine from 1990 to 1991.

In 1998 Denisova became Minister of Economy, Minister of Finance and head of the Treasury Department in the Crimean government. She served in Ukraine's Autonomous Republic of Crimea from 1998 to 2007.

In 2000 Denisova was detained for 24hrs on charges of power abuse. She stated that she was persecuted for refusing to sign a budget document. This case was shut down.

Denisova is a member of Batkivshchina since 2005. She headed the electoral list of Batkivshchina for the 2010 Crimean parliamentary election, but Batkivshchina did not win seats in Supreme Council of Crimea.

text: Denisova's career in law is not relevant.

refinement:
In 1998 Denisova became Minister of Economy, Minister of Finance and head of the Treasury Department in the Crimean government. She served in Ukraine's Autonomous Republic of Crimea from 1998 to 2007.

In 2000 Denisova was detained for 24hrs on charges of power abuse. She stated that she was persecuted for refusing to sign a budget document. This case was shut down.

Denisova is a member of Batkivshchina since 2005. She headed the electoral list of Batkivshchina for the 2010 Crimean parliamentary election, but Batkivshchina did not win seats in Supreme Council of Crimea.

text: The answer does not mention that she was elected to parliament in 2006 and 2012.

refinement:
In 1998 Denisova became Minister of Economy, Minister of Finance and head of the Treasury Department in the Crimean government. She served in Ukraine's Autonomous Republic of Crimea from 1998 to 2007.

In 2000 Denisova was detained for 24hrs on charges of power abuse. She stated that she was persecuted for refusing to sign a budget document. This case was shut down.

Denisova is a member of Batkivshchina since 2005. She was elected to parliament in both 2006 and 2012. She headed the electoral list of Batkivshchina for the 2010 Crimean parliamentary election, but Batkivshchina did not win seats in Supreme Council of Crimea.

text: The answer does not mention her role as Minister of Labour and Social Policy.

refinement:
In 1998 Denisova became Minister of Economy, Minister of Finance and head of the Treasury Department in the Crimean government. She served in Ukraine's Autonomous Republic of Crimea from 1998 to 2007.

In 2000 Denisova was detained for 24hrs on charges of power abuse. She stated that she was persecuted for refusing to sign a budget document. This case was shut down.

Denisova is a member of Batkivshchina since 2005. She was elected to parliament in both 2006 and 2012. In 2007, she was elected Minister of Labour and Social Policy. She headed the electoral list of Batkivshchina for the 2010 Crimean parliamentary election, but Batkivshchina did not win seats in Supreme Council of Crimea.

text: The answer does not mention her being elected as Commissioner for Human Rights.

refinement:
In 1998 Denisova became Minister of Economy, Minister of Finance and head of the Treasury Department in the Crimean government. She served in Ukraine's Autonomous Republic of Crimea from 1998 to 2007.

In 2000 Denisova was detained for 24hrs on charges of power abuse. She stated that she was persecuted for refusing to sign a budget document. This case was shut down.

Denisova is a member of Batkivshchina since 2005. She was elected to parliament in both 2006 and 2012. In 2007, she was elected Minister of Labour and Social Policy. She headed the electoral list of Batkivshchina for the 2010 Crimean parliamentary election, but Batkivshchina did not win seats in Supreme Council of Crimea. In 2018, she became the Commissioner for Human Rights in Ukraine.

answer: In 1998, Denisova became the Minister of Economy and Finances in the Crimean government. She was named Politician of the Year in 2001. She has been a member of Batkivshchina since 2005, and during the 2006 and 2007 parliamentary elections, she was elected as a deputy to the Verkhovna Rada. In 2009, she was ranked the 15th most influential woman in Ukraine. She was re-elected to parliament in 2012. In 2014, she became Minister of Labor and Social Policy in the Yatsenyuk Government and became a founding member of her new party People's Front. In the same year, she was re-elected to the Ukrainian parliament. In 2018, she was elected Commissioner for Human Rights in Ukraine.


