text:
Time for some shit you don't want to hear.

We've been so busy playing defense I neglected to tell you everything, and I'm sorry for that but if you knew everything then you might not have tried anything I suggested.

And I want you to survive.

But now, you've tried these things and perhaps after trial and error you've got some of them to work better then others. So we kind of have a little trust going on.

You've accepted that the repeating demon voices in your head originated from some brain wave radio machine, and after accepting that was able to prevent, maybe even stop that loop entirely. You've found your calm little circle that helps you identify outside influences and your decision making process has become significantly easier. We did all that without even thinking about why we where doing it, like a thirsty nomad digging in the desert for water without understanding why the water table is underground just knowing the water will be there.

So why? Why did we go through all that?

Here's the fact.

If it's technological, that means someone has to work a machine. Most likely a team of people, much in the same way a team of people spies on a foreign country. Previously we couldn't address our assailants, as they where a random loop broadcast over the radio waves instigated by some anonymous hand. No, we couldn't address the loop because we thought the loop ourselves, or another sentience, but a loop will never address you back you see. But we can talk to the hand, oh yes we can.

The new dialogues happening in your head that flow so smoothly as though you where talking to yourself, they originate from the same kind of machine. Only now that machine has a sentient operator. A human being say, recently graduated from some college somewhere, hired on to defend the state against it's enemies, recruited to conduct R&D research on possible future weapons and population controls. He is part of an organization, a cog in a machine. He has superiors and possibly subordinates, but that voice trying to destroy you or manipulate you into things you're unsure of is not the devil or god. It is a man behind a machine.

And he feels as immune to you as drone pilot operators feel immune from retaliation from the people they target in countries so far away.

He has probably been told that for whatever reason you deserve what is happening to you, so he is relentless in his attempts. He is part of a organizational machine and probably worked hard his whole life to be doing what he's doing, going through all sorts of conditioning and screening to be sure he is capable of driving a fellow human being mad and possibly to suicide. We should not feel bad for this man. He has wanted this his whole life and you, you are the unfortunate victim of his desires and the desires of his superiors.

They know the loops can be enough for suicide if not caught in time and they know that this new technique is even more lethal.

I would go into why, but you already know why. No one believes you but maybe you.. and apparently this anonymous writer on the internet. You're the only one who can hear them and if they're past the loops that means they're researching you. They're learning about you. They go through your books, your old school papers, your religious beliefs. They'll watch you at work if possible and conduct passive to aggressive interviews about you with your friends and family. Everything you have ever known or ever believed will be turned upside down and used against you.

Seriously though, calm your tits. You've made it this far, you've practically got this in the bag. You've been working out.

Time to shake shit up.

So, here is this person, sitting comfortably in his office over some elaborate machine, probably watching you on some form of viewing device. He chuckles to himself when he gets you to fail, or stumble, or be awkward in conversation. He probably gets raises and promotions if you collapse and are institutionalized or kill yourself. He's probably getting paid by your tax dollars. If he's good at it he probably has a team he directs, full of young trainees longing for his status within their organization.

He is aware of technologies the commercial public may never see. He is aware of knowledges you will never learn outside his organization and he is privy to secrets presidents and emperors are ignorant of. He is confident and assured in his position. He has (at this point) watched and reviewed you using the bathroom, taking a shower, masturbating, flirting, crying, laughing, etc. and despite his knowledge of your life, probably even better than you remember, he doesn't see a beautiful individual desperately trying to find some kind of happiness in this world.

He sees a disgusting train-wreck of an unambitious loser barely plodding his way through life. You will never be as important as he is. He is so clearly your superior. It doesn't matter if you're a doctor, a president, or a heroin junkie. He, with the help of his cameras and investigations and the use of his machine to push you around so easily, how weak you are to his device, to him. He has put you in a jail no one else can see. He has been silently beating you in a corner and over time you will act like someone who has been repeatedly abused. Therapists will divulge false or 'hidden' memories as an explanation and that may calm you for awhile, but he will persevere in his purpose.

And so, he sits in his comfortable office, this anonymous untraceable (or so he thinks) assassin, and reviews your documentation and personality profile seeking the next new thing to wear you out with. Perhaps he puts his headset on so he can hear your superficial inner voice, your cognitive voice, and engage in dialogue with it as though he were you. He leans over his microphone and engages directly with your mind, assured that he is unreachable and unknown.

But that machine. That machine that is your curse and the cause of your despair has also been your exercise bike. You've been running around the world while this man has been flown in private jets and been driven by drivers in fancy cars.

This man has no idea how big he has made you.

He thinks he needs the machine, that the machine is the only way. You and I know better. Well, I do, you're about to.

Your going to stand at the edge of your circle, your gonna look at that light, or hear his voice, and your going to travel back with it, right to his machine. And from his machine your going to step right on top of his circle, and you going to say "Hello, who are you? Please stop what your doing."

And he's going to hear you.

And he's going to lose his mind.

title: This is Not a Guide for Beginners (Part 4)

question: Describe what the voices in "your" head say.

text: The questions is not answered.

text: That information can't be found.

answer: The voices are a loop that repeat in order to cause "you" to fail. The narration does not specifically state what it is that the voices say.

text: "Previously we couldn't address our assailants, as they where a random loop broadcast over the radio waves instigated by some anonymous hand" is evidence that the voices are a loop.

question: Describe the relationship between "you" and the man behind the machine.

answer: The man knows everything about "you" as he is able to constantly observe you. He is transmitting these voices into your head in order to attempt to drive you mad and possibly make you commit suicide.

text: "They're learning about you. They go through your books, your old school papers, your religious beliefs. They'll watch you at work if possible and conduct passive to aggressive interviews about you with your friends and family" is evidence supporting the fact that the man knows everything about "you".

text: "He is part of a organizational machine and probably worked hard his whole life to be doing what he's doing, going through all sorts of conditioning and screening to be sure he is capable of driving a fellow human being mad and possibly to suicide" is evidence that the man wants to drive "you" mad and possibly make "you" commit suicide.

text: "He has (at this point) watched and reviewed you using the bathroom, taking a shower, masturbating, flirting, crying, laughing, etc." is also evidence that the man has been observing "you".

answer: Feels like an all-powerful man is inflicting these voices in your head, therefore an one-way relationship exists between "youd" and the man.

text: The fact that the man is described as "a cog in a machine" and as having "superiors" seems evidence against the fact that he is all-powerful.

refinement: The man is inflicting these voices in your head, therefore an one-way relationship exists between "youd" and the man.

text: Does not mention why the man is inflicting the voices.

refinement: The man is inflicting these voices in your head, therefore an one-way relationship exists between "youd" and the man. He is attempting to drive you mad or make you commit suicide.

text: Minor spelling and grammatical errors.

refinement: The man is inflicting these voices in your head, therefore a one-way relationship exists between "you" and the man. He is attempting to drive you mad or make you commit suicide.

text: "No, we couldn't address the loop because we thought the loop ourselves, or another sentience, but a loop will never address you back you see" is evidence that the relationship is one-way.

answer:
"The man behind the machine" is pushing you to the brink of madness through the broadcasts he broadcasts to your mind.
"You" have managed to prevent one of the loops from repeating endlessly, instead of immediately looping.

text: It isn't clear what the loops are without context.

refinement:
"The man behind the machine" is pushing you to the brink of madness through the loops of voices he broadcasts to your mind.
"You" have managed to prevent one of the loops from repeating endlessly, instead of immediately looping.

text: "You've accepted that the repeating demon voices in your head originated from some brain wave radio machine, and after accepting that was able to prevent, maybe even stop that loop entirely" is evidence that you may have been able to stop one of the loops from repeating.

question: Explain the nature of the loop.

answer: The loop is being used by the narrator to imply that the person the reader is grappling with is a person sitting in front of his computer and conducting research.

text: This answer is not accurate.

refinement: The loop consists of voices that are being repeatedly broadcast the reader's mind in order to drive them mad and possibly to suicide.

answer: It's a technological weapon that induces a repeating voice in the victim's head. Presumably it can also identify the victim's location, since the voice speaks from within the loop that originates from the machine the voice originates from.

text: The second line does not really make sense.

refinement: It's a technological weapon that induces a repeating voice in the victim's head.

text: The text implies that there are multiple "repeating demon voices".

refinement: It's a technological weapon that induces repeating voices in the victim's head.

text: Could state the purpose of the loop.

refinement: It's a technological weapon that induces repeating voices in the victim's head in order to drive the victim mad.

text: "You've accepted that the repeating demon voices in your head originated from some brain wave radio machine" is evidence that the loop consists of a repeating voice.

answer: The loop consists of the repeating voices that are transmitted into "your" head by the man behind the machine.

text: Does not state the purpose of the voices being broadcast.

refinement: The loop consists of the repeating voices that are transmitted into "your" head by the man behind the machine in order to drive "you" mad.

question: What is the function of the machine?

answer: The machine allows the man to transmit the looping voices directly into "your" head.

text: "the repeating demon voices in your head originated from some brain wave radio machine" is evidence that the mechine is the source of the voices.

answer: It is able to read the human mind and it seems it read the narrator's mind and it is used to provoke him.

text: Does not mention how the machine is used to provoke the protagonist.

refinement: It is able to read the human mind and it seems it read the narrator's mind and it is used to broadcast voices into their mind to drive them mad.

text: The narrator is not the one who is having the voices broadcast into their mind; rather, it is the reader.

refinement: It is able to read the human mind and it seems it read the reader's mind and it is used to broadcast voices into their mind to drive them mad.

text: Minor grammatical issues/redundancy

refinement: It is able to access the reader's mind, and it is used to broadcast voices into their mind to drive them mad.

text: "He has (at this point) watched and reviewed you using the bathroom, taking a shower, masturbating, flirting, crying, laughing, etc" is evidence that the machine might give the user access to the narrator's mind.

