text:
The Scorching

“I remember one day of winter,” my grandfather looked mistily out the twelve inch synthesized window. He’s one of the few in our colony that knows of winter first hand. I have brought him to the observation point on the western end of The Dome at his request. This is his response to my request to tell us of how life felt in the days before artificial air and extreme heats of the wastelands. “The wind whisked down my neighborhood just as I stepped out into the white blanket on my porch. A chill ran up my legs but I hardly noticed, my friends were already playing across the street. Hmpff, I couldn’t have been taller than I am now.” He looks to me with a smile. “We spent the entire day by the hill behind Wilson’s house. We took sleds and lids down that hill, trying to guide it down to an alley so we could go the farthest. We didn’t stop till we saw a couple girls from school cutting through the alley. Linda Mould and Susan P. Cole,” He turns to me with a special grin. Susan P. Cole was my grandmother.

“I jumped line when I saw them, knew it was a special one the second I started. The boys whopped and hollered behind me, they knew it too. Susan and Linda had to leap from my way just as I flew by and crashed right into the Ralman’s garbage cans. Didn’t think about how I’d stop, never do at that age. No one did in those days.” Something in his voice changes. The mist in his eyes is more of a water haze now, he points to the empty horizon. “I use to see homes, grass, animals, and clouds. I never new that hope for the future was artificial till the mechanics of the world were stripped from us. It didn’t matter what we did to try and stop it neither.” I can see him slipping into more painful memories so I request him to point out when exactly he noticed the world changing first hand.

“Changes? Well them happen often and often.” (He means to say changes happen a great deal and always.) “Well, the first time I realized the talk was true was I woke up in some pain, not a good deal, but enough to shake you to. Round the time I was leaving college I suppose. I looked around my bed for whoever woke me, Susan hadn’t been over that night so I couldn’t figure out who’d hurt my arm. It was near midday and I had spent the better half of the morning sleeping off the night before. I wanted to sleep some more but the sun was slipping between my blinds and onto the side of my bed. I got up to close the drapes, but first to peak outside. I was looking for anyone of note when I noticed warmth and a near instant sting all over my face. I leapt back and closed the drapes. I felt relief right away. I knew it, right then, I knew it. The sun was burning like they said it was, hot and fast. My first thought was to call Susan and see if she was feeling it too.”

It’s not long after that our history lessons pick up, reminding those of us who weren’t yet here that the earth was becoming barren. My grandfather was one the first selected to one of the science division domes. The structures we all have been raised were in fact substitutes for an atmosphere we never knew, so we could have a life we never could have hoped for. “I broke through as a design engineer. Interning for the great Doctor Kepling. Now that man could work, spend entire months ruining chalk boards and burrowing floors with his pacing. I nearly didn’t sleep in my time there trying to keep up with him and the three kids at home. No one really knows his name anymore, yet his design saved what’s left of us.” His sigh holds a lot of weight out of his chest. I decide its time to broche a subject that has been refrained from in my family for years now.

I ask him as gently as possible, what happened in the evacuation. There is a long pause and silence before he can gather the breath to speak. The gruffness I had grown up knowing is back, he is the old man in the recliner I know again. “We…We only got the news of The Flare just as it started. I was at home sleeping in as I had the day off and Susan…Susan should have been shopping. The phone call came and the doctor himself was frazzled. I could tell before he said anything it was happening. I was to stunned to really hear him after that, he said he just wanted to make sure I made it and hung up. I forced myself out of bed and put these packs of necessities and valuables we had made in case it did come. I heard the kids downstairs playing, I yelled for them to get up and get there stuff ready. They knew what I meant but I don’t think they truly new what it meant.” My father swears it was all too quick to remember. One day your breathing humid air, the next day it’s artificial. Kids his age hardly caught on to the significance of things as they went.

“Once we were all packed I rushed the kids out to the car. It was so bright out I could hardly see my way to the car, still I had to find Susan. I had lugged her bag to car with mine. I was going to drive strait to the market to find her. I’ve sweat often before and since then, but I doubt any compared to that day. We got there and I can remember my sprint to the door seeming to last far to long to be a couple dozen feet. I burst through the door and screamed for her, Susan! Susan!” His outcry catches me off guard, “I ran back and forth through the aisles still she is not there. I looked to my watch, If I was to save my children I couldn’t wait any longer. I’d have to hope she received the message and caught the follow up busses to one of the others.

When I returned to car and began to head for my designated dome, it was clear the word was out. People we rushing all about in a frenzy. I don’t ever think I’ve seen such horror on so many men and women’s faces as on that day. I told the kids to duck down so they wouldn’t see. I speed out from our town into the dessert sands towards the dome. I think I was one of the last through, they closed those giant glass doors a little after we passed through.” After this he holds his head in his hands in silent hiding of his face. My Aunt recalls him braking down and crying over the wheel till some nice man came to get them from the back seat. They didn’t see him again for a week. My grandmother was never found, nor has our family ever discussed her final whereabouts.

From there the rest of the word documents well our methods to survival. Two generations of struggle-less survival, made us able to be complacent again. We should stay vigilant in pursuit of the solution; we should never allow ourselves to simply survive, but also to live. Even if it is only our grandchildren who will truly be unscathed. Never may we forget what great human loss we suffered in the Scorching.

title: The Scorching

question:
Answer the following question based on the above passage:

What are the main happy memories that the narrator's grandfather remembers from the days before artificial air and arid wastelands?

answer: He remembers sledding down a hill and crashing into a garbage can. He also remembers meeting his future wife Susan P. Cole.

text: The response is missing the fact that the narrator's grandfather experienced winter.

refinement: He remembers the chill of winter, sledding down a hill and crashing into a garbage can in an alley. He also remembers meeting his future wife Susan P. Cole.

answer: The narrator's grandfather remembers sledding down a hill with his friends. He also remembers Susan P. Cole, his grandmother.

text: The response must mention that the grandfather remembers winter.

refinement: The narrator's grandfather remembers the wind whisking down his neighborhood and the chill of winter. He remembers sledding down a hill with his friends. He also remembers Susan P. Cole, his grandmother.

text: This reads like Susan is his grandfather's grandmother. A revision is needed.

refinement: The narrator's grandfather remembers the wind whisking down his neighborhood and the chill of winter. He remembers sledding down a hill with his friends. He also remembers Susan P. Cole, his future wife, and the narrator's grandmother.

answer: Vague.

text: The response failed to answer the question.

refinement: The narrator's grandfather remembers winter, the chill in the air, and the wind whisking down his neighborhood as he and his friends were playing outside. He recalls spending the entire day by the hill taking turns sledding down an alley below. He also remembers seeing and almost hitting his future wife, Susan P. Cole (the narrator's grandma), and her friend Linda Mould while they were cutting through the same alley.

answer: The narrator's grandfather woke up early one winter day before heading down to the hill to sled, as he sped through the alley, he met the girls from the grocery store.

text: This is inaccurate. The girls were from school, not the grocery store. The response must also mention that one of the girls was Linda P. Cole, the narrator's grandmother.

refinement: The narrator's grandfather woke up early one winter day before heading down to the hill to sled, as he sped through the alley, he almost hit two girls from school who were cutting through the alley - Linda Mould and Susan P. Cole. Susan would eventually become his wife and the narrator's grandmother.

answer: The narrator's grandfather woke up early one winter day before heading down to the hill to sled, as he sped through the alley, he met the girls from the grocery store, Susan and Linda. He spent a lot of time putting together things to sell at the grocery store, they eventually procured domes that would replace the air and turned their world around.

answer: The narrator's grandfather starts telling about how he back when he was a child, he was known for countless juvenile stunts from the sledding accidents to the times he stole off with his neighbors' copper wire. His love for his wife is also mentioned.

text: The highlighted response is incorrect. There weren't any countless juvenile stunts, sledding accidents, or incidents of stealing copper wire.

refinement: The narrator's grandfather starts telling about how he back when he was a child

text: Replace "child" with "boy"

refinement: The narrator's grandfather starts telling about how he back when he was a boy

text: The response is missing a few details about the grandfather's memories.

refinement: The narrator's grandfather starts telling about how he back when he was a boy. He remembers the wind and chill of winter playing with his friends. They spent the whole day on a hill sledding down into an alley. He recalls seeing and almost hitting two girls from school, Linda Mould, and Susan P. Cole, who was cutting through the alley. Susan eventually becomes his wife and the narrator's grandma.

question:
Answer the following question based on the above passage:

Where was Susan, the narrator's grandmother, on the day of evacuation into the designated domes?

answer: She has not been mentioned much, though it is implied that she went to the wrong place at the wrong time. Susan never made it to her domed city and is assumed to be dead.

answer: Susan was shopping at the time of the evacuation.

answer: She has been missing since that day.

text: The response didn't answer where Susan was during evacuation day.

refinement: Susan was out shopping in the market when the evacuations took place. When the narrator's grandfather reached the market, she wasn't there. She has been missing since that day and the family has never discussed her final whereabouts.

answer: No answer

text: The response can't be blank because details are available in the text.

refinement: Susan was out in the market shopping when the evacuations were announced. The narrator's grandfather never found her and she never made it inside the dome. Nobody knows where she is or what happened to her.

answer: Susan was shopping when the evacuation was ordered. She was never seen again and it is implied that she died in the scorching.

answer: Susan was shopping when the evacuation was ordered. It is implied that she died in the scorching.

answer: The narrator's grandmother was out shopping when their planet was scorching, killing many people and forcing the rest to live in domes.


split: train

text:
As I lie here, alone and fading, I feel there is nothing more to do than reflect and wait. However, the last thing I want is to come across as pitiful, or sad, or lonely, even though I must confess to being all of the above. life is a strange gift, it is something we do not ask for, yet we accept it as a necessity. Now, when I look back, I see all the time wasted. I can see now how I continued to spend all that time living with the intention of living, even though I knew I must die. I use the term 'living' loosely, because of my delusion that I would continue to live, it allowed me to continue in a state of routine, where nothing changed, no rights were wronged and nothing was done to make my life have some form of purpose once again.