text:
The DOÑANA DISASTER, also known as the AZNALCOLLAR DISASTER or GUADIAMAR DISASTER (Sp: _Desastre de Aznalcóllar_, _Desastre del Guadiamar_), was an industrial accident in Andalusia, southern Spain. On 25 April 1998, a holding dam burst at the LOS FRAILES MINE, near Aznalcóllar, Seville Province, releasing 4–5 million cubic metres of mine tailings. The acidic tailings, which contained dangerous levels of several heavy metals, quickly reached the nearby River Agrio, and then its affluent the River Guadiamar, travelling about 40 kilometres along these waterways before they could be stopped.[1] The Guadiamar is the main water source for the Doñana National Park, a UNESCO World Heritage Site and one of the largest national parks in Europe.[2][3] The cleanup operation took three years, at an estimated cost of €240 million.[4]

The Los Frailes mine is owned by Boliden-Apirsa (formerly Andaluza de Piritas, S.A.), the Spanish subsidiary of Boliden, and produces about 125,000 tonnes of zinc and 2.9 million ounces of silver per year.[5]

History

The park is one of Europe’s best known conservation areas and has been designated a UNESCO biosphere reserve, a Ramsar Wetland Site, and a UNESCO World Heritage site.[6] The park’s past includes a well-chronicled human history stretching back 700 years.[7] In its first year of operation in 1997, Boliden Ltd produced 180,000 tonnes of zinc, lead, copper and silver from 4 million tonnes of ore.[8]

National Park

Doñana National Park, just east of Portugal, is located between two provinces of Andalucia, Seville and Huelva. It is notable for the great diversity of its biotopes, especially lagoons, marshlands, fixed and mobile dunes, scrub woodland and maquis. [9] As one of the continent's biggest natural reserves, Doñana is also host of a large variety of bird species. Because of its location and close proximity between Africa and Europe, more than half a million birds winter in the park each year, and perhaps half of Europe’s bird species can be spotted here at one time or another. [10]

Environmental effects

As a result of the ecological disaster, nothing survived because of the high acidity of the waste, which contained a mixture of lead, copper, zinc, cadmium and other metals, along with sulphides.[11] The industrial disaster led to a chain of serious environmental issues in the Andalusia region. A not very visible toxic chain spread through the nature which was difficult to break down. [12]High levels of heavy metals are still embedded in soil and water and have found a way into the wildlife. [13]Another major problem lies in the health of the animals that lived around the park. In this mixture of swamps and woodlands, 300 species of birds breed, feed or stop over on their migratory route between Northern Europe and Africa.[14] This migration soon came to an end when the dam exploded; almost 2,000 birds, chicks, eggs, and nests were killed or destroyed and more than 25,000 kilos of dead fish were collected in the aftermath.[15]

Economic consequences

The mine, owned by Boliden Ltd. of Canada, has spent more than $52 million cleaning up, repairing damage and reimbursing farmers for lost crops. [16] Most of the cleaning that was done by the clean up crews was dumped into a large ditch that was empty. As a result, most of the area that was affected is now new and clean. This was the country's worst environmental disaster. The cleanup cost as of 2002 was reported to be €276.[17] In 2014, _The Guardian_ reported that Spain had decided to further (?) spend €360 million on restoring the landscape.[18]

Projects

Although the Doñana Disaster turned out to be one of the worst catastrophes in Europe, there have been speculations about reopening the long gone mine. One reason for the suggestion is that the area is a home for thousands of birds that migrate from different continents. The main cause as to why supporters have been talking about reopening the mine is for the economic reason that there are riches in the land. Reopening the mine would provide 1,000 precious jobs.[19] The process would not be as easy to accomplish, as skeptics suggests reopening the mine would lead to a consecutive burst. Nonetheless, the secretary-general for Innovation, Industry and Energy of Andalucía, Vicente Guerrero, explained that the mine license would stipulate only modern mining techniques would be allowed.[20] The Spaniard also included that no liquid would be used under the exercise of the best technology in the world, which would avoid the creation of poisonous wet tailing[21]

[1] .

[2] .

[3] .

[4] .

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

[17] David M Chambers “Long Term Risk of Releasing Potentially Acid Producing Waste Due to Tailings Dam Failure” , p 7/12.

