text:
I have been here all this time, watching, waiting, observing.
My smiles running with your blood,
Your screams singing me to sleep.
I can be patient, I often have been, waiting for the next annihilation.
When it comes I can breathe again. Breathe the shattered bones, wear the torn skins as my trophies.
"So, am I Lucifer?" you ask. I smirk and shake my head.
"No" I reply, seeing you still haven’t learned the simple truth.
"No, my friend, I am you".

title: Who I Am, Who Am I?

question: Who is the narrator?

text: There should be an answer.

answer: The narrator is not Lucifer. He is himself.

text: I can see this, but I think the simpler answer might be "you".

refinement: The narrator is not Lucifer. He is himself.

text: There needs to be an answer.

question: Who is the narrator talking to?

answer: The narrator is talking to someone they perceive as being entirely consumed by fear and self-doubt.

text: This isn't untrue, but the more simplistic answer the author does give is: you.

answer: The narrator is talking to himself.

text: This is an okay interpretation because he says I am you, but the answer could also be you.

answer: The narrator is speaking to someone who is asking if they are Lucifer. The narrator replies that they are not Lucifer and that they are, in fact, "you". This could mean that the person the narrator is addressing is someone who possesses the same sick mindset as the narrator does; someone who enjoys destruction and violence.

text: There are a lot of supplementary adjectives here, most of which are not in the original text.

refinement: The narrator is speaking to someone who is asking if they are Lucifer. The narrator replies that they are not Lucifer and that they are, in fact, "you". This could mean that the person the narrator is addressing is someone who seems like they may be evil.

question: Why does the narrator wait for the next annihilation?

answer: The narrator waits for the next annihilation because it is an opportunity to enjoy the resulting violence, chaos, and destruction. This activity seems to give the narrator a sense of power and satisfaction.

answer: The narrator waits for the next annihilation because it allows him to enjoy destruction and come alive. It gives him an adrenaline rush and a moment of power - a sense of finally being fully alive.

answer: That is when the narrator can breathe again.

question: Who said: "No, my friend, I am you"?

answer: The narrator.

text:
"So, am I Lucifer?" you ask. I smirk and shake my head.
"No" I reply, seeing you still haven’t learned the simple truth.
"No, my friend, I am you".

text: No answer.

text: No answer.

question: Write a ~4 sentence summary.

answer:
The narrator is watching the devastation, ready to breathe the shattered bones as their trophies.
They breathed the blood of their victims like a chant. It wasn't a pleasure but had to be done. The narrator says no; they are not Lucifer but, rather, they are you.

answer: A person who is watching from the future claims to be Lucifer. He shakes his head when a person asks him. They are asking if he is Lucifer. The Lucifer figure claims he is the man's future self.

text: This isn't want happened-no one claimed to be Lucifer.

refinement: The narrator asks a person if they are asking if he is Lucifer. The Lucifer figure claims he is the man's future self.

text: We don't know the gender of the narrator or the figure (you).

refinement: The narrator asks a person if they are asking if he is Lucifer. The Lucifer figure claims they are the narrator's future self.

text: The narrator asks if they themselves are Lucifer-not the figure.

refinement: The narrator asks a person if they are asking if the narrator is Lucifer. The Lucifer figure claims they are the narrator's future self.

answer: The narrator has been watching, waiting, and observing their human prey. They breathe the broken bones, wear the torn skins, etc. as trophies. They know themselves as they are them. More information is not given in the text.

text: This misses the point that the narrator is the figure and the figure is the narrator. There's no prey, and no mention of human or not human.

refinement: The narrator has been watching, waiting, and observing. They breathe the broken bones, wear the torn skins, etc. as trophies. They know themselves as they are them. More information is not given in the text.

text: More information is absolutely given.

refinement: The narrator has been watching, waiting, and observing. They breathe the broken bones, wear the torn skins, etc. as trophies. They know themselves as they are them. They ask the figure if they (the narrator) are Lucifer; the figure responds, no-I am you.

answer: The narrator watches us from us all this time, waiting. Their smiles running with blood, and their screams singing the narrator to sleep. The narrator can't always be patient, and the wait sometimes breaks them. In the end, though, the narrator says that they are you.

text: I would have added the term Lucifer in there.

refinement: The narrator watches us from us all this time, waiting. Their smiles running with blood, and their screams singing the narrator to sleep. The narrator can't always be patient, and the wait sometimes breaks them. The narrator asks if the other is Lucifer. In the end, though, the narrator says that they are you.

answer: The narrator has been present and watching for all this time. Meanwhile, the narrator claims to be pushed into the minds of ordinary people. The narrator asks if the questioner is referring to Lucifer when the narrator replies 'no.' When the narrator says he is the person asking the questions, the questioner disagrees.

text: The narrator doesn't say they are the person asking the questions.

refinement: The narrator has been present and watching for all this time. Meanwhile, the narrator claims to be pushed into the minds of ordinary people. The narrator asks if the questioner is referring to Lucifer when the narrator replies 'no.' When the narrator says he is the person asking the questions, the questioner disagrees.

answer: The narrator patiently observes its object, waiting for the annihilation. When the annihilation comes, the narrator can breathe again. The object asks if the narrator is Lucifer. The narrator answers that he is himself, not someone else.

text: We don't know the gender of the narrator or this figure.

refinement: The narrator patiently observes its object, waiting for the annihilation. When the annihilation comes, the narrator can breathe again. The object asks if the narrator is Lucifer. The narrator answers that they are themselves, not someone else.


split: train

text:
LARRY JAMES GRANT (born February 16, 1985) is a former American football linebacker. He was drafted by the San Francisco 49ers in the seventh round of the 2008 NFL Draft. He played college football at Ohio State. Grant also played for the St. Louis Rams and Chicago Bears. He is the former head football coach at Paso Robles High School in California.[1]

Early years

Grant began during his freshman year at Foothill High School in Sacramento, California, where he lettered as a running back and safety (gridiron football position) safety. He then moved to Georgia, attending Meadowcreek High School in Norcross, Georgia for his sophomore and junior years. Grant then transferred to Norcross High School as a senior and lettered as a tailback, rushing for 450 yards with six touchdowns on only 35 carries (12.9 avg) during his senior campaign. He then left Norcross High in the winter, moving back to California, where he re-enrolled and graduated from Foothill High School.

College career

Grant attended City College of San Francisco before finishing his career at Ohio State. In 2005, Larry was named JUCO National Player of the Year. He played in four straight national championship games (two at City College and two at Ohio State). For his entire collegiate career, Grant started 38 of 49 games he played in, registering 244 tackles (162 solos) with 15.5 sacks and 30.5 stops for losses and caused eight fumbles, recovered three others and had nine pass break-ups, Also, he gained 131 yards on eight interception returns and blocked 15 kicks, returning three blocked punts for a total of 84 yards and a touchdown. Following the season, Grant was named the No. 1 junior college prospect from the state of California by JCGridiron.com.