It's a sad thing to admit, and most definitely a sad thing to realise, that you have spent very little of your life actually living, that you have spent so much of your time on autopilot without considering or acknowledging it, that when the end inevitably comes, you will regret each of those moments not fully cherished.

My memory has faded somewhat, but I remember the reasons why I find myself alone in this hospital. There are so many. I could list how I pushed away each and every person, but in the end it would only serve to remind me of my mistakes and my regret. Despite this, it ought to be said that I am entirely to blame for my own downfall. I have lived my life in ignorance and reinforced it with arrogance and stubbornness, if I could take it back- if I could take everything back- I would. I would plead with my friends to forgive, I would beg my lovers not to leave me and I would have been there for my family, because they were always there for me.

Alas, we cannot turn back time, all I can do is wallow in regret of moments wasted, hoping that somehow it will make a difference.

One of the great ironies of life- at least in mind- is that humanity strives for happiness, and yet is constantly dissatisfied with their lot. Rich and poor, black and white, men and women, all of them strive for more. All of them are miserable, and all of them end up in the same place once they are dead.

The end is coming soon. I can feel it, and it scares the hell out of me. I wish I could confide in someone, I wish there was someone to assure me that everything is going to be fine, but the truth is, even if there was someone here to tell me as much, I wouldn't believe them. We don't know what happens when we die, some of us claim to know, but nothing can be proven, nothing is certain, heaven and hell are just as likely as reincarnation, and reincarnation is just as likely as nothing at all. Either way, I am terrified, even though I know I have nothing left to live for, the end still scares me.

I suppose I should finish writing and close my eyes for a while, I have been drowsy for a long time now, maybe it is all the sedatives that are being pumped into my system, or maybe it is the illness, either way, it is useless resisting.

Before I go however, I did want to say one thing. I wanted to say I am sorry, to everyone I ever wronged, to everyone and anyone I ever pushed away or hurt, I am sorry, from the bottom of my heart. I lived my life as a spiteful human being, and I cannot ever forgive myself, but I loved you, I loved all of you, even the ones I hated, because you gave my life purpose, and without you, my life would have meant nothing.

So it would seem that is it. I needed to say sorry and thank you. I can't forget my manners. I simply wish my final thoughts to be that of thankfulness. I will be thankful to join those I have lost, mostly my dear mother who I have missed for over thirty years, I will be with her soon, and for that too, I am thankful.

This will be the last memoir I write. The last words I put on paper. I suppose there should be some kind of conclusion or catharsis, something that ties all loose ends and wraps everything up nicely, but I don't have that power. Really, there is only word left to say, and that word is:

Goodbye.

title: The Final Memoir of a Dying Man

question: How old is the narrator?

answer: That information can't be found

answer: Doesn't say.

answer: The narrator is likely in his late 60s or early 70s.

text: It is omitted that the passage does not mention how old he is.

refinement: The passage does not mention this information but it is likely in his late 60s or early 70s.

answer: The narrator is dying.

text: This response is not related.

text: Answer missing.

question: What is the greatest irony of life according to the narrator?

text: Answer missing.

refinement: According to the narrator, the greatest irony in life is that humanity seeks happiness but is still constantly dissatisfied with the lot.

answer: That we seek happiness, but in aspiring to it, we miss it not living in the moment.

text: It is wrongly stated that the narrator thinks the irony is about missing not living in the moment.

refinement: That we seek happiness but are still constantly dissatisfied with the lot.

answer: The greatest irony of life, according to the narrator, is that despite humanity's constant search for happiness, they are always dissatisfied with their lot.

answer: That humanity strives for happiness but is constantly dissatisfied with their lot.

question: Why does the narrator believe they're dying?

answer: The narrator is in a hospital.

text: It is omitted that he states that he is ill - "I have been drowsy for a long time now, maybe it is all the sedatives that are being pumped into my system, or maybe it is the illness"

refinement: The narrator is in a hospital and he is suffering from an illness.

answer: The narrator believes they are dying because they have an illness that is taking its toll on their body.

text: "I have been drowsy for a long time now, maybe it is all the sedatives that are being pumped into my system" is evidence that he is ill.

answer: The narrator believes they're dying because they have been sick for a long time.

answer: It states they have an illness for which they're being treated in a hospital.

question: What's the narrator's most important message?

answer: The narrator wants to apologize to everyone he has wronged.

answer: The narrator's most important message is that life is short and should be lived to the fullest, as there is no certainty about what happens after death. He regrets not spending more time living, and urges others to do the same, as life is precious.

answer: That they're sorry to everyone they've wronged.

answer: The narrator's most important message is that life is a strange gift, and that we should cherish every moment.

question: Write a ~3 sentence summary.

answer: The author is a dying man who reflects on his life and regrets the time he wasted. He apologizes to those he wronged and thanks them for giving his life purpose. He is scared of death and knows that he has nothing left to live for.

answer: The narrator is in a hospital, dying. He reflects on his life and regrets the time he wasted. He apologizes to everyone he has wronged and thanks them for giving his life purpose.

text: It is omitted that he is afraid of death.

refinement: The narrator is in a hospital, dying. He reflects on his life and regrets the time he wasted. He apologizes to everyone he has wronged and thanks them for giving his life purpose. He is afraid of death even though he knows there is nothing left to live for.

answer: The narrator laments their shortcomings in life, and acknowledges the folly of living life for more, for better, while ignoring and not appreciating the now. The narrator acknowledges coming death. They apologize to everyone they've ever wronged and express their gratitude.

answer: The author reflects on his life and regrets not living it to the fullest, knowing that he will soon die. He apologizes to those he has wronged and thanks them for giving his life meaning. In the end, he says goodbye.

text: It is omitted that he is afraid of death.

refinement: The author reflects on his life and regrets not living it to the fullest, knowing that he will soon die. He apologizes to those he has wronged and thanks them for giving his life meaning. He admits that he is afraid of death even though he knows there is nothing worth living for. In the end, he says goodbye.


text:
(It's the first draft and part of a larger story, so...)

Rickartsdale? That little village? Nothing out there worth seeing. Nothing but a few small families and scary stories. Worse, it’s way out in the boonies. Far enough that you wouldn’t even see it on many maps. Used to be a bigger place, a proper community even. Things tend to be a little off in remote places like that, strange happenings and folks fleeing in a big hurry. Typical setup for your common folk tale. That is what you asked for, though... so...

Right, Rickartsdale. A proper farming community out just beyond the western border of the old kingdom. The little town sank into decline when folks started going missing. Like I said, typical setup. The culprit this time was your typical boogieman, a monster the people had started calling “the Druid of Weeds.” Nobody seemed quite sure what “it” actually was, but there were a lot of sightings. Some people said it was a wild-man, other people claimed it was a monstrously large cat, the big ones you don’t see in that region... Like jungle cats. Panthers, but big like a lion. Some folks even claimed it was a humble and unfamiliar ranch cat that stalked them. The one factor that always matched up was the eyes. Eyes that didn’t match, copper and emerald and full of hate like you wouldn’t believe. Contempt, most said. And another thing. This druid, or whatever it really was, a vigilant soul could catch it just sittin’ there watching you. Scoping out your habits, your home, your animals, not like a beast, but like a man planning something evil. Vigilant or not, the “prey” would find weeds around the monsters vantage point. Like the plants were compelled to grow wherever he planted his feet.

That was the unsettling part of the stories to me. If he skulked about long enough, you could see the paths he took around your property. A neat little line of weeds circling your home, leading up to the window outside your room. It was an evil omen, and being a farming community, you deal with weeds often enough that you may not see it. And if you neglected, they might just grow anyway, whether you were prey or not. Spooked a lot of folks, some even got out of dodge. Got worse when people started ending up dead.

It was always the farmers, though. Farmers, and traders coming in with their wares loaded up tall on whatever beast of burden they had. We found more than a few merchants on the side of the path, dragged just off the way and surrounded by their trinkets. People were quick to find out that the deaths were related to animals used for labor. Nothing was ever stolen, as far as the people knew, but the animals were always missing. Every once in awhile you would even find a branded animal roaming free and feral again, so they weren’t being stolen either.

Ah hell, I let that “we” slip, didn’t I? Well, you must have known, since you came looking for me in particular. That’s right, my folks were some of the many to walk away from that hole once things got bad. Once the town started trying to live off the land without any help of animals. Once the people were so afraid that they would drive away outsiders, just because they came on horseback. Eventually, people just stopped coming around entirely. The town, now a village, may as well have been an island. No place to raise a kid, the population may as well have been a cult.

The damndest thing, though, the reason this really stuck with me, there used to be a little cat that came around. A little stray cat with grey charcoal fur and mismatched eyes. He would come around the farm and beg for scraps. Just me, though, he had a way of making himself scarce when my father would come around. Good enough that I don’t think my parents ever saw it. He threw a bit of a fit one day, I was too young to figure why at the time, but he found me out back behind the barn one day taking a midday nap. I woke up in a knee-high growth of weeds. Told him it wasn’t there when I fell asleep... It was a short, soft bed of grass I fell asleep on, with that little stray on my chest. We moved away from there about a week later. Not before my father had a chance at getting a hunting party together. They never found anything, though. It’s hard to hunt something like that, chasing an idea from a story, and pissing it off something fierce in the process. It was easier to just leave, and we did. Left everything behind, too. We were marked, and there was no way we could load up a drawn cart. No way to move it without a donkey. We had to leave on foot.