[18]

[19]

[20]

[21]

title: Doñana disaster

question:
Answer the following question based on the above passage:

What were the environmental effects of the Doñana disaster on wildlife and livestock in the Andalusia area?

answer: The Doñana disaster occured when a holding dam burst and spilled its toxic contents into River Guardiamar, which supplied water to the Doñana National Park. The Andalusia area was heavily affected by this outburst due to the high acidity levels of the heavy metals in the waste. Several wildlife creatures and livestock were affected because the rapid spread of this toxic chain was tough to break down and therefore became deeply embedded into the soil and water. So, the toxic waste affected wildlife and livestock near the area; hundreds of bird species could not migrate, thousands of livestock were killed, and tens of thousands of fish were found dead.

answer: Trade in Doñana National Park came to an end when the dam exploded, killing thousands of birds, chicks, eggs, and nests. There was also a great loss of fish that never returned to their habitats after the disaster. The lake became toxic and unfit for other species of animals, including the humans. The cleanup operation took years, spread over three years. Massive amounts of acid was used to get rid of the toxic tails while the many fishing communities in the area were financially barred because no tourism had been taking place due to the demise of wildlife and the lingering presence of toxic flecks of materials. The long-term effect is still not known today.

answer: Due to the acidic makeup of waste released by a dam at a mine owned by Boliden-Apirsa near Aznalcóllar, Seville Province, the environmental effects on wildlife and livestock in the Andalusia region were extensive. In the aftermath of the disaster, thousands of birds, chicks, eggs, and nests were killed, and more than 25,000 kilos of dead fish were collected. High levels of heavy metals are still imbedded in soil and water, with the potential for further tragedy. As a result, not much survived the disaster, making this one of the worst catastrophes in Europe.

answer: The contamination reached 800,000 square meters and has since caused birth defects and fatalities among livestock that was exposed to it.

text: Incomplete

refinement: The contamination reached 800,000 square meters and has since caused birth defects and fatalities among livestock that was exposed to it. In addition, more than 2,000 birds were found dead and 25,000 kilos of dead fish were collected in the aftermath.

answer: The Doñana disaster resulted in significant environmental effects on wildlife and livestock. The acidic tailings released from the Los Frailes mine killed 2,000 birds, chicks, eggs, and nests, and contaminated the land, water, and wildlife with heavy metals. Cleanup of the disaster took three years at a cost of €240 million.


