text:
BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast.

Vegetation

Most of the reserve is covered with steppe vegetation. On the right, the eastern slope of the ravine contains numerous outcrops of chalk, which are covered by the “lowered alpine” vegetation (alpine postglacial relicts). Two species from the Red Book of Russia — _Androsace koso-poljanskii_ and _Hedysarum grandiflorum_ — were discovered there. In the upper part of the ravine there are two small gully forests.

Environmental significance

In 2012 Bolshoy Log was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast.[1]

[1] Территории особого природоохранного значения Белгородской области / А. В. Присный, Э. А. Снегин, А. Ф. Колчанов, А. В. Лазарев // Изумрудная книга Российской Федерации. Территории особого природоохранного значения Европейской России. Предложения по выявлению. Ч. 1. — М.: Институт географии РАН, 2011–2013. С. 54–58.

title: Bolshoy Log

question:
Answer the following question based on the above passage:

What is the Bolshoy Log?

answer: A bolshoy log is a botanical reserve in the Krasnensky District of Belgorod Oblast, Russia.

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

answer: The Bolshoy Log is a botanical reserve of regional importance that is mostly comprised of steppe vegetation. The reserve also contains two species from the Red Book of Russia.

text: Botanical reserve: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

text: Two species from the Red Book: "Two species from the Red Book of Russia — _Androsace koso-poljanskii_ and _Hedysarum grandiflorum_ — were discovered there."

answer: a botanical reserve of regional importance

text: The first letter should be capitalized, and there should be a terminating period.

refinement: A botanical reserve of regional importance.

text: The answer should mention the locality since there's regional importance.

refinement: A botanical reserve of regional importance in Russia.

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

answer: A botanical reserve.

text: The reserve is in Russia. It should be mentioned in the answer.

text: The reserve has regional importance. That should be a part of the answer.

refinement: A botanical reserve in Russia that holds regional importance.

answer: The Bolshoy Log is a botanical reserve in the Belgorod Oblast containing a variety of steppe vegetation as well as the rare alpine postglacial relicts Androsace koso-poljanskii and Hedysarum grandiflorum.

text: Adrosace koso-poljanskii and Hedysarum grandiflorum are not postglacial relicts.

refinement: The Bolshoy Log is a botanical reserve in the Belgorod Oblast containing a variety of steppe vegetation as well as the rare alpine postglacial relict "lowered alpine" vegetation.

text: Botanical reserve: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

text: Vegetation: "Most of the reserve is covered with steppe vegetation."

question:
Answer the following question based on the above passage:

Where is the Bolshoy Log?

answer: It is in Krasnensky District of the Belgorod Oblast.

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

answer: Krasnensky District in the Belgorod Oblast.

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

answer: The Bolshoy Log is located in the Belgorod Oblast.

text: The answer should include the district for completeness.

refinement: The Bolshoy Log is located in the Krasnensky District of the Belgorod Oblast.

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

answer: The Krasnensky District of the Belgorod Oblast

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

answer: Bolshoy Log is located in the Belgorod Oblast.

text: The answer should include the district for completeness.

refinement: Bolshoy Log is located in the Krasnensky District of the Belgorod Oblast.

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

question:
Answer the following question based on the above passage:

What sorts of vegetation grow in the Bolshoy Log?

answer: Steppe vegetation. Two species of Red Book of Russia were also discovered there.

text: Two species from the Red Book are irrelevant.

text: There is another type of vegetation in the area as well.

refinement: Steppe vegetation. There's "lowered alpine" vegetation in the area as well as two small gully forests.

text: Steppe vegetation: "Most of the reserve is covered with steppe vegetation."

answer: Most of the reserve is covered with steppe vegetation. On the right, the eastern slope of the ravine contains numerous outcrops of chalk, which are covered by the "lowered alpine" vegetation (alpine postglacial relicts). Two species from the Red Book of Russia -- Androsace koso-poljanskii and Hedysarum grandiflorum -- grow in the reserve. Two small gully forests can also be found in the upper part of the ravine.

text: "Most of the reserve is covered with steppe vegetation. On the right, the eastern slope of the ravine contains numerous outcrops of chalk, which are covered by the “lowered alpine” vegetation (alpine postglacial relicts). Two species from the Red Book of Russia — _Androsace koso-poljanskii_ and _Hedysarum grandiflorum_ — were discovered there. In the upper part of the ravine there are two small gully forests."

answer: Steppe vegetation and gnarled alpine postglacial vegetation.

text: The postglacial vegetation is mentioned wrong.

refinement: Steppe vegetation and lowered alpine vegetation (alpine postglacial relicts).

text: There are other types of vegetation in the area.

refinement: Steppe vegetation and lowered alpine vegetation (alpine postglacial relicts). The area also has two small gully forests.

text: Steppe vegetation: "Most of the reserve is covered with steppe vegetation."

answer: The vegetation in the Bolshoy Log is primarily steppe in nature. There are also some alpine postglacial relicts and occasional gully forests.

text: "Most of the reserve is covered with steppe vegetation. On the right, the eastern slope of the ravine contains numerous outcrops of chalk, which are covered by the “lowered alpine” vegetation (alpine postglacial relicts). Two species from the Red Book of Russia — _Androsace koso-poljanskii_ and _Hedysarum grandiflorum_ — were discovered there. In the upper part of the ravine there are two small gully forests."

answer: Steppe vegetation

text: There are other types of vegetation in the area.

refinement: Steppe vegetation. There's "lowered alpine" vegetation in the area as well as two small gully forests.

text: Steppe vegetation: "Most of the reserve is covered with steppe vegetation."

question:
Answer the following question based on the above passage:

Describe the environmental significance of the Bolshoy Log.

answer: In 2012, it was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast.

text: "In 2012 Bolshoy Log was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast."

answer: In 2012 (no other information is given).

text: There is information in the article.

refinement: In 2012, it was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast.

answer: It was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast in 2012.

text: "In 2012 Bolshoy Log was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast."

answer: Bolshoy Log is a regional botanical reserve with significant steppe vegetation that includes rare species on its chalk slopes. The forested gully areas in the ravine also make it environmentally significant.

text: The answer makes up an interpretation instead of recognizing the simple answer in the text.

refinement: It was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast in 2012.

answer: Bolshoy Log is a botanical reserve of regional importance with a variety of unique vegetation. It contains rare species, such as alpine postglacial relicts and Red Book Russia plants. The importance of the reserve is in showing the regional diversity of flora and existing in a desired natural state.

text: The answer makes up an interpretation instead of recognizing the simple answer in the text.

refinement: It was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast in 2012.

question:
Answer the following question based on the above passage:

What is steppe vegetation?

answer: Steppe vegetation consists of plants that are native to dry, grass-covered areas. It is typically found in arid and semi-arid regions of the world.

text: The information isn't in the article.

refinement: Steppe vegetation consists of plants that are native to dry, grass-covered areas. It is typically found in arid and semi-arid regions of the world. This information is not present in the article.

answer: the article does not answer this question

answer: That information can't be found.

answer: Steppe vegetation is a type of vegetation found in areas of grass and herbaceous plants, with few trees.

text: The answer can't be found in the text, and it's wrong.

answer: The text does not directly address the answer to this question

question: Write a ~2 sentence summary.

answer: Bolshoy Log is a botanical reserve in Belgorod Oblast, Krasnensky District. It has a latitude of 46.5491 degrees North and longitude of 37.7028 degrees East.

text: The coordinates are both wrong and not in the article.

refinement: Bolshoy Log is a botanical reserve in Belgorod Oblast, Krasnensky District.

text: The answer can use another sentence to mention the importance of the Bolshoy Log.

refinement: Bolshoy Log is a botanical reserve in Belgorod Oblast, Krasnensky District. It was included in the Emerald Network of prospective areas of Europe in Belgorod Oblast in 2012.

text: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

answer: This text is a description of Bolshoy Log, a botanical reserve in Krasnensky District of the Belgorod Oblast. The reserve is covered with steppe vegetation and contains mountains.

text: The article doesn't mention any mountains.

refinement: This text is a description of Bolshoy Log, a botanical reserve in Krasnensky District of the Belgorod Oblast. The reserve is covered with steppe vegetation.

text: Botanical reserve: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

text: Vegetation: "Most of the reserve is covered with steppe vegetation."

answer: Bolshoy Log is a botanical reserve in the Krasnesky District of the Belgorod Oblast. Steppe vegetation grows there, as do two species of Red Book of Russia.

text: Botanical reserve: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

text: Vegetation: "Most of the reserve is covered with steppe vegetation."

text: Red Book: "Two species from the Red Book of Russia — _Androsace koso-poljanskii_ and _Hedysarum grandiflorum_ — were discovered there."

answer: Bolshoy Log is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oboned. The reserve is mostly covered with high steppe vegetation and includes two small gully forests. Bolshoy Log was added to the Emerald Network of prospective areas in 2012 for its environmental significance.

text: The question asks for two sentences. The answer can be consolidated.

refinement: Bolshoy Log is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oboned, mostly covered with high steppe vegetation and includes two small gully forests. Bolshoy Log was added to the Emerald Network of prospective areas in 2012 for its environmental significance.

text: Missing article.

refinement: Bolshoy Log is a botanical reserve of regional importance in the Krasnensky District of the Belgorod Oboned, mostly covered with high steppe vegetation and includes two small gully forests. Bolshoy Log was added to the Emerald Network of prospective areas in 2012 for its environmental significance.

text: Botanical reserve: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

text: Vegetation: "Most of the reserve is covered with steppe vegetation."

text: Gullies: "In the upper part of the ravine there are two small gully forests."

text: Emerald Network: "In 2012 Bolshoy Log was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast."