answer: The intent of the machine is to use electronic manipulation to brainwash the subject into believing their thoughts are, in fact, their own.

text: The answer is worded in a way that seems inaccurate.

refinement: The intent of the machine is to broadcast looping voices into the subject's mind to drive the subject mad and possibly to suicide.

question: Why does the narrator believe the man behind the machine will lose his mind?

answer: Because he is being left speechless for the first time in his entire life.

text: Inaccurate.

refinement: Because, for the first time ever, the reader is going to speak back to the man behind the machine.

answer: The narrator could be referring to a physiological breakdown whereby the man never faces conflict or someone confronting him.

text: The answer is inaccurate.

refinement: Because the victim is going to speak back to the man behind the machine, which the man would have believed to have been impossible.

answer: Because the protagonist ("you") is going to communicate with the man, a feat which the man believed to have been impossible.

text: "Your going to stand at the edge of your circle, your gonna look at that light, or hear his voice, and your going to travel back with it, right to his machine. And from his machine your going to step right on top of his circle, and you going to say "Hello, who are you? Please stop what your doing."" is evidence that the victim is going to speak back to the man behind the machine.

question: Write a ~3 sentence summary.

answer: The author tells the reader they need to talk to their assailants but they don't know that they are just a consciousness talking to itself. The author points out that someone is controlling their thoughts. They want to encourage the reader to break free of the loop and take the last step of negating the narrator and winning the game.

text: The first sentence should highlight the author communicating the nature of their assailant to them.

refinement: The author tells the reader that their assailants is a man behind a machine. The author points out that someone is controlling their thoughts. They want to encourage the reader to break free of the loop and take the last step of negating the narrator and winning the game.

text: The phrase "controlling their thoughts" is a bit misleading.

refinement: The author tells the reader that their assailants is a man behind a machine. The author points out that someone is broadcasting voices into their head. They want to encourage the reader to break free of the loop and take the last step of negating the narrator and winning the game.

text: The link between the first and second line should be clarified.

refinement: The author tells the reader that the looping voices in their head originate from a man behind a machine. The author points out that that man has been broadcasting those voices into their head. They want to encourage the reader to break free of the loop and take the last step of negating the narrator and winning the game.

text: They want the reader to talk back to the man behind the machine.

refinement: The author tells the reader that the looping voices in their head originate from a man behind a machine. The author points out that that man has been broadcasting those voices into their head. They want to encourage the reader to break free of the loop by communicating back to the man behind the machine and driving him mad.

answer: A guide for how to protect oneself against evil 'technological' brainwashing that has been used by an anonymous and unseen man working at some organization to program a machine to destroy the narrator's mind. With so much struggle, they want to know who is on the other side of the machine, and will use it to travel back and talk to the man. It seems that the man that specifically uses a system to talk to the narrator in order to help it destroy itself and make the narrator fall into despair is a seeming superior to the narrator, and will work tirelessly in order to make the narrator's life miserable.

text: The phrasing of the first sentence is very unclear/awkward.

refinement: A guide for how to protect oneself against a machine that is being used to broadcast looping voices into the reader's mine. With so much struggle, they want to know who is on the other side of the machine, and will use it to travel back and talk to the man. It seems that the man that specifically uses a system to talk to the narrator in order to help it destroy itself and make the narrator fall into despair is a seeming superior to the narrator, and will work tirelessly in order to make the narrator's life miserable.

text: The second sentence is inaccurate--the narrator knows who is on the other side of the machine.

refinement: A guide for how to protect oneself against a machine that is being used to broadcast looping voices into the reader's mine. The narrator informs the reader that there is a man on the other side of the machine. It seems that the man that specifically uses a system to talk to the narrator in order to help it destroy itself and make the narrator fall into despair is a seeming superior to the narrator, and will work tirelessly in order to make the narrator's life miserable.

text: The man does not use the machine to talk to the narrator. Rather, he uses it to broadcast voices into the reader's head and to observe the reader.

refinement: A guide for how to protect oneself against a machine that is being used to broadcast looping voices into the reader's mine. The narrator informs the reader that there is a man on the other side of the machine. The man uses the machine to observe the narrator and broadcast the voices in order to make the narrator fall into despair. He is a seeming superior to the narrator, and will work tirelessly in order to make the narrator's life miserable.

text: Does not mention how the reader can retaliate against the man.

refinement: A guide for how to protect oneself against a machine that is being used to broadcast looping voices into the reader's mine. The narrator informs the reader that there is a man on the other side of the machine. The man uses the machine to observe the narrator and broadcast the voices in order to make the narrator fall into despair. The reader can retaliate by using the connection to talk back to the man behind the machine, which will cause the man to lose his mind.

answer: The author of the passage warns of the consequences of advanced technological brainwashing when the victim realizes their internal thoughts is being broadcast on a loop. The author encourages the narrator to enter the activation loop and travel back to the office of their tormentor to say "hello, who are you, please stop what you are doing". The tormentor would really lose his mind hearing the narrator's voice.

text: The victim's thoughts aren't being broadcast. Rather, thoughts are being broadcasted into their head.

refinement: The author of the passage warns of the consequences of advanced technological brainwashing from the thoughts being broadcast in a loop into the victim's mind. The author encourages the narrator to enter the activation loop and travel back to the office of their tormentor to say "hello, who are you, please stop what you are doing". The tormentor would really lose his mind hearing the narrator's voice.

text: The phrase "activation loop" is unattested.

refinement: The author of the passage warns of the consequences of advanced technological brainwashing from the thoughts being broadcast in a loop into the victim's mind. The author encourages the narrator to travel back to the office of their tormentor to say "hello, who are you, please stop what you are doing". The tormentor would really lose his mind hearing the narrator's voice.

text: The author isn't so much warning the victim as they are revealing this information to them.

refinement: The author of the passage reveals to the reader that advanced technology is being used to broadcast voices in a loop into the victim's mind. The author encourages the narrator to travel back to the office of their tormentor to say "hello, who are you, please stop what you are doing". The tormentor would really lose his mind hearing the narrator's voice.

text: The "narrator" should be the "reader".

refinement: The author of the passage reveals to the reader that advanced technology is being used to broadcast voices in a loop into the victim's mind. The author encourages the reader to travel back to the office of their tormentor to say "hello, who are you, please stop what you are doing". The tormentor would really lose his mind hearing the narrator's voice.

answer: The narrator informs the protagonist ("you") that the thoughts being transmitted into their head are being sent by a man behind a machine. The man's task is to drive the protagonist inside, possibly toward suicide. But the protagonist has now learned how to communicate with the man behind the machine, and when the man hears them, it is going to drive him mad.

text: The man's task is to drive the protagonist "insane", not "inside".

refinement: The narrator informs the protagonist ("you") that the thoughts being transmitted into their head are being sent by a man behind a machine. The man's task is to drive the protagonist insane, possibly toward suicide. But the protagonist has now learned how to communicate with the man behind the machine, and when the man hears them, it is going to drive him mad.

text: "It is a man behind a machine" is evidence that there is a man behind the machine.

text: "And from his machine your going to step right on top of his circle, and you going to say "Hello, who are you? Please stop what your doing."" is evidence that the protagonist has learned to communicate with the man behind the machine.

answer: The narrator describes a technique which has helped him get past some of the voices in his head. The technique involves paying very close attention to one's own inner dialogue, attempting to communicate with the new dialogue voices like they are a separate mind. The narrator advises the reader to ignore the voices and converse with the new voice, disregarding the advice of therapists and doctors. He believes that this will be an enormous success and promises that its simplicity will be clear to the harried reader after a few tries.

text: There is no evidence that the narrator has also had these voices in their head.

refinement: The narrator instructs the readery to pay very close attention to their own inner dialogue, attempting to communicate with the new dialogue voices like they are a separate mind. The narrator advises the reader to ignore the voices and converse with the new voice, disregarding the advice of therapists and doctors. He believes that this will be an enormous success and promises that its simplicity will be clear to the harried reader after a few tries.

text: Doesn't mention the origin of those voices.

refinement: The narrator informs the reader that the looped voices they are hearing are being broadcast into their head by a man in a machine. They instruct the reader to attempt to communicate with the new dialogue voices like they are a separate mind. The narrator advises the reader to ignore the voices and converse with the new voice, disregarding the advice of therapists and doctors. He believes that this will be an enormous success and promises that its simplicity will be clear to the harried reader after a few tries.

text: The narrator instructs the reader to communicate with the man behind the machine specifically.

refinement: The narrator informs the reader that the looped voices they are hearing are being broadcast into their head by a machine. They instruct the reader to attempt to communicate with the man behind the machine. The narrator advises the reader to ignore the voices and converse with the new voice, disregarding the advice of therapists and doctors. He believes that this will be an enormous success and promises that its simplicity will be clear to the harried reader after a few tries.

text: Third line is not necessary.

refinement: The narrator informs the reader that the looped voices they are hearing are being broadcast into their head by a machine. They instruct the reader to attempt to communicate with the man behind the machine. He believes that this will be an enormous success and promises that its simplicity will be clear to the harried reader after a few tries.

text: The third line is vague and does not specify what the expected result will actually be.

refinement: The narrator informs the reader that the voices they are hearing are being broadcast into their head by a machine. They instruct the reader to attempt to communicate with the man behind the machine. The narrator believes that doing so will cause the man behind the machine to go insane.

answer: According to the author, a group of individuals are broadcasting something to a select group of people in an attempt to make them suffer and break their mind via some looping and changing voices in their heads. The author hopes that contending with this using the looping and constant voices in their head will help the recipient go on the offensive. The author believes that if they're able to talk to their perpetrator, they'll realize that they're dealing with just another human being.

text: The first sentence should focus on the reader's specific situation, in which they are victimized by a singular man behind the machine.