text:
The plan was to take three friends, and our motorcycles to the summit of Mt. Washington New Hampshire. The planning began in a bar, only this hair brained idea seemed to stick with me more then anyone else. Over beers, me and two friends were thinking of destinations that we could ride our motorcycles to. Being in New Hampshire, ten minutes out of the city and you are in motorcycle heaven. Twisty roads along all the best scenery possible; farms, forrests, and winding roads that follow riversides for hours. The plan was to ride up to Mt. Washington, New Hampshires' tallest peak. A date was chosen about two Sarurdays away.
Over the next two weeks we would plan our route, our stops and where to stop for lunch.
Plans have a way of falling apart. Commitments from friends, especially commitments made at the bar, have a way of falling through. For this trip I would be on my own.
The Saturday morning came, and I sprang out of bed ready for for action. I had my bike a 2006 Honda CBR 600rr, ready to go and recently tuned. I ate a hurried breakfast too excited to get on the road and begin my adventure. I left and jumped onto the highway, a quick blast to get the blood flowing. Merging into traffic with the throttle wide open, shifting through gears  up into sixth. Looking down I was suprised to see my speed. It didn't feel like I was going that fast. Easing up on the throttle and asimulating with the flow of the traffic around me, I took a deep breath and settled into the seat.
The first leg of the journey was about an hour of highway. (this is a classic new hampshire coloquialism: in reference to distance, give the travel time rather then the mileage.) Legal highway riding is usually uneventful. The corners are usually mild, the engine noise is very consistent, it can almost place the rider into a lull or meditative state. You can completely forget everything. The everyday problems of your life are trivial. You aren't quite completely focused but not quite in a trance like state. This can be dangerous because you are travelling on a vehicle that you are actively balancing, at 70 mph. The actual reality is that any small mistake could kill you or leave you seriously injured. That is why the best highway rides are uneventful.
I arrived in Lincoln New Hampshire, and merged onto Route 112, also known as the Kancamangus Highway. (kank-a-mangus) This is where the real motorcycling begins. In the heart of the White Mountains, the motorcycle is free at last. Twisting turns through untouched forrest keep you sharp and alert. The air is sweet, and smells different then city air. Climbing hills with banking turns, the CBR was made for this. The hills peak quickly and just a quickly as I reach the top I am descending in the opposite direction. Constantly working the controls, just to stay on the road, takes all your focus and attention. Racing up the hills are simple enough crack the throttle open and hang on, as I reach the apex of a hill I can feel my stomach lift for a moment as the road quickly turns, I feel as though I'm going too fast to hold my line. Trusting my tires and my technique, I stay on the gas and look as far down the road as I can see. Descending hills with turns at speed is equally challenging. I make a wise decision to downshift, the engine revs up and I lose a bit of speed and gain a bit more time before the corner. I take an intentionally wide entrance to the turn, and as I lean in I can see the corner opens up into a long downhill straightaway. I open the gas all the way and let the bike stay in the lower gear until the engine crescendos.
At the base of Mt. Washington there is a small field and a small shack. Its two dollars to take the auto road to the top. The man in the booth gives me a sticker "this motorcycle climbed Mt. washington" Thats a bit premature, I thought, but I accepted it and pulled over just past the shack. I got off my bike and stretched my legs. You can't see the summit from here but you can tell this mountain is quite steep. Meandering around I see a plaque. Travis Pastrana next to a Subaru, world record ascent, very quick time , forget the time but he looked happy.
I mounted back onto my bike and began my ascent. I was suprised the road was paved. The road is nice and there are lots of trees, every now and then in the trees would be a clearing, and I could see how much altitude I was gaining. At this point the riding was very mellow. The road was paved but with very old pavement. There were cracks and potholes everywhere. I was taking in the scenery and enjoying the ascent. needing to keep my speed well below 30. Cars would wave me past, I guess figuring I was more nimble then they were amongst the bumps and holes. As I  made my way above the treeline, the pavement ends. It is replaced by a smooth dirt road. It is easy to ride on even on a sportbike. The views are spectacular even before the summit. I can see the nearby mountains, and their peaks, a sea of green forrest in painted variance that is impossible to capture. As the dirt road continues upward wrapping up the sides of the mountain, the colors around me change from green to brown. Gone are the trees and pavement, replaced by basketball sized rocks, jagged and sharp lining the road. Peering over the edge quickly makes me wish I hadnt. It is a long way down, a mistake would surely be fatal. Roads below look pencil thin, cars on then look like they could be crushed if you were to step on them.
When I do reach the top, I am surely the only motorcycle, and an out of place one at that. Most of the other vehicles are four wheel drive SUVs and dirt splattered subaru outbacks. My CBR is next to spotless and looks very bright. I park the bike and find a rock to put under my kickstand. Up a small staircase to the mount washington weather center the wind picks up. Mt. Wahington is one of the windiest places on earth. Even on a mild day down below, the temperature, is easily 30 degrees cooler at the summit, and the wind is constant. The wind pushes  around 30 mph, and gusts to 50 every minute or so. There is a large concrete structure at the top. Inside the building are some historic photos, black and whites of some tough looking men who built the road to the summit. Also cheesy t-shirts of a tourist hanging onto a flag pole being blown horizontal by the world record wind. I left empty handed from the gift shop and went back outside. I took one more long look out from the top. Annother plaque indicated that on a clear day, you can see skyscrapers in  Boston, some 200 miles away. I made my way back to my bike and started her up, and turnded it around. From there I began a long and winding road home.

title: What it's like to Fly

question:
Answer the following question based on the above passage:

How do the plans fall apart?

answer: The narrator's friends back out of a group trip.

text: The answer given was too specific in the light of the question asked.

refinement: Commitments from friends made at a bar have a way of falling apart.

answer: It is not stated.

text: It was stated in the passage how the narrator's plans fell apart.

refinement: Commitments from friends, made at a bar, have a way of falling apart.

answer: It's not stated.

text: Some sort of answer was given in the passage.

refinement: Commitments made at a bar have a way of falling apart.

answer: The plans for the motorcycle road trip fall through because the other friends with whom the original plans were made fail to commit. Consequently, the solo rider must endure an intense ride up the Kancamangus Highway. The ride is characterized by tight corners, steep hills, and an overall challenging environment. At the summit, the rider feels out of place amidst SUVs and dirt-splattered Subarus. The ride down the mountain is long and winding.