*********************************

The man leaned back in his chair, readying himself for his conclusion to the story only to be interrupted by the woman sitting at the table across from him.

“Sounds like our guy.”

He cleared his throat. “Excuse me?”

“That’s definitely the one I’m looking for. When are we leaving?” The woman bore down on him with startlingly blue eyes. Eyes that didn’t entirely seem right on a person, just a little too bright, and fixed with a look of subdued fanaticism.

“I don’t think you quite understood what I was getting at...”

“Sunrise, then? I’ll get a couple of horses ready.”

“You weren’t even listening, were you?”

She grinned in response, but something in that mischievous smile made him uncomfortable. “I got the important bits. I’ll see you in the morning.”

title: Weeds

question:
Answer the following question based on the above passage:

What is the intention of the writer in creating this work?

answer: The writer may be writing urban legend to invoke fear audiences.

text: You can't write an urban legend

refinement: The writer is introducing two main characters and setting the general backdrop to a larger story. A mystery is established with the mention of the strange cat-like creature, but the plot itself is not fully revealed -other than the two characters getting set up to look for the cat. With that, the writer's intention is to create an interesting hook to attract readers to read the rest of the story.

answer: To tell the story and an anecdote to people that have heard on the myth.

text: This makes no sense.

refinement: The writer is introducing two main characters and setting the general backdrop to a larger story. A mystery is established with the mention of the strange cat-like creature, but the plot itself is not fully revealed -other than the two characters getting set up to look for the cat. With that, the writer's intention is to create an interesting hook to attract readers to read the rest of the story.

answer: The intention of the writer is to tell a scary story of a monster terrorizing a small community.

answer: The writer is introducing two main characters and setting the general backdrop to a larger story. A mystery is established with the mention of the strange cat-like creature, but the plot itself is not fully revealed -other than the two characters getting set up to look for the cat. With that, the writer's intention is to create an interesting hook to attract readers to read the rest of the story.

answer: The intention of the writer is likely to tell an effective scary story, with an underlying message of the dangers of going into a remote location. The main character is also intended to be a cautionary tale for potential adventurers.

text: The sentence is poorly structured

refinement: The intention of the writer is likely to tell an effective scary story, with an underlying message of the dangers of going into a remote location. The main character also serves as a cautionary tale for potential adventurers.


text:
OLD ELDON SQUARE is a public square on Blackett Street, Newcastle upon Tyne, England. As well as green space the square is the site of a war memorial and location for the city's Remembrance Day commemoration.

History

Eldon Square was built as part of the 1825–40 reconstruction of Newcastle city centre.

In 1824 John Dobson was commissioned by Richard Grainger to produce designs for Eldon Square. The design was for three terraces facing a central square, each terrace being of two and a half storeys. The east and west terraces consisted of 27 bays of windows, whilst the north terrace had 39 bays. The first floors had continuous cast-iron balconies with Grecian honeysuckle decoration. Beyond this and the giant Doric pilasters at the end of each terrace there was no other decoration. The terraces were faced with finely cut ashlar.[1]

The author Harriet Martineau lived at number 28.[2]

The war memorial

[The war memorial (south side)] Designed by Charles Leonard Hartwell, and unveiled by Earl Haig in 1923, the war memorial is situated at the centre of the square. It is a large Portland stone pedestal, with a different relief on each of the four sides. They are:

    North: the words “Memory Lingers Here” above a bronze sculptured wreath.
    South: a sculptured picture of a lion below the dates 1914–1918 and 1939–1945.
    East: a bronze relief of Justice, displaying two grieving women and a third (Lady Justice) holding the scales.
    West: a bronze relief of Peace, displaying a woman with a child and the Angel of Peace.

On the top is a large bronze equestrian statue of Saint George, the patron saint of infantrymen and cavalrymen, slaying the dragon.[3][4]

The pedestal was designed by Cackett and Burns. The memorial was restored in 1991 and 2007.[5]

Eldon Square Shopping Centre

In the 1960s the west and north terraces around the square were demolished to be replaced by part of Eldon Square Shopping Centre which now dominates Old Eldon Square. At the time a councillor had stated that the square would be maintained as “it is only the buildings surrounding the square that will be removed.”[6]

Some renovation was completed in 2008 and the square now features new landscaping and ground level access to the shopping centre.[7]

[1]

[2] https://www.chroniclelive.co.uk/news/north-east-news/discover-newcastles-links-slave-trade-16473925

[3]

[4]

[5] https://historicengland.org.uk/listing/the-list/list-entry/1115605

[6] https://books.google.co.uk/books?id=SYOoAwAAQBAJ&pg=PT254&lpg=PT254&dq=Eldon+square+demolition&source=bl&ots=R9xkD2ftDO&sig=ACfU3U2OdK2nw7LgRWvTiocZgi6W0mNUXA&hl=en&sa=X&ved=2ahUKEwjs5Zv3_5rqAhVzRhUIHUXxAHs4FBDoATACegQIBRAB#v=onepage&q=Eldon%20square%20demolition&f=false

[7] Eldon Square Shopping Centre Development Proposals

title: Old Eldon Square

question:
Answer the following question based on the above passage:

Summarize everything about the history of Eldon Square.

answer: Eldon Square was built between 1825 and 1840 as a central square in Newcastle. The west and north terraces around the square were demolished in the 1960s to make way for part of Eldon Square Shopping Centre. Currently, the square features new landscaping and ground level access to the shopping centre. The war memorial is on the south side of the square, and there is also a statue of Saint George on top.

text: Some information describes the square as it currently is, rather than the history of the square, and so is irrelevant to answering the question.

refinement: Eldon Square was built between 1825 and 1840 as a central square in Newcastle. The west and north terraces around the square were demolished in the 1960s to make way for part of Eldon Square Shopping Centre.

text: Details about the history are missing.

refinement: Eldon Square was built between 1825 and 1840 as a central square in Newcastle. Its design was produced by John Dobson, on commission from Richard Grainger in 1924. The author Harriet Martineau lived at number 28. The west and north terraces around the square were demolished in the 1960s to make way for part of Eldon Square Shopping Centre. The war memorial at the centre of the square was unveiled in 1923 and restored in 1991 and 2007.

answer: Eldon Square was built as part of the 1825-40 reconstruction of Newcastle city centre by engineer and architect John Dobson. It was commissioned by Richard Grainger. The design was made according to Dobson's design of Eldon Square for three terraces facing a central square each with 27 bays of windows on the east-west terraces and 39 on the north terrace, facing with finely cut ashlar, but with no other decoration. In 1824 the construction was started and was finished by 1839. The following year the square was approached by Harriet Martineau, a writer.

text: Some details in the answer are not present in the original passage (even though they could be accurate)

refinement: Eldon Square was built as part of the 1825-40 reconstruction of Newcastle city centre designed by John Dobson. It was commissioned by Richard Grainger. The design was made according to Dobson's design of Eldon Square for three terraces facing a central square each with 27 bays of windows on the east-west terraces and 39 on the north terrace, facing with finely cut ashlar, but with no other decoration. The writer Harriet Martineau lived at number 28.

text: Detail about the war memorial and shopping centre that are relevant to the Square's history are not included.

refinement: Eldon Square was built as part of the 1825-40 reconstruction of Newcastle city centre designed by John Dobson. It was commissioned by Richard Grainger. The design was made according to Dobson's design of Eldon Square for three terraces facing a central square each with 27 bays of windows on the east-west terraces and 39 on the north terrace, facing with finely cut ashlar, but with no other decoration. The writer Harriet Martineau lived at number 28. The war memorial at the centre of the square was unveiled in 1923 and designed by Charles Leonard Hartwell; it was restored in 1991 and 2007. In the 1960s the west and north terraces around the square were demolished and replaced by part of Eldon Square Shopping Centre, which was further renovated in 2008.

answer: Eldon Square was built during the 1825-40 reconstruction of Newcastle City Centre. It is situated on Blackett Street and has a war memorial and a shopping centre. The war memorial is a large Portland stone pedestal featuring four different reliefs and a bronze equestrian statue of Saint George. The west and north terraces around the square had been demolished to create part of the Eldon Square Shopping Centre and some renovation was completed in 2008.

text: Omission of some of the square's history.

refinement: Eldon Square was built during the 1825-40 reconstruction of Newcastle City Centre. It was designed in 1824 by John Dobson. It is situated on Blackett Street and has a war memorial and a shopping centre. The war memorial was designed by Charles Leonard Hartwell and unveiled in 1923. It is a large Portland stone pedestal featuring four different reliefs and a bronze equestrian statue of Saint George. The west and north terraces around the square had been demolished to create part of the Eldon Square Shopping Centre and some renovation was completed in 2008.

text: Inclusion of information that is not relevant to the question.

refinement: Eldon Square was built during the 1825-40 reconstruction of Newcastle City Centre. It was designed in 1824 by John Dobson. The war memorial was designed by Charles Leonard Hartwell and unveiled in 1923. The west and north terraces around the square had been demolished to create part of the Eldon Square Shopping Centre and some renovation was completed in 2008.

answer: Eldon Square was built as part of the 1825-40 reconstruction of Newcastle city center. It was commissioned by Richard Grainger. The design was for three terraces facing a central square, each terrace being of two and a half storeys. Each terrace has indoor balconies and cast-iron balustrades. It was designed by Charles Leonard Hartwell, and it was said that the terraces would be maintained as they were only the surrounding buildings that would be replaced. The war memorial was designed by Charles Leonard Hartwell.

text: Repetition and inclusion of information that is not relevant to answering the question.

refinement: Eldon Square was built as part of the 1825-40 reconstruction of Newcastle city center. It was commissioned by Richard Grainger. The war memorial was designed by Charles Leonard Hartwell.