refinement: According to the author, a man behind a machine is broadcasting looping voices into the head of the reader to make them lose their mind. The author hopes that contending with this using the looping and constant voices in their head will help the recipient go on the offensive. The author believes that if they're able to talk to their perpetrator, they'll realize that they're dealing with just another human being.

text: The second sentence does not add anything of value to the summary.

refinement: According to the author, a man behind a machine is broadcasting looping voices into the head of the reader to make them lose their mind. The author believes that if they're able to talk to their perpetrator, they'll realize that they're dealing with just another human being.

text: The third sentence is incorrect about what the author believes will happen if the reader talks to their perpetrator.

refinement: According to the author, a man behind a machine is broadcasting looping voices into the head of the reader to make them lose their mind. The author believes that if they're able to talk to the man behind the machine, he will be driven insane.

text: Unclear who "they" is referring to in last sentence.

refinement: According to the author, a man behind a machine is broadcasting looping voices into the head of the reader to make them lose their mind. The author believes that if the reader is able to talk to the man behind the machine, he will be driven insane.


split: train

text:
BOB GEMMILL (20 February 1930 – 25 December 2014)[1] was a Scotland international rugby union player who played for Glasgow HSFP[2] and Glasgow District at provincial level.[3]

Rugby Union career

Amateur career

He played for Glasgow HSFP and won the unofficial Scottish championship with them in the 1950-51 season.[4]

He did his National Service for the Royal Signals and played rugby for the Army and Combined Services in England.[5]

He moved on to play for Sale, Middlesbrough, Newcastle Northern and Dublin Wanderers; each time moving due to his business career with Procter & Gamble.[6]

He finished his career with Glasgow HSFP and again won the unofficial Scottish championship with them in 1962.[7]

Provincial career

Gemmill played for the Scotland Possibles side in 1947.[8]

He was selected for Glasgow District.[9] He played for Glasgow in the 1950-51 season, winning the Inter-City against Edinburgh District.[10] He also won the Inter-City with Glasgow in the 1952-53 season.[11]

He also played counties rugby for Cheshire, Yorkshire and Northumberland when in England.[12]

Moving back to Glasgow, he was again selected for Glasgow District for the Scottish Inter-District Championship. He played in the 1960-61 season, however Glasgow came last in the table.[13][14] He also played in the 1961-62 season's Inter-District Championship, but Glasgow fared no better.[15]

International career

He was capped for Scotland seven times between 1950–51, making his debut against France at the age of nineteen.[16] His last cap was against Ireland in 1951, a 6-5 defeat.[17] The defeat against Ireland was to be the first loss in a series of 17 defeats during which Scotland used another 9 locks, but there was to be no international return for Gemmill.[18]

Although exceptionally fit,[19] his international caps were limited as he suffered in the debate that he was not big enough for second row at international level.[20][21]

He was invited onto the Barbarians side in the 1950-51 season.[22]

Outside of rugby

Family

He married twice; his first wife, Anne, died from cancer in 1979, he married his second wife, Elisabeth, in 1980. He had three children, from his first marriage, John, Andrew and Alison and five grandchildren. His son, John, died of motor neuron disease in 2013.[23]

Hobbies

Gemmill was a keen golfer, and liked travel and music.[24] In his younger days he was a keen scout and attended the 1947 International Jamboree in France; a trip that he later recounted to the Scouts of St. Gilbert's Church for their own jamboree.[25]

Church

He was treasurer of his local church, Sherbrooke St Gilbert’s Church in Pollokshields, for eight years. His period of treasurer was notable for his successful organising of a fund raising campaign to pay for church repairs after a disastrous fire.[26]

University

He gained a first class honours degree in economics from Glasgow University.[27] After graduation he served on the business committee of the general council of the University and also served on the University court. In recognition of his services to the university he was given an honorary doctorate in 2000.[28]

Business

Gemmill worked for Procter & Gamble then PA Management Consultants. His move to PA Management Consultants meant that he could return home to Glasgow, and he resumed his rugby with Glasgow HSFP.[29]

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8] https://www.britishnewspaperarchive.co.uk/viewer/bl/0000540/19471222/070/0002

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

[17]

[18]

[19]

[20]

[21]

[22]

[23]

[24]

[25]

[26]

[27]

[28]

[29]

title: Bob Gemmill

question: At what level did Bob Gemmill play for Glasgow HSFP as a rugby union player?

answer: He played for Glasgow HSFP and won the unofficial Scottish championship with them in the 1950-51 season.

text: This response does not accurately respond to the question and is a copy of a sentence from the passage. To refine this response, the correct response will be added.

refinement: He played for Glasgow HSFP at a provincial level.

answer: He played at a provincial level.

answer: He played for Glasgow HSFP at the provincial level.

answer: Bob Gemmill played for Glasgow HSFP at the provincial level.

question: What trophy did he win for Glasgow HSFP?

answer: He won the unofficial Scottish championship with them in the 1950-51 season.

answer: He won the unofficial Scottish championship with them in the 1950-51 season.

answer: Bob Gemmill won the unofficial Scottish championship with Glasgow HSFP in the 1950-51 and 1962 seasons.

answer: Gemmill won the unofficial Scottish championship with the club in the 1950-51 season.

question: Why did Gemmill move from Middlesbrough to Newcastle Northern, and then to Dublin Wanderers?

answer: Because of his business career with Procter & Gamble.

text: To improve this response, making it a complete sentence would be helpful.

refinement: Genmill moved from Middlesbrough to Newcastle Northern and then to Dublin Wanderers because of his business career with Procter & Gamble.

answer: Gemmill moved from Middlesbrough to Newcastle Northern, and then to Dublin Wanderers due to his business career with Procter & Gamble.

answer: He moved due to his business career with Procter & Gamble.

answer: Gemmill moved from Middlesbrough to Newcastle Northern, and then to Dublin Wanderers because of his business career with Procter & Gamble.

question: How many times has Gemmill been capped for Scotland?

answer: Seven times.

text: To make this response better, it is important to make it into a full sentence.

refinement: Genmill has been capped for Scotland seven times.

answer: 7

text: This response needs more details added to it and needs to be put into a proper sentence. It needs to specifically add "times" into the response.

refinement: Gemmill has been capped for Scotland 7 times.

answer: Seven times.

text: The answer is correct, but would be stronger if it is put into a proper full sentence.

refinement: Gemmill has been capped for Scotland seven times.

answer: He represented Scotland seven times.

question: Write a ~6 sentence summary.

answer:
Bob Gemmill was an international Scotland rugby union player who was capped seven times. He represented Glasgow HSFP and Glasgow District at provincial levels during the early period of his career. He won the unofficial Scottish championship with Glasgow HSFP for 1950-51 season.

Gemmill moved from Middlesbrough to Newcastle Northern, and then to Dublin Wanderers on the account of his business career with Procter & Gamble.

Gemmill married twice. First to Anne, who died from cancer in 1979, and then to Elisabeth in 1980.

answer: Bob Gemmill was a Scotland international rugby union player who played for Glasgow HSFP and Glasgow District at provincial level. He played for Glasgow HSFP and won the unofficial Scottish championship with them in the 1950-51 season. He did his National Service for the Royal Signals and played rugby for the Army and Combined Services in England. He moved on to play for Sale, Middlesbrough, Newcastle Northern, and Dublin Wanderers. He finished his career with Glasgow HSFP and again won the unofficial Scottish championship with them in 1962. He was capped for Scotland seven times between 1950-51, making his debut against France at the age of nineteen.

answer: Bob Gemmill was a Scotland international rugby player who played for Glasgow HSFP and Glasgow District. He was capped seven times for Scotland, but his international career was limited due to his size. After retiring from rugby, he worked in business and served on the University Court at Glasgow University. He was a keen golfer and enjoyed travelling and music.

text: More detail can be added to this summary, addition of personal life details of Gemmill would help enhance the summary.

refinement: Bob Gemmill was a Scotland international rugby player who played for Glasgow HSFP and Glasgow District. He was capped seven times for Scotland, but his international career was limited due to his size. After retiring from rugby, he worked in business and served on the University Court at Glasgow University. He was a keen golfer and enjoyed travelling and music. He married twice and had three children and five grandchildren.

answer: Bob Gemmill was a Scotland international rugby union player who played for Glasgow HSFP and Glasgow District at provincial level. He played for Scotland Possibles in 1947, Glasgow District in 1950-51, 1952-53, 1960-61, 1961-62, and 1962. He was capped for Scotland seven times between 1950-51, making his debut against France at the age of nineteen. He was invited onto the Barbarians side in the 1950-51 season. He was a keen golfer, and liked travel and music. He was treasurer of his local church, Sherbrooke St Gilbert’s Church in Pollokshields, for eight years. His period of treasurer was notable for his successful organising of a fund raising campaign to pay for church repairs after a disastrous fire. He gained a first class honours degree in economics from Glasgow University. After graduation he served on the business committee of the general council of the University and also served on the University court. In recognition of his services to the university he was given an honorary doctorate in 2000.

text: There are too many details in this summary that do not need to be there and should be omitted.

refinement: Bob Gemmill was a Scotland international rugby union player who played for Glasgow HSFP and Glasgow District at provincial level. He played for Scotland Possibles in 1947, Glasgow District in 1950-51, 1952-53, 1960-61, 1961-62, and 1962. He was capped for Scotland seven times between 1950-51, making his debut against France at the age of nineteen. He was invited onto the Barbarians side in the 1950-51 season. He was a keen golfer, and liked travel and music.


text:
GLOBAL LEADERS POSED FOR PHOTOS ON SATURDAY AT THE G20 WITH THEIR WIVES.

ALL of the leaders wore the G20 pin except for one.
CAN YOU SPOT HIM?

THAT’S RIGHT!
President Donald Trump put the G20 pin in a drawer and wore his US flag pin.