answer: The plans fall apart because some of the friends who had agreed to go change their minds. There is only one motorcycle rider left unplanned for and the trip is left up to him or her.

question:
Answer the following question based on the above passage:

What does the narrator do?

answer: The narrator rides a motorcycle and climbs Mt. Washington. The ride is challenging but rewarding, with scenic views and interesting obstacles. At the summit, the wind is strong and the view is expansive. The narrator returns home after the ride.

answer: He rides his motorcycle.

text: The narrator did ride his motorcycle but he rode it to a location that was not specified in the answer.

refinement: He rides his motorcycle to Mt. Washington in New Hampshire alone.

answer: He plans a motorcycle trip with his friends but after they back out, the narrator goes on his own.

answer: He rides his motorcycle to the summit of Mt. Washington.

text: He rides to the summit of Mt. Washington in New Hampshire.

answer: The narrator rides his motorcycle up to the summit of Mt. Washington and takes in the views. The ride is challenging but the views make it worth it. The summit is windy and not paved but the narrator finds it interesting anyway. The narrator then returns home.

question:
Answer the following question based on the above passage:

What is CBR?

answer: The CBR is the motorcycle mentioned in the passage. The motorcycle is a 2006 Honda CBR 600rr.

answer: It's implied to be a kind of motorcycle.

text: It was stated, not implied.

refinement: According to the passage, it's a particular type of Honda motorcycle.

answer: CBR stands for, "CBr 600rr", probably a model-specific term. Probably the name of a sport bike.

text: CBR does not stand for CBR 600rr.

refinement: CBR is probably a model-specific term for a brand of motorcycle.

answer: The CBR is a 2006 Honda CBR 600RR motorcycle.

answer: A type of motorbike.

text: It is a kind of Honda motocycle.

question:
Answer the following question based on the above passage:

What does the narrator buy in the gift shop?

answer: The narrator doesn't buy anything in the gift shop.

text: Grammatical error - "doesn't" should be changed to "didn't".

refinement: The narrator didn't buy anything in the gift shop.

answer: The narrator did not buy anything in the gift shop.

answer: Nothing.

answer: The narrator does not buy anything from the gift shop.

text: Grammatical error - "does not" should be changed to "did not".

refinement: The narrator did not buy anything from the gift shop.

answer: The narrator did not buy anything in the gift shop.

question: Write a ~3 sentence summary.

answer: The narrator takes his motorcycle up Mt. Washington, an imposing mountain in New Hampshire. Along the way, the challenging environment keeps the experience exciting. At the summit, the wind blows so strongly that no other motorcyclists could be found. The narrator makes his way home, reflecting on the experience.

answer: This story about a man's day trip to Mt. Washington covers his travel along the highway and visit to a gift shop. While riding his motorcycle, the narrator describes the local scenery.

text: Grammatical error - "covers" should be changed to "covering".

refinement: This story about a man's day trip to Mt. Washington covering his travel along the highway and visit to a gift shop. While riding his motorcycle, the narrator describes the local scenery.

answer: The author plans a motorcycle trip to Mt. Washington in New Hampshire. On the way there, they experience some thrilling highway riding and amazing mountain views. The final part of the journey is the difficult, rough dirt road to the summit. Upon reaching the top, the author finds it chilly and windy, but feels invigorated by the experience. After returning home, they look back on their ride with fond memories.

text: Grammatical error - "they" should be changed to "he".

refinement: The author plans a motorcycle trip to Mt. Washington in New Hampshire. On the way there, he experiences some thrilling highway riding and amazing mountain views. The final part of the journey is the difficult, rough dirt road to the summit. Upon reaching the top, the author finds it chilly and windy, but feels invigorated by the experience. After returning home, they look back on their ride with fond memories.

answer: The narrator is excited about his plans to go on a motorcycle-riding adventure with two of his friends. The story covers the beginning of the narrator's planning, as well as the minute he gets ready to go. The narrator finally arrives at the summit of Mt. Washington and finds the views astonishing before he begins the journey back home.

answer: The narrator rides a motorcycle to and around Mt. Washington in New Hampshire. He doesn't mind how long the travel time is, or that he is the only motorcyclist going to the summit, because he enjoys watching landscape, riding winding roads, and the refreshing smell of the mountain air while on his way. He hopes to be able to make it back in the same speed and glamour as when he came up.


text:
If you play by the rules, it will only keep you out of trouble. I am in trouble. Tonight is my last night working for Multiple Services. I have not been fired yet, but when my supervisor reads the email I sent her in the morning, I will be fired for sure – I am sure of it.