In 25 games at Ohio State, Grant started 14 contests. He recorded 69 tackles (43 solos) with 5.5 sacks for minus-34 yards and 10 stops for losses of 45 yards. He caused a fumble, deflected three passes and intercepted two others for 68 yards in returns. He also blocked three kicks, returning two errant punts for a total of 17 yards. In 24 games at the City College of San Francisco, Grant recorded 175 tackles (119 solos) with 10 sacks and 20.5 stops for losses, as he caused seven fumbles, recovered three others and deflected six passes and also gained 63 yards with a touchdown on six interceptions and set both California junior college and NJCAA career records with 12 blocked kicks, scoring on a 65-yard punt runback. He was a two-time All-Region I, All-COA, All-California and All-NorCal Football Conference selection, adding NJCAA National Defensive Player of the Year, California Junior College Player of the Year and NJCAA First-team All-American honors as a senior while playing at City College of San Francisco (2004–05).

In 2007 at Ohio State, he started all 13 games, recording 51 tackles (35 solo, 16 assisted) along with 9.5 tackles for loss, and one interception that he returned for 19 yards and had Ohio State’s only two blocked kicks of the season. In 2006 at OSU he played in 12 games and started one game and collected 18 tackles on the season and blocked a punt and intercepted pass. In 2005 at the City College of San Francisco he recorded 85 tackles (56 solos) with four sacks and nine stops for losses, caused three fumbles, recovered another and broke up four passes, intercepted 6 passes and also blocked six punts. In 2004, he had 90 tackles (63 solos) with six sacks and 11.5 stops for losses, as he also broke up two passes and blocked six punts, and recovered two fumbles and caused four others

Professional career

San Francisco 49ers

Grant was drafted by the 49ers in the seventh round with the 214th overall pick in the 2008 NFL Draft.[2]

St. Louis Rams

He was signed by the St. Louis Rams at the end of the 2008 season from the 49ers practice squad. In 2010 Grant earned the starting weakside linebacker position for the Rams and ended up losing the position to Chris Chamberlain late in the season.

San Francisco 49ers (second stint)

Grant re-signed with the San Francisco 49ers on July 30, 2011. He would start 3 games at Inside Linebacker for an injured Patrick Willis late in December and registered a career-high 39 tackles for the season. At the end of the 2012 season, Grant and the 49ers appeared in Super Bowl XLVII. He contributed on special teams, but the 49ers fell to the Baltimore Ravens by a score of 34–31.[3]

Chicago Bears

Grant signed with the Chicago Bears on October 28, 2013.[4] The Bears released him on November 16, 2013.[5]

Cleveland Browns

Grant signed with the Cleveland Browns on May 21, 2014. He was released by the team on June 6.

[1]

[2]

[3]

[4]

[5]

title: Larry Grant (American football)

question:
Answer the following question based on the above passage:

Summarize Larry Grant's progression as an American Football player.

answer: He began as a freshman at Foothill High School in Sacramento. He then moved to Georgia, attending Meadowcreek High School in Norcross, Georgia for his sophomore and junior years. He then transferred to Norcross High School as a senior and lettered as a tailback, rushing for 450 yards with six touchdowns on only 35 carries (12.9 avg). He then re-enrolled and graduated from Foothill High School. He attended City College of San Francisco before finishing his career at Ohio State.

text: The response covered the earlier parts of Grants career and not the latter parts.

refinement:
He began as a freshman at Foothill High School in Sacramento. He then moved to Georgia, attending Meadowcreek High School in Norcross, Georgia for his sophomore and junior years. He then transferred to Norcross High School as a senior and lettered as a tailback, rushing for 450 yards with six touchdowns on only 35 carries (12.9 avg). He then re-enrolled and graduated from Foothill High School. He attended City College of San Francisco before finishing his career at Ohio State.

Grant went on to play professionally for St. Louis Ra,s, San Francisco 49ners (he signed for them twice), as well as the Chicago Bears.

answer:
He began playing in his freshman year at Foothill High School in Sacramento, California, where he lettered as a running back and safety. He then moved to Georgia, attending Meadowcreek High School in Norcross, Georgia for his sophomore and junior years. Grant then transferred to Norcross High School as a senior where he lettered as a tailback and rushed for 450 yards with six touchdowns on only 35 carries. He then left Norcross High in the winter and moved back to California, where he re-enrolled and graduated from Foothill High School.

Grant attended City College of San Francisco before finishing his career at Ohio State. He was named JUCO National Player of the Year. He played in four straight national championship games, two at City College and two at Ohio State. For his entire collegiate career, Grant started 38 of 49 games he played in, registering 244 tackles, 15.5 sacks and 30.5 stops for losses and caused eight fumbles, recovered three others and had nine pass break-ups.

Grant was drafted by the San Francisco 49ers in the seventh round with the 214th overall pick in the 2008 NFL Draft. In 2010 Grant earned the starting weakside linebacker position for the Rams and ended up losing the position to Chris Chamberlain late in the season. In 2007 at Ohio State, he started all 13 games, recording 51 tackles and 9.5 tackles for loss.

answer: He started college with GPA at San Francisco City College. He then moved to Ohio State and proved himself as a very prominent football player before he was drafted by the San Francisco 49ers in the seventh round of the 2008 NFL Draft. He played for the 49ers from 2008 to 2011, after which he joined the St. Louis Rams. After that, he joined the Chicago Bears but was released by them. He was also the head coach for Paso Robles High School for two seasons, winning one in both coaching spans.

text:
- The response failed to explain what GPA is (the meaning couldn't be found in the article).
- Grant's tenure as a coach is irrelevant as the question only asked for his progression as a player.

refinement: He started college at San Francisco City College. He then moved to Ohio State and proved himself as a very prominent football player before he was drafted by the San Francisco 49ers in the seventh round of the 2008 NFL Draft. He played for the 49ers from 2008 to 2011, after which he joined the St. Louis Rams. After that, he joined the Chicago Bears but was released by them.

answer: He began as a freshman at Foothill High School in Sacramento. He then moved to Georgia, attending Meadowcreek High School in Norcross, Georgia for his sophomore and junior years. He then transferred to Norcross High School as a senior and lettered as a tailback, rushing for 450 yards with six touchdowns on only 35 carries (12.9 avg). He then re-enrolled and graduated from Foothill High School. He attended City College of San Francisco before finishing his career at Ohio State. He was drafted by the San Francisco 49ers in the seventh round of the 2008 NFL Draft. He was signed by the St. Louis Rams at the end of the 2008 season. He re-signed with the San Francisco 49ers on July 30, 2011. He signed with the Chicago Bears on October 28, 2013. The Bears released him on November 16. He signed with the Cleveland Browns on May 21, 2014. The Browns released him on June 6.

answer: He started high school with GPA at San Francisco High School. He then moved to Georgia and proved himself as a very prominent football player before he was drafted by the San Francisco 49ers in the seventh round of the 2008 NFL Draft. After that, he joined the St. Louis Rams. After that, he joined the Chicago Bears but was released by them. He was also the head coach for Paso Robles High School for two seasons, winning one in both coaching spans.

answer:
He began playing in his freshman year at Foothill High School in Sacramento, California, where he lettered as a running back and safety. He then moved to Georgia, attending Meadowcreek High School in Norcross, Georgia for his sophomore and junior years. Grant then transferred to Norcross High School as a senior where he lettered as a tailback and rushed for 450 yards with six touchdowns on only 35 carries. He then left Norcross High in the winter and moved back to California, where he re-enrolled and graduated from Foothill High School.