answer: Bolshoy Log is a botanical reserve of regional importance in Krasnensky District, covered mostly with steppe vegetation. Some unique plant species have been identified in the reserve, including two which are on the Red Book of Russia. Bolshoy Log is a part of the Emerald Network of prospective areas of the Europe in Belgorod Oblast.

text: The question asks for two sentences. The answer can be consolidated.

refinement: Bolshoy Log is a botanical reserve of regional importance in Krasnensky District, covered mostly with steppe vegetation and containing unique plant species have been identified in the reserve, including two which are on the Red Book of Russia. Bolshoy Log is a part of the Emerald Network of prospective areas of the Europe in Belgorod Oblast.

text: There are several grammar mistakes.

refinement: Bolshoy Log is a botanical reserve of regional importance in Krasnensky District, covered mostly with steppe vegetation and containing unique plant species that have been identified in the reserve, including two of which are on the Red Book of Russia. Bolshoy Log is a part of the Emerald Network of prospective areas of Europe in Belgorod Oblast.

text: Botanical reserve: "BOLSHOY LOG is a botanical reserve of regional importance in Krasnensky District of the Belgorod Oblast."

text: Vegetation: "Most of the reserve is covered with steppe vegetation."

text: Emerald Network: "In 2012 Bolshoy Log was included in the Emerald Network of prospective areas of the Europe in Belgorod Oblast."

text: Red Book: "Two species from the Red Book of Russia — _Androsace koso-poljanskii_ and _Hedysarum grandiflorum_ — were discovered there."


split: train

text:
The sky is poetic when you consider it emotionally: sunsets draw tears and rolling tongues of clouds pull mouths open and vicious, wandering storms inspire dizzying cries for God or help or *someone*.

I am not poetic.

This is what makes me stare at the cottage-cheese ceiling in my room at night and wonder why I will never admire myself. I conjure you and watch you effortlessly twist nails into your hands, watch the wounds bleed ink and meaning, because you always told me you admired me but I never believed you, and the way your eyes would look not into me but behind me made me nervous and I think that’s why you could never really love me.

But I tried.

*Fuck you* I tried.

I tried and then I told myself that your angled good looks were beyond me and that your ancient, slippery tongue would never find mine and then I ached until I could convince myself of some flaw you weren’t aware of. I tangled myself into tight enough knots that I couldn’t walk straight and I couldn’t unwind myself for long enough to make hollow conversation or take deep enough breaths.

I wanted your easy wit and your offensive charm but I wanted you to give it to me like a lesson so I could hang it on the wall like a picture and remember the time I fell in love with the idea of a boy. And I didn’t care that I knew you would never feel awful, rooted things for me. I never cared about that.

And I made like I was finding myself or something because your body sitting next to mine made me feel shallow and hopeless and all I wanted to do was be *your* type of person and then you would let me crawl inside of you and decipher your secrets for myself.

You were different than anyone I knew with your swarming lies and your spangled lines of art and people and pale, tortured love stories. You drew me in with those choked eyes of yours like the depths of you were hungry for something you knew you would never have.

Storms strike first from a distance: all swirling, coked-up air and this graceful, rhythmic dance between high and low pressure that spins so far out of control it makes hearts grow restless even when all you can see of it makes it look like a gray, stretched-out cotton ball. I watch cagey men on National Geographic. I watch them crawl in head-first, greedy-eyed. I cringe at their middle fingers raised to the clouded sun.

You gutted me.

You gutted me and you didn’t realize that you’d done it because I didn’t turn myself inside-out for you like you thought I did. I absorbed you and leaked you back out and you smiled at me as if to say *you’re the girl I’ve been waiting for* and I was so drunk with your approval that I couldn’t look at my toenails without seeing them through your eyes.

But my heart pounded with each inch you let me head in your direction and you welcomed me with your spinning, wild arms and I smiled at you as if to say *you get all of me but you don’t get to know why* because that was my idea of mystery.

You didn’t ask questions.

I watch storm chasers and I watch twisters pick up houses and cows and spit them back out crumbled and worthless. I watch how the air, coiling, grins and doesn’t stop. I watch adrenaline-junkies point their cameras and get the shot and I watch their smiles: that kid on Christmas morning clutching a toy helicopter like it’s all he’s ever going to need.

I haven’t moved from this place since you left.

If I move I’ll get caught up in your backlash and your intelligent, twitching fingers with those sweet, tidy good-byes of yours. I’ll gag on the memory of you and your drugged march because you had to be going somewhere always, forced to inhale the comforting slant of your whole body, the one I knew like the curve of my own reflection.

I remember you gave me a notebook once, and you wrote my name in your earnest chicken scratch on the inside of the sturdy red cover and you told me *go crazy* but I didn’t. I sat and watched you scribble yourself into oblivion on your own blank pages. I could never dream up enough words to write a good sentence. You thought we were kindred, back then. You told me not to look for it, just to find it, and I would know. You told me a lot of things and I remember them all, but your words sit beside me like a pale sketch of you, eyes wide and shoulders slack. For a long time your words filled me up but now they’re just scraps of your character that I can’t seem to hide anywhere.

Sometimes I wish you were still here but mostly the riprap of ripped-up ground and shattered houses you have left me with feel like home enough to crawl into and sleep. The imprint of your body here is big enough so the sheets puff thick around my head and I’ll never have to breathe again.

You were poetic enough for the both of us.

title: Riprap

question:
Answer the following question based on the above passage:

What does the story say about how the narrator feels about her ex-boyfriend?

answer: The narrator thinks he was intelligent (spoken with an accent). She thinks he is poetic, even though she doesn't consider herself as such or most people. She sees him as calculated because of him being quick to criticizing and saying what he wanted. The fact that he would find her praise worthy in a response angered her. She sees him as vain and selfish. She overlooked a lot of his flaws, even though she thought she looked over them all.

text: The response includes irrelevant information not useful for the task

refinement: The narrator thinks he was intelligent. She thinks he is poetic, even though she doesn't consider herself as such or most people. She sees him as calculated because of him being quick to criticizing and saying what he wanted. The fact that he would find her praise worthy in a response angered her. She sees him as vain and selfish. She overlooked a lot of his flaws, even though she thought she looked over them all.

answer: The narrator feels deeply conflicted about her ex-boyfriend. She both admires him and feels unsettled by him. She hates everything about him, including his words, but she also wants to be exactly like him. She feels abandoned by the loss of him, but also feels satisfied with this loneliness. She watches others recklessly pursue danger and dreams of doing the same. It seems she mostly resents her ex-boyfriend, but also wishes he were still there with her.

answer: The narrator feels a strong sense of loss and longing for her ex-boyfriend. She admires him from afar and was enamored by the idea of him but their relationship ultimately wasn't sustainable. She feels gutted by his departure, constantly comparing herself to him and wishing he was still around.

answer: From the text, it's clear that the narrator is disappointed because her ex-boyfriend did not measure up to what she has built in her head. She expects him to read her, understand her, and love her, all of which she is not really willing to do. She loves him because he read into her that she could not read. When she realizes that he will not be able to reciprocate her feelings, she says she wants him to come back. Overall, he seems like an insecure guy who she hurt and left.

text: The response includes extraneous information not useful for the text.

refinement: From the text, it's clear that the narrator is disappointed because her ex-boyfriend did not measure up to what she has built in her head. She expects him to read her, understand her, and love her, all of which she is not really willing to do. When she realizes that he will not be able to reciprocate her feelings, she says she wants him to come back. Overall, he seems like an insecure guy who she hurt and left.

answer: The protagonist recalls how her ex-boyfriend always told her he admired me but she never believed him. She remembers the way his eyes would look not into her but behind her made her nervous and she thinks that’s why he could never really love her, although she tried. All she wanted to do is be his type of person. She feels he was special, different than anyone she knew. Somethimes she wishes he were still there.

text: poor grammar

refinement: The protagonist recalls how her ex-boyfriend always told her he admired her but she never believed him. She remembers the way his eyes would look not into her but behind her made her nervous and she thinks that’s why he could never really love her, although she tried. All she wanted to do is be his type of person. She feels he was special, different than anyone she knew. Somethimes she wishes he were still there.

text: Poor grammar

refinement: The protagonist recalls how her ex-boyfriend always told her he admired her but she never believed him. She remembers the way his eyes would not look into hers but behind her. This made her nervous and she thinks that’s why he could never really love her, although she tried. All she wanted to do is be his type of person. She feels he was special, different than anyone she knew. Sometimes she wishes he were still there.


text:
[First Church in 2008]

FIRST CHURCH IN BOSTON is a Unitarian Universalist Church (originally Congregationalist) founded in 1630 by John Winthrop's original Puritan settlement in Boston, Massachusetts. The current building is on 66 Marlborough Street in Boston. The church has long been associated with Harvard University.

History

The church was created in 1630 when the settlers on the _Arbella_ arrived in what is now Charlestown, Massachusetts.[1] John Wilson was the first minister, and the only minister while the church was in Charlestown. Two years later they constructed a meeting house across the Charles River near what is now State Street in Boston, and Wilson was officially installed as minister there. In 1633 John Cotton arrived from England, and was a teaching elder at the church, helping to establish the foundation of the Congregational Church, the official state church of Massachusetts. In 1677 Dorcas Ye Blackmore, a freed slave, was allowed to become the first African American member of the church. [2] In the 18th century, Charles Chauncy was a minister at First Church for sixty years[3] and gained a reputation for opposing what he believed was emotionalism during the Great Awakening of Jonathan Edwards.[4]

A schism developed at the turn of the 19th century, the trinitarian Christian church eventually transformed into a unitarian congregation by the mid-19th century along with many of the other state churches in Massachusetts.[5] Massachusetts' state churches (largely Unitarian and Congregationalist) including First Church were officially disaffiliated with the government in 1833.

In the 19th century, the First Church moved to Back Bay in Boston. The building at 66 Marlborough Street in Boston dated from 1867 and was designed by Boston architects William Robert Ware and Henry Van Brunt. After a fire in 1968, First Church and Second Church merged and built a new building at the same location. This building, by architect Paul Rudolph, incorporates part of the facade of the 1867 building.