#MAGA 2017

  While every other leader wears a #G20 pin… My President wears the US Flag Pin! #BOOM #MAGA #G20HAM17 #USA #Trump #Hamburg #America pic.twitter.com/r5n6u2yoC1

  — Country Boy 🇺🇸 (@RareGuy4Cures) July 7, 2017

TRENDING: Crowd Erupts in Cheers as Giuliani Tells AZ State Lawmakers: "Your Political Career is Worth Losing if You Can Save the Right to Vote in America" (VIDEO)

question:
Answer the following question based on the above passage:

Who didn't wear their G20 pin?

answer: President Donald Trump

answer: Trump

text: Use the complete name "President Donald Trump" or "Donald Trump"

answer: Donald Trump

answer: Donald Trump

answer: President Donald Trump did not wear his G20 pin.

question:
Answer the following question based on the above passage:

Is the author of the tweet supportive of Donalt Trump?

answer: Yes, the author is supportive of Donald Trump.

answer: Yes.

answer: The author posted a query to see if others had noticed President Trump's actions.

text: "The author posted a query to see if others had noticed President Trump's actions." - failed to answer the question.

refinement: Yes, the author of the tweet supports Donald Trump.

answer: Yes, as a good portion of the tweet is built around the fact that Trump did not wear a G20 pin like all of the other leaders, and instead, wore a US flag pin.

answer: YES

text: Do not use all caps.

question:
Answer the following question based on the above passage:

What year was this tweet written in?

answer: 2017

answer: That information can't be found.

text: "That information can't be found." - is inaccurate because it is clearly stated when Country Boy us tweeted (July 7, 2017)

answer: 2017

answer: 2017

answer: 2017

question:
Answer the following question based on the above passage:

What nationality is the author?

answer: USA, since tweeting about his/her president and allied politicians.

text: "USA, since tweeting about his/her president and allied politicians." - USA is a country. The correct answer is "American"

answer: American

answer: American.

answer: American.

answer: American

question: Write a ~3 sentence summary.

answer: According to Country Boys (@RareGuy4cures) tweet, President Trump donned the US Flag Pin over the G20 pin at the G20 meeting. The world leaders posed at the summit with their wives for photo. Most of them wore the G20 pin but Trump wasn't included with the others.

text: "photo" - change it to "photos"

refinement: According to Country Boys (@RareGuy4cures) tweet, President Trump donned the US Flag Pin over the G20 pin at the G20 meeting. The world leaders posed at the summit with their wives for photos. Most of them wore the G20 pin but Trump wasn't included with the others.

text: "Most of them wore the G20 pin but Trump wasn't included with the others." - all of them wore the G20 pin except for Trump because he put his  G20 pin in the drawer and used the US flag pin.

refinement: According to Country Boys (@RareGuy4cures) tweet, President Trump donned the US Flag Pin over the G20 pin at the G20 meeting. The world leaders posed at the summit with their wives for photos. All of them wore the G20 pin except for Trump, who put his G20 pin in a drawer.

answer: At the G20 summit in Hamburg, all of the leaders except for President Trump wore the G20 pin on their lapel. Trump used the American flag pin instead.

text: Failed to meet the 3-sentence summary requirement. Needs one more sentence.

refinement: At the G20 summit in Hamburg, all of the leaders except for President Trump wore the G20 pin on their lapel. Trump used the American flag pin instead. He put the G20 pin inside a drawer.

answer: At the G20 summit, all of the world leaders except for President Trump wore the G20 pin. President Trump, however, chose not to wear the pin and instead wore his American flag pin. Despite this difference, all of the leaders posed together for photos with their spouses.

text: "President Trump, however," - delete "however," because there is no contrast as it was already mentioned that he wore a G20 pin.

refinement: At the G20 summit, all of the world leaders except for President Trump wore the G20 pin. President Trump chose not to wear the pin and instead wore his American flag pin. Despite this difference, all of the leaders posed together for photos with their spouses.

answer: At the 2017 G20 Summit, there was a photograph taken of the world leaders and their respective wives. The wife of each leader was there with them, except for president Trump who opts to show instead his US Flag pin. This picture started the twitter campaign (MAGA-G20) written using the acronym for "make American great again" and it ignited a debate about which flag pin trump used Saturday.

text: "The wife of each leader was there with them, except for president Trump who opts to show instead his US Flag pin." - the sentence combo doesn't make any sense because there is no connection between the two parts (wives, and Trump's US Flag pin). Needs to be rewritten to omit the wives and focus on world leaders wearing their G20 pins except for Trump.

refinement: At the 2017 G20 Summit, there was a photograph taken of the world leaders and their respective wives. ALL of the leaders wore the G20 pin except for President Trump who wears his US Flag pin instead. This picture started the twitter campaign (MAGA-G20) written using the acronym for "make American great again" and it ignited a debate about which flag pin trump used Saturday.

text: "This picture started the twitter campaign (MAGA-G20) written using the acronym for "make American great again" and it ignited a debate about which flag pin trump used Saturday." - this is not in the passage and needs to be deleted and replaced.

refinement: At the 2017 G20 Summit, there was a photograph taken of the world leaders and their respective wives. ALL of the leaders wore the G20 pin except for President Trump who wears his US Flag pin instead. The Tweet's author, Country Boy us (@RareGuy4Cures), is proud that Trump ditched the G20 pin in favor of his US Flag pin.

answer: In this tweet, someone provides a caption to a photograph (not present) where the US President does not wear his G20 pin, in contrast to other world leaders at the summit. The author seems enthusiastically supportive of this move. They also share a number of political hashtags.

text: "the US President" - needs to mention Trump by name as the information is apparent and available.

refinement: In this tweet, someone provides a caption to a photograph (not present) where US President Trump does not wear his G20 pin, in contrast to other world leaders at the summit. The author seems enthusiastically supportive of this move. They also share a number of political hashtags.

text: "The author" - include his name even if it is an alias

refinement: In this tweet, someone provides a caption to a photograph (not present) where US President Trump does not wear his G20 pin, in contrast to other world leaders at the summit. The author, Country Boy 🇺🇸 (@RareGuy4Cures), seems enthusiastically supportive of this move. They also share a number of political hashtags.

text: "They also share" - change this to "the tweet also shares"

refinement: In this tweet, someone provides a caption to a photograph (not present) where US President Trump does not wear his G20 pin, in contrast to other world leaders at the summit. The author, Country Boy 🇺🇸 (@RareGuy4Cures), seems enthusiastically supportive of this move. The tweet also shares a number of political hashtags.


text:
_DOS AMORES UN AMANTE_ (English _TWO LOVES ONE LOVER_) is the 20th studio album by the Mexican pop singer, Ana Gabriel. It was released in 2005. It was produced by herself. It was nominated in the category of Female Latin Pop Album Of The Year in the Latin Billboard Music Awards of 2007, but lost to Paulina Rubio's _Ananda_.[1]

Track listing

Tracks:

1.  Olvídate de Ellos 03:40
2.  Desahogo - Erasmo Carlos / Roberto Carlos 03:16
3.  La Farsante 03:17
4.  Te Llegará Mi Olvido 02:24
5.  Sin Tu Amor 04:01
6.  La Distancia - Erasmo Carlos / Roberto Carlos 03:41
7.  Aprendiste a Volar 02:54
8.  Las Llaves de Mi Alma - Vicente Fernánde 02:47
9.  Debo Hacerlo 04:28
10. Qué Será de Ti - Antonio Marcos / M. Marcos03:26 deluxe
11. Por Tu Maldito Amor 03:43
12. Siete Veces Siete Más 02:51
13. Qué Será de Ti 03:26[2]

Album charts

+-----------------------+-----------------------+-----------------------+
| #                     | Chart                 | U.S. Peak             |
|                       |                       | Position              |
+=======================+=======================+=======================+
| 1.                    | “Lat. Pop Albums”     | 1.  8                 |
+-----------------------+-----------------------+-----------------------+
| 2.                    | “Top Lat. Albums”     | 1.  22                |
+-----------------------+-----------------------+-----------------------+
| 3.                    | “Heatseekers (South   | 1.  4[3]              |
|                       | Atlantic)”            |                       |
+-----------------------+-----------------------+-----------------------+
| 4.                    | “Top Heatseekers”     | 1.  18[4]             |
+-----------------------+-----------------------+-----------------------+

-   Note: This release reached the #8 position in Billboard Latin Pop Albums staying for 16 weeks [5] and it reached the #22 position in the Billboard Top Latin Albums staying for 11 weeks in the chart.[6]

Singles

-   Sin Tu Amor
-   Olvidate de Ellos

Singles charts

“Sin tu amor” reaheced #39 on Hot Latin Songs[7] and #10 on Latin Pop Airplay.[8]

Sales and certifications

Awards and nominations

+-------------+-------------+-------------+-------------+-------------+
| #           | Award       | Category    | Result      | Notes       |
+=============+=============+=============+=============+=============+
| 1.          | Billboard   | Female      | Nominated   | Lost to     |
|             | Latin Music | Latin Pop   |             | Paulina     |
|             | Awards      | Album       |             | Rubio's     |
|             |             |             |             | Ananda      |
+-------------+-------------+-------------+-------------+-------------+
| 2.          | Latin       | Best        | Nominated   | Lost to     |
|             | Grammy      | Ranchero    | [9]         | Pepe        |
|             | Awards      | Album       |             | Aguilar's   |
|             |             |             |             | Historias   |
|             |             |             |             | de Mi       |
|             |             |             |             | Tierra      |
+-------------+-------------+-------------+-------------+-------------+
| 3.          | Latin       | Best        | Nominated   | Lost to     |
|             | Grammy      | Regional    | [10]        | Conjunto    |
|             | Awards      | Mexican     |             | Primavera's |
|             |             | Song:       |             | Aún Sigues  |
|             |             | Sin Tu Amor |             | Siendo Mia  |
+-------------+-------------+-------------+-------------+-------------+