Grant attended City College of San Francisco before finishing his career at Ohio State. He was named JUCO National Player of the Year. He played in four straight national championship games, two at City College and two at Ohio State. For his entire collegiate career, Grant started 38 of 49 games he played in, registering 244 tackles, 15.5 sacks and 30.5 stops for losses and caused eight fumbles, recovered three others and had nine pass break-ups.

Grant was drafted by the San Francisco 49ers in the seventh round with the 214th overall pick in the 2008 NFL Draft. In 2010 Grant earned the starting weakside linebacker position for the Rams and ended up losing the position to Chris Chamberlain late in the season. In 2007 at Ohio State, he started all 13 games, recording 51 tackles and 9.5 tackles for loss.

answer: Larry went to California after graduating from high school, where he attended and played for the City College of San Francisco. He was named JUCO National Player of the Year in 2005 and select to the JUCO All-American team. He then went on to attend Ohio State and play four straight national championship games, along with getting named a region and conference All-American. After that he played for the San Francisco 49ers, St. Louis Rams and the Chicago Bears, and ended up being part of the first San Francisco 49ers team to ever play in a Super Bowl (vs. Baltimore).

question:
Answer the following question based on the above passage:

What does the article say about Grant's life after retirement?

answer: After Gregg retired from professional football, he got married, but the article does not discuss other details about his personal life.

text: The article did mention something about Grant's life after retirement.

refinement: One of Grant's work after retirement was working as a head football coach at Paso Robles High School in California.

answer: The article does not mention anything about Grant's life after retirement.

answer: The article does not mention what Grant's life was like after retirement.

answer: No answer

text: There is something in the article about what Grant did after retirement.

refinement: One of the jobs Grant did after retirement was as the head football coach at Paso Robles High School in California.

answer: No answer

answer: No answer

answer: No answer


text:
Not all the water in the rough rude sea
can wash the balm off an anointed king.

-William Shakespeare, Richard II

When I sit on this chair, I think of the others who sat before me.  The Great King who started it all. The Apostate King who betrayed us. The Savior King who rescued us from the depths of Hell. The Kings of Old, the Kings of New. Kings who achieved much, Kings who achieved little.

And Kings who were murdered.

When I sit on this chair, I think of the others who sat before me, and why they were here. Some war heroes, some because they carried the Royal Bloodline.

And some because they knew how to kill.

When I sit on this chair, I think of the others who sat before me, and how they looked down at the subjects below him. Some saw power for himself, some saw nothing but poverty and hunger.

And one saw himself.

When the doors to my chamber opened, I was startled awake. I was in a heavy sleep.

The first thing I saw when I woke was the bright colors on your cap. My eyes focused some more, and I saw you being dragged to me. It was then when I realized who you were- you were my Jester.

But why were you being dragged? You were perfectly able to walk yourself.

A voice foreign to me echoed across the room. “Your Majesty. This scoundrel has been caught plotting against the King. He planned to stab you in the chest while entertaining you, and claim the throne for himself.”

I looked at your low hanging head, your droopy eyelids. “Is this true?”

Miserably, you looked up at me. “Yes.”

When I sit on this chair, I think of others who will sit here. Kings with potential. Kings with hatred. Kings who have Royal Blood, Kings who don’t.

And Kings who failed.

You see, I do not deserve to be King. I was a blacksmith, no Royal Blood, no power at all. One day, the Queen was caught consorting with one of the townsfolk. They were both publicly impaled.

After a few months, the King got lonely. He went searching for a new Queen. He chose my beloved wife.

They came to our house, with their swords and shields. They beat me, and took her.

She lasted only 6 days. On the 6th night, she stuck a sword through her chest.

I started making tools. Not swords, as they are challenging, and take long, but heavy blunt objects and primitive shields. I started to gather a little militia. It was all individual. Anyone who was in the militia was asked specifically by me. If they found me, I would be hung.

Then, the day came. The anniversary of her death. The Kingdom had forgotten, but we had not.

We stormed the castle, leaving but 10 guards to recount the story. It was a brutal, viscous battle, with over 30 of our own dead. But we won. I killed the King.

And I took his place.

I ask, “Tell me, Jester, what did I do to you?”

You rise. “Every day, every night, I am summoned here. You make me dance, sing, rhyme. And what do you do? Sit on that throne, not entertained.

“Being a Jester has caused me nothing but pain and humiliation. My friends and wife all left me. I cannot get real work. So I stay here, juggling and balancing, all for your delight. And you sit there, bored.

“Every breath, every action, every moment in my life has lead to this. You crush me under your foot. And you don’t even get any satisfaction from it.”

I think of my wife.

“Guards!” I bellow. “Leave!”

They march out of the chamber.

I unlock your shackles and handcuffs. You look surprised and confused, but nothing is said.

I pull out my sword. You look frightened. You think I am going to harm you.

I hand it to you. “Do what you want.”

A dark look shadows across your face.

title: Unnamed (Story #2)

question: Describe the narrator.

answer: The narrator is someone who is willing to do anything to protect his wife's memory, even if it means killing his own jester. He is someone who is willing to do what is necessary, even if it means killing someone he once cared for. He is someone who is willing to do what is necessary to keep his kingdom safe, even if it means committing murder. He is someone who is willing to do what is necessary to protect his people, even if it means committing an act that is considered taboo.

text: Everything after the first sentence is unnecessary

refinement: The narrator is someone who is willing to do anything to protect his wife's memory, even if it means killing his own jester.

text: He offers his sword to the jester; he does not try to kill him

refinement: The narrator is someone who is willing to do anything to protect his wife's memory.

answer: The narrator is a king, who won the position by killing the previous king in an act of revenge. The narrator is contemplative of his position, and is ultimately, feeling weary of the position that he holds. His weariness appears to come from lack of fulfillment in the position as opposed to feeling the pressure of the weight of responsibility.

text: Describing the narrator as "weary of the position that he holds" which comes "from lack of fulfillment" seems very speculative; I can't find anything in the input to support it

refinement: The narrator is a king, who won the position by killing the previous king in an act of revenge. The narrator is contemplative of his position.

text: The narrator thinks about the previous kings, which supports the assertion that he is contemplative

answer: The narrator is a king who has been betrayed by his jester.

text: It's worth mentioning how the narrator became king

refinement: The narrator is a king who ascended the throne by killing the previous king in an act of revenge, and who has now been betrayed by his jester.

answer: The narrator is a blacksmith who became king after killing the previous king. He is a man who has suffered a lot of pain and humiliation.

text: While the narrator suffered at the hands of the previous king, the jester is the one who claims to have suffered "pain and humiliation"

refinement: The narrator is a blacksmith who became king after killing the previous king.

question: How old is the kingdom that the king rules?

answer: The kingdom that the king rules is likely quite old, as there have been many kings who have ruled before him.

answer: That information can't be found.

answer:
At minimum, at least 390 years, though the number is likely to be much higher.