Second Church, founded in 1649 when the population spread to the North End legitimated an additional congregation sited closer to those individuals' homes, was also known as the “Church of the Mathers;” its pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741. Both churches were examples of the westward movement of Boston churches from the crowded, older downtown area to the newer, more fashionable Back Bay after it was filled in during the late 19th and early 20th centuries. Second Church's Back Bay location in the Fenway was sold (it is now owned by the Ruggles St. Baptist congregation) just before the merger.[6]

Notable people associated with the church

-   [First Church in 2008]John Wilson (pastor 1632–1667; died 1667)
-   John Cotton (pastor 1633–1652)
-   John Winthrop, founder and governor of Massachusetts Bay Colony
-   John Norton (pastor 1656–1663)
-   John Davenport (pastor 1668–1670)
-   James Allen (pastor 1668–1710; died 1710)
-   John Oxenbridge (pastor 1670–1674)
-   Joshua Moodey (pastor 1684–1692; died 1697)
-   John Bailey (pastor 1693–1697; died 1697)
-   Benjamin Wadsworth (pastor 1696–1737)
-   Thomas Bridge (pastor 1705–1715; died 1715)
-   Thomas Foxcroft (pastor 1717–1769)
-   Charles Chauncy (pastor 1727–1787)
-   John Clarke (pastor 1778–1798)
-   William Emerson (pastor 1799–1811)
-   John Lovejoy Abbot (pastor 1813–1814)
-   Nathaniel Langdon Frothingham (minister 1815–1850)
-   Sophia Henrietta Emma Hewitt (music director 1815–17(?), daughter of James Hewitt
-   Charles Zeuner (music director 1839–?)
-   Lucien H Southard (music director 1848–?)
-   Rufus Ellis (pastor 1853–c. 1885; died 1885)[7]
-   Whitney Eugene Thayer (music director 1869–1875)
-   Arthur Foote (music director 1878–1910)
-   Charles Edwards Park (minister 1906–1946, emeritus 1946–1962)
-   Rhys Williams (minister 1960–2000)
-   Stephen Kendrick (minister 2001–present)
-   Paul Cienniwa (music director 2006–2017)

Image gallery

State St. (1632–1639)

File:1stMeetingHouse KingsBoston1881.png|First meeting house, built 1632 File:JohnWilson 1stChurch Boston.png|John Wilson (pastor 1632–1667) File:JohnCotton.jpg%7CJohn Cotton (pastor 1633–1652)

Washington St. (1639–1808)

File:17thcMap CourtSt SchoolSt Boston Drake1917.png|Location near Old State House, 17th century File:JohnDavenport 1stChurch Boston.png|John Davenport (pastor 1668–1670) File:Old Brick Church, built 1712, demolished 1808 by unknown artist Old State House Museum, Boston, MA - IMG 6790.JPG|Old Brick Church, Washington St., built 1713 File:JohnClarke 1stChurch Boston.png|John Clarke (pastor 1778–1798)

Chauncy Place (1808–1867)

File:WilliamEmerson 1stChurch Boston.png|William Emerson (pastor 1799–1811) File:1808 ChauncyPlace 1stChurch Boston.png|Chauncy Place, 1808–1867 File:1stCong ChauncyPl Boston HomansSketches1851.jpg|Chauncy Place, 1808–1867 File:NathanielFrothingham 1stChurch Boston.png|Nathaniel Langdon Frothingham (pastor 1815–1850)

Marlborough St. (1868–present)

File:Unitarian Church, Marlborough and Berkeley St, from Robert N. Dennis collection of stereoscopic views.jpg|19th century File:RufusEllis 1stChurch Boston.png|Rufus Ellis (pastor 1853 – c. 1885) File:2590347158 BerkeleySt Boston.jpg|Marlborough St. and Berkeley St., 1920

[1]

[2] Deborah Colleen McNally, “To Secure her Freedom: “Dorcas ye blackmore,” Race, Redemption, and the Dorchester First Church” The New England Quarterly, Volume 89 | Issue 4 | December 2016 , p.533-555

[3] Ellis and Ellis (1881), p. 191.

[4] Ellis and Ellis (1881), pp. 202–203.

[5] Paul Erasmus Lauer, _Church and State in New England_ (Johns Hopkins Press, 1892), pp. 105–107. (accessed September 20, 2009)

[6] See Second Church records.

[7]

title: First Church in Boston

question:
Answer the following question based on the above passage:

Discuss the schism in the church.

answer: The church was originally Congregationalist, but around the turn of the 19th century it changed into a unitary congregation. The schism occurred due to disagreements over things such as the Great Awakening and religion in general. The changing of the church's identity began in the 18th century with Charles Chauncy, who opposed emotionalism during the Great Awakening. The actual schism in the church occurred when the state churches (including First Church) were officially disaffiliated with the government in 1833.

answer: In the mid-19th century a schism developed. Some members of the congregation were Unitarian. This led to the church becoming a Unitarian church. Many of Massachusetts' state churches became Unitarian at this time.

answer: In the 19th century, First Church was transformed from a traditional Trinitarian Christian church into a Unitarian Church, which rejected the central doctrine of the Trinity. This schism in the church occurred as a result of opposing beliefs during the Great Awakening. The First Church eventually ceased to be associated with the government and officially became a Unitarian congregation.

answer: It started at the turn of the 19th century. The trinitarian Christian church turned into a unitarian congregation by the mid-19th century.

answer: The schism started in the 19th century and went on for about 100 years.

text: It is not stated that schism went on for about 100 years.

text: |It is omitted: First Church was transformed from a traditional Trinitarian Christian church into a Unitarian Church, which rejected the central doctrine of the Trinity. This schism in the church occurred as a result of opposing beliefs during the Great Awakening. The First Church eventually ceased to be associated with the government and officially became a Unitarian congregation.

refinement: The schism started in the 19th century. First Church was transformed from a traditional Trinitarian Christian church into a Unitarian Church, which rejected the central doctrine of the Trinity. This schism in the church occurred as a result of opposing beliefs during the Great Awakening. The First Church eventually ceased to be associated with the government and officially became a Unitarian congregation.

question:
Answer the following question based on the above passage:

Discuss Second Church.

answer: Second Church legitimated an additional congregation located closer to those individuals' homes. It's pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741.

text: It is omitted that it was founded in 1649 when the population spread to the North End.

refinement: Second Church was founded in 1649 when the population spread to the North End legitimated an additional congregation located closer to those individuals' homes. It's pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741.

text: 'Its' sholud be 'its'.

refinement: Second Church was founded in 1649 when the population spread to the North End legitimated an additional congregation located closer to those individuals' homes. Its pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741.

answer: The Second Church was founded in 1649. The Mather family was highly associated with this church, including Increase Mather, Cotton Mather and Samuel Mather. Both churches were typical of the westward movement of Boston churches.

text: It is not clear that 'both' refers to the First and Second churches.

refinement: The Second Church was founded in 1649. The Mather family was highly associated with this church, including Increase Mather, Cotton Mather and Samuel Mather. Both the First and Second churches were typical of the westward movement of Boston churches.

text: a missing comma. 'Cotton Mather and' should be 'Cotton Mather, and'.

refinement: The Second Church was founded in 1649. The Mather family was highly associated with this church, including Increase Mather, Cotton Mather, and Samuel Mather. Both the First and Second churches were typical of the westward movement of Boston churches.

answer: Second Church was founded in 1649 when the population spread to the North End. Second Church's Back Bay location was sold just before the merger with First Church in the 1960s. Second Church was home to prominent Puritan ministers such as Increase Mather, Cotton Mather, and Samuel Mather. Second Church was known as the "Church of the Mathers".

text: The churches merged after a fire in 1968.

refinement: Second Church was founded in 1649 when the population spread to the North End. Second Church's Back Bay location was sold just before the merger with First Church after a fire in 1968. Second Church was home to prominent Puritan ministers such as Increase Mather, Cotton Mather, and Samuel Mather. Second Church was known as the "Church of the Mathers".

answer:
Second Church was founded in 1649 when the population spread to the North End and was also known as the Church of the Mathers. From 1664- 1741, the pulpit at Second Church was home to Increase Mather, Cotton Mather, and Samuel Mather. Second Church's Back Bay location was sold just before the merger with First Church in 1968.

Second Church played an important role in the history of First Church. It provided a dissenting voice and alternative perspective for parishioners seeking a more liberal religious experience. The history of Second Church demonstrates the importance of dissent in religious life and the role of liberal thought in building an alternative community.

text: It is not stated: Second Church played an important role in the history of First Church. It provided a dissenting voice and alternative perspective for parishioners seeking a more liberal religious experience. The history of Second Church demonstrates the importance of dissent in religious life and the role of liberal thought in building an alternative community.

refinement: Second Church was founded in 1649 when the population spread to the North End and was also known as the Church of the Mathers. From 1664- 1741, the pulpit at Second Church was home to Increase Mather, Cotton Mather, and Samuel Mather. Second Church's Back Bay location was sold just before the merger with First Church in 1968.

answer: Second Church was founded in 1649 when the population spread to the North End legitimized an additional congregation site closer to those individuals' homes, was also known as the “Church of the Mathers”. It's pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741. Both churches were examples of the westward movement of Boston churches from the crowded, older downtwon area to the newer, more fashionable Back Bay.

text: It is not clear that 'both' refers to the First and Second churches.

refinement: Second Church founded in 1649 when the population spread to the North End legitimized an additional congregation site closer to those individuals' homes, was also known as the “Church of the Mathers”. It's pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741. Both the First and Second churches were examples of the westward movement of Boston churches from the crowded, older downtwon area to the newer, more fashionable Back Bay.

text: 'It's' should be 'Its'.

refinement: Second Church founded in 1649 when the population spread to the North End legitimized an additional congregation site closer to those individuals' homes, was also known as the “Church of the Mathers”. Its pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741. Both the First and Second churches were examples of the westward movement of Boston churches from the crowded, older downtwon area to the newer, more fashionable Back Bay.

text: 'downtwon' should be 'downtown.

refinement: Second Church founded in 1649 when the population spread to the North End legitimized an additional congregation site closer to those individuals' homes, was also known as the “Church of the Mathers”. Its pulpit was home to Increase Mather, Cotton Mather, and Samuel Mather from 1664 to 1741. Both the First and Second churches were examples of the westward movement of Boston churches from the crowded, older downtown area to the newer, more fashionable Back Bay.


text:
[The BU Castle on Bay State Road] The BOSTON UNIVERSITY CASTLE (or BU CASTLE or simply “The Castle”) is a Tudor Revival-style mansion owned by Boston University on Bay State Road.[1] The school typically uses it for receptions or concerts, but also rents out The Castle to cater events and special occasions.