text: Significant omission of detail about the square's history

refinement: Eldon Square was built as part of the 1825-40 reconstruction of Newcastle city center. It was designed by John Dobson in 1824, on commission from Richard Grainger. The war memorial was designed by Charles Leonard Hartwell and unveiled in 1923. In the 1960s the west and north terraces around the square were demolished and replaced b part of Eldon Square Shopping Centre, which was further renovated in 2008.

answer: Old Eldon Square is a public square on Blackett Street, Newcastle upon Tyne, England. It was built as part of the reconstruction of Newcastle City Center from 1825-1840. Richard Grainger commissioned John Dobson to design Eldon Square in 1824.

text: Inclusion of information that is not relevant to answering the question.

refinement: Eldon Square was built as part of the reconstruction of Newcastle City Center from 1825-1840. Richard Grainger commissioned John Dobson to design Eldon Square in 1824.

text: Detail about the square's history is missing.

refinement: Eldon Square was built as part of the reconstruction of Newcastle City Center from 1825-1840. Richard Grainger commissioned John Dobson to design Eldon Square in 1824. A war memorial is at the centre of the square, which was designed by Charles Leonard Hartwell and unveiled in 1923. In the 1960s, the west and north terraces around the square were demolished and replaced by part of Eldon Square Shopping Centre, which was further renovated in 2008.

question:
Answer the following question based on the above passage:

What does the text say about the War Memorial at Eldon Square?

answer: Designed in 1923 by Charles Leonard Hartwell, the war memorial is a large stone pedestal inscribed with words "Memory Lingers Here" beneath a bronze sculpted wreath on its north surface. One each of its east, west and south surfaces, there is a bronze statue depicting Justice, Peace and a lion respectively. atop the memorial is a large bronze equestrian statue of Saint George slaying the dragon.

text: Slight inaccuracy regarding what is on the south side of the memorial (it implies that there is a bronze statue of a lion, where the passage describes it as a sculpted picture of unspecified material)

refinement: Designed in 1923 by Charles Leonard Hartwell, the war memorial is a large stone pedestal inscribed with words "Memory Lingers Here" beneath a bronze sculpted wreath on its north surface. On each of its east, west and south surfaces, there is a bronze relief depicting Justice, a bronze relief of Peace, and a sculpted picture of a lion respectively. Atop the memorial is a large bronze equestrian statue of Saint George slaying the dragon.

text: Some detail about the memorial's history is excluded.

refinement: Designed in 1923 by Charles Leonard Hartwell, the war memorial is a large stone pedestal inscribed with words "Memory Lingers Here" beneath a bronze sculpted wreath on its north surface. On each of its east, west and south surfaces, there is a bronze relief depicting Justice, a bronze relief of Peace, and a sculpted picture of a lion respectively. Atop the memorial is a large bronze equestrian statue of Saint George slaying the dragon. The memorial was restored in 1991 and 2007.

answer: The war memorial was designed by Charles Leonard Hartwell and unveiled by Earl Haig in 1923. It is situated at the center of Eldon Square and was restored in 1991 and 2007. The war memorial is a large Portland stone pedestal with a different relief on each of the four sides designed by Cackett and Burns. Each side (N, S, W, E) carries a different message. On the top is a large bronze equestrian of Saint George slaying the dragon. He is the patron saint of infantrymen and cavalrymen.

answer: The War Memorial at Eldon Square is a large Portland stone pedestal with a different relief on each of its four sides. The North side features a bronze sculptured wreath and the South side features a sculptured picture of a lion below the dates 1914-1918 and 1939-1945. The East side features a bronze relief of Lady Justice displaying two grieving women and the West side features a bronze relief of Peace displaying a woman with a child and the Angel of Peace. The top of the pedestal features a large bronze equestrian statue of Saint George slaying the dragon. The pedestal was designed by Cackett and Burns. It was restored in 1991 and 2007. The War Memorial is situated at the center of Eldon Square.

text: Omission of some of the memorial's history.

refinement: The War Memorial at Eldon Square is a large Portland stone pedestal with a different relief on each of its four sides. The North side features a bronze sculptured wreath and the South side features a sculptured picture of a lion below the dates 1914-1918 and 1939-1945. The East side features a bronze relief of Lady Justice displaying two grieving women and the West side features a bronze relief of Peace displaying a woman with a child and the Angel of Peace. The top of the pedestal features a large bronze equestrian statue of Saint George slaying the dragon. The pedestal was designed by Cackett and Burns. It was restored in 1991 and 2007. The War Memorial is situated at the center of Eldon Square, and was designed by Charles Leonard Hartwell and unveiled by Earl Haig in 1923.

answer: Hargreaves Square's war memorial is a Portland stone pedestal with different memorials on the four sides. The North side has the words, “Memory Lingers Here,” over a wreath. The South has a sculpted picture of a lion and the dates 1914-1918 and 1939-1945. On the East, there is a bronze relief of Justice with two grieving women and a third Lady Justice. The West side is bronze relief of Peace with a woman with a child and the Angel of Peace.

text: The memorial is at Eldon Square, not Hargreaves Square

refinement: Eldon Square's war memorial is a Portland stone pedestal with different memorials on the four sides. The North side has the words, “Memory Lingers Here,” over a wreath. The South has a sculpted picture of a lion and the dates 1914-1918 and 1939-1945. On the East, there is a bronze relief of Justice with two grieving women and a third Lady Justice. The West side is bronze relief of Peace with a woman with a child and the Angel of Peace.

text: The answer does not include key parts of the war memorial's history and also part of its description.

refinement: Eldon Square's war memorial is a Portland stone pedestal with different memorials on the four sides. The North side has the words, “Memory Lingers Here,” over a wreath. The South has a sculpted picture of a lion and the dates 1914-1918 and 1939-1945. On the East, there is a bronze relief of Justice with two grieving women and a third Lady Justice. The West side is bronze relief of Peace with a woman with a child and the Angel of Peace. On the top is a large bronze equestrian statue of Saint George slaying the dragon. The war memorial was designed by Charles Leonard Hartwell and unveiled in 1923, while the pedestal was designed by Cackett and Burns. It was restored in 1991 and 2007.

answer: The War Memorial for Eldon Square features four reliefs on each side, including a bronze sculptured wreath on the north side and a bronze relief of Justice displaying two grieving women on the east side. The centerpiece is a bronze equestrian statue of Saint George slaying the dragon. The memorial was designed by Charles Leonard Hartwell and unveiled by Earl Haig in 1923. Today, it remains at the center of the square, surrounded by renovations completed in 2008.

text: It is not clear that the war memorial is surrounded by renovations completed in 2008.

refinement: The War Memorial for Eldon Square features four reliefs on each side, including a bronze sculptured wreath on the north side and a bronze relief of Justice displaying two grieving women on the east side. The centerpiece is a bronze equestrian statue of Saint George slaying the dragon. The memorial was designed by Charles Leonard Hartwell and unveiled by Earl Haig in 1923. Today, it remains at the center of the square.

text: Omission of some detail about the design and history.

refinement: The War Memorial for Eldon Square features four reliefs on each side, including a bronze sculptured wreath on the north side and a bronze relief of Justice displaying two grieving women on the east side. The centerpiece is a bronze equestrian statue of Saint George slaying the dragon. The memorial was designed by Charles Leonard Hartwell and unveiled by Earl Haig in 1923. The pedestal was designed by Cackett and Burns. Today, it remains at the center of the square following restoration in 1991 and 2007.

question:
Answer the following question based on the above passage:

What does the text say about the Eldon Square Shopping Center?

answer: The Eldon Square Shopping Center now dominates the square. Renovation was completed in 2008 and the square now features new landscaping and ground level access. The center was constructed following the demolition of the west and north terraces.

text: Slight omission regarding the history of the shopping centre.

refinement: The Eldon Square Shopping Center now dominates the square. Renovation was completed in 2008 and the square now features new landscaping and ground level access. The center was constructed following the demolition of the west and north terraces in the 1960s.

answer: The west and north terraces around the square were demolished in the 1960s and replaced by a portion of the Eldon Square Shopping Center which now dominates Old Eldon Square. The councilor at the time stated that only the buildings surrounding the square will be removed and the square would be maintained. The square now features new landscaping and ground-level access to the shopping center after renovations were completed in 2008.

answer: The Eldon Square Shopping Centre now dominates Old Eldon Square. While some renovation was completed in 2008, the shopping centre features new landscaping, ground level access and various architectural features.

text: Omission of the history around the shopping centre.

refinement: In the 1960s, the west and north terraces around Eldon Square were demolished and replaced by part of Eldon Square Shopping Centre, which now dominates Old Eldon Square. While some renovation was completed in 2008, the shopping centre features new landscaping, ground level access and various architectural features.

text: Minor amendment to read more grammatically

refinement: In the 1960s, the west and north terraces around Eldon Square were demolished and replaced by part of Eldon Square Shopping Centre, which now dominates Old Eldon Square. After some renovation was completed in 2008, the shopping centre features new landscaping, ground level access and various architectural features.

answer: In the 1960s parts of the square was demolished to be replaced by the Eldon Square Shopping Center. At the time a councilor was quoted saying that only buildings surrounding the square would be removed. While the shopping center was built, the Eldon Square Shopping Center Development Proposals were put in place in 2008. The Eldon Square Shopping Center was said to be part of the renovations of Eldon Square at the time, but it is not clear if both the square and the shopping center received some kind of work.

text: The detail around the shopping centre development proposals are not present in the passage. Only renovations in 2008 are mentioned.

refinement: In the 1960s parts of the square was demolished to be replaced by the Eldon Square Shopping Center. At the time a councillor was quoted saying that only buildings surrounding the square would be removed.

text: Omission of some of the description of the shopping centre.

refinement: In the 1960s parts of the square was demolished to be replaced by the Eldon Square Shopping Center. At the time a councillor was quoted saying that only buildings surrounding the square would be removed. Following some renovation in 2008, the square now features new landscaping and ground level access to the shopping centre.

answer: In the 1960s, when it was still a public square, the north and west terraces of Eldon Square were demolished to make way for the Eldon Square Shopping Centre. They redeveloped the square in 2008. The modern redevelopment made ground level access to the centre and landscaping improvements, to the dismay of some people.


text:
BRAZIL–NIGERIA RELATIONS refers to the current and historical relations between the Federative Republic of Brazil and the Federal Republic of Nigeria. Brazil and Nigeria maintain a traditional and diversified relationship, with a strong Nigerian influence on Brazilian cultural and social formation.[1] Both nations are members of the Group of 77 and the United Nations.