The kingdom appears to have existed for many generations as the narrator alludes to stories of many kings who came before him. There are at least two major eras (the time of the kings of old, and the time of the kings of new).

If a generation were to be equal to 30 years (while some kings rule longer, this a rough estimate based on succession and the inevitable 'early' retirement of some kings), and each description of a king were to be interpreted as an individual king (no overlap), then there appears to be 13 kings counting the narrator ("one saw himself" appears to refer to the narrator). This would amount to approximately 390 years.

This however, only counts the minimum age of the kingdom as most of the descriptors are plural instead of referring to just one king. Give and take that each Considering that, it would be possible that the kingdom has existed for well over a thousand years.

text: Fix the last sentence to be grammatical

refinement:
At minimum, at least 390 years, though the number is likely to be much higher.

The kingdom appears to have existed for many generations as the narrator alludes to stories of many kings who came before him. There are at least two major eras (the time of the kings of old, and the time of the kings of new).

If a generation were to be equal to 30 years (while some kings rule longer, this a rough estimate based on succession and the inevitable 'early' retirement of some kings), and each description of a king were to be interpreted as an individual king (no overlap), then there appears to be 13 kings counting the narrator ("one saw himself" appears to refer to the narrator). This would amount to approximately 390 years.

This however, only counts the minimum age of the kingdom as most of the descriptors are plural instead of referring to just one king. Considering that, it is possible that the kingdom has existed for well over a thousand years.

text: Note that no answer is explicitly given in the input

refinement:
While that information can't be found, we can guess that at minimum, the kingdom is at least 390 years, though the number is likely to be much higher.

The kingdom appears to have existed for many generations as the narrator alludes to stories of many kings who came before him. There are at least two major eras (the time of the kings of old, and the time of the kings of new).

If a generation were to be equal to 30 years (while some kings rule longer, this a rough estimate based on succession and the inevitable 'early' retirement of some kings), and each description of a king were to be interpreted as an individual king (no overlap), then there appears to be 13 kings counting the narrator ("one saw himself" appears to refer to the narrator). This would amount to approximately 390 years.

This however, only counts the minimum age of the kingdom as most of the descriptors are plural instead of referring to just one king. Considering that, it is possible that the kingdom has existed for well over a thousand years.

answer: The kingdom is old.

text: This answer is so vague as to be useless

text: Provide a response

refinement: That information can't be found, but it must be rather old as the king lists several previous kings

question: Does the Jester kill the king?

answer: Yes

text: The input doesn't give an answer

text: Provide a response

refinement: The jester wants to kill him, but it is not stated whether he does

answer:
It is implied that the Jester wants to kill the king enough to set a plot, so it is possible that the Jester would act upon this when the king gives him the sword at the end.

However, there is another way to interpret the "dark look" that appears on the jester's face -that the jester may have other plans for the king or the that the jester may be reconsidering if killing a person who wants to die would even satisfy his resentment.

answer: Yes, the Jester kills the king in this story.

text: The input doesn't give an answer

text: Provide a response

refinement: The jester wants to kill him, but it is not stated whether he does

answer: No, the king kills himself.

text: The king does not kill himself; he gives the jester his sword

text: Provide a response

refinement: The jester wants to kill him, but it is not stated whether he does

question: What is poetic about the story?

answer: The poetic element of the story is the way in which the protagonist gives the jester a chance to exact revenge on him. It is a poetic justice, as the jester has been wronged by the king and is given the opportunity to take his revenge.

text: The poetic element is the parallelism between the story of the king's ascension to the throne and the jester's plot

text: Provide a response

refinement: The narrator killed the previous king in revenge and unintentionally inherited the throne, and now his jester wants to kill him in revenge

answer: The story is poetic because it is a story about a king who is not a king.

text: What does this response even mean?

text: Provide a response

refinement: The narrator killed the previous king in revenge and unintentionally inherited the throne, and now his jester wants to kill him in revenge

answer: The story is written in a poetic style.

text: The input is prose

text: Provide a response

refinement: The narrator killed the previous king in revenge and unintentionally inherited the throne, and now his jester wants to kill him in revenge

answer:
Normally, kings are killed for the killer to gain the throne.

The narrator is a blacksmith who killed the king for revenge. He won the throne by doing so, but that was not his intention or goal.

The jester wants to kill the blacksmith-king, for a similar reason -retribution for his bitterness. The jester showed no desire for the throne, but simply resentment for how the king never appreciated his work as a jester.

question: Write a ~6 sentence summary.

answer: The narrator is the king. He sits on his throne and thinks of the other kings who sat on the throne before him. He thinks of the kings who achieved much, and the kings who achieved little. He thinks of the kings who were murdered. He thinks of the kings who didn't deserve to be kings. He thinks of his wife. He thinks of his wife's death.

text: Too many "he thinks" sentences; doesn't cover the plot at all

refinement: The narrator is the king. He sits on his throne and thinks of the other kings who sat on the throne before him.

text: Cover how the narrator became king

refinement: The narrator is the king. He became the king after killing the previous king in an act of revenge for the death of his wife. He sits on his throne and thinks of the other kings who sat on the throne before him.

text: Cover the jester's plot to kill the king

refinement: The narrator is the king. He became the king after killing the previous king in an act of revenge for the death of his wife. He sits on his throne and thinks of the other kings who sat on the throne before him. It is revealed that the jester plotted to kill the king because he was not amused by his performances and his friends and family have left him. He king gives the jester his sword and tells him to do what he wants.

answer:
The blacksmith-king contemplates on the other kings who came before him. He has no desire for the throne, only gaining it after killing the previous king. The previous king took the blacksmith's wife, who killed herself less than week after.

The jester is caught for plotting against the king. When the king learns of the Jester's motivation, which is resentment for lack of appreciation for the jester's work, the king frees the jester. Then the king hands the jester a sword and says that the jester can do what he wants.

answer: The Jester is caught plotting against the King, and is brought before him. The Jester tells the King that he planned to stab him in the chest while entertaining him, and claim the throne for himself. The King asks the Jester if this is true, and the Jester says yes. The King then asks the Jester what he did to him, and the Jester says that he has been nothing but a slave to the King, and that he has been humiliated and tortured. The King then frees the Jester and hands him his sword. The Jester then stabs the King in the chest, and the King dies.

text: The Jester does not stab the king in the input

refinement: The Jester is caught plotting against the King, and is brought before him. The Jester tells the King that he planned to stab him in the chest while entertaining him, and claim the throne for himself. The King asks the Jester if this is true, and the Jester says yes. The King then asks the Jester what he did to him, and the Jester says that he has been nothing but a slave to the King, and that he has been humiliated and tortured. The King then frees the Jester and hands him his sword.