Architecture

[The Castle covered in ivy] The building was cited by architectural historian Bainbridge Bunting in his _Houses of Boston's Back Bay_ as displaying “the most convincing medieval effect of the area.”

According to Boston University, the building's founder, William Lindsey, would have been pleased by this description. Lindsey had derived his inspiration for the Castle from the great manor houses of Tudor England. “The imposing style of these medieval mansions held a special allure for Lindsey, who, besides being a successful businessman, was also a poet and playwright. His writings, such as The Severed Mantle: A romance of medieval Provence and The Red Wine of Roussillon, a blank-verse drama set in France during the Middle Ages, reveal the same fascination with the antique and the romantic that pervades the design of the Castle.”[2]

History

The Castle was originally built as a residence for William Lindsey (1858–1922), a prominent Boston businessman who made his fortune with a patented cartridge belt the British Army used during the Boer War. Plans were drawn up in 1904 and construction was completed in 1915 at a cost of more than $500,000.[3]

Shortly after the building's completion, Lindsey's eldest daughter was married in the mansion, though she and her groom would later be killed while on their honeymoon, aboard the ill-fated _Lusitania_ after the ship was torpedoed by a German submarine just off the coast of County Cork. The grief-stricken Lindsey later constructed the magnificent Leslie Lindsey Memorial Chapel in Emmanuel Church on Newbury Street in his daughter's memory.

In 1926, Oakes Ames purchased the Castle from Lindsey's widow. He, University Trustee Dr. William E. Chenery and Chenery's wife donated the mansion to Boston University in 1939. From then until 1967, the Castle was used as the home of Boston University's presidents.

In 2007, the Castle was a filming location for the Kevin Spacey movie _21_,[4] and in 2016, for _Ghostbusters._[5]

BU Pub

[The BU Pub on the side of the Castle] In the basement of the BU Castle is the BU Pub, an English-style pub serving drinks and sandwiches. The Castle is the only Boston University-operated drinking establishment on campus. It is open only to faculty, staff, alumni, students, and invited guests, and is closed on weekends.[6] The Pub sometimes has live music on Thursdays, with performances mostly from BU students. Popular house activities are the Knight's and Lord's Quests. In the Knight's Quest, students must drink 50 different types of beer that the pub offers. The accomplishment culminates in a Knighting Ceremony where the new Knights are given different nicknames by friends for a mug that they can use while at the pub. The Lord's Quest is similar except it involves 60 mixed drinks, and after the ceremony the new Lord's name is engraved on a plaque. For reasons that are not entirely clear, the plaque has not been updated for over two years. In September 2008, the BU Pub canceled the Lord's Quest, so now only the Knight's Quest remains.[7][8]

[1] Boston University | Office of Conference Services

[2] Boston University | Office of Conference Services

[3]

[4] Actor, producer Spacey brings filming to BU Castle - News

[5] Go Inside the Filming Locations and Set Designs of Ghostbusters

[6] BU | Dining Services | Retail Dining | BU Club (Pub)

[7] Yelp

[8]

title: BU Castle

question:
Answer the following question based on the above passage:

What does the text say is the architectural inspiration behind the BU Castle?

answer: The BU Castle exhibits some of the most convincing medieval effects of the area, thanks to the founder's love for the medieval era. William Lindsey, the founder of the BU Castle, was a successful businessman who was also a poet and playwright. His love for the medieval ages can be seen in his poetry and writings such as "The Severed Mantle: A romance of medieval Provence and The Red Wine of Roussillon."

text: The answer fails to highlight the main inspiration behind the BU castle. It should include the relevant details that answer the question.

refinement: The BU Castle exhibits some of the most convincing medieval effects of the area, thanks to the founder's love for the medieval era. William Lindsey, the founder of the BU Castle, was inspired by the great manor houses of Tudor England, whose imposing style held a unique appeal for him. William Lindsey's poetry and writings, such as "The Severed Mantle: A romance of medieval Provence and The Red Wine of Roussillon," showcases his love for the medieval ages.

answer: William Lindsey, the builder of the BU Castle and a poet had created his inspiration with the great manors of Tudor England.

text: The model's answer can better be reconstructed for clarity.

refinement: William Lindsey, the founder of the BU Castle, was a poet and successful businessman. He got his inspiration from the great manor houses of Tudor England. This is because he appreciated the imposing style of the medieval mansions.

answer: The BU Castle was inspired design-wise by the great manor houses of Tudor England, which embodied the "romanticism and grandeur of the medieval past."

answer: The BU Castle was inspired by Tudor-style manor houses of England.

text: The model's answer ought to add more details in its answer for proper understanding for readers.

refinement: William Lindsey was a successful businessman and poet who appreciated medieval arts. When he founded BU Castle, he designed it with inspiration from the Tudor-style manor houses of England. This is because he loved the imposing style of the medieval mansions, which had a great charm on him.

answer: The BU Castle is a Tudor Revival-style mansion inspired by great manor houses from Tudor England.


text:
DR. SHEIKH GEORGE EL ANDARY (; born 1958) is a Lebanese researcher in archaeology, museums and manuscripts. He is the son of sheikh Nematallah El Andary, the grandson of sheikh Isaac bin sheikh Elias El Andary.

Personal life

He was born in 1958 in the village of Kfour Al Arbe, Batroun District, North Lebanon. From a young age he gained interest in collecting rare and unique old royal artistic masterpieces, old writings and papers, unique and valuable documents and manuscripts and many archaeological and special items and then maintaining them. He inherited this passion from both his grandfathers.

He is married to the honorable Mrs. Yvette Madi El Andary and have three sons.

Early life and education

Dr. El Andary continued his studies at the University of Johannesburg, South Africa where he obtained a master's degree and then in 1984 a PhD in archaeology from his article entitled: _The role of the archaeological documents in revealing the civilizations through the history_. He also obtained a bachelor's degree in museum sciences from the same university. He worked as a researcher in the Archaeological Researches Center at the university between 1984 and 1985.

Professional career

In 1984 he established the International Transaction System in Johannesburg, and then in Lebanon and abroad. This became an international institution dealing with restoration of archaeological sites, museum equipment and trade of rare, unique and authentic royal artistic masterpieces for museums and archaeological enterprises.

For five years he worked as an expert and museum consultant with the National Museum of Pretoria and the Durban Museum (South Africa). Later, he worked with the delegates and representatives of other international museums including the Metropolitan Museum of Art (New York), Luxembourg National Museum and the Museum of Islamic Art” (Berlin).

During his international travels of visiting various museums and universal antiques auctions such as Sotheby's, Christie's and others, Dr. El Andary was able to collect precious, rare and authentic royal masterpieces and belongings of famous personalities including King Louis XIV, Napoleon Bonaparte, Napoleon III, King George III, king George V, Empress Maria Theresa, King Abdulaziz Al-Saud, Adolf Hitler, Grand Admiral Kilic Ali Pasha, shah Abbas I Al Safavid, Sultan Suleiman Al Qanuni, Ottoman Sultans, Princes, Sheikhs of tribes in the Arabian Peninsula, the Prophet, Saints, Patriarchs, Bishops, Gentlefolk, Painters, Authors, Philosophers, Scientists and others.

Dr El Andary also collected unique, rare and authentic gold coins of Mecca and Constantinople and a collection of special ancient weapons going back to 1650. He also compiled a valuable collection of eighteenth and nineteenth century Porcelain de Sèvres that had been manufactured especially for emperors, kings and dignitaries. This unique collection has astonished many experts and consultants of the Musée National de la Céramique (Sèvres, France).

Dr El Andary also collected oil paintings from famous European and other painters in the seventeenth, eighteenth and nineteenth centuries.

Over 35 years, he has also collected important and genuine historical documents and rare ancient manuscripts, some a thousand years old, which are a true witness of lost civilizations.

Awards and honors

Dr. Sheikh George El Andary joined the International Group of Archaeology & Museums experts (I.G.A.M) in New York in 1990. Due to the international importance of his unique artistic and historical collection, the I.G.A.M ranked him in the third place among international collectors in its annual book issued in October 1991. He obtained this classification because he owns the most important collection of genuine historical documents and rare ancient manuscripts in the world reaching today to eight thousand manuscripts in thirty-nine languages, which some are exhibited in the museums worldwide.

He was awarded several medals from presidents, ministries, universities and foundations for his researches and special studies in showing some of the ancient cultures through the remaining historical manuscripts; he also honored in his turn many international high-standard personalities very famous in various societies.