History

During the Atlantic slave trade, Portugal transported many African slaves from Nigeria to Brazil, primarily to the Brazilian State of Bahia.[2] In the 19th century, many emancipated Afro-Brazilians traveled to West Africa to settle. Brazilians in Nigeria became known as _Agudas_ and created a Brazilian quarter in Lagos.[3] A census taken in 1888 by the British colonial government in Nigeria recorded 3,221 Brazilians in Lagos.[4]

In October 1960, Nigeria obtained its independence from the United Kingdom. Brazil was the only South American country invited to Nigeria's proclamation of independence and both nations established diplomatic relations.[5] In 1961, Brazil opened a resident embassy in Lagos and in 1966, Nigeria opened a resident embassy in Brasília.[6] Initially, relations remained relatively basic, centered more on cultural sentiments and historical affinity than on any deep commercial connection.[7]

In 1983, President João Figueiredo became the first Brazilian head-of-state to visit Nigeria. In 2005, Brazilian President Luiz Inácio Lula da Silva paid a visit to Nigeria and the Brazilian embassy in Lagos was transferred to Abuja. That same year, President Olusegun Obasanjo became the first Nigerian head-of-state to visit Brazil.[8] There have been several high-level visits between leaders and foreign ministers of both nations.

Brazil and Nigeria continue to maintain close cultural links. There have been joint efforts between Nigeria's Centre for Black and African Arts and Civilization and the Brazilian government (through Brazil's Special Secretariat) to promote policies on racial equality.[9] In December 2019, Brazilian Foreign Minister Ernesto Araújo paid a visit to Nigeria and met with Foreign Minister Geoffrey Onyeama.[10] During his visit, Foreign Minister Araújo stressed that three fundamental pillars should guide Brazilian-Nigerian cooperation: economy (trade and investment), defense and security, and the enhancement of human relations. Furthermore, both nations cited the potential of agricultural cooperation, with the development of technologies for agribusiness that ensure greater productivity without putting the environment at risk and highlighted the bilateral agricultural development program called _Green Imperative_.[11]

High-level visits

[Nigerian President Olusegun Obasanjo and Brazilian President Luiz Inácio Lula da Silva attending Brazilian Independence celebrations in Brasília; September 2005.] [Brazilian President Luiz Inácio Lula da Silva and Nigerian President Umaru Musa Yar'Adua in Brasília; 2009.] HIGH-LEVEL VISITS FROM BRAZIL TO NIGERIA

-   Foreign Minister Mário Gibson Barboza (1972)
-   Foreign Minister Ramiro Saraiva Guerreiro (1981)
-   President João Figueiredo (1983)
-   Foreign Minister Roberto Costa de Abreu Sodré (1986)
-   Foreign Minister Celso Amorim (2005)
-   President Luiz Inácio Lula da Silva (2005, 2006)
-   President Dilma Rousseff (2013)
-   Foreign Minister Aloysio Nunes (2017)
-   Foreign Minister Ernesto Araújo (2019)

HIGH-LEVEL VISITS FROM NIGERIA TO BRAZIL

-   Foreign Minister Okoi Arikpo (1974)
-   Foreign Minister Joseph Nanven Garba (1977)
-   Vice President Shehu Musa Yar'Adua (1979)
-   Foreign Minister Ike Nwachukwu (1988)
-   Vice President Atiku Abubakar (2000)
-   President Olusegun Obasanjo (2005)
-   Foreign Minister Oluyemi Adeniji (2006)
-   President Umaru Musa Yar'Adua (2009)
-   President Goodluck Jonathan (2012)
-   Foreign Minister Olugbenga Ashiru (2013)
-   Vice President Namadi Sambo (2013)
-   Foreign Minister Geoffrey Onyeama (2018)

Bilateral agreements

Both nations have signed several agreements such as an Agreement for Cultural and Educational Cooperation (2000); Agreement on Trade and Investment (2005); Agreement on Technical Cooperation (2005); Agreement on Cultural Cooperation (2005); Agreement for Regular Political Consultations (2005); Agreement on Energy Cooperation (2009); Memorandum of Understanding on broad areas of Cross-National Cooperation (2010); Agreement on Defense Cooperation (2010) and a Memorandum of Understanding for the creation of a Bilateral Strategic Dialogue Mechanism (2013).[12][13]

Resident diplomatic missions

-   Brazil has an embassy in Abuja and a consulate-general in Lagos.[14]
-   Nigeria has an embassy in Brasília.

[1] Brasil-Nigéria (in Portuguese)

[2] How enslaved Nigerians in Brazil helped usher in the end of international slave trade in 1835

[3] Is Nigeria's Brazilian heritage under threat?

[4]

[5]

[6]

[7] Nigeria and the BRICs

[8]

[9]

[10] Chanceler destaca papel da Nigéria na aproximação Brasil-África (in Portuguese)

[11]

[12]

[13]

[14] Embassy of Brazil in Abuja

title: Brazil–Nigeria relations

question:
Answer the following question based on the above passage:

What does the text say about Brazil and Nigeria before the 1900s?

answer: Before the 20th century, the majority of Brazil's population consisted of slaves from Nigeria. Many of these slaves were taken by the Portuguese to Brazil and Panama. Naturally, this had a profound influence on Brazilian culture given that their own people were a people of slaves. Additionally, many of these settlers who were of African descent returned to Nigeria, but many more decided to make "the mother nation their home" as the author puts it. Compared to Native Brazilians, many of the settlers from Africa had much more success in making a home due to white supremacist ideals, which translates to euro-centric ideals in Brazil.

text:
-The text doesn't mention Panama, so the answer should not include this.
-Most of the information in the answer is outsourced and not according to the text. The model should consider removing these unnecessary details and stick to the information provided in the text.

refinement: Before the 20th century, the majority of Brazil's population consisted of slaves from Nigeria. Many of these slaves were taken by the Portuguese to Brazil. Naturally, this had a profound influence on Brazilian culture given that their own people were a people of slaves. Additionally, many of these settlers who were of African descent returned to Nigeria.

text:
-The answer omits that Brazilians in Nigeria were known as Agudas, and they created a Brazilian headquarter for them in Lagos. This should be stated.
-The answer also omits that a consensus held in 1888 revealed that there were approximately 3,221 brazilians in Lagos. The model should include this.

refinement: Before the 20th century, the majority of Brazil's population consisted of slaves from Nigeria. Many of these slaves were taken by the Portuguese to Brazil. Naturally, this had a profound influence on Brazilian culture given that their people were a people of slaves. Additionally, many of these settlers who were of African descent returned to Nigeria. In addition to this, Brazilians in Nigeria were called Agudas, and they created a Brazilian quarter in Lagos. In 1888, a census by the British government in Nigeria recorded 3,221 Brazilians in Lagos.

answer: Many slaves were transported from Nigeria to Brazil by Portugal during the Atlantic slave trade. In the 19th century, many emancipated Afro-Brazilians traveled to West Africa to settle. Brazilians in Nigeria became known as Agudas, and they created a Brazilian quarter in Lagos. According to a 1888 census, there were 3,221 Brazilians living in Lagos.

text: The last line of the answer should be 'an 1888 census' not 'a 1888 census' because the latter is grammatically incorrect. This should be corrected.

refinement: Many slaves were transported from Nigeria to Brazil by Portugal during the Atlantic slave trade. In the 19th century, many emancipated Afro-Brazilians traveled to West Africa to settle. Brazilians in Nigeria became known as Agudas, and they created a Brazilian quarter in Lagos. According to an 1888 census, there were 3,221 Brazilians living in Lagos.

answer: No answer

text: Empty response.

refinement: Many slaves were transported from Nigeria to Brazil by Portugal during the Atlantic slave trade. In the 19th century, many emancipated Afro-Brazilians traveled to West Africa to settle. Brazilians in Nigeria became known as Agudas, and they created a Brazilian quarter in Lagos. According to an 1888 census, 3,221 Brazilians were living in Lagos.

answer: Brazil and Nigeria have had a traditional and diversified relationship rooted in migration and cultural exchange. During the Atlantic slave trade, many African slaves were brought from Nigeria to Brazil. Since Nigeria gained independence from the United Kingdom in 1960, diplomatic relations have developed, primarily based on cultural sentiments and historical affinity. Bilateral agreements have been signed to promote cooperation in diverse areas ranging from trade to defense. Both nations currently have diplomatic missions in one another's countries.

text: The last three sentences don't talk about Brazil and Nigeria before the 1900s. These sentences should be eliminated and replaced with the correct information from the text.

refinement: Brazil and Nigeria have had a traditional and diversified relationship rooted in migration and cultural exchange. During the Atlantic slave trade, many African slaves were brought from Nigeria to Brazil. In the 19th century, many emancipated Afro-Brazilians traveled to West Africa to settle. Then, Brazilians in Nigeria became known as Agudas, and they created a Brazilian quarter in Lagos. According to an 1888 census, 3,221 Brazilians were living in Lagos.