[1]

[2]

[3] []

[4]

[5]

[6]

[7]

[8]

[9]

[10]

title: Dos amores un amante

question:
Answer the following question based on the above passage:

When was "Dos Amores Un Amante" released?

answer: It was released in 2005.

answer: 20th studio album was released in 2005

answer: The album "Dos Amores Un Amante" was released in 2005.

answer: 2005.

answer: It was released in 2005.

question:
Answer the following question based on the above passage:

How many songs are on the album?

answer: There are twelve songs on the album.

text: There are thirteen songs in the album.

answer: There are 13 songs on the album.

answer: 13

answer: There are 13 songs on the album.

answer: 10

text: There are 13 songs on the album.

question:
Answer the following question based on the above passage:

What awards has the album won?

answer: It hasn't had any winnings.

answer: It hasn't won any. It was nominated in the category of Female Latin Pop Album of The Year in the Latin Billboard Music Awards of 2007, but lost to Paulina Rubio's "Ananda."

answer: The album won Best Regional Album from the Grammy Awards. It was also nominated for Female Latin Pop Album of the Year at the Latin Billboard Music Awards.

text: There is no evidence supporting the claim that the album won awards.

refinement: It was nominated for Female Latin Pop Album of the Year at the Latin Billboard Music Awards but it did not win any awards.

answer: It has not been nominated for any major awards, only Billboard Latin Music Awards.

answer: The album _DOS AMORES UN AMANTE_ has been nominated for a Latin Grammy in the category of Best Ranchero Album, but lost to Pepe Aguilar's _Conjunto_ in that category.

text: The last part of the sentence is unsupported.

refinement: The album _DOS AMORES UN AMANTE_ has been nominated for a Latin Grammy in the category of Best Ranchero Album.

text: It does not answer the question.

refinement: The album _DOS AMORES UN AMANTE_ has been nominated for a Latin Grammy in the category of Best Ranchero Album but has not won any awards.

question:
Answer the following question based on the above passage:

What singles were released from the album?

answer: Sin Tu Amor and Olvidate De Ellos were released as singles from the album.

answer: The songs Sin Tu Amor and Olvidate de Ellos were the available singles from the album.

answer: The two singles were "Sin Tu Amor" and "Olvidate de Ellos".

answer: 'Sin tu amor' and "Olvidate de ellos.'"

answer: "Sin tu amor" and "Olvidate de Ellos".

question: Write a ~3 sentence summary.

answer: "Dos Amores Un Amante" is the 20th studio album by Mexican pop singer Ana Gabriel. It was released in 2005. The album contains 13 tracks and has 2 singles: "Sin Tu Amor" and "Olvidate de Ellos."

answer: "Dos Amores Un Amante" is a 2005 studio album by Mexican pop singer Ana Gabriel. It was nominated in the category of Female Latin Pop Album of the Year at the Latin Billboard Music Awards of 2007, but lost to Paulina Rubio's "Ananda." It received mostly positive reviews; for example, it reached number 8 on the Billboard Latin Pop Albums and 22 on the Billboard Top Latin Albums.

answer: The 20th album by Mexican pop singer Ana Gabriel is titled "Dos amores un amante." The album features 12 tracks including "Sin Tu Amor" and "Olvidate de Elos." It was nominated in the category of Female Latin Pop Album of the Year at the Latin Billboard Music Awards of 2007 but lost to Paulina Rubio's "Ananda."

text: It does not include 12 tracks.

refinement: The 20th album by Mexican pop singer Ana Gabriel is titled "Dos amores un amante." The album features 13 tracks including "Sin Tu Amor" and "Olvidate de Elos." It was nominated in the category of Female Latin Pop Album of the Year at the Latin Billboard Music Awards of 2007 but lost to Paulina Rubio's "Ananda."

answer: This is the 20th studio album by the Mexican pop singer, Ana Gabriel, called Dos Amores Un Amante. It was released in 2005 and nominated for Best Ranchero Album at the 2007 Latin Grammy Awards. It peaked at #8 on Billboard native Latin Pop Albums and stayed for 16 weeks and at #22 on Billboard Top Latin Albums, staying for 11 weeks on the chart.

answer: Dos Amores Un Amante is Ana Gabriel's 20th studio album, released in 2005. It included eight tracks produced by Gabriel herself. The album reached #8 on Latin Pop Albums and #22 on the Top Latin Albums chart. Sin Tu Amor was an especially popular single. Gabriel was nominated for Female Latin Pop Album at the 2007 Latin Billboard Music Awards but lost to Paulina Rubio's Ananda.

text: This is not a three-sentence summary.

refinement: Dos Amores Un Amante is Ana Gabriel's 20th studio album, released in 2005. It included eight tracks produced by Gabriel herself. The album reached #8 on Latin Pop Albums and #22 on the Top Latin Albums chart. Sin Tu Amor was an especially popular single. Gabriel was nominated for Female Latin Pop Album at the 2007 Latin Billboard Music Awards but lost to Paulina Rubio's Ananda.


text:
[]

When it comes to water news in Southern California, the drought dominated headlines for several years. But having enough water for everyone who lives and works here isn’t the only water concern we face. Our water needs to be _clean_, too. We expect that when we turn on our kitchen sinks, the water that flows out is consistently clean and safe for cooking, cleaning and drinking.

The Santa Ana Watershed Project Authority (SAWPA) Basin Monitoring Program Task Force works collectively to share resources and monitor surface and groundwater quality in the Santa Ana River Watershed. As home to approximately 6 million people, residents and businesses throughout the region rely in part on groundwater from the Santa Ana River Watershed (the natural ecological system including the river and its tributaries) and the five water agencies that comprise SAWPA. These five water agencies – Eastern Municipal Water District, Inland Empire Utilities Agency, Orange County Water District, San Bernardino Valley Municipal Water District, and Western Municipal Water District – collaborate on water projects and programs affecting the watershed to bring clean water to businesses and homes.

SAWPA administers task forces like the Basin Monitoring Program Task Force, a 20-agency task force formed 15 years ago, to monitor nitrogen and total dissolved solids (TDS) for water quality compliance in the Santa Ana River Watershed. Excessive nitrogen and TDS can impact drinking water. Too much nitrogen can stimulate growth of algae in water. TDS are the concentrations of solids in water. Both nitrogen and TDSs need to be monitored in order to ensure that Orange County water resources downstream are protected.

[Screen Shot 2019-08-30 at 6.32.59 AM.png]

The Task Force brings together key cities and water agencies as well as the Santa Ana Regional Water Quality Control Board, this region’s local water quality regulatory agency, to work together on the complex job of monitoring and improving water quality. Task Force members include the cities of Banning, Beaumont, Corona, Redlands, Rialto, Riverside and the Jurupa Community Services District, plus the following water agencies:

-   Beaumont-Cherry Valley Water District
-   Chino Basin Watermaster
-   Colton/San Bernardino Regional Tertiary Treatment and Wastewater Reclamation
-   Eastern Municipal Water District
-   Elsinore Valley Municipal Water District
-   Inland Empire Utilities Agency
-   Irvine Ranch Water District
-   Temescal Valley Water District
-   Orange County Water District
-   San Bernardino Valley Municipal Water District
-   San Gorgonio Pass Water Agency
-   Santa Ana Regional Water Quality Control Board
-   West Riverside County Regional Wastewater Authority
-   Yucaipa Valley Water District

The Task Force compiles and collects monitoring data to evaluate water quality annually and the groundwater basins throughout the watershed every three years; provides guidance on wastewater treatment plant discharge permits; and conducts additional water quality studies to monitor and evaluate salt and nitrate trends.

[DSC01432]

By bringing so many cities and water agencies together every month for meetings over the past 15 years, this Task Force has built relationships and greatly improved efficiencies in water and wastewater operations through joint studies on dealing with salt in the water. The Task Force also saves its members millions of dollars due to collaboration and economies of scale.

The Basin Monitoring Program Task Force is a success because the members understand that we have only one Santa Ana River Watershed to share and the water in it belongs to everyone, now and in the future.

To learn more please click on our brochure

question:
Answer the following question based on the above passage:

What are the functions of The Santa Ana Watershed Project Authority?

answer: The Santa Ana Watershed Project Authority administers many task forces to protect the water quality in the Santa Ana River Watershed. They are also doing joint studies on dealing with salt in the water and save members millions of dollars through collaboration.

text: "save" - change to "saving"

refinement: The Santa Ana Watershed Project Authority administers many task forces to protect the water quality in the Santa Ana River Watershed. They are also doing joint studies on dealing with salt in the water and saving members millions of dollars through collaboration.

text: The response is missing a few key details.

refinement: The Santa Ana Watershed Project Authority (SAWPA), specifically the Basin Monitoring Task Force comprised of different water districts, works collectively to share resources and monitor surface and groundwater quality in the Santa Ana River Watershed. The water districts collaborate on water projects and programs to bring clean water to businesses and homes. Other functions include monitoring nitrogen and dissolved solids (TDS) for water quality compliance, providing guidance on wastewater treatment plant discharge permits, and conducting water quality studies to monitor and evaluate salt and nitrate trends. They are also doing joint studies on dealing with salt in the water and saving members millions of dollars through collaboration.

answer: It's comprised of five water agencies that collaborate on water projects. Together, they monitor and work to maintain and improve the water quality. Bringing so many cities and agencies together greatly improved the efficiency of water and wastewater operations.

text: The response is vague without the details found in the text.

refinement: The Santa Ana Watershed Project Authority (SAWPA), specifically the Basin Monitoring Task Force is comprised of five water agencies that collaborate on water projects. Together, they monitor and work to maintain and improve surface and groundwater quality in the Santa Ana River Watershed. Other functions include monitoring nitrogen and dissolved solids (TDS) for water quality compliance, providing guidance on wastewater treatment plant discharge permits, and conducting water quality studies to monitor and evaluate salt and nitrate trends.