Dr. Sheikh George El Andary is a self-made man. He raised the name of oriental countries high in the field of his important archaeological and museum researches through hundreds of interviews and audiovisual and written cultural media sessions. These sessions were held by the Arabic and international media, local and spatial, for more than thirty five years of his continuous contribution to archaeology and museum sciences in general, and particularly to the manuscripts and historical document's sciences and how to maintain the international legacy, under his direction (and through the mass media) for the international audiences, spectators and readers to connect the youth to the ancient civilizations.[1][2][3][4][5][6]

[1] LBC International, Report 2003 - Dr. Sheikh George El Andary - الدكتور الشيخ جورج العنداري https://www.youtube.com/watch?v=TNll_VO7W6Y

[2] MBC, Egypt TV, Interview 2010 - Dr. Sheikh George El Andary - الدكتور الشيخ جورج العنداري https://www.youtube.com/watch?v=V4OqIJf-Zug&t=31s

[3] Al Arabiya Tv - قناة العربية, Interview 2010, Dr. Sheikh George El Andary - https://www.youtube.com/watch?v=is8saXdaPXI

[4] Reportage: The Most Expensive Sword In The World - أثمن سيف في العالم https://www.youtube.com/watch?v=tyRmN4SP3D8

[5] AL JAISH مجلة الجيش - Lebanese Army Magazine - Issue N.234 - December 2004 - Pages 91, 92, 93, 94 https://www.lebarmy.gov.lb/ar/content/متحف-الدكتور-جورج-العنداري

[6] AN NAHAR Newspaper - Lebanon - جريدة النهار - Issue N.24604 - December 28, 2011 http://annahar.com/article.php?d=24604&t=beea&p=2

title: George El Andary

question: Write a ~9 sentence summary.

answer: George El Andary is a Lebanese researcher in archaeology, museums and manuscripts. He is the son of sheikh Nematallah El Andary, the grandson of sheikh Isaac bin sheikh Elias El Andary. He is married to the honorable Mrs. Yvette Madi El Andary and have three sons. He is a self-made man. He raised the name of oriental countries high in the field of his important archaeological and museum researches through hundreds of interviews and audiovisual and written cultural media sessions. These sessions were held by the Arabic and international media, local and spatial, for more than thirty five years of his continuous contribution to archaeology and museum sciences in general, and particularly to the manuscripts and historical document's sciences and how to maintain the international legacy, under his direction (and through the mass media) for the international audiences, spectators and readers to connect the youth to the ancient civilizations.

text: The statement that he is a self-made man is not a key detail.

refinement: George El Andary is a Lebanese researcher in archaeology, museums and manuscripts. He is the son of sheikh Nematallah El Andary, the grandson of sheikh Isaac bin sheikh Elias El Andary. He is married to the honorable Mrs. Yvette Madi El Andary and have three sons. He raised the name of oriental countries high in the field of his important archaeological and museum researches through hundreds of interviews and audiovisual and written cultural media sessions. These sessions were held by the Arabic and international media, local and spatial, for more than thirty five years of his continuous contribution to archaeology and museum sciences in general, and particularly to the manuscripts and historical document's sciences and how to maintain the international legacy, under his direction (and through the mass media) for the international audiences, spectators and readers to connect the youth to the ancient civilizations.

text: The specifics about the cultural media sessions are not key details.

refinement: George El Andary is a Lebanese researcher in archaeology, museums and manuscripts. He is the son of sheikh Nematallah El Andary, the grandson of sheikh Isaac bin sheikh Elias El Andary. He is married to the honorable Mrs. Yvette Madi El Andary and have three sons. He raised the name of oriental countries high in the field of his important archaeological and museum researches through hundreds of interviews and audiovisual and written cultural media sessions.

text: Does not mention that he established the International Transaction System.

refinement: George El Andary is a Lebanese researcher in archaeology, museums and manuscripts. He is the son of sheikh Nematallah El Andary, the grandson of sheikh Isaac bin sheikh Elias El Andary. He is married to the honorable Mrs. Yvette Madi El Andary and have three sons. He raised the name of oriental countries high in the field of his important archaeological and museum researches through hundreds of interviews and audiovisual and written cultural media sessions. He also established the International Transaction System in 1984.

text: Does not mention any of his honors.

refinement: George El Andary is a Lebanese researcher in archaeology, museums and manuscripts. He is the son of sheikh Nematallah El Andary, the grandson of sheikh Isaac bin sheikh Elias El Andary. He is married to the honorable Mrs. Yvette Madi El Andary and have three sons. He raised the name of oriental countries high in the field of his important archaeological and museum researches through hundreds of interviews and audiovisual and written cultural media sessions. He also established the International Transaction System in 1984. He joined the International Group of Archaeology & Museums experts in New York in 1990.

answer: Sheikh George El Andary is a Lebanese archaeologist and museum expert who has collected a large and valuable collection of rare and authentic royal masterpieces, historical documents and manuscripts, and ancient artifacts. He has been awarded several medals for his work, and is considered one of the most important collectors in the world.

text: Does not mention any of his accomplishments.

refinement: Sheikh George El Andary is a Lebanese archaeologist and museum expert who has collected a large and valuable collection of rare and authentic royal masterpieces, historical documents and manuscripts, and ancient artifacts. He has been awarded several medals for his work, and is considered one of the most important collectors in the world. He established the International Transaction System in 1984 and has worked with the National Museum of Pretoria, the Durban Museum, the Metropolitan Museum of Art, and the Luxembourg National Museum.

text: "He obtained this classification because he owns the most important collection of genuine historical documents and rare ancient manuscripts in the world" is evidence that he is one of the most important collectors in the world.

answer: Dr Sheikh George El Andary was born in 1958 in Lebanon. He is a decorated, respected researcher in archaeology, museums and manuscripts. El Andary is the son of sheikh Nematallah El Andary, and the grandson of sheikh Isaac bin sheikh Elias El Andary. He has won countless awards for his work over the years. His interest started in his childhood in Kfour Al Arbe, Batroun District, North Lebanon, gaining an interest in collecting rare and unique old royal artistic masterpieces, old writings and papers, unique and valuable documents and manuscripts and many archaeological and special items and then maintaining them. His passion, some say, was passed down through his family. Dr El Andary studied at the University of Johannesburg in South Africa, earning a PhD in archaeology. In 1984 he established the International Transaction System in Johannesburg, and then in Lebanon and abroad. He has traveled and worked abroad at auction houses such as Christie's and Sotheby's, and has amassed his own collection of rare and ancient items.

text: The details about how Dr. El Andary came to be interested in archaeology are less important than his actualy accomplishments.

refinement: Dr Sheikh George El Andary was born in 1958 in Lebanon. He is a decorated, respected researcher in archaeology, museums and manuscripts. El Andary is the son of sheikh Nematallah El Andary, and the grandson of sheikh Isaac bin sheikh Elias El Andary. He has won countless awards for his work over the years. Dr El Andary studied at the University of Johannesburg in South Africa, earning a PhD in archaeology. In 1984 he established the International Transaction System in Johannesburg, and then in Lebanon and abroad. He has traveled and worked abroad at auction houses such as Christie's and Sotheby's, and has amassed his own collection of rare and ancient items.

text: Does not mention any honors he has received.

refinement: Dr Sheikh George El Andary was born in 1958 in Lebanon. He is a decorated, respected researcher in archaeology, museums and manuscripts. El Andary is the son of sheikh Nematallah El Andary, and the grandson of sheikh Isaac bin sheikh Elias El Andary. He has won countless awards for his work over the years. Dr El Andary studied at the University of Johannesburg in South Africa, earning a PhD in archaeology. In 1984 he established the International Transaction System in Johannesburg, and then in Lebanon and abroad. He has traveled and worked abroad at auction houses such as Christie's and Sotheby's, and has amassed his own collection of rare and ancient items. In 1990, he joined the International Group of Archaeology & Museums experts in New York.

text: Punctuation (period missing after Dr.).

refinement: Dr. Sheikh George El Andary was born in 1958 in Lebanon. He is a decorated, respected researcher in archaeology, museums and manuscripts. El Andary is the son of sheikh Nematallah El Andary, and the grandson of sheikh Isaac bin sheikh Elias El Andary. He has won countless awards for his work over the years. Dr El Andary studied at the University of Johannesburg in South Africa, earning a PhD in archaeology. In 1984 he established the International Transaction System in Johannesburg, and then in Lebanon and abroad. He has traveled and worked abroad at auction houses such as Christie's and Sotheby's, and has amassed his own collection of rare and ancient items. In 1990, he joined the International Group of Archaeology & Museums experts in New York.

answer:
Dr. Sheikh George El Andary is a Lebanese researcher in archaeology, museums, and manuscripts. He is the son of Sheikh Nematallah El Andary, the grandson of Sheikh Isaac bin Sheikh Elias El Andary.

He was born in 1958 in the village of Kfour Al Arbe, Batroun District, North Lebanon. He inherited his passion for collecting rare and unique old royal artistic masterpieces, old writings and papers, unique and valuable documents and manuscripts, and many archaeological and special items from both his grandfathers.

He is married to the honorable Mrs. Yvette Madi El Andary and has three sons.

He obtained a master's degree and a PhD in archaeology from the University of Johannesburg, South Africa. He also obtained a bachelor's degree in museum sciences from the same university.

He worked as a researcher in the Archaeological Researches Center at the university between 1984 and 1985.

He established the International Transaction System in Johannesburg, and then in Lebanon and abroad. This became an international institution dealing with restoration of archaeological sites, museum equipment, and trade of rare, unique, and authentic royal artistic masterpieces for museums and archaeological enterprises.

He joined the International Group of Archaeology & Museums experts (I.G.A.M) in New York in 1990. He was awarded several medals from presidents, ministries, universities, and foundations for his researches and special studies in showing some of the ancient cultures through the remaining historical manuscripts.

He also collected oil paintings from famous European and other painters in the seventeenth, eighteenth, and nineteenth centuries.

He also collected important and genuine historical documents and rare ancient manuscripts, some a thousand years old, which are a true witness of lost civilizations.

text: Includes irrelevant details, such as how he came to find his passion.

refinement:
Dr. Sheikh George El Andary is a Lebanese researcher in archaeology, museums, and manuscripts. He is the son of Sheikh Nematallah El Andary, the grandson of Sheikh Isaac bin Sheikh Elias El Andary.