answer: In the late 19th century, many emancipated Afro-Brazilians traveled to West Africa to settle. At the time of Nigeria's independence, Brazil was the only South American country invited to its proclamation. Relations between both nations in this initial phase were more centered on cultural sentiments and historical affinity than on any deep commercial connection. However, both nations have signed several agreements for trade and investment and defense cooperation. Additionally, both nations have embassy missions in each other's country.

question:
Answer the following question based on the above passage:

What does the text say about Brazil and Nigeria in the 1960s?

answer: Brazil and Nigeria established diplomatic relations in 1960, shortly after Nigeria obtained its independence. At that time, relations remained mostly centered around cultural affinities and an historical connection. There have been several high-level visits and bilateral agreements since.

text: The answer is insufficient and fails to mention the events in the sixties between Brazil and Nigeria. For example, the model omits that Brazil was the only South American country invited to Nigeria's proclamation of independence. This should be adequately stated, among others, from the text.

refinement: At Nigeria's independence from the United Kingdom, Brazil was the only South American country invited to their proclamation of independence. Brazil and Nigeria established diplomatic relations shortly after Nigeria obtained its independence. In 1961, Brazil opened a resident embassy in Lagos, while Nigeria opened a resident embassy in Brasilia in 1966. Initially, relations remained mostly centered around cultural affinities and historical connections. There have been several high-level visits and bilateral agreements since.

answer: In October 1960, Nigeria obtained its independence from the United Kingdom. Brazil was the only South American country invited to Nigeria's proclamation of independence, and both nations established diplomatic relations. The two became ambassadors in 1961. Then in 1965, Nigeria opened a resident embassy in Brasilia, causing relations between them to widen.

text:
-The text says that in 1961, Brazil opened a resident embassy in Lagos. The model should rephrase its statement to this.
-Nigeria opened a resident embassy in Brasilia in 1966, not 1965. This should be corrected.

refinement: In October 1960, Nigeria obtained its independence from the United Kingdom. Brazil was the only South American country invited to Nigeria's proclamation of independence, and both nations established diplomatic relations. In 1961, Brazil opened a resident embassy in Lagos. Then in 1966, Nigeria opened a resident embassy in Brasilia, causing relations between them to widen.

answer: In 1960, Nigeria obtained its independence from the United Kingdom, and Brazil was the only South American country invited to Nigeria's proclamation of independence. Both nations established diplomatic relations, and in 1961, Brazil opened an embassy in Lagos, and in 1966, Nigeria opened an embassy in Brasilia. Initial relations were centered on cultural sentiments and historical affinity.

answer: In 1960, both Brazil and Nigeria established diplomatic relations following Nigeria's independence from the United Kingdom. In 1965, Brazil opened a resident embassy in Lagos and Nigeria opened a resident embassy in Brasília. Initially, relations were primarily based in cultural sentiments and historical affinity rather than on any deep commercial connection. High-level visits from both sides as well as various bilateral agreements were created in the following years.

text: Brazil opened a resident embassy in Lagos in 1961, while Nigeria opened its resident embassy in Brasilia in 1966. The model should consider effecting these corrections in its answer.

refinement: In 1960, both Brazil and Nigeria established diplomatic relations following Nigeria's independence from the United Kingdom. In 1961, Brazil opened a resident embassy in Lagos and Nigeria opened a resident embassy in Brasília in 1966. Initially, relations were primarily based in cultural sentiments and historical affinity rather than on any deep commercial connection. High-level visits from both sides as well as various bilateral agreements were created in the following years.

text: The answer omits that Brazil was the only South American country invited to Nigeria's proclamation of independence ceremony. This should be stated as well.

refinement: In 1960, Brazil was the only South American country invited to Nigeria's declaration of independence, and both countries established diplomatic relations afterward. In 1961, Brazil opened a resident embassy in Lagos and Nigeria opened a resident embassy in Brasília in 1966. Initially, relations were primarily based in cultural sentiments and historical affinity rather than on any deep commercial connection. High-level visits from both sides as well as various bilateral agreements were created in the following years.

text: It should be 'based on...' not 'based in...' This should be corrected.

refinement: In 1960, Brazil was the only South American country invited to Nigeria's declaration of independence, and both countries established diplomatic relations afterward. In 1961, Brazil opened a resident embassy in Lagos and Nigeria opened a resident embassy in Brasília in 1966. Initially, their relations were primarily based on cultural sentiments and historical affinity rather than on any deep commercial connection. High-level visits from both sides and various bilateral agreements were created in the following years.

answer: October 1960 was when the Nigerian obtained independence when they got their independence. Brazil was the only South American nation to be invited to Nigeria's independence day. They then established diplomatic relations. They opened resident embassies in Lagos and Brasilia in 1961 and 1966 respectively. Brazil's president, João Figueiredo, was the first head of state to pay a visit to Nigeria.

text: The first sentence of the answer should be restructured appropriately because it is grammatically awkward.

refinement: October 1960 was when Nigeria obtained its independence from the United Kingdom. Brazil was the only South American nation to be invited to Nigeria's independence day. They then established diplomatic relations. They opened resident embassies in Lagos and Brasilia in 1961 and 1966 respectively. Brazil's president, João Figueiredo, was the first head of state to pay a visit to Nigeria.

text: The last sentence of the answer should be removed because it was not an event that took place in the sixties.

refinement: October 1960 was when Nigeria obtained its independence from the United Kingdom. Brazil was the only South American nation to be invited to Nigeria's independence day. They then established diplomatic relations. They opened resident embassies in Lagos and Brasilia in 1961 and 1966, respectively.


text:
I remember having lived before. And, I think, a bit later. All though not much later. I am pretty certain this world nears an end. Or pherhaps its just my existance.
It doesn't really make much of a differense. I do hope though, that its only me. This place, this plane of existance on this planet where i have lived my lives is a beautiful place, and I hope it gets at least another few thousand years before expiery.

I could not tell you exactly howe many lives I lived. -Six, for certain, not counting my current embodiment. Flashes of memories that doesnt really fit elsewhere could suggest hundreds of lives. Some times when woken from deep sleep, I truly think I have lived all the lives there is. Yours too, and your parents, your kids and your pets. Every and all lives of men and mer, beasts, fish and bug. I have been the mindless plankton, drifting forever in the currents. I have been a great sabertoothed bear, larger than any bear the world can reminesence today and only a bear because no other mammal would fit the description. I have lived the short lives of mayflies and fleas, and the slow lives of rododendron and captive pandas and the small eterneties of trees . I have ripped flesh from bone with enourmus teeth, flown in and out of freezing clouds on hot-air currents and smelled the differences of earth and rock in the darkness beneath.

 In those seconds between the dream state and being consius, I have watched the boiling oceans settle and mountains grow. Through thousands upon thousands of eyes I have seen contintents break apart and sink, then rise and sink yet again. I have seen the world spanning forests grow and prosper and wither and die, just to feed the lesser forests that came after. I saw evolution happen in every direction, and even when seen from all angles, I could not [recognize] a plan. I have seen, and feldt and used, magick, first in its purest form, the almost purple light-crystals that raced across the night sky in the days of giants and elves. Later in more crude forms, trapped in stones on the tip of pompous mens staves or generated through blood offerings or the now forgotten tower on legendary Atlantis. I remember the disapointment of every conscius mind when the last raw magick was burned and the world became less.

But this is something I can only barely comprehend when awake, and the dreams are washed away. The certainty ebbs, and it is only dreams, except for the beformentioned at least six lives. I remember them mostly as you would remember your own life, through the memories of sight and smell and sound and thoughts. Not their entire lifetime, of course, but years and decages of toil and trouble, and occasional happiness. Discernable lives, hard lived, very different from each other. Despite its beauty, our world has never offered a very comforting life. At the point where physical danger cease, the mind-terror form. We either struggle to survive or we struggle to live, to find meaning where hunger was, to tear down the walls that fear built. You would not belive me as to wich life is preferable.

The reason I belive that my time nears an end is the lack of fear. I have vauge notions that I've felt this way before. After long stays in sickbeds, Right before sharp fangs close around my jugular. While looking into eyes so awash with fear there was nothing left for me, wondering wether the sharp noise or the piece of metal would hurt more.
 I am calm, but not as you would think of the word. The seemingly unmoving ocean will have a myriad of life, right under the surface. Uninhabited forests are never silent for the buzz of insects, desserts holds the ghosts of past, flashing visions into your [pheripical sight]. Your heart beats faster when you submerge in hot water, increasing all your body functions as your mind gets slow.
 The calm am feeling must rather be compared to an area of empty space, far from the path of any celestial body, barely in the light of few and distant stars.
This body is too young. It should not feel this way. But this mind is old, too old.
Too tired...

I am tired, I realize. Tired of this world? I don't know. I can not truly remember.
 I am tired of walking. I have seen most sights this world has offered (I can not remember any of me being the traveling type)
 I am tired of talking. I have said or heard all the words and all the meanings (One of me lived on his tounge, spinning thruths and weaving lies among men who thought themselves gods, walking underneath the white marble walls of the mountains they had built)
 I am tired of creating, as is the definite of man, and mans definiton of God. (I can almost remember, even in waking hours, the days of Indigo Rain, when magick left the heavens. The light-crystals dissipiated into a rainbow-colored fog that covered all the sky (How I wish I could have seen earth from somewhere else in those days) and glowing, light blue drops fell to earth for many generations. In those days, even the simplest mind could manifest a thought with some focus and willpower)
I am tired of being, and it suddenly feels like I have never truly slept. There's no recollection of darkness after an ended life, and the dreams given by night offer no respite. My mind grows heavy as I try to contemplate the possibilty of them being real, but I quickly dislodge the thought. It would not do to loose what sanity I got left.