text: Simplify the details of the jester's plot

refinement: The Jester is caught plotting against the King, and is brought before him. The Jester says that he has been humiliated performing for the king, and that his friends and family have left him. The King then frees the Jester and hands him his sword.

text: Include how the king ascended the throne

refinement: The narrator became king after killing the previous king in an act of revenge for the death of his wife. The Jester is caught plotting against the King, and is brought before him. The Jester says that he has been humiliated performing for the king, and that his friends and family have left him. The King then frees the Jester and hands him his sword.

answer: The King decides to release his Jester, who had been caught plotting against him. The Jester is initially surprised and confused, but soon takes up the King's sword and attacks him. The King allows the Jester to kill him, knowing that he does not deserve to be King.

text: The jester does not kill the king in the input

refinement: The King decides to release his Jester, who had been caught plotting against him.

text: Describe how the narrator ascended the throne

refinement: The narrator became king after killing the previous king in an act of revenge for the death of his wife. The King decides to release his Jester, who had been caught plotting against him.

text: Describe the jester's plot to kill the king

refinement: The narrator became king after killing the previous king in an act of revenge for the death of his wife. The king's jester is caught plotting to kill the king because he feels humiliated after years of service and his friends and family have left him. The King decides to release his Jester.

text: Note that the king also gives the jester his sword

refinement: The narrator became king after killing the previous king in an act of revenge for the death of his wife. The king's jester is caught plotting to kill the king because he feels humiliated after years of service and his friends and family have left him. The King decides to release his Jester, gives him his sword, and tells him to do what he wants.


text:
“GUTEN TAG” is a 2002 song by German band Wir sind Helden. It was first released on an EP of the same title in 2002 and one year later as the first single of their debut album _Die Reklamation_. It was composed by Jean-Michel Tourette, Judith Holofernes and Pola Roy while the lyrics were written by Holofernes. The title is German for GOOD DAY.

Song information

“Guten Tag” criticises commodification.[1] In the lyrics, Holofernes tells a story in which she was blinded by the glittering world of consumption making her want everything she sees and changing her life for them (_“Meine Stimme gegen ein Mobiltelefon, meine Fäuste gegen eure Nagelpflegelotion.../My voice for a mobile phone, my fists for your manicure lotion...”_). These statements are all paradoxes as she always offers parts of her body or life she would need to have to use the products she demands. However, in the refrain, she soon realises that all these things do not make her happy after all which makes her demand her life back (_“An dem Produkt ist was kaputt - das ist die Reklamation/There is something wrong with this product - this is the complaint”_). “The complaint” would also be the title of the album the single is taken from. Informally, the song itself is also referred to by this name.

Excerpt

_Guten Tag, guten Tag ich will mein Leben zurück_
_Ich tausch nicht mehr, ich will mein Leben zurück_
_Guten Tag, ich gebe zu ich war am Anfang entzückt_
_Aber euer Leben zwickt und drückt nur dann nicht wenn man sich bückt_
_Guten Tag!_

English translation

Hello, hello, I want my life back_
_I'm not swapping any more, I want my life back_
_Hello, I'll admit at first I was delighted_
_But your life itches and twitches unless you bend over_
_Hello!''

Music video

The music video does not directly reflect the content of the song but shows the band's way to the first album in an ironic way. The whole clip is shown as a comic strip and at the beginning it presents Wir sind Helden as a teen band (their ages are indicated as 16, 18, 14) during their rehearsals.[2] Judith announces that she has just written a song, which is “Guten Tag” and the other band members love it. While the band plays the music, a stereotyped record producer enters the room saying “That is fresh!” while he thinks “Criticism of consumption + sex = €”. He offers them a record contract but they first turn it down (Mark Tavassol says “The music industry sucks”). Later, they accept it after all getting blinded by their expectations of the show business. The music video can be seen as an answer to the critics who stated that criticism of commodification is never authentic when commercially released.

Commercial success

The single entered the German single charts where it peaked at number 53. It stayed in the top 100 for eight weeks.[3] However, based on the high album sales, “Guten Tag” received heavy airplay in Germany.[4] Based on chart positions, it is the third most successful single of the band's debut album (following “Denkmal” and “Aurélie”). The single did not chart in any other country. It also appeared in the soundtrack of the game FIFA 04

Cover versions

Pop punk band, +44, covered their song in English for an iTunes Foreign Exchange EP.

Track list

The regular single included the original studio version of the song, a remix, the music video and a making of video. Furthermore, a remix of another album track - “Die Zeit heilt alle Wunder” - was included. The EP included also the follow-up singles “Müssen nur wollen” and “Denkmal” as well as the album track “Du erkennst mich nicht wieder” and the non-album track “Alphamännchen”.

EP

1.  “Guten Tag” – 3:36
2.  “Müssen nur wollen” – 3:35
3.  “Du erkennst mich nicht wieder” – 4:56
4.  “Denkmal” – 3:18
5.  “Alphamännchen”

Single

1.  “Guten Tag” – 3:36
2.  “Guten Tag (Ich bin Jean) ” – 4:22
3.  “Die Zeit heilt alle Wunder” (Homerecording, extended Aaaaaargh-version) – 4:45
4.  “Guten Tag” (video)
5.  “Guten Tag” (making of)

Reception

Overall, “Guten Tag” was a success with the critics. Most of them compared the song to German music of the 1980s (“Neue Deutsche Welle” and praised the clever and original lyrics.[5] However, some critics stated that the anti-commercial content of the song is not very authentic as it never can be on a commercially released album or single.[6]

An English version of Guten Tag was recorded in 2007 by the band +44. The meaning is relayed the same however the lyrics have been changed for a better North American reception.

Credits and personnel

-   Produced, recorded and mixed by Patrik Majer
-   Vocals and guitar by Judith Holofernes
-   Bass guitar by Mark Tavassol
-   Keyboards by Jean-Michel Tourette
-   Drums by Pola Roy

[1] Ich will Spass: CD-Check von “Wir sind Helden - Guten Tag - Müssen nur wollen - Aurelie - Die Reklamation” (Neue Deutsche Welle)

[2]

[3] Charts-Surfer: Suchergebnis

[4]  Ausgabe 'Konsum' |access-date=2008-04-26 |archive-url=https://web.archive.org/web/20080323065833/http://www.fluter.de/de/konsum/lesen/4544/ |archive-date=2008-03-23 |url-status=dead }}

[5]

[6]

title: Guten Tag

question:
Answer the following question based on the above passage:

Summarize everything relating to the song's recording history.

answer: The single was written when the writers Judith Holofernes, Pola Roy, Jean-Michel Tourette, and their band "Wir sind Helden" were only teenagers. As teenagers, they performed covers of the song as part of their rehearsal to make the song. They presented it to the public on an EP and a year later, they released it as the single for their debut album Die Reklamation. It consists of five tracks, which are the original studio version of the song, a remix, the music video, and a making of the music video.

answer: Judith Holofernes was the vocalist and guitarist. Mark Tavassol was the bassist, Jean-Michel Tourette worked on the production, and the third person on the album was Pola Roy on the drums. The band put out the song as part of an EP and one year later as the album Die Reklamation's first single.