He was born in 1958 in the village of Kfour Al Arbe, Batroun District, North Lebanon.

He is married to the honorable Mrs. Yvette Madi El Andary and has three sons.

He obtained a master's degree and a PhD in archaeology from the University of Johannesburg, South Africa. He also obtained a bachelor's degree in museum sciences from the same university.

He worked as a researcher in the Archaeological Researches Center at the university between 1984 and 1985.

He established the International Transaction System in Johannesburg, and then in Lebanon and abroad. This became an international institution dealing with restoration of archaeological sites, museum equipment, and trade of rare, unique, and authentic royal artistic masterpieces for museums and archaeological enterprises.

He joined the International Group of Archaeology & Museums experts (I.G.A.M) in New York in 1990. He was awarded several medals from presidents, ministries, universities, and foundations for his researches and special studies in showing some of the ancient cultures through the remaining historical manuscripts.

He also collected oil paintings from famous European and other painters in the seventeenth, eighteenth, and nineteenth centuries.

He also collected important and genuine historical documents and rare ancient manuscripts, some a thousand years old, which are a true witness of lost civilizations.

text: Sentences can be combined for efficiency.

refinement:
Dr. Sheikh George El Andary, born in 1958, is a Lebanese researcher in archaeology, museums, and manuscripts. He is the son of Sheikh Nematallah El Andary, the grandson of Sheikh Isaac bin Sheikh Elias El Andary.

He is married to the honorable Mrs. Yvette Madi El Andary and has three sons.

He studied at the University of Johannesburg, South Africa.

He worked as a researcher in the Archaeological Researches Center at the university between 1984 and 1985.

He established the International Transaction System in Johannesburg, and then in Lebanon and abroad. This became an international institution dealing with restoration of archaeological sites, museum equipment, and trade of rare, unique, and authentic royal artistic masterpieces for museums and archaeological enterprises.

He joined the International Group of Archaeology & Museums experts (I.G.A.M) in New York in 1990. He was awarded several medals from presidents, ministries, universities, and foundations for his researches and special studies in showing some of the ancient cultures through the remaining historical manuscripts.

He also collected oil paintings, important historical documents, and rare manuscripts.


text:
TITO BURNS (born NATHAN BERNSTEIN, 7 February 1921 – 23 August 2010)[1] was a British musician and impresario, who was active in both jazz and rock and roll.

Biography

Early life

The son of a cabinet maker, he was the sixth and youngest child of Polish Orthodox Jewish immigrants who had settled in Bethnal Green.[2][3][4] Burns was a self-taught accordionist[5] from the age of 12, initially performing semi-professionally in the 1930s. From 16, he performed as a member of Don Marino Barreto and his Rumba Band, which had extended London residencies. It was as this time that he gained the “Tito” sobriquet which he retained for the rest of his life.[6][7] He worked with the pianist Lou Preager and the clarinettist Carl Barriteau at the Cotton Club in Soho, with Burns doubling on piano.[8] By 1941, he was leading a group at the Panama Club, but served in the Royal Air Force from 1942 becoming a member of the RAF Regiment Sextet the following year. He saw active service as a gunner in the Far East, but after VJ-Day, he worked in forces radio.[9][10]

After demobilisation, his new group, the Tito Burns Septet, which was formed in January 1947 and disbanded in August 1955, its existence practically coinciding with the run of the BBC's _Accordion Club_ radio series.[11][12] The group is believed, partly on the account of musician Ronnie Scott, to have been the first band to perform the new jazz idiom bebop on BBC Radio in 1947.[13] Their approach was derived from the “bop for the people” formula created by the American tenor saxophonist Charlie Ventura.[14] When the show ended, the band went on tour and recorded a number of sides with various line-ups, including the pianist and trumpeter Dennis Rose, Scott and alto saxophonist Johnny Dankworth and drummer Tony Crombie.[15] In 1949, they were recording as a septet, but went back to being a sextet shortly afterwards.[16] Ultimately, Burns was unable to maintain a jazz idiom, and began to lean towards a pop-oriented repertoire.[17]

Talent manager

From 1955, Burns's career switched to management and the emerging rock and roll, which he admitted to disliking.[18] In 1959, he replaced Franklyn Boyd as manager for Cliff Richard.[19] He soon gathered a list of clients, including The Searchers, whom he gave over to Brian Epstein.[20] Among the new talents he discovered was singer Dusty Springfield.[21] As an impresario, he first brought Cliff Richard to tailor Dougie Millings for a stage costume. The resulting outfit, with its unique style, was later emulated by other performers of the time.

Burns appeared in D. A. Pennebaker's documentary film _Dont Look Back_ (1965) which documented Bob Dylan's first UK tour, which Burns promoted.[22] He disapproved of what he saw on screen: “I wasn't doing anything unusual. All agents play the bouncing act. I was playing the BBC against Granada, but I didn't like seeing it on film. I thought that none of the TV producers would speak to me again.”[23] His agency was bought in 1966 for £250,000 by the Grade Organisation and Burns became the deputy managing director of Harold Davison Ltd, a Grade subsidiary.[24]

Burns briefly left managing performers to become Head of Variety Programming in March 1968 at the soon to launch new ITV franchise holder London Weekend Television, with the head of light entertainment, Frank Muir, being his superior. He poached Simon Dee, then a high-profile host, from the BBC in October 1969, but Dee's eclipse under his new contract and LWT's early internal problems led Burns to resign by summer 1970.[25]

In October 1971, he formed a new company, Scotia-Tito Burns with the Scotia leisure group, which supplemented representing performers with roles as music publisher, television production, film scorings and promoting concerts and their recording projects.[26] Throughout his career, he promoted tours for many US entertainers in Europe including Simon and Garfunkel. He retired in 1976. However, he continued to book Tony Bennett and Sacha Distel for their British appearances, and remained Victor Borge's representative.[27]

Personal life

Burns married Teresa Devon, his longtime girlfriend known as the singer, Terry Devon, in 1948. The couple had two daughters.[28]

Death

Tito Burns died at home on 23 August 2010, of complications from prostate cancer, at the age of 89.[29]

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16] Tito Burns …

[17]

[18]

[19] “Franklyn Boyd”, _The Independent_, 23 May 2007

[20] The Searchers Official Website.

[21] Douglas Martin “Dougie Millings, the Tailor for the Beatles”, _The New York Times_, 8 October 2001

[22]

[23]

[24]

[25]

[26]

[27]

[28]

[29]

title: Tito Burns

question:
Answer the following question based on the above passage:

Summarize Tito Burns's career as an impresario.

answer: Tito Burns was a musician and concert promoter. He worked in jazz in the 1940s and then switched to rock and roll starting in the 1950s. He was an agent for many famous performers and formed Scotia-Tito Burns Ltd. after leaving LWT. He died in 2010 of complications from prostate cancer.

text: The information about his death is irrelevant to the question. It should be removed.

refinement: Tito Burns was a musician and concert promoter. He worked in jazz in the 1940s and then switched to rock and roll starting in the 1950s. He was an agent for many famous performers and formed Scotia-Tito Burns Ltd. after leaving LWT.

text: The detail about his work in jazz and rock and roll is not relevant to his career as an impresario. This should be removed.

refinement: Tito Burns was a musician and concert promoter. He was an agent for many famous performers and formed Scotia-Tito Burns Ltd. after leaving LWT.

text: The response should include the artists whom Tito Burns managed and promoted.

refinement: Tito Burns was a musician and concert promoter. He was an agent for many famous performers and formed Scotia-Tito Burns Ltd. after leaving LWT. In his career as an impresario, he promoted Cliff Richard, The Searchers, Dusty Springfield, Bob Dylan, Simon & Garfunkel, Tony Bennett, Sacha Distel, and Victor Borge.

text: Information about Burns leaving LWT is irrelevant.

refinement: Tito Burns was a musician and concert promoter. He was an agent for many famous performers and formed Scotia-Tito Burns Ltd. In his career as an impresario, he promoted Cliff Richard, The Searchers, Dusty Springfield, Bob Dylan, Simon & Garfunkel, Tony Bennett, Sacha Distel, and Victor Borge.

answer: He became a talent manager in 1955, with clients including Cliff Richard, The Searchers, and Dusty Springfield. He promoted Bob Dylan's first UK tour. In 1971, he formed a new company, Scotia-Tito Burns, which also represented performers. He promoted tours for US entertainers in Europe, including Simon and Farfunkel.  Even after retirement, he remained a representative for Victor Borge.

answer: Tito Burns began his career as a musician, playing accordion, but switched to becoming a manager of various rock and roll and pop musicians. Burns represented artists including The Searchers and Dusty Springfield, among others. He retired in 1976, but continued to book Tony Bennett and Sacha Distel for their British appearances.

text: Burns' career as a musician playing the accordion is not very important information.

refinement: Tito Burns was a manager of various rock and roll and pop musicians. Burns represented artists including The Searchers and Dusty Springfield, among others. He retired in 1976, but continued to book Tony Bennett and Sacha Distel for their British appearances.

text: The comma in the last sentence should be removed.

refinement: Tito Burns was a manager of various rock and roll and pop musicians. Burns represented artists including The Searchers and Dusty Springfield, among others. He retired in 1976 but continued to book Tony Bennett and Sacha Distel for their British appearances.

answer: Tito Burns was a self-taught accordionist. He performed semi-professionally and extended London residencies. Joined the Royal Air Force in 1942 as a member of the RAF Regiment Sextet. After World War II, he formed the Tito Burns Septet. He subsequently managed The Searchers, and closed his managing agency in 1976. He promoted tours for a variety of US entertainers in Europe during his career.

text: The detail about Tito Burns being an accordionist is irrelevant to the question.