I am tired, and I think you can see it in my eyes. I have settled on observing, wich is not difficult in an age where everywhere is always under monitor. You, all of you, make do in a world that is not fair to you, and you don't back down. You live hard lives, in fear and struggle, but descernable lifes, and beautiful lives. I am proud of you.

title: On perspective, and the lives of man

question: How many times has the author lived?

answer: They seem to think six, though they're not sure.

text: No content

answer: The word "man" has a few different connotations in this passage, but on the whole, the author has lived six times, as stated in the passage.

text: The first part of this sentence is not necessary

refinement: The author has lived six times, as stated in the passage.

question: Is the author conscious?

answer: Based on the passage, it is safe to say that the author is conscious. The author discusses experiences (both in dreams and in waking life) that indicate awareness. Additionally, the author has a sophisticated grasp of language and is able to communicate his thoughts eloquently and logically.

answer: It seems like the author is aware of his own consciousness but maybe not completely stable; he or she seems to be on the verge of breaking down and losing their sanity. The author is appreciative of the lives of the people around them, admiring how they stand strong against the difficult circumstances they face. Although the author seems to be becoming aware that their time might be coming to an end, they seem to accept this and are proud of the people still going strong.

answer: They do not know, by their own admission.

text: This is not accurate.

refinement: They are conscious of themselves and of their life.

question: Why does the author believe the end is near?

answer: Their lack of fear.

text: No content

answer: The author believes the end is near because they are growing weary.

text: This is an incorrect motivation of the narrator.

refinement: The author believes the end is near because they do not feel fear.

question: What time of day is it?

answer: It is unclear, though the sun is described as "falling down".

text: The story is not told in any time of day.

refinement: The story is not told in any time of day.

answer: It's the morning.

text: The story is not told in any time of day.

refinement: The story is not told in any time of day.

answer: It is morning.

text: The story is not told in any time of day.

refinement: The story is not told in any time of day.

question: Write a ~4 sentence summary.

answer: This passage takes the shape of a rumination on the author's life. The author mentions how despite life being difficult as it always has been, he is tired, most likely of living in a body that is young and should not feel that way. This passage could be summaried as the author feeling old and tired in an unusually young body and wishing to let go and retire.

text: This is not accurate, it misses the reincarnation which is the point of the story.

refinement: This passage takes the shape of a rumination on the author's many lifetimes. The author mentions how despite life being difficult as it always has been, he is tired, most likely of living in a body at all. This passage could be summaried as the author feeling old and tired and ready to die, unlike in their many incarnations beforehand.

text: There is no content here.

refinement: This story is about a person who has lived many lifetimes in different bodies. They discuss how this one feels different, and they feel that they may be dying soon.

answer: notes: This passage is about six lives of old man who, despite the beauty of the world and its inhabitation, is tired. He doesn't much care about ordinary living anymore, preferring instead observation and storytelling. He writes this passage for us so that we may know that he's proud of us in spite of the struggles of the world.

answer: The unnamed narrator suggests that despite its beauty, they believe the Planet is near the end of its progression or, alternatively, his own life is reaching its end. He believes that mortals are unable to escape fear, and are constantly fighting it. Habitual interactions and creations are tedious, and the light of hope is becoming lost.

text: This is not accurate, it misses the reincarnation which is the point of the story.

refinement: The unnamed narrator suggests that despite its beauty, they believe the Planet is near the end of its progression or, alternatively, his own cycles of reincarnation are reaching their end. He believes that mortals are unable to escape fear, and are constantly fighting it. However he feels unafraid now.

answer: The narrator talks about consciousness and knowing the end is near. They seem to be oscillating between dream and wakefulness. They know the end is near because of the absence of fear. It is morning and they do not know what will happen.

text: This is not accurate, it misses the reincarnation which is the point of the story.

refinement: The narrator talks about consciousness, reincarnation and knowing the end is near. They seem to be oscillating between dream and wakefulness. They know the end is near because of the absence of fear.

answer: The twisted, nonlinear narrative of the narrator, as he reflects on the lives he has lived reiterates the contrasting beauty and horror of existence. He's seen evolution happen in every direction however is unable to make sense of it. He is aware that the world will soon end but does not know which is worse, a beautiful yet short life or a more lengthy one filled with horror and fear.

text: This summary misses a few details about what the narrator feels.

refinement: The twisted, nonlinear story of the narrator, as he reflects on the lives he has lived reiterates the contrasting beauty and horror of existence. He's seen evolution happen in every direction however is unable to make sense of it. He believes that the world may soon end but finds himself curiously without fear.


text:
_PEOPLE V. DLUGASH_ (1977) was a pivotal decision from the Court of Appeals of New York involving the principle of attempt in criminal law. It established that “legal impossibility,” where one or more legal elements of a crime cannot be met, is not a defense for an attempt charge.[1] This revolutionized the way New York courts analyze attempt, by shifting the focus from external circumstances to the state of mind of the defendant. The court looked to the Model Penal Code (MPC) for guidance in writing this decision, and recognized the MPC's goal of eliminating all types of impossibility as a defense for attempt.[2]

The defendant, Melvin Dlugash, shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. Dlugash allegedly shot the dead body out of fear, and with the hope of placating the actual killer by showing solidarity.[3] Despite this, the jury believed that Dlugash intended to kill the victim, so the Court of Appeals of New York upheld an attempted murder conviction.

[1]

[2]

[3]

title: People v. Dlugash

question: How important was People v. Daglish (1977) ruling in the Court of Appeals, New York?

answer: The ruling in People v. Dlugash (1977) was pivotal in the Court of Appeals, New York.

text: It should be included how the ruling was pivotal.

refinement: The ruling in People v. Dlugash (1977) was pivotal in the Court of Appeals, New York because established that "legal impossibility" is not a defense for an attempt charge.

answer: It was pivotal as it established that the concept of "legal impossibility" is not a defense for an attempt charge.

answer: The Daglish ruling was pivotal in establishing that "legal impossibility" is not a defense for an attempt charge. This decision revolutionized the way New York courts analyze attempt, and shifted the focus from external circumstances to the state of mind of the defendant.

answer: It was a pivotal decision that established that "legal impossibility" is not a defense for an attempt charge.

question: What did People v. Daglish accomplish in the way the courts look at evidence?

answer: The ruling shifted focus from external circumstances to the defendant's state of mind when analyzing cases.

answer: People v. Dlugash revolutionized the way New York courts analyze attempt, by shifting the focus from external circumstances to the state of mind of the defendant.

answer: People v. Dlugash established that impossibility is not a defense for an attempt charge, regardless of the circumstances. This was based on the Model Penal Code, which aims to eliminate all types of impossibility as a defense for attempt.

text: The answer makes more sense as " the way New York courts analyze attempt, shifting the focus from external circumstances to the state of mind of the defendant". The word "analyze" works with "evidence".

refinement: It revolutionized the way New York courts analyze attempt, by shifting the focus from external circumstances to the state of mind of the defendant

answer: It shifted the focus from external circumstances to the state of mind of the defendant.

question: What were the details of the Daglish case?

answer: The defendant, Melvin Dlugash, was charged with attempted murder after shooting a dead body. The Court of Appeals of New York upheld the conviction, despite the fact that the crime was legally impossible to commit.

text: It's omitted that Dlugash shot the body out of fear.

refinement: The defendant, Melvin Dlugash, was charged with attempted murder after shooting a dead body. He allegedly shot the body out of fear. The Court of Appeals of New York upheld the conviction, despite the fact that the crime was legally impossible to commit.

answer: The defendant, Melvin Dlugash, shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. Dlugash allegedly shot the dead body out of fear, and with the hope of placating the actual killer by showing solidarity.

text: It's omitted that the jury believed Dlugash intended to kill the victim regardless.

refinement: The defendant, Melvin Dlugash, shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. Dlugash allegedly shot the dead body out of fear, and with the hope of placating the actual killer by showing solidarity. Regardless, the jury still believed he intended to kill the victim regardless.

answer: Dlugash shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. Dlugash allegedly shot the dead body out of fear, and with the hope of placating the actual killer by showing solidarity. Despite this, the jury believed that Dlugash intended to kill the victim, so the Court of Appeals of New York upheld an attempted murder conviction.

answer: Daglish shot a dead body and was charged with attempted murder. Though the crime was legally impossible to commit, the jury believed that Daglish intended to kill the victim, hence upheld an attempted murder conviction.

question: Write a ~3 sentence summary.

answer:
People v. Daglish (1977) ruling in the Court of Appeals, New York represents a huge turning point in the legal history of the United States. The ruling established that the concept of "legal impossibility" is not a defense for an attempt charge, shifting focus from external circumstances to a defendant's state of mind when analyzing cases.