text: this doesn't adequately answer the question

refinement: The single was written when the writers Judith Holofernes, Pola Roy, Jean-Michel Tourette, and their band "Wir sind Helden" were only teenagers. As teenagers, they performed covers of the song as part of their rehearsal to make the song. They presented it to the public on an EP and a year later, they released it as the single for their debut album Die Reklamation. It consists of five tracks, which are the original studio version of the song, a remix, the music video, and a making of the music video.

answer: The song was first released on an EP of the same title in 2002. One year later, it was released as the first single of their debut album Die Reklamation. It was composed by Jean-Michel Tourette, Judith Holofernes, and Pola Roy. The lyrics were written by Holofernes. The song entered the German single charts at number 53, where it peaked. It stayed in the top 100 for eight weeks. The single did not chart in any other country.

answer: The song was first released on an EP of the same name in 2002 and later released as the first single of the band's debut album Die Reklamation. The single peaked at number 53 on the German single charts and stayed in the top 100 for eight weeks. It was the third most successful single off their debut album.

answer: The song was first released on an EP of the same title in 2002. One year later, it was released as the first single of their debut album Die Reklamation. It was composed by Jean-Michel Tourette, Judith Holofernes, and Pola Roy. The lyrics were written by Holofernes. The song entered the German single charts at number 53, where it peaked. It stayed in the top 100 for eight weeks. The single did not chart in any other country. It also appeared in the soundtrack of the game FIFA 04.

question:
Answer the following question based on the above passage:

What does the article say about the song's theme of consumption?

answer: The song criticizes commodification. In the lyrics, Holofernes tells a story in which she was blinded by the glittering world of consumption making her want everything she sees and changing her life for them. These statements are all paradoxes as she always offers parts of her body or life she would need to have to use the products she demands. However, in the refrain, she soon realises that all these things do not make her happy after all which makes her demand her life back.

answer: Judith Holofernes critiques consumerist culture on the single "Guten Tag". In the chorus and the refrain, Holofernes sings about her desire for her previous autonomy, to live her life her way, and to have more of the things in her life e.g. mobile phones. However, Lyrics and Holofernes' thoughts and behaviors continuously contradict each other; as a consumerist she digs into her pockets to buy things she desires. For example, if she wants to dig her fists into a lipstick tube, she already has some money at the moment so she can buy it. Ironically according to the first verse, consumerism is discussed in the song and Holofernes seeks more things which continually produces more waste and more to consume e.g skin lotion, her fists against a cell phone, et cetera. Holofernes' perplexing thoughts are an oxymoron as she demands for capitalism to stop commodifying her life. While she is blind to see herself as a part of the culture itself - and it is contrasted to her personal details. Judith demands for her life

text: This answer is full of misinformation and misleading information

refinement: The song criticizes commodification. In the lyrics, Holofernes tells a story in which she was blinded by the glittering world of consumption making her want everything she sees and changing her life for them. These statements are all paradoxes as she always offers parts of her body or life she would need to have to use the products she demands. However, in the refrain, she soon realises that all these things do not make her happy after all which makes her demand her life back.

answer: The song criticizes the commodification of life. The lyrics tell a story in which Holofernes was blinded by the glittering world of consumption. She wants everything she sees and changes her life for them. However, in the refrain, she realizes that all these things do not make her happy after all.

answer: Judith Holofernes critiques consumerist culture on the single "Guten Tag". In the chorus and the refrain, Holofernes sings about her desire for her previous autonomy, to live her life her way, and to have more of the things in her life e.g. mobile phones. However, Lyrics and Holofernes' thoughts and behaviors continuously contradict each other; as a consumerist she digs into her pockets to buy things she desires. For example, if she wants to dig her fists into a lipstick tube, she already has some money at the moment so she can buy it. Ironically according to the first verse, consumerism is discussed in the song and Holofernes seeks more things which continually produces more waste and more to consume e.g skin lotion, her fists against a cell phone, et cetera. Holofernes' perplexing thoughts are an oxymoron as she demands for capitalism to stop commodifying her life. While she is blind to see herself as a part of the culture itself - and it is contrasted to her personal details.

answer: The song criticizes the commodification of everything- the idea of selling everything. While the song's protagonist stated that her voice and her fist are against what the society finds valuable, but she asks for their manicure lotion and mobile phones. Judith, the vocalist, also says that her life is toying with her because she pressured herself to live a certain way after she was blinded by the glitter, despite the fact that it may very well be the ways of life she calls crappy. Judith realises all the things people want and are blind to, they never really make you happy.

text: This answer is full of inaccuracies and also has coherence problems. It has misinterpreted the information.

refinement: The song criticizes commodification. In the lyrics, Holofernes tells a story in which she was blinded by the glittering world of consumption making her want everything she sees and changing her life for them. These statements are all paradoxes as she always offers parts of her body or life she would need to have to use the products she demands. However, in the refrain, she soon realises that all these things do not make her happy after all which makes her demand her life back.

answer: The song criticizes the idea of selling everything-the so-called commodification. While the song's protagonist stated that her voice and her fist are against what the society finds valuable, but she asks for their manicure lotion and mobile phones. Judith, the vocalist, also says that her life is toying with her because she pressured herself to live a certain way after she was blinded by the glitter, despite the fact that it may very well be the ways of life she calls crappy. Judith realises all the things people want and are blind to, they never really make you happy.

question:
Answer the following question based on the above passage:

What does the article say about the song's reception?

answer: Most critics compared the song to German music of the 1980s, praising the lyrics as clever and original. The song was an overall success among critics. The song won "Die Zeit heilt alle Wunder". The single topped the charts at number 53. It's the third most successful single of their debut album.

text: The language is a little disjointed

refinement: Most critics compared the song to German music of the 1980s, praising the lyrics as clever and original. The song was an overall success among critics. It won "Die Zeit heilt alle Wunder" and topped the charts at number 53. It's the third most successful single of their debut album.

answer: The song was a success with critics. They praised the lyrics and compared it to German music from the 1980s. However, some critics stated that the anti-commercial content of the song is not authentic.

answer: The song's reception was overwhelmingly positive. Critics praised the clever and original lyrics and the song has been described as very authentic in the past. However, some critics disapprove of the anti-commercial content.

answer: Most critics compared the song to German music of the 1980s, praising the lyrics as clever and original. The song was an overall success among critics. The song topped the charts at number 53. It's the third most successful single of their debut album.

answer: The song was a success with critics. They compared it to German music of the 1980s and praised the clever and original lyrics. However, some critics stated that the anti-commercial content of the song is not very authentic as it never can be on a commercially released album or single.

answer: The song's reception was overwhelmingly positive. Critics praised the clever and original lyrics and the song has been described as very authentic in the past. However, the song is criticized for its anti-commercial content. Matthew Perrone of Rolling Stone Magazine says that the song's flaws are made up by the above average lyrical content and the intelligence of the band itself.