I used to do security at the Pearl district but I was recently transferred to American Plaza Towers. My new manager has a different set of standards. My dark brown boots being one of them – security 'officers' are supposed to wear black boots. But that's not the problem.

Tonight I am on shift with Emily, the graveyard guard. I am working the D shift, which intersects with her shift. I am not with her right now. Her shift has a lot more responsibilities than mine. I am in the lounge room, lounging. I don't need to worry about doing any checks because she has the 'snitch stick' – it's a little stick we poke into little tags that prove that we are working.  I am at low risk of being caught in here, the lounge room is closed during this time of night. It doesn't matter what I do. I will be fired in the morning anyway.

Currently Emily is doing some tower checks. She is only required to do one tower check a night, but she does multiple for 'brownie points'. No one ever gets promoted. Well, unless someone gets fired or dies or quits. A lot of people recently got fired because... 'they are not with us anymore' says Gerry, the supervisor at APC. Emily was not at liberty to tell me why, but it has something to do with 'vices'.

I needed to take a shit. I was already in the lounge room so the bathroom was so close I basically just took my pants down. My ass wouldn’t cooperate with me —the last little bit hung in between my butt cheeks like a hand trying to catch a dollar bill falling to the ground. I hate this, being forced into vulgarity; I want to let go of the turd. My butt thinks the turd is valuable, I guess.

 The women's bathroom next to me started making noise. Emily must be relieving herself as well. I finished long after she did. I left the bathroom unclean because the toilet finally clogged.  Maintenance can handle it in the morning, fuck it. When I left, I saw Emily at the exit of the room, holding the door open waiting for me to leave. I walked out, uncomfortably — I didn't wipe enough. She locked the door behind us.

I entered the elevator. She joined me. I pressed the button to the basement with plans to hang out in a storage room and read. She pressed the button to the 26th floor and I got caught into doing a tower check with her. She invited me to smoke some cigarettes on the roof and talk. I don't smoke, but it sounded like a good offer.

“So how do you like it so far?” She asked.

“The elevator ride?”

“The job.”

“oh... uh, well...” I stalled, “APC lives up to it's reputation.”

“Ah, yes. You need not say more.”

There was a long silence that was only broken with a 'ding' each time we passed a floor.

“So,” I finally said, “What do the people in these condominiums do for a living?”

“Most of them are retired. That's why there are so many care givers here. But one of them I know sells stuff on Ebay. The guy never went to college and he quit his job to start up a business."

Some nerve, I thought.

"These people are all rich," she said, "somehow or another. Each time you hear that ding, the price of a room goes up."

There was a small stair case past the breezeway on the top floor that led to a freshly painted door that was bent out of shape. This door led to the roof.  She told me the correct key was the square key. I fumbled with my set for a while and found it. I attempted to open the door and she told me the key to opening the door is to shout the correct sequence of curse words. After a few moments, I understood what she meant. I was not saying the right words. She got her key out and did it in a snap.

“I've been here a while,” she said, “you get used to it.”

I wasn't used to smoking but  I really like the motions it conduces with my hand. I told her that's the only thing I like about smoking. She said that's what got her into it.

I stared out at the skyline of the city, at the skyscrapers that reach so high into society – to heights I admit I will never achieve. The view was almost worth it. I won't be able to pay for college after tonight.

“Gerry is probably going to fire me tomorrow.”

“Why?”

“She wants my DPSST card number, but I don't have it... I... lost it....”

“Well, you can just call in to get the number, right? It's in the system."

“I don't have my card.”

“Huh... I'll just go ahead and say I didn't hear you say that when she brings it up.” We took some drags. “I don't want to be here forever, you know," she said finally.

“You don't say.”

“Yeah, some people stay here for years. This job is perfect for people like you... who want to get through college. But after two or three years, it's like, what are you doing with your life?”

“What do you want to do with your life?”