answer: The Basin Monitoring Program Task Force, a 20-agency task force, is part of the Basin Monitoring Program of SAWPA. It monitors nitrogen and dissolved solids (TDS) for compliance of water quality in Santa Ana River Watershed, it collects, compiles, and collects monitoring data to evaluate water quality annually and the groundwater basins throughout the watershed every three years, it provides guidance on wastewater treatment plant discharge permits, and it conducts additional water quality studies to monitor and evaluate salt and nitrates trends.

answer: The Santa Ana Watershed Project Authority (SAWPA) oversees the Basin Monitoring Program Task Force and strives to monitor and protect water quality in the Santa Ana River Watershed. The Task Force produces data to track levels of nitrates and dissolved solids and make recommendations for actions to protect public health and safety. SAWPA also is responsible for issuing wastewater discharge permits.

answer: The Santa Ana Watershed Project Authority (SAWPA) engages in monitoring surface water and groundwater quality throughout the Santa Ana River Watershed. The Task Force brings together 20 different agencies to participate in collecting and evaluating data in order to protect waterways and protect Orange County's water resources. The Task Force also provides guidance for wastewater treatment plants, and conducts additional water quality studies. The goal of SAWPA is to maintain clean water for the community through collaboration.

text: Remove the comma in "plants,"

refinement: The Santa Ana Watershed Project Authority (SAWPA) engages in monitoring surface water and groundwater quality throughout the Santa Ana River Watershed. The Task Force brings together 20 different agencies to participate in collecting and evaluating data in order to protect waterways and protect Orange County's water resources. The Task Force also provides guidance for wastewater treatment plants and conducts additional water quality studies. The goal of SAWPA is to maintain clean water for the community through collaboration.


text:
As I recall, we weren't really there. Our veins were being flooded with wine, beer and unnamed spirits that were named at the time, but I don't remember them. Despite that, everything had slowed down to an even pace. The sun stayed up forever, blinding us from being able to make eye contact across the beer garden table. We only found respite from the glare when we looked down at the black table-top to stub-out our cigarettes into the ashtrays. The flood of booze was raging, but it felt slow. Time limped away. Hours in minutes, it seemed.

We were there for a good while, though. Four hours, I think. We had witnessed the rise and fall of strange men pounding flashing buttons on the bandit. We saw them lose £50 in the space of mere seconds, and we were infuriated. What a waste, we would think. I was annoyed at you, too. At the first sign of a dwindling conversation you took your phone out of your pocket, pretending to text people. Checking the news. The latest status update. Anything to stop you from talking to me.

Outside, with the sun still punishing us, our silences were filled by sniggering at the drunks, already too drunk for this time of day, but we both knew we were no better. You asked to borrow a ciagrette, and then another, and then another, and then you would sigh when I told you I had none left. I wasn't lying, you know. I really didn't have any left. And it was because of you that I didn't.

I stumbled to the shop to buy more cigarettes. One of the strangest feelings in the world is walking around a busy town centre at two in the afternoon drunk, when you know for a fact that every single person around you is sober. They are doing their shopping, taking their kids to the local park, mooching. But your vision is swirling. It's really strange but also kind of liberating. When you see a teenager doing something stupid you feel like you can walk up to him and starting a fight. When you see a police officer you feel like you can approach them and start swearing at them. But you never do. You don't have the spine, or more, your own brain reins you in, telling you you shouldn't. And that's fine, because knowing that you can do if you want, is good enough.

I bought the wrong brand of cigs but that doesn't matter. They're cigs. Besides, they were for you, not me. This is a weird kind of drunk. Being drunk in the day time is different. It's like you're floating everywhere and not walking. There's a strong sense of independence. The spirits and whatever else running through me is probably why I didn't notice the homeless man at first. I took a double-take and walked backwards, back to him. He was on the floor, legs crossed as though he was doing street yoga. He had at least five layers on and a beanie hat despite the temperature reaching twenty. He must have been boiling. Or cold.

The homeless man asked for change. I smiled, but I was careful not to make it a pitiful smile. I gave him a £5 note but in my stupor I would only later realise that I gave him a £20 note instead. But I don't feel bad for that. Money is paper. Paper means a lot to the homeless.

I walked off but he whistled after me. For a second time now, I went back to him. He gestured for me to sit with him, and I did. I don't know why. I thought that I shouldn't because I knew you were waiting for me in the beer garden. Well, waiting for my cigarettes, not waiting for me. So I thought, sod you, you can wait. And you did, but I don't know how long for. The homeless person began rambling. I know it's a stereotype, but he did. He spoke of war, then tigers, then bread. I thought he was mad, but you can't blame him. Who wouldn't be? He spoke of hostels and free beds, but he couldn't stay at them any more. He was banned. Imagine, a homeless person banned from homeless shelters. Where can he go? And that's when he said it: He wanted to die. He could easily do it, but it would only be easy from a literal sense. After all, it isn't hard to kill yourself. What's hard is finding the backbone to go through with it. That's when I pulled my packet of cigarettes out and shared them with him and I thought, I'm not going to share these with my friend when I get back to the beer garden.

It might have been the heat. It might have been the alcohol. It might have been a mixture of the two, which is more likely. Whatever it was, I had an idea. I offered to kill him. That way, he would die like he wanted, but he wouldn't need the backbone to do it. He agreed, but he asked me for another cigarette first. I gave him one, why wouldn't I? It's kind of like his last meal. He told me that he didn't want to know how he was going to die, so I assured him it would be a surprise. I struggled to my feet, the heat was far too intense. I felt the panic of the moment when you realise you're sobering-up, so I went to the shop and bought a large bottle of cider and a small can of vodka and coke. I drank the can really quickly. It nearly came out of my nose. I lit a cigarette and went back to the homeless guy. I told him the cider was for him and he smiled like it was Christmas to a child. He asked me how I was going to kill him. I told him I already did. He looked annoyed but that's okay, he probably knew what I meant deep down.

You know what weird feeling when you're drunk in the middle of the day time and everyone else seems to be sober and the whole thing starts twisting? It's liberating. It's like a weird feeling of independence. On my way back to the pub to get back to you (you must have been waiting forever), I noticed a teenager chasing pigeons and making them fly into the faces of tutting old people. So I ran over to him and punched him square in the face. I felt one my knuckles slice open from a tooth, but I didn't feel the pain of it. The police officer I mentioned was still there, you know. He came over after hearing the commotion and when his eyes locked onto mine, you know what I said to him? I told him to go fuck himself. I laughed, probably a little too loudly, and then looked-up to the sky.

The sun was blazing. Not a cloud to be seen. It was the middle of the day and I felt like I was the only person in the town centre who was drunk. It feels weird, but in a good way. Liberating. Then I was on the ground, kissing the concrete. I felt my hands being tied together and the cold metal hugging my wrists. Then I thought of you, and you know what I did? I laughed and thought 'You can wait in the beer garden all day you son of a bitch. You aren't having my cigarettes.'

title: They're My Cigarettes

question:
Answer the following question based on the above passage:

What does the story say about being drunk in the day?

answer: Being drunk in the day time can feel liberating, taking away normal inhibitions that tend to enforce social conventions. There is an underlying sense of independence, an ability to act impulsively and without restraint. This leads to moments of self-transcending rebellion (such as punching a teenager in the face) and moments where one feels outside of normal society.

text: Use the correct spelling.

refinement: Being drunk in the daytime can feel liberating, taking away normal inhibitions that tend to enforce social conventions. There is an underlying sense of independence, an ability to act impulsively and without restraint. This leads to moments of self-transcending rebellion (such as punching a teenager in the face) and moments where one feels outside of normal society.

answer: The main character and the narrator had been drinking for a good several hours, and the narrator felt completely detached from the situation and information. He showed no signs of intoxication, but he had drunk so much he feels a lightness of imagination. In the middle of the day, everyone around the narrator was busy with their daily tasks while he floated in and out of consciousness. He sees a group of kids who are playing too rough in public, people shouting and warning them to behave. A police officer helps seniors and the children out, and the narrator makes fun of him from a distance and yells at him, daring the cop to arrest him.

text: The entire response is inaccurate and some sections are irrelevant.

refinement: Being drunk in the day is one of the strangest feelings in the world. The knowledge that everyone else is doing their own thing sober, while the drunk's vision is swirling and they feel like floating, is liberating. There is a strong sense of independence because being drunk in the daytime makes a person feel like they can do whatever they want, like punching a teenager or swear at the cops.

category_text: A combination of accuracy and coherence.

answer: The narrator believes he and his companion are no better than the other people who are too drunk for this time of day. He believes it's one of the strangest feelings to be drunk with your vision spinning at two in the afternoon in a town center because every one else is probably sober. It's strange, but liberating because you feel like you can do almost anything, like swear at a police officer. It feels like you're floating everywhere instead of walking. The narrator feels the liberation gives a sense of independence.

text: Replace "every one" with "everyone". The first sentence is irrelevant and can be removed.

refinement: The narrator believes it's one of the strangest feelings to be drunk with your vision spinning at two in the afternoon in a town center because everyone else is probably sober. It's strange, but liberating because you feel like you can do almost anything, like swear at a police officer. It feels like you're floating everywhere instead of walking. The narrator feels the liberation gives a sense of independence.

answer: The story says that being drunk in the day time is liberating and freeing. The implication is that the feelings of freedom that come from being intoxicated enable an individuality that doesn't exist for sober individuals. Daytime intoxication means being able to act in ways that would be impossible in the light of day. It also gives a sense of independence because sober individuals are no longer around to influence the drunk person. Overall, the point seems to be that being drunk in the day time is quite different than being drunk at night, even if the intoxication is of similar strength.