text: I could not find evidence of this

refinement: The song's reception was overwhelmingly positive. Critics praised the clever and original lyrics and the song has been described as very authentic in the past. However, the song is criticized for its anti-commercial content.

answer: The song was a success with critics. They compared it to German music of the 1980s and praised the clever and original lyrics. However, some critics stated that the anti-commercial content of the song is not very authentic as it never can be on a commercially released album or single.

question:
Answer the following question based on the above passage:

What does the article say about Wir sind Helden's follow-up album to Die Reklamation?

answer: No answer

answer: The follow-up album to Die Reklamation is titled The Complaint. It's made up of mostly remixes. The Pop punk band +44 recorded a cover on Wir sind Helden's song Guten Tag in 2007.

answer: No answer

answer: No answer

answer: The article does not mention the band's follow-up album.


text:
LOMA LINDA EAST is a census-designated place (CDP) in Starr County, Texas, United States. It is a new CDP formed from part of the former La Casita-Garciasville CDP prior to the 2010 census with a population of 44.[1]

Geography

Loma Linda East is located at (26.328130, -98.689413).[2]

[1]

[2]

title: Loma Linda East, Starr County, Texas

question: Where is Loma Linda East?

answer: Starr County, Texas, United States

answer: They are in Starr County, Texas, United States. They are part of the former La Casita-Garciasville CDP.

answer: In Starr County, Texas, United States

question: When was Loma Linda East formed?

answer: 2010

answer: prior to the 2010 census

text: capitalization

answer: 2010

question: What is the population of Loma Linda East?

answer: 44

answer: 44

answer: The article doesn't say, but it is 44 according to the 2010 census. (So it's probably about the same now.)

question: What are the coordinates of Loma Linda East?

answer: 26.328130, -98.689413

answer: [-98.689413, 26.328130]

answer: 26.328130 and 98.689413

question: Write a ~1 sentence summary.

answer: Loma Linda East is a census-designated place in Starr County, Texas with 44 residents.

answer: Loma Linda East is a census-designated place in Starr County, TX with a population of 44.

answer: Loma Linda East is a newly formed census-designated place in Starr County, Texas with a population of 44 people.

answer: Loma Linda East is a census-designated place located in Starr County, Texas, with a population of 44.

answer: Loma Linda East is a census-designated place in Starr County, Texas. It was created from part of La Casita-Garciasville CDP in 2010. Its population is 44 as of 2010.

answer: Loma Linda East is a census-designated place in Starr County, Texas with a population of 44.


text:
WASHINGTON -- Four Democratic super PACs announced in a joint statement on Friday that they had raised a combined $25 million in the second quarter of 2012. The groups -- Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st Century Foundation -- increased their fundraising by two and a half times from their first-quarter haul.

Priorities announced on Friday that it had raised $6 million in June, pushing its second-quarter fundraising number to $11.7 million to lead the four Democratic super PACs. The Senate-focused Majority PAC raised $5.4 million, House Majority PAC raised $4.3 million and American Bridge 21st Century raised $4.1 million.

"Karl Rove, the Koch Brothers, and their right wing allies are preparing to spend overwhelming amounts of money to flood Washington with supporters of their extreme agenda," the groups said in their joint statement. "Together we're ensuring that Democrats will have the resources to level the playing field and fight back against the right's attacks in order to keep the White House, maintain a majority in the Senate and take back the House.”

A _New York Times Magazine_ article recently detailed the extent to which Priorities USA Action has ramped up its fundraising operation in recent months. That has included a renewed push for big-dollar donors giving $500,000 or more. According to the _Times_ article, and confirmed by The Huffington Post, Priorities has received commitments of $20 million in future contributions.

As of Friday, three of the four super PACs had yet to file their second quarter reports (or in the case of Priorities USA Action, which files monthly, the report for the month of June). Those reports will help illuminate the donors who are powering the surge in fundraising for the Democratic super PACs.

One bright sign for the super PACs came in a disclosure by the joint fundraising vehicle Unity 2012, which raises money for Priorities, Majority PAC and House Majority PAC. The disclosure, released on Friday, showed a $1 million contribution from Haim Saban, a Hollywood producer best known for the Mighty Morphin Power Rangers. Saban, a major Democratic donor in the past, was seen as being on the fence this year, as he had been critical of Obama's policy towards Israel. Saban's $1 million contribution has been split three ways by the groups connected to Unity 2012.

House Majority PAC is one of the two super PACs that has disclosed all of its contributions for the second quarter. The group received big contributions from many now-familiar faces in Democratic super PAC donor circles.

These include $750,000 from Donald Sussman, a hedge fund investor and husband to Rep. Chellie Pingree (D-Maine); $500,000 each from famed hedge fund investor James Simons and Amber Mostyn, wife of trial lawyer Steve Mostyn; $250,000 from heiress Anne Earhart and the Laborers' International Union, each; and smaller but still substantial contributions from AFSCME ($105,000), SEIU ($71,000), DRIVE PAC ($50,000) and Kareem Ahmed ($50,000), a major donor to Priorities USA Action.

American Bridge 21st Century, the opposition research depot created by Media Matters head David Brock, raised $2.8 million in the second quarter of this year. Nearly one-third of that money came in the form of a $1 million contribution by billionaire financier and right-wing bogeyman George Soros. The group also received big contributions from Amy Goldman ($250,000), Lee Fikes ($150,000), Win McCormack ($150,000) and Wayne Jordan ($150,000). The group's sister nonprofit -- American Bridge 21st Century Foundation -- raised $1.3 million in the second quarter, but is not required to disclose its donors.

The Senate-focused Majority PAC pulled in big contributions from media magnate Fred Eychaner ($800,000), the public employee union AFSCME ($500,000), the ophthamology company Vitreo-Retinal Consultants ($400,000), National Air Traffic Controllers Union ($350,000), American Federation of Teachers ($300,000) and the law firm McHugh & Wilkes ($250,000).

The Democratic groups are still likely to be outraised by their counterparts on the Republican side. The pro-Mitt Romney Restore Our Future is expected to report a $10 million contribution from billionaire casino magnate Sheldon Adelson, in addition to other contributions. American Crossroads, the Karl Rove-linked super PAC, is likely to raise millions more, and the Congressional Leadership Fund could also equal or surpass its Democratic rivals.

BELOW, A LIST OF TOP SUPER PAC DONORS IN THE 2012 ELECTION CYCLE:

PHOTO GALLERY

Donors Giving $500,000-Plus To Super PACs

Calling all HuffPost superfans!