In the People v. Daglish, it was noted that Daglish though he shot a dead body, an act which is legally impossible, he was still guilty as he intended to kill the victim.

text: "Dlugash" is spelled incorrectly as "Daglish" throughout the summary.

refinement: People v. Dlugash (1977) ruling in the Court of Appeals, New York represents a huge turning point in the legal history of the United States. The ruling established that the concept of "legal impossibility" is not a defense for an attempt charge, shifting focus from external circumstances to a defendant's state of mind when analyzing cases. In the People v. Dlugash, it was noted that Dlugash though he shot a dead body, an act which is legally impossible, he was still guilty as he intended to kill the victim.

text: Remove "Dlugash" from "that Dlugash though he".

refinement: People v. Dlugash (1977) ruling in the Court of Appeals, New York represents a huge turning point in the legal history of the United States. The ruling established that the concept of "legal impossibility" is not a defense for an attempt charge, shifting focus from external circumstances to a defendant's state of mind when analyzing cases. In the People v. Dlugash, it was noted though he shot a dead body, an act which is legally impossible, he was still guilty as he intended to kill the victim.

answer: People v. Dlugash was a pivotal decision from the Court of Appeals of New York involving the principle of attempt in criminal law. It established that "legal impossibility," where one or more legal elements of a crime cannot be met, is not a defense for an attempt charge. This revolutionized the way New York courts analyze attempt, by shifting the focus from external circumstances to the state of mind of the defendant.

text: The year this decision was made is omitted.

refinement: People v. Dlugash (1977) was a pivotal decision from the Court of Appeals of New York involving the principle of attempt in criminal law. It established that "legal impossibility," where one or more legal elements of a crime cannot be met, is not a defense for an attempt charge. This revolutionized the way New York courts analyze attempt, by shifting the focus from external circumstances to the state of mind of the defendant.

answer: The defendant, Melvin Dlugash, shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. Dlugash allegedly shot the dead body out of fear, and with the hope of placating the actual killer by showing solidarity. Despite this, the jury believed that Dlugash intended to kill the victim, so the Court of Appeals of New York upheld an attempted murder conviction.

text: The name of the decision is missing.

refinement: In People v. Dlugash, the defendant, Melvin Dlugash, shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. Dlugash allegedly shot the dead body out of fear, and with the hope of placating the actual killer by showing solidarity. Despite this, the jury believed that Dlugash intended to kill the victim, so the Court of Appeals of New York upheld an attempted murder conviction.

text: The year when the decision was made is omitted.

refinement: In People v. Dlugash (1977), the defendant, Melvin Dlugash, shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. Dlugash allegedly shot the dead body out of fear, and with the hope of placating the actual killer by showing solidarity. Despite this, the jury believed that Dlugash intended to kill the victim, so the Court of Appeals of New York upheld an attempted murder conviction.

text: The importance of the verdict is omitted. This is more important than including Dlugash's motive.

refinement: In People v. Dlugash (1977), the defendant, Melvin Dlugash, shot a dead body and was charged with attempted murder, a crime that was legally impossible to commit. The jury believed that Dlugash intended to kill the victim, so the Court of Appeals of New York upheld an attempted murder conviction. The ruling established that the concept of "legal impossibility" is not a defense for an attempt charge, shifting focus from external circumstances to a defendant's state of mind when analyzing cases

answer: The Court of Appeals of New York ruled in People v. Dlugash that attempting to commit a crime that is legally impossible to commit is not a defense. The defendant, Melvin Dlugash, was charged with attempted murder after shooting a dead body, but the jury believed that he intended to kill the victim.

text: The year the verdict was made is omitted.

refinement: The Court of Appeals of New York ruled in People v. Dlugash (1977) that attempting to commit a crime that is legally impossible to commit is not a defense. The defendant, Melvin Dlugash, was charged with attempted murder after shooting a dead body, but the jury believed that he intended to kill the victim.

text: There is only two sentences instead of three. It's important to include what made this verdict pivotal.

refinement: The Court of Appeals of New York ruled in People v. Dlugash (1977) that attempting to commit a crime that is legally impossible to commit is not a defense. The defendant, Melvin Dlugash, was charged with attempted murder after shooting a dead body, but the jury believed that he intended to kill the victim. The ruling established that the concept of "legal impossibility" is not a defense for an attempt charge, shifting focus from external circumstances to a defendant's state of mind when analyzing cases.


text:
I had been sitting in that waiting room for what felt like forever. The last thing I remembered was that I was on the plane on my way home to see my family and friends. All of a sudden I got a stinging headache and couldn't see because of a bright light that filled my eyes. And then I was here. In this waiting room.

I looked around and realized I recognized some of these faces. These people had been with me on the plane. I wondered why I was here and what they were doing here as well. As I observed the room, I noticed that things seemed off. Some of the people didn't have the lower part of their bodies, some were holding a limb belonging to them. It didn't seem to bother them, they looked more confused about this whole situation.

The speakers hanging to the ceiling would occasionally announce a name and a person would walk through a big white door. Finally I heard my name announced. I stood up, looked around me and walked through the door at the far end of the room. I was greeted by a smiling woman in blood red scrubs.

"This way", she said and walked to the corridor on the left. I followed her until we arrived at what seemed to be an office.
"In here", she said. I walked into the unlit room, found a chair opposite to a desk and sat down. The woman shut the door and I could hear her walk away. I wondered why she hadn't turned on the light, I couldn't see anything. I sat there for a moment, still confused to what was happening.  All of a sudden, a light seemed to be turned on. I looked around until I saw a lamp in the corner of the room.

"So, you are here now. We have to find a place for you, I guess", said a voice behind me. I turned around to face the desk and I saw a giant of a man sitting there. He had ruffled hair and a long beard black as coal and wearing a plaid shirt underneath his white robe. Even though he was sitting, I had to look up to see his face. He did not seem old, but it was visible in his face that he was experienced with life.
"Uh... Where exactly am I?", I asked.
„We don‘t have time for games. You should've looked it up when you first came in here", he answered as he flipped through some files.
"I just remember being on a plane and getting a terrible headache and the next thing I know is that I‘m in this waiting room. I don‘t understand what‘s going on", I said.
"I am trying to sort out this situation for you. Would you please?", he replied. I was so surprised that I couldn't say a word. Neither one of us said anything for a while, the silence only broken by the sound of the paper as he scrolled through his files.
"Ah, yes. Here it is", he said. "I'm going to have to make some calls. If you would please go back to the waiting room. You‘ll be called again".

The door behind me opened. I stood up, turned around and walked out. The door closed behind me and I walked back to the big white door and to the waiting room. There were still many people there. I looked around to try and see if there were any signs or brochures with any information, but I could not find any. I took a seat. Shortly afterwards a woman who looked to be in her late thirties sat down close to me. She seemed scared.
"Do you have any idea where we are?", I asked her calmly. She looked at me and watched me for a while before muttering her reply.
"N-no... I don‘t...", she replied. I could see the fear in her eyes.
"What are you so afraid of?", I asked her.
"Nothing!", she replied. "Well, I have he-eard stories ab-bout this. But I don't believe tha-ats happening he-ere."
"What stories?", I asked her. The talking seemed to calm her down.
"Did you get the headache and see the white light too?", she asked.
"Yes. What does that have to do with anything?".
"They say it‘s death".
"Death?". I was shocked. I didn't know what to think.
"Yes", she replied. "A bright white light. The light at the end of the tunnel. Haven‘t you heard?".
I admitted I hadn't given it any thought. I was about to say something when I heard my name on the speaker system and forgot it. I stood up, walked to the white door and was greeted by another woman.

"Sorry to keep you waiting", she said. "Would you follow me please?".
I followed her as she walked straight ahead. We walked for long and turn after turn we finally stopped in front of a grey door. She looked at me and smiled as she opened the door to another unlit room. I looked in and the room was empty except for a sofa chair that seemed to be made with leather and a made up bed.
"This is your stop", the woman said.
This did not make me any less confused, but I walked into the room and she shut the door. I expected a light to be turned on, but after standing there for a moment nothing happened. Somehow I managed to find my way to the chair and sat down, thinking someone would come soon and explain what was happening, but nothing changed. No light was turned on, no one came. I stood up and tried to find the door, but no door handle was to be found. I tried banging on the walls and call, but the sounds died out as soon as I made them. Realizing that this would not help, I made my way back to the chair and sat down and waited.

title: The Waiting Room

question:
Answer the following question based on the above passage:

What does the waiting room in the story represent?

answer: It is the waiting room of death.

answer: It represents the various steps that theoretical non-physical bodies take from the physical world to the spiritual realm.

answer: It's not clear what this place represents. It appears to be some kind of intermediate. It's populated by souls who can no longer find their way to heaven or hell. In this world they have to wait while some unseen entity sifts through their lives' stories to decide where they should go. They also meet a man dressed as a judge. This guess is pure speculation as there are no transcripts or links to other sources.

text: Half of the details provided in the answer are unnecessary and should be removed.

refinement: It's not clear what this place represents. It appears to be some kind of intermediate. It's populated by souls who can no longer find their way to heaven or hell.

answer: The waiting room represents the afterlife.

question:
Answer the following question based on the above passage:

How did the narrator "die"?

answer: Noel cannot die, because it has no life to live in the first place.

text: The answer is entirely incorrect and should be rewritten.

refinement: The narrator possibly died from a blunt force trauma to the head after a plane crash and found themselves in a waiting room awaiting judgment.

answer: Information can't be found.

text: The answer can be inferred from the information provided in the text. The model should consider rewriting its answer.

refinement: It can be inferred from the story that the narrator died from a plane crash and found themselves in the waiting room awaiting judgment.

answer: They died in an airplane crash and wound up in a waiting room between life and the next life, an afterlife bureaucracy.

answer: They died in an airplane crash and wound up in someone's waiting room of an afterlife bureaucracy.

answer: The narrator is not dead. The narrator is in a waiting room, a purgatory of sorts, where they await judgment. The narrator is judged and found to be worthy of a place in the afterlife.

text: The story gives indications that the narrator was dead. This answer should be rewritten accurately.

refinement: The narrator died from a plane crash and found himself in a waiting room, a purgatory of sorts, where they await judgment. The narrator is judged and found to be worthy of a place in the afterlife.

text: The last sentence is irrelevant to the question and should be removed.

refinement: The narrator died from a plane crash and found himself in a waiting room, a purgatory of sorts, where they await judgment.

answer: It is not stated.

question:
Answer the following question based on the above passage:

Would the narrator feel panic or would be be comfortable when it dawned on him that he had died?

answer: He would be scared and also feel a sore dread. But he would also feel confused and befuddled.

answer: He would feel panic.

answer: He would feel panic.

answer: No answer.