text: Replace "day time" with "daytime"

refinement: The story says that being drunk in the daytime is liberating and freeing. The implication is that the feelings of freedom that come from being intoxicated enable an individuality that doesn't exist for sober individuals. Daytime intoxication means being able to act in ways that would be impossible in the light of day. It also gives a sense of independence because sober individuals are no longer around to influence the drunk person. Overall, the point seems to be that being drunk in the daytime is quite different than being drunk at night, even if the intoxication is of similar strength.

text: Extraneous information that can be removed.

refinement: The story says that being drunk in the daytime is liberating and freeing. The implication is that the feelings of freedom that come from being intoxicated enable an individuality that doesn't exist for sober individuals. Daytime intoxication means being able to act in ways that would be impossible in the light of day. It also gives a sense of independence.

answer: It is like floating everywhere. There is a sense of independence. After four hours in the beer garden, the narrator stumbles to the shop to buy cigarettes. Strange feelings then start and are a bit liberating. He becomes very aware of himself around other people and feels like blaming them for their self-righteousness. His friend sent him a text message, commanding him to come back within minutes. He walks back, thinking to himself that he may as well wait in the beer garden as he can start more quarrels there. When he thought his friend would be and angel, possibly convincing the narrator to abstain, he runs into a hobo, who was almost touching the ground is so many jackets. The narrator offers to help the man die, he pulls a bottle with vodka, some cigarettes, and cider. The hobo starts asking the narrator how the plan is like and the narrator laughs strangely. Then he says that he already killed him. The story mentions how being drunk in the middle of the day liberates in a weird way and keeps you hovering everywhere.

text: Most of the highlighted text is irrelevant, inaccurate, and never happened in the story.

refinement: It is like floating everywhere. There is a sense of independence. Strange feelings then start and are a bit liberating.  The story mentions how being drunk in the middle of the day liberates in a weird way and keeps you hovering everywhere.

category_text: A combination of accuracy and coherence.

question:
Answer the following question based on the above passage:

What does the story say about the traits of the homeless man?

answer: The homeless man was a bit crazy. He tried to get attention towards himself by talking about bread and tigers. He wanted to die, but only wanted to true when he was of ages. He said he was able to do it, but never had the guts. He couldn't do something that he said was easy. He was okay being poor and homeless.

text: The response failed to highlight the possible traits of the homeless man and some sections do not make any sense. Being crazy isn't a trait, as well as talking about nonsensical stuff, being poor, or wanting to die.

refinement: Based on the story, the homeless man had the following traits: he was pushy when he asked the narrator for change and whistled for him to come back and sit with him; the homeless man was whiny for rambling about wars and shelters he was banned from; he was self-destructive for wanting to die and weak-willed because he couldn't do it himself; the homeless guy was grateful when he smiled at the narrator after getting a cider.

answer: The story suggests that the homeless man is likely crazy, wants to die, and lacks the physical capacity to commit suicide on his own. The homeless man is also likely broke and suffering. Lastly, the story suggests that the homeless man is accepting or agreeable to a plan from the narrator to kill him.

answer: The homeless man seems to be impoverished, lonely and desperate enough to contemplate death. He's verbal, but mentally unstable. He accepts the promise of a cigarette and potentially death with little hesitation.

answer: The homeless man sits on the ground with five layers and a beanie on, despite the temperature not being cold. He may be cold or boiling hot. He asks for change from the narrator, and decides to ramble to the narrator. He tells the narrator he's been banned from homeless shelters, and that he wants to die. When the narrator offers to kill him, the homeless man is annoyed  when he realizes the narrator was only going to kill him by giving him a cigarette.

answer: The homeless man spoke about hostels and free beds, but he could no longer stay in them because he was banned. The narrator inquired if he could see a doctor, but he did not. He mentioned war and tigers, saying that he still had their teeth marks embedded onto his skin.

question:
Answer the following question based on the above passage:

Summarize how the narrator's feelings about their companion change throughout the story.

answer: The narrator kept up a level of annoyance about their companion throughout the whole story. They were annoyed at her for looking at her phone to avoid conversation with him, and he seems annoyed that she's taken the last of his cigarettes. He doesn't even care that he buys the wrong pack of cigarettes for her, and is making her wait for them. In this moment, he goes from to annoyance to a level of disdain for his companion. He insults her in his mind and thinks that she can wait in the beer garden all day, but that she isn't getting his cigarettes.

text: The narrator and his companion are both males, so there's no point using singular "they" and "her". The narrator calling his companion a son of a bitch proves the latter is male.

refinement: The narrator kept up a level of annoyance about his companion throughout the whole story. He was annoyed at his companion for looking at his phone to avoid conversation with him, and he seems annoyed that he has taken the last of his cigarettes. The narrator doesn't even care that he buys the wrong pack of cigarettes for his friend, and is making him wait for them. At this moment, the narrator goes from annoyance to a level of disdain for his companion. He insults him in his mind and thinks that he can wait in the beer garden all day, but that he isn't getting his cigarettes.

answer: A sense of disdain begins to creep back into our narrator thoughts when they recall the time they were seeming ignored by their companion, something they avoided doing in the past. Abandoning their friend for their phone is the peak of this resentment, which is now redirected to the story the narrator shares about how the bud became disadvantaged - their decision to go outside and give their pack of cigarettes to the homeless man. The violent actions of the narrator in the final act of the story, alternating between being embraced and shunned by the narrator depending on how sober the storyteller is, displays a sense of frustration for the ease with which someone can seemingly be cruel to others, to which it is insinuated in the story that the narrator uses their actions to contend with the resentment they feel for the friend that through their inaction they caused.

text: The response doesn't make any sense and has several errors. A full rewrite is needed.

refinement: Initially, the narrator probably enjoyed his time with his companion because they've been drinking in the beer garden for about four hours straight. Then, the narrator felt annoyed at his companion when the latter would pretend to text people or check the news whenever there was a lull in the conversation. The narrator blames his companion for running out of cigarettes and finds it OK that he bought the wrong brand by accident because his companion would finish the pack anyway. The narrator sits with the homeless man instead of going back to the beer garden because wants his companion to sod off and wait. The narrator realizes that he doesn't want to share his cigarettes with his friend at the beer garden anymore. He laughs at the thought of his companion waiting for him at the beer garden and calls the latter a son of a bitch.

answer: The narrator goes from feeling frustrated by their companion to feeling liberated by the daytime booze and willing to sacrifice their cigarettes for their companion's death wish. Eventually, the narrator is even willing to assault someone in order to help their wish come true. The narrator shifts away from feeling annoyed or concerned for their companion to wanting to help grant their wish despite any risks or danger involved.

answer: The narrator starts feeling irritable toward their companion because they are unable to hold a conversation while drunk. But the day becomes exhilarating when the narrator is able to get away from the companion and be reckless. The narrator finds pleasure in giving a homeless man cigarettes and then decides to kill him. Towards the end, the narrator laughs about their companion waiting for them in the beer garden and feeling that they have a freedom their companion doesn't. The narrator's feelings towards their companion shift from annoyance to confidence.

answer: The narrator first imagines killing their companion over an imagined slight, saying we was hating his companion and was drunk enough to want to do anything at them. Then they feel annoyed at their companion for being interested in their phone which they never gave to the narrator, and exaggerate their annoyance to include theft. The narrator also mocks their companion's alcoholism. Then they feel compassion when they see that the shoes their companion borrowed from them had disappeared from where they assumed their friend had hidden it when drunk. Then they feel irritation when their companion asks for more cigarettes despite knowing the narrator has none left. Then the narrator feel gleeful and triumphant at the misfortune of their companion, who the narrator imagines becoming too drunk to notice they had gone missing. Then they feel concern when they see their friend pacing the beer garden. Despite their sinister plans, the narrator completely forgets the plans and the fact that their companion is waiting and feels too intoxicated to return. When they return home, the narrator feels liberated and releases the rope they were using to hold their feelings of insecurity and anxiety at arms length. This insecurity and anxiety was caused by their companion's badgering

question:
Answer the following question based on the above passage:

Summarize the ending.

answer: At the end of the passage, the narrator punches a teenager in the face and is arrested. While being detained and tied up, she laughs and thinks about how she has already killed the homeless person, taking away his need to find the courage to commit suicide himself.

text: The narrator is male.

refinement: At the end of the passage, the narrator punches a teenager in the face and is arrested. While being detained and tied up, he laughs and thinks about how he has already killed the homeless person, taking away his need to find the courage to commit suicide himself.

text: The narrator no longer thinks about the homeless person at this point. He was laughing at the thought of his companion waiting for him to return with the cigarettes, but obviously, he wasn't going to. The narrator wasn't detained yet at this point and he wasn't getting tied up. He was being handcuffed.

refinement: At the end of the passage, the narrator punches a teenager in the face and is arrested. While being handcuffed, he laughs and thinks about how his companion is waiting in vain for him to return with the cigarettes, which he won't share even if he does return.

text: The narrator also swore at the cop.

refinement: At the end of the passage, the narrator punches a teenager in the face for hassling the elderly, swears at a cop, and gets arrested. While being handcuffed, he laughs and thinks about how his companion is waiting in vain for him to return with the cigarettes, which he won't share even if he does return.

answer: The narrator offers to kill a homeless man and give him his cigarettes. The homeless man agrees and the narrator proceeds to drug him with cider and vodka. The homeless man dies and the narrator laughs as he thinks about how his friend is waiting for his cigarettes.

text: The series of events is inaccurate and never happened. The part about the homeless man is also not the ending of the story.

refinement: The narrator gets arrested for punching the teenager who was hassling the seniors and swearing at the cop who checked out the commotion. He was taken down to the ground and handcuffed. Because he was drunk, the narrator felt liberated by the whole thing and laughs as he thinks about how his friend is waiting for his cigarettes.

answer: The narrator gets handcuffed and arrested on the spot, spitting and swearing profusely, temporarily losing control over the scene, and seems to eventually come to terms that the tables did a full 360 degrees.

answer: The narrator heads back to give the cigarettes to their companion, but decides to drunkenly punch a teenager for chasing pigeons and making them fly into old people. A police officer comes over to him, and the narrator laughs and swears at him. He laughs, and feels liberated by being drunk in public. Suddenly, the narrator is arrested. He laughs again at the thought that his companion won't be getting his cigarettes.

answer: He mistook another £50 note for a £5 note, so he gave the homeless man all his money, which might have been better than just giving him a few pence. He then buys a bottle of cider and vodka coca to share with the man, who tells him how he presumably wants to kill himself, to which our narrator offers to kill him for him. Instead, the narrator beats up a teenager, gets arrested, and then laughs at the officer.


text:
[] article

AUSTIN, TEXAS (FOX 7 AUSTIN) - Austin is tied with Houston for the most natural disaster-prone major metro area in the state of Texas, according to anew study by real estate brokerage Redfin.