Sign up for membership to become a founding member and help shape HuffPost's next chapter

question:
Answer the following question based on the above passage:

What is the year this article is about?

answer: 2012

text: There should be a period at the end.

answer: 2012

text: There should be a period at the end.

answer: 2012

text: There should be a period at the end.

answer: 2012.

answer: 2012

text: There should be a period at the end.

question:
Answer the following question based on the above passage:

What is the main topic of this article?

answer: The main topic of this article is about Democratic super PACs.

text: The words "The main topic of this article is" are redundant in the answer since they are included in the question.

text: The article is particularly about fundraising by the super PACs which clarifies the answer.

answer: The fundraising efforts of four Democratic super PACs during the second quarter of 2012.

answer: Money and politics.

text: This answer is technically true but is way too vague to be helpful.

refinement: The fundraising efforts of Democratic super PACs in the second quarter of 2012.

answer: The main topic of this article is the $25 million raised by the four Democratic super PACs.

text: The words "The main topic of this article is" are redundant since they're already in the question.

refinement: $25 million raised by the four Democratic super PACs.

text: Mentioning the year would help clarify here since the precise number of dollars has been included.

refinement: $25 million raised by the four Democratic super PACs in the second quarter of 2012.

answer: The fundraising efforts of four Democratic super PACs in the second quarter of 2012.

question:
Answer the following question based on the above passage:

According to the article, which four super PACs combined raised $25 million?

answer: Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century.

answer: Priorities USA Action, Majority PAC, House Majority PAC and American Bridge 21st Century.

text: Since this is a list, I would add a comma following the third item.

refinement: Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century.

answer: Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st Century Foundation

text: There is a period missing at the end.

refinement: Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st Century Foundation.

answer: Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/ American Bridge 21st Century Foundation

text: There is a period missing at the end.

refinement: Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/ American Bridge 21st Century Foundation.

answer: Priorities USA Action and Majority PAC

text: This is only two of four PACs and lacks punctuation.

refinement: Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st Century Foundation.

question:
Answer the following question based on the above passage:

Who did the Democratic super PACs say was "preparing to spend overwhelming amounts of money..."

answer: Karl Rove, the Koch Brothers, and their right wing allies

text: This sentence lacks a period at the end and a hyphen between "right" and "wing."

refinement: Karl Rove, the Koch Brothers, and their right-wing allies.

answer:
in Washington?

Right-wingers like Karl Rove and the Koch Brothers.

text: The first sentence is irrelevant.

refinement: Right-wingers like Karl Rove and the Koch Brothers.

text: Since the allies of these two parties are also mentioned, the answer should be in list format.

refinement: Right-wingers like Karl Rove, the Koch Brothers, and their allies.

answer: Karl Rove, the Koch Brothers, and their right wing allies

text: There is a missing period at the end and a missing hyphen between "right" and "wing."

refinement: Karl Rove, the Koch Brothers, and their right-wing allies.

answer: Karl Rove, the Koch Brothers, and their right wing allies.

text: "Right wing" should be hyphenated.

refinement: Karl Rove, the Koch Brothers, and their right-wing allies.

answer:
in the upcoming election cycle?

The Republican Party

text: This answer is incomplete and unclear.

refinement: Karl Rove, the Koch Brothers, and their right-wing allies.

question: Write a ~2 sentence summary.

answer: Four Democratic super PACs announced that they had raised $25 million in the second quarter of 2012, doubling their first-quarter totals. Priorities USA Action led the way with $11.7 million raised, an increase of $6 million since the first quarter. Some big-dollar donors to Majority PAC include James Simons, Amber Mostyn, and Haim Saban. American Bridge 21st Century raised $2.8 million.

text: It seems incomplete to mention the funds raised by only 3 of the 4 PACs in the first sentence but then to include other information. In such a brief summary it is probably best to stick to the most basic information.

refinement: Four Democratic super PACs announced that they had raised $25 million in the second quarter of 2012, doubling their first-quarter totals. Priorities USA Action led the way with $11.7 million raised, Majority PAC raised $5.4 million, House Majoirty PAC raised $4.3 million, and American Bridge 21st Century raised $4.1 million.

answer: Four Democratic super PACs say they have raised $25 million this quarter, a two and half-fold increase over their first-quarter haul. The donations come from a collection of major political donors, including hedge fund investors, trial lawyers, labor unions and billionaire George Soros.

answer: The article by HuffingtonPost describes the fundraising done by four super-PACS - Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st century foundation - for the second quarter of 2012. It looks at the Citizens United 2009 Supreme Court decision which was the one that allowed the creation of super PACs and how they work.

text: The second sentence is false.

refinement: The article by HuffingtonPost describes the fundraising done by four super-PACS - Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st century foundation - for the second quarter of 2012.

text: This would be less convoluted if split into two sentences.

refinement: The article by HuffingtonPost describes the fundraising done by four super PACS in the second quarter of 2012. Together, Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st century foundation, raised $25 million to ensure Democrats have the resources to level the playing field against Republicans.

answer: The main topic of this article is about Democratic super PACs. Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st Century Foundation together raised $25 million in the second quarter of 2012.

text: Stating the "Main Topic" of the article is unnecessary; the topic should be in the summary itself.

refinement: Four Democratic super PACs Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st Century Foundation raised $25 million in the second quarter of 2012. They did so in order to ensure Democrats have the resources to level the playing field against Republicans.

answer: A Democratic Super PAC associated with Bernie Sanders, Haim Saban, John Podesta, wrote in The Times to President Obama and told him that Kyl Rove and the Koch Bros. had massive amounts of team designed to flood Washington with their supporters. At the time of the article, the super PACs were well on their way to raise at least $25 million by the end of the year.

text: The first sentence doesn't make sense.

refinement: At the time of the article, the super PACs were well on their way to raise at least $25 million by the end of the year.

text: The second sentence is misleading; the PACs had already raised the money by the end of the second quarter.

refinement: Four Democratic super PACs Priorities USA Action, Majority PAC, House Majority PAC, and American Bridge 21st Century/American Bridge 21st Century Foundation raised $25 million in the second quarter of 2012. They did so in order to ensure Democrats have the resources to level the playing field against Republicans.


text:
I am mostly mad. It has always been like this, usually starting as a slight knot in my gut, then a spreading irritation, till it fills my whole body with red flame and I explode.

My family and friends are used to this and don’t seem to mind my frequent anger outbursts, but when I meet new people I like to warn them: “Hi, I’m Andy Wokswizme, and I am mostly mad” – that way there are no surprises later on and new relationships in general have worked out well.

So imagine my consternation and outrage when I introduced myself thus at Heathrow passport control, and instead of letting me enter the UK and take a well deserved rest at the Holiday Inn, the British immigration officer looked at me queerly and pressed a red button calling men in white coats to take me away to a padded cell.

Its quite a nice padded cell, actually, and I love how the nearly 30256 squares interlock so neatly, forming pretty patterns that help me to sleep, that is when the voices let me. I like the voices, and I think the like me, probably because I was careful to tell them up front that I am mostly mad.

title: Mostly Mad

question: Who is the narrator?

answer: The narrator is Andy Wokswizme.

answer: He seems to be an unnamed person in distress.

text: This information is not related.

text: Missing refinement.

answer: Andy Woskswizme

text: A missing punctuation mark.

question: Why does he have frequent anger outbursts?

answer: Andy seems to be mostly mad because he tends to explode with anger, usually from a mild irritation that builds up inside him. He is used to this pattern in his life, but at Heathrow, the immigration officer didn't know this and took him away to a padded cell instead. It's not entirely clear why this happens for Andy, but it seems to be due