refinement: Tito Burns performed semi-professionally and extended London residencies. Joined the Royal Air Force in 1942 as a member of the RAF Regiment Sextet. After World War II, he formed the Tito Burns Septet. He subsequently managed The Searchers, and closed his managing agency in 1976. He promoted tours for a variety of US entertainers in Europe during his career.

text: The detail about Tito Burns being a performer is irrelevant to his career as an impresario.

refinement: Joined the Royal Air Force in 1942 as a member of the RAF Regiment Sextet. After World War II, he formed the Tito Burns Septet. He subsequently managed The Searchers, and closed his managing agency in 1976. He promoted tours for a variety of US entertainers in Europe during his career.

text: The detail about Tito Burns joining the Royal Air Force is irrelevant to his career as an impresario.

refinement: After World War II, he formed the Tito Burns Septet. He subsequently managed The Searchers, and closed his managing agency in 1976. He promoted tours for a variety of US entertainers in Europe during his career.

text: The detail about Tito Burns forming the Tito Burns Septet is irrelevant to his career as an impresario.

refinement: Tito Burns managed The Searchers, and closed his managing agency in 1976. He promoted tours for a variety of US entertainers in Europe during his career.

text: Besides Ther Searchers, Tito Burns also managed other artists, who should be included in the response.

refinement: Tito Burns managed Cliff Richard, The Searchers, Dusty Springfield, Bob Dylan, Simon & Garfunkel, Tony Bennett, Sacha Distel, and Victor Borge. He closed his managing agency in 1976. He promoted tours for a variety of US entertainers in Europe during his career.

text: The last sentence should be placed at the beginning.

refinement: Tito Burns promoted tours for a variety of US entertainers in Europe during his career. He managed Cliff Richard, The Searchers, Dusty Springfield, Bob Dylan, Simon & Garfunkel, Tony Bennett, Sacha Distel, and Victor Borge. He closed his managing agency in 1976.

text: The article states that in 1976, he retired. It does not mention that he closed his managing agency.

refinement: Tito Burns promoted tours for a variety of US entertainers in Europe during his career. He managed Cliff Richard, The Searchers, Dusty Springfield, Bob Dylan, Simon & Garfunkel, Tony Bennett, Sacha Distel, and Victor Borge. He retired in 1976.

answer: He was being in the business of music and artists' management since operating his own bands in the 1940s. He started managing Cliff Richard in 1959, built a roster of clients which (apart from Richard) included The Searchers and Dusty Springfield, and promoted Bob Dylan for his first UK tour in 1965. He sold his talents and his management corporation to the Grade Organisation in 1966 to focus on immediate artists. He rejoined the business with his Scotia-Tito Burns company in 1971 and rostered performers including Tony Bennett, The Rolling Stones and Barbra Streisand.

text: The Rolling Stones and Barbra Streisand are not mentioned in the article.

refinement: He was being in the business of music and artists' management since operating his own bands in the 1940s. He started managing Cliff Richard in 1959, built a roster of clients which (apart from Richard) included The Searchers and Dusty Springfield, and promoted Bob Dylan for his first UK tour in 1965. He sold his talents and his management corporation to the Grade Organisation in 1966 to focus on immediate artists. He rejoined the business with his Scotia-Tito Burns company in 1971 and rostered performers including Tony Bennett.

text: The first sentence is inaccurate and should be removed. Burns started his managing career in 1955.

refinement: Tito Burns started managing Cliff Richard in 1959, built a roster of clients which (apart from Richard) included The Searchers and Dusty Springfield, and promoted Bob Dylan for his first UK tour in 1965. He sold his talents and his management corporation to the Grade Organisation in 1966 to focus on immediate artists. He rejoined the business with his Scotia-Tito Burns company in 1971 and rostered performers including Tony Bennett.

text: A comma should be placed before "including" in the last sentence.

refinement: Tito Burns started managing Cliff Richard in 1959, built a roster of clients which (apart from Richard) included The Searchers and Dusty Springfield, and promoted Bob Dylan for his first UK tour in 1965. He sold his talents and his management corporation to the Grade Organisation in 1966 to focus on immediate artists. He rejoined the business with his Scotia-Tito Burns company in 1971 and rostered performers, including Tony Bennett.

question:
Answer the following question based on the above passage:

Summarize Tito's career during the 1940s.

answer: During the 1940s, Tito Burns worked with a number of jazz groups and helped introduce the new jazz idiom bebop to radio. This ultimately led to his career as a talent manager, where he took on clients including The Searchers. He also briefly served as head of light entertainment at London Weekend Television.

text: The last sentence is inaccurate. He is not head of light entertainment and his career at London Weekend Television is not in the 1940s.

refinement: During the 1940s, Tito Burns worked with a number of jazz groups and helped introduce the new jazz idiom bebop to radio. This ultimately led to his career as a talent manager, where he took on clients including The Searchers.

answer: Tito was initially a member of Don Marino Barreto and his Rumba Band in the 1930s.  Around 1941, he was serving in the military as a member of the RAF Regiment Sextet. Afterwards, he showcased his talents working for the BBC's Accordion Club radio series. At one point he toured and recorded a number of sides with various line-ups.

text: What's asked is Tito's career during the 1940s. The first sentence talks about the 1930s; hence, it should not be included.

refinement: Around 1941, he was serving in the military as a member of the RAF Regiment Sextet. Afterwards, he showcased his talents working for the BBC's Accordion Club radio series. At one point he toured and recorded a number of sides with various line-ups.

text: Tito became part of the military in 1942, not 1941.

refinement: In 1942, he was serving in the military as a member of the RAF Regiment Sextet. Afterwards, he showcased his talents working for the BBC's Accordion Club radio series. At one point he toured and recorded a number of sides with various line-ups.

text: It should be mentioned that he formed the  Tito Burns Septet in January 1947.

refinement: In 1942, he was serving in the military as a member of the RAF Regiment Sextet. He formed the  Tito Burns Septet in January 1947. Afterwards, he showcased his talents working for the BBC's Accordion Club radio series. At one point he toured and recorded a number of sides with various line-ups.

text: It should be mentioned that Tito's group performed the new jazz idiom bebop on BBC Radio in 1947.

refinement: In 1942, he was serving in the military as a member of the RAF Regiment Sextet. He formed the  Tito Burns Septet in January 1947. Afterwards, he showcased his talents working for the BBC's Accordion Club radio series, where he performed the new jazz idiom bebop in 1947. At one point he toured and recorded a number of sides with various line-ups.

text: In the first sentence, the pronoun "he" should be replaced with a proper name for clarity.

refinement: In 1942, Tito Burns was serving in the military as a member of the RAF Regiment Sextet. He formed the  Tito Burns Septet in January 1947. Afterwards, he showcased his talents working for the BBC's Accordion Club radio series, where he performed the new jazz idiom bebop in 1947. At one point he toured and recorded a number of sides with various line-ups.

answer: Throughout the 1940s, Tito Burns was a self-taught accordionist who led the Tito Burns Septet and performed regularly at the Panama Club and Cotton Club. He and his band later became known for introducing bebop to BBC Radio. Burns also managed and booked many famous entertainers, including Bob Dylan and Simon and Garfunkel. He retired in 1976.

text: Tito's career booking and managing entertainers, as well as his retirement, did not happen in the 1940s; that happened on a later part. The last two sentences should be removed.

refinement: Throughout the 1940s, Tito Burns was a self-taught accordionist who led the Tito Burns Septet and performed regularly at the Panama Club and Cotton Club. He and his band later became known for introducing bebop to BBC Radio.

text: It's not mentioned in the article that it was in the 1940s when Tito performed at the Cotton Club. It should be removed.

refinement: Throughout the 1940s, Tito Burns was a self-taught accordionist who led the Tito Burns Septet and performed regularly at the Panama Club. He and his band later became known for introducing bebop to BBC Radio.

text: Tito taught himself the accordion at the age of 12, which is not in the 1940s. This should be mentioned in the response.

refinement: Throughout the 1940s, Tito Burns led the Tito Burns Septet and performed regularly at the Panama Club. He and his band later became known for introducing bebop to BBC Radio.

text: It should be mentioned that in the 1940s Tito served in the Royal Air Force and became a member of the RAF Regiment Sextet.

refinement: Throughout the 1940s, Tito Burns led the Tito Burns Septet and performed regularly at the Panama Club. He served in the Royal Air Force and became a member of the RAF Regiment Sextet. He and his band later became known for introducing bebop to BBC Radio.

answer: He became a member of the RAF Regiment Sextet in 1946. That same year, he founded the Tito Burns Septet. The Septet was disbanded in 1955. Around this time, he also started managing British performers.

text: It's not necessary to mention that Tito Burns Septet disbanded in 1955 since the instruction only asked to summarize Tito's career in the 1940s.

refinement: He became a member of the RAF Regiment Sextet in 1946. That same year, he founded the Tito Burns Septet. Around this time, he also started managing British performers.

text: It was already in 1955 when Tito started his managing career. The last sentence should be removed as this is inaccurate.

refinement: He became a member of the RAF Regiment Sextet in 1946. That same year, he founded the Tito Burns Septet.

text: It's not in the year 1946 when Tito became a member of the RAF Regiment Sextet. It's in 1943, a year after he started serving in the Royal Air Force.

refinement: He became a member of the RAF Regiment Sextet in 1943. That same year, he founded the Tito Burns Septet.

text: Tito founded the Tito Burns Septet in 1947.

refinement: He became a member of the RAF Regiment Sextet in 1943. In 1947, he founded the Tito Burns Septet.

text: It should be mentioned that Tito Burns's group performed at the Panama Club by 1941.

refinement: By 1941, Tito Burns's group had performed at the Panama Club. Then he became a member of the RAF Regiment Sextet in 1943. In 1947, he founded the Tito Burns Septet.