“I used to go to college, but I stopped taking courses because I didn't feel like they were taking me anywhere. The guy down at Plaid Pantry has a masters degree in engineering. Right now I try to come up with something new every night and research if it's been done before. It usually has.  Basically, the way I look at it, entrepreneurism is the only way to make it in this world now. My dad has this business, it's pretty successful. Basically, he helps other people be successful.”

“Nice. Why don't you get him to help you?”

“We're not on good terms... he just wants me to successful... I'm just a security guard..." We took some drags. "The choice here is you can do a side project and hope it turns into something... or, what else are you going to do?”

“We should probably finish this tower check.”

“Right.”

We started down the tower, checking every floor. I shifted my underwear around, but it was no use. I walked uncomfortably the whole way down. Just gotta pull through.

Half way down the tower, there was a place to tag the snitch stick. Emily brought up some statistic that the vast majority of Americans all believe that some day they will all be rich, that's why they all don't support the dynasty tax. I said that was nice and waited for the chance to lounge in the lounge room again.

It was the end of my shift — the last few minutes of my having a job. As I left, I said, “see ya”. I didn't look back and would probably never see her again, but I heard Emily say “have fun”.

title: What Else Are You Going To Do?

question:
Answer the following question based on the above passage:

Summarize the narrator's movements throughout the building.

answer: The narrator starts out in the lounge room. He then goes to the bathroom. Aftwards,  he travels with Emily to the 26th floor. He and Emily smoke up on the roof. Then the two of them travel down the tower, checking every floor. At the end of his shift, he leaves the building.

answer: The narrator guards a building. He stays in the lounge room the entire night because his shift doesn't have any responsibilities. He only leaves the room to use the bathroom. Afterwards, he leaves the lounge room and walks down to the top floor of the building with Emily. They go to the storage room and read. Then Emily goes to the stairs to hang out on the roof. Then they are back in the 26th floor. Then it's the narrator's last few minutes at work. He walks down and he finally leaves.

text: The response contradicts itself.

refinement: The narrator guards a building. He usually stays in the lounge room the entire night because his shift doesn't have any responsibilities. He leaves the room to use the bathroom. Afterwards, he walks down to the top floor of the building with Emily. They go to the storage room and read. Then Emily goes to the stairs to hang out on the roof. Then they are back in the 26th floor. Then it's the narrator's last few minutes at work. He walks down and he finally leaves.

answer: The narrator moves from the lounge room on the ground floor to the top floor and uses the stairs to access the roof. On the roof she and her co-worker do a security check and smoke cigarettes. The narrator leaves after being reminded that she will likely be fired in the morning and brushes off the moment of seriousness with a quick goodbye.

answer: The narrator began their shift in the lounge. Shortly thereafter, their co-worker, Emily, completed her tower check and invited the narrator to smoke some cigarettes on the roof. The two made their way to the roof and unlocked the door, then walked down the tower checking for tags as they proceeded. Near the bottom of the tower, the narrator plugged the snitch stick and prepared to leave for the last time. Emily said "have fun" and the narrator said goodbye in return.

answer: The narrator takes a shit in the bathroom. He goes up to the roof to get some cigarettes and talk with the guard, Emily. Together they do tower checks. The narrator ducks out on the very last minute of his shift and leaves saying "see ya" to Emily.

question:
Answer the following question based on the above passage:

Summarize the topics the narrator and Emily discuss.

answer: The narrator and Emily talk about the narrator's feelings about the job. They discuss the occupations of the condo's residents. They also talk about how the narrator is likely to get fired tomorrow. Then they talk about what Emily wants to do with her life.

answer: The narrator and Emily discuss their experiences with the job, the lifestyles of the people in the condo towers, the difficulties of having a job when you aren't doing anything productive, entrepreneurship as a way to find success, and ways they might go about finding funding for their projects.

answer: The narrator talks to Emily about their opinions on the work being current at APC, the lives of the people who live in the condominiums, Emily's career and future goals, and the pros and cons of entrepreneurship. They also do a final tower check together.

answer: The narrator expresses to Emily his displeasure of his supervisor and their fear of losing their job. The two smoke cigarettes on the top of the building and talk about grad school, parenting, and the ability to pursue bullshit ideas.

text: The response contains inaccurate information.