Redfin analyzed the frequency of five major types of natural disasters--earthquakes, fires, floods, tornadoes and hurricanes--in the country's 50 most populous metro areas using Disaster Declaration Summaries data from FEMA going back to 1953. These were converted to a scale from one to 100 and the overall "Natural Disaster Hazard Score" was the average of the five scores.

Both Austin and Houston had a Natural Disaster Hazard Score of 41, with the only natural disaster receiving a score of zero in both cities being earthquakes. Austin beat Houston in terms of fires, but Houston outpaced Austin with hurricanes and floods. Both cities received the same score for tornadoes.

Austin and Houston's Natural Disaster Hazard Scores are also tied with New York City.

San Antonio and Dallas also appear on the list with overall scores of 34 and 37 respectively. Out of the four cities, San Antonio has the highest score for hurricanes but a zero score for tornadoes.

Washington, D.C. and Los Angeles, Calif. were listed as the country's most disaster-prone cities, both with a score of 52. Providence, R.I., according to Redfin, is the least disaster-prone area with a score of 9. The only natural disaster in Providence to receive a score higher than zero was hurricanes.

Redfin analyzed the data in an effort to quantify some of the risks of living in or moving to a major US metro area.

“When you buy a home you are paying for more than just the house,” said Redfin chief economist Daryl Fairweather. “There could be hidden costs associated with natural disasters. If a natural disaster strikes, you may have to pay for damage to your home or for the cost of evacuating your family. And even during times of calm, you may still need to pay for insurance against floods, fire, or earthquakes. Some homes in more hazardous areas might seem more affordable if you are just looking at the sticker price, but they may end up costing more when risks related to natural disasters are factored in.”

To see the full list of cities and read more about Redfin's methodology, click here.

question:
Answer the following question based on the above passage:

What is the main topic of the post?

answer: The post covers an analysis of cities and the frequencies of 5 major types of natural disasters: earthquakes, fires, floods, tornadoes, and hurricanes.

text: I added the term "Natural Disaster Hazard Score".

refinement: The post covers an analysis-resulting in the Natural Disaster Hazard Score-of cities and the frequencies of 5 major types of natural disasters: earthquakes, fires, floods, tornadoes, and hurricanes in the United States, with a focus on cities in Texas known to have high scores.

answer: The main topic of the post is that Austin and Houston are tied for the most natural disaster-prone major metro area in the state of Texas.

text: It also addresses the Natural Disaster Hazard Score.

refinement: The main topic of the post is that Austin and Houston are tied for the most natural disaster-prone major metro area in the state of Texas. It also talks a bit about how the Natural Disaster Hazard Score is calculated across the US.

answer: Texas ranking for natural disaster-prone cities

text: This is also about how disasters affect certain areas more than others, and how rankings are done.

refinement: This is a Texas ranking for natural disaster-prone cities and a look at how the Natural Disaster Hazard Score is calculated.

answer: The post examines how home costs are affected by natural disasters.

text: Specifically, the article looks at Texas, and also discusses how the Natural Disaster Hazard Score is calculated.

refinement: The post examines how home costs are affected by natural disasters-particularly in cities in Texas that have high Natural Disaster Hazard Scores-and how that score is calculated.

answer: The main topic of the post is a ranking of the 50 most populous US metro areas in terms of natural disaster hazard. Specifically, the analysis looks at how prone each metro area is to earthquakes, fires, floods, tornadoes, and hurricanes.

text: I added the term "Natural Disaster Hazard Score".

refinement: The main topic of the post is a ranking of the 50 most populous US metro areas in terms of natural disaster hazard (the Natural Disaster Hazard Score). Specifically, the analysis looks at how prone each metro area is to earthquakes, fires, floods, tornadoes, and hurricanes.

question:
Answer the following question based on the above passage:

Why did Redfin real estate analyze the data?

answer: Redfin analyzed the data in order to quantify some of the risks of living in or moving to a major US metro area. Specifically, Redfin wanted to determine which cities were most prone to natural disasters.

answer: Redfin sought to quantify the risks of living in or moving to a major US metro area due to their propensity for natural disaster.

answer: They analyzed the data in an effort to quantify some of the risks of living or moving to a major metro area.

answer: To quantify some of the risks of living in a major US metro area

answer: The company assessed natural disasters and used the collected data to quantify the risk of urban risks.

question:
Answer the following question based on the above passage:

Which major Texas cities are the most disaster-prone?

answer: Austin and Houston are the most disaster-prone major metro areas in the state of Texas.

text: Austin is tied with Houston for the most natural disaster-prone major metro area in the state of Texas, according to anew study by real estate brokerage Redfin.

answer: Austin and Houston are tied for the most natural disasters.

text: Austin is tied with Houston for the most natural disaster-prone major metro area in the state of Texas, according to anew study by real estate brokerage Redfin.

answer: Austin, Houston, and San Antonio.

text: Austin is tied with Houston for the most natural disaster-prone major metro area in the state of Texas, according to anew study by real estate brokerage Redfin.

answer: Both Austin and Houston are tied for the most disaster-prone major metro area in the state of Texas, according to a new study by Redfin. San Antonio and Dallas also appear on the list, with overall scores of 34 and 37 respectively. Washington, D.C. and Los Angeles, California are the most disaster-prone major cities according to the study. Providence, Rhode Island is the least disaster-prone with a score of 9.

text: The two final sentences are extraneous.

refinement: Both Austin and Houston are tied for the most disaster-prone major metro area in the state of Texas, according to a new study by Redfin. San Antonio and Dallas also appear on the list, with overall scores of 34 and 37 respectively.

answer: Austin is one of the major ones.

text: You missed Houston, which is cited in the opening sentence.

question:
Answer the following question based on the above passage:

Which other cities in the US ranked high in the analysis?

answer: New York City also has a score of 41.

text: Austin and Houston's Natural Disaster Hazard Scores are also tied with New York City.

answer: Washington, D.C. and Los Angeles, Calif. were both listed as the country's most disaster-prone cities with scores of 52.

text: Washington, D.C. and Los Angeles, Calif. were listed as the country's most disaster-prone cities, both with a score of 52.

answer: New York tied with Austin and Houston. Los Angeles, Ca and Washington D.C. were listed as the country's most disaster-prone cities.

text: Washington, D.C. and Los Angeles, Calif. were listed as the country's most disaster-prone cities, both with a score of 52.

text: Austin and Houston's Natural Disaster Hazard Scores are also tied with New York City.

answer: Miami and New York City also ranked high in the analysis.

text: Miami isn't referenced in this article.

refinement: New York City also ranked high in the analysis.

text: Austin and Houston's Natural Disaster Hazard Scores are also tied with New York City.

answer: Washington, D.C. and Los Angeles, Calif. ranked highest in the analysis, each with a Natural Disaster Hazard Score of 52. Providence, R.I. had the lowest score with a score of 9.

text: The final sentence is extraneous-the question doesn't ask which city has the lowest score.

refinement: Washington, D.C. and Los Angeles, Calif. ranked highest in the analysis, each with a Natural Disaster Hazard Score of 52.

question: Write a ~1 sentence summary.

answer: This is a study of natural disasters and the effects they have on one city.

text: That's only part of it-it's specifically about the rankings of Houston and Austin.

refinement: This is a study of natural disasters and the effects they have on two Texas cities-Austin and Houston-as a company called Redfin has created a ranking system known as the "Natural Disaster Hazard Score" to quantify the risk of damage from natural disasters to urban life.

answer: A new study by real estate brokerage Redfin indicates that both Austin and Houston are tied for the most natural disaster-prone major metro area in Texas. Austin edged out Houston in terms of natural fires, while both received the same score for tornadoes and hurricanes. Washington and Los Angeles are the most disaster-prone US metro areas.

text: This needs to be condensed to one sentence and I added the term "Natural Disaster Hazard Score".

refinement: A new study by real estate brokerage Redfin-which uses the ranking metric of "Natural Disaster Hazard Score"-indicates that both Austin and Houston are tied for the most natural disaster-prone major metro area in Texas.

answer: The post covers an analysis of cities and the frequencies of 5 major types of natural disasters: earthquakes, fires, floods, tornadoes, and hurricanes.

text: This should have something specific about Texas.

refinement: The post covers an analysis of the Texas cities of Austin and Houston, discussing the frequencies of 5 major types of natural disasters: earthquakes, fires, floods, tornadoes, and hurricanes.

answer: Austin and Houston have the highest natural disaster risk in Texas according to a study by real estate brokerage Redfin. Both were tied for 41 points for hazards including fires, hurricanes, and floods.

text: I made this one sentence by combining sentences and using transitional phrases.

refinement: Austin and Houston have the highest natural disaster risk in Texas according to a study by real estate brokerage Redfin, which had them tied for 41 points for hazards including fires, hurricanes, and floods.

answer: The text is a story, article, or press release that discusses the Natural Disaster Hazard Score for 50 major metro areas in the U.S.