text: It should be mentioned that Tito performed at BBC's Accordion Club radio series in 1947, and his band was the first to perform the new jazz idiom bebop on BBC Radio.

refinement: By 1941, Tito Burns's group had performed at the Panama Club. Then he became a member of the RAF Regiment Sextet in 1943. In 1947, he founded the Tito Burns Septet. His band performed at BBC's Accordion Club radio series. They were the first to perform the new jazz idiom bebop on BBC Radio.

answer: In 1941, he led a group at the Panama Club. In 1942, he served in the Royal Air Force and became a member of the RAF Regiment Sextet the next year. After VJ-Day, he worked in forces radio. His group, the Tito Burns Septet, was formed in 1947. The group is believed to have been the first band to perform bebop on BBC Radio in 1947. The band went on tour after the show's end.  They briefly recorded as a septet in 1949.

question:
Answer the following question based on the above passage:

Summarize Tito's life outside of the entertainment industry.

answer: He was the sixth child of Polish Orthodox Jewish immigrants who lived in Bethnal Green. He served as a gunner in the Far East for the Royal Air Force. He married Teresa Devon in 1948 and had two daughters. He died in 2010 from prostate cancer at the age of 89.

answer: Tito Burns was born Nathan Bernstein on the 7th of February 1921. He was the son of a cabinetmaker. Nathan would then change his name to Tito Burns. It is unclear why Burns took the name, he decided to take the name upon being asked to leave the Rumba band. Burns then joined the roky and roll business in 1955, which he disliked, and became a talent manager. Burns also served in the Royal Air Force during World War 2. Burns married Teresa Devon and they then had several daughters. Burns died from complications from prostate cancer on August 23rd, 2010.

text: It is not mentioned in the article that Tito was asked to leave the Rumba band.

refinement: Tito Burns was born Nathan Bernstein on the 7th of February 1921. He was the son of a cabinetmaker. Nathan would then change his name to Tito Burns. It is unclear why Burns took the name. Burns then joined the roky and roll business in 1955, which he disliked, and became a talent manager. Burns also served in the Royal Air Force during World War 2. Burns married Teresa Devon and they then had several daughters. Burns died from complications from prostate cancer on August 23rd, 2010.

text: The instruction asks for Burns's life outside the entertainment industry. His rock and roll business and being a talent manager should not be in the response.

refinement: Tito Burns was born Nathan Bernstein on the 7th of February 1921. He was the son of a cabinetmaker. Nathan would then change his name to Tito Burns. It is unclear why Burns took the name. Burns also served in the Royal Air Force during World War 2. Burns married Teresa Devon and they then had several daughters. Burns died from complications from prostate cancer on August 23rd, 2010.

answer: Tito married Teresa Devon, his longtime girlfriend in 1948. They had two daughters.

text: It should be included that Tito died at the age of 89 in 2010 because of prostate cancer.

refinement: Tito married Teresa Devon, his longtime girlfriend in 1948. They had two daughters. He died at the age of 89 in 2010 because of prostate cancer.

text: The response should include that Tito joined the Royal Air Force in 1942.

refinement: Tito joined the Royal Air Force in 1942. He married Teresa Devon, his longtime girlfriend in 1948. They had two daughters. He died at the age of 89 in 2010 because of prostate cancer.

text: It's good to include in the response that Tito Burns, a cabinet maker's son, was born Nathan Bernstein.

refinement: Tito Burns, a cabinet maker's son, was born Nathan Bernstein. He joined the Royal Air Force in 1942. He married Teresa Devon, his longtime girlfriend in 1948. They had two daughters. He died at the age of 89 in 2010 because of prostate cancer.

answer: Tito Burns was a musician and manager primarily involved in jazz and rock and roll music. Beginning with the formation of his Tito Burns Septet in 1947, he ultimately switched to managing performers and forming his own company in 1971. He retired in 1976, but continued to promote tours for performers such as Tony Bennett and Sacha Distel. He died of complications from prostate cancer in 2010 at the age of 89.

text: Except for the last sentence, the response talks about Tito Burns's life in the entertainment industry. Only the last sentence should be retained, while the rest should be removed.

refinement: He died of complications from prostate cancer in 2010 at the age of 89.

text: It should be mentioned in the response that Tito Burns was born Nathan Bernstein, a son of a cabinet maker.

refinement: Tito Burns was born Nathan Bernstein, a son of a cabinet maker. He died of complications from prostate cancer in 2010 at the age of 89.

text: It should be mentioned that he married Teresa Devon and they had two daughters.

refinement: Tito Burns was born Nathan Bernstein, a son of a cabinet maker. He married Teresa Devon, and they had two daughters. He died of complications from prostate cancer in 2010 at the age of 89.

text: It should be mentioned that he served in the Royal Air Force from 1942.

refinement: Tito Burns was born Nathan Bernstein, a son of a cabinet maker. He served in the Royal Air Force from 1942. He married Teresa Devon, and they had two daughters. He died of complications from prostate cancer in 2010 at the age of 89.

answer: Tito Burns was a musician and impresario active in both jazz and rock and roll. Born Nathan Bernstein, he served in the Royal Air Force before beginning his career as a band leader. From 1955 onward, he worked as a manager, discovering and promoting entertainers such as Cliff Richard, Dusty Springfield, and Bob Dylan. In 1966, Burns's agency was bought by the Grade Organisation and he became the deputy managing director of Harold Davison Ltd. However, in 1970, Burns left managing to found Scotia-Tito Burns. Throughout his career, he worked as a promoter for many American entertainers in the UK. He passed away in 2010 of complications from prostate cancer.

text: Besides the information about his death and his service in the Royal Air Force, everything in this response talks about Tito's life in the entertainment industry.

refinement: He served in the Royal Air Force. He passed away in 2010 of complications from prostate cancer.

text: It should be mentioned that Tito Burns, a son of a cabinet maker, was born Nathan Berstein.

refinement: Tito Burns, a son of a cabinet maker, was born Nathan Berstein. He served in the Royal Air Force. He passed away in 2010 of complications from prostate cancer.

text: The response should include info about his wife and kids.

refinement: Tito Burns, a son of a cabinet maker, was born Nathan Berstein. He married Teresa Devon, and they had two daughters. He served in the Royal Air Force. He passed away in 2010 of complications from prostate cancer.

text: The response should include that his service in the military was from 1942.

refinement: Tito Burns, a son of a cabinet maker, was born Nathan Berstein. He married Teresa Devon, and they had two daughters. He served in the Royal Air Force from 1942. He passed away in 2010 of complications from prostate cancer.

text: The preposition "of" in the last sentence should be replaced with "due to."

refinement: Tito Burns, a son of a cabinet maker, was born Nathan Berstein. He married Teresa Devon, and they had two daughters. He served in the Royal Air Force from 1942. He passed away in 2010 due to complications from prostate cancer.


text:
it means you have all low a's.

Answer

You may have equal proportion of A's and B's. 3.5 is considered to be good.

3.5 is a great GPA that means you have all a's and b's

In other words, it's a A- or B+. That makes more sense to me.

Answer

If you do not count honors, 3.5 is either A- or B+. Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

question:
Answer the following question based on the above passage:

What is a great GPA?

answer: A great GPA is a GPA of 3.5 or higher that indicates you have all A's and B's.

text: 3.5 is a great GPA that means you have all a's and b's

answer: 3.5 GPA

text: 3.5 is a great GPA that means you have all a's and b's

answer: 3.5 is a great GPA.

text: 3.5 is a great GPA that means you have all a's and b's

answer: 3.5 is considered to be good.

text: 3.5 is a great GPA that means you have all a's and b's

answer: A great GPA is a GPA of 3.5, which indicates you have all As and Bs.

text: 3.5 is a great GPA that means you have all a's and b's

question:
Answer the following question based on the above passage:

What does a 3.5 GPA mean?

answer: That it is either an A- or B+.

text: 3.5 is a great GPA that means you have all a's and b's

answer: A 3.5 GPA means that you have all A's and B's. This is a great GPA.

text: 3.5 is a great GPA that means you have all a's and b's

answer: means you have all a's and b's

text: 3.5 is a great GPA that means you have all a's and b's

answer: A 3.5 GPA suggests that your grades consist of an equal proportion of A's and B's. These grades indicate good achievement.

text: 3.5 is a great GPA that means you have all a's and b's

answer: 3.5 is a great GPA, it means you have all A' s and B's, some schools do not count honors.

text: 3.5 is a great GPA that means you have all a's and b's

question:
Answer the following question based on the above passage:

If you do not count honors, what is a 3.5?

answer: 3.5 is between A- and B+, some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

text: If you do not count honors, 3.5 is either A- or B+. Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: Either A- or B+

text: If you do not count honors, 3.5 is either A- or B+. Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: That information is not mentioned.

text: It is mentioned.

refinement: If you do not count honors, 3.5 is either A- or B+. Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: A 3.5 GPA is either an A- or a B+.

text: If you do not count honors, 3.5 is either A- or B+. Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: A- or B+.

text: If you do not count honors, 3.5 is either A- or B+. Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

question:
Answer the following question based on the above passage:

What do some schools specify?

answer: What counts as a 3.5.

text: Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: Some schools specify what a 3.5 is in terms of grade; it is either an A- or B+.

text: Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: Some schools specify what a 3.5 is.

text: Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: Some schools specify what a 3.5 is. This typically means it is either an A- or a B+.

text: Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

answer: They specify what a 3.5 is

text: Some schools specify what a 3.5 is. In terms of grade, 3.5 is a great GPA.

question: Write a ~1 sentence summary.

answer: A 3.5 GPA means that you have great grades. You likely have all A's and B's.

answer: If you have a 3.5 GPA, this means you have all A's and Bs in your classes. This is a great score.

answer: Some school GPA's can be either A- or B+, depending on how it is publicized.

answer: The document explains what a 3.5 GPA is.

answer: An explanation to what a 3.5 GPA is.