refinement: The narrator expresses to Emily his displeasure of his supervisor and their fear of losing their job. The two smoke cigarettes on the top of the building and talk about what the residents do for a living, their futures, and the ability to pursue bullshit ideas.

answer: The topic of vices is mentioned; Other topics include rich people in the condos, the efficiency of the job, the methods of Gerry, the supervisor to build things and manage people's expectations.

text: The response could use better sentence structure.

refinement: While Emily and the narrator are talking to each other, the topic of vices is mentioned; Other topics include rich people in the condos, the efficiency of the job, the methods of Gerry, the supervisor to build things and manage people's expectations.

question:
Answer the following question based on the above passage:

Summarize the narrator's poor behavior during his shift

answer:
.

The narrator acts poorly by taking a shit in the lounge room, stalling on walking to the bathroom, not cleaning the bathroom after he uses it and leaving it unclean, not entering the correct key code to the roof door leading to the roof, and acting uncomfortably and uncommunicative while on a tower check with his supervisor.

text: The response repeats itself.

refinement: The narrator acts poorly by taking a shit in the lounge room, stalling on walking to the bathroom, not cleaning the bathroom after he uses it, not entering the correct key code to the roof door leading to the roof, and acting uncomfortably and uncommunicative while on a tower check with his supervisor.

answer:
.

The narrator has poor work ethic, neglecting his responsibilities and being lazy. He was also disrespectful to Emily, spending the shift relaxing in the lounge room instead of doing any checks. Lastly, he deliberately failed to properly follow safety procedures, resulting in a clogged toilet and a breezeway door in need of repair. He also intentionally failed to submit valid DPSST card information, lowering valuable security measures.

text: The response includes inaccurate information.

refinement: The narrator has poor work ethic, neglecting his responsibilities and being lazy. He was also disrespectful to Emily, spending the shift relaxing in the lounge room instead of doing any checks. He also left the toilet clogged and failed to submit valid DPSST card information, lowering valuable security measures.

answer: Throughout the story, the narrator appears to be lazy, irresponsible, and the characters he interacts with see him as irresponsible. The first and most blatant example of his negative behavior is when he decides to go to the women's bathroom when his shift is over. The narrator isn't going to check anything because he has snitch sticks and can enter in the lounge room with no risk of being caught. In the bathroom, he then decides to finish his shift without washing his hands properly, leaving the bathroom unclean. Later, after Emily invites the narrator to her spot on the roof, she explains the correct procedure for saying a full curse word when unlocking the door. Instead of saying that, the narrator just says, "Right," not knowing what she's talking about.

text: The response contains inaccurate information.

refinement: Throughout the story, the narrator appears to be lazy, irresponsible, and the characters he interacts with see him as irresponsible. The first and most blatant example of his negative behavior is when he decides leave the bathroom clogged. The narrator isn't going to check anything because he has snitch sticks and can enter in the lounge room with no risk of being caught. Later, after Emily invites the narrator to her spot on the roof, she explains the correct procedure for saying a full curse word when unlocking the door. Instead of saying that, the narrator just says, "Right," not knowing what she's talking about.

text: The response contains irrelevant information.

refinement: Throughout the story, the narrator appears to be lazy, irresponsible, and the characters he interacts with see him as irresponsible. The first and most blatant example of his negative behavior is when he decides leave the bathroom clogged. The narrator isn't going to check anything because he has snitch sticks and can enter in the lounge room with no risk of being caught.

answer:
Narrator threw a strop, telling Emily he's "going to read in the storage room", throwing away his only plans, he called Emily a snitch, called her a snitch in her face when she wasn't a snitch and then responds to her disdain for him by saying he was sorry for being rude.

He lets out his bladder in the unisex bathroom, using it and leaving it filthy, after relieving himself, he leaves before Emily can use the toilet, leaving it filthy, and making it unusable for anyone else.

text: The response contains completely made up information.

refinement: The narrator uses the bathroom and leaves it filthy, after relieving himself, leaving it filthy, and making it unusable for anyone else.

text: The response repeats itself.

refinement: The narrator uses the bathroom and leaves it filthy, making it unusable for anyone else.

answer: He spends time lounging in the lounge room rather than working. He leaves the bathroom unclean with the toilet clogged. He attempts to go hang out in a storage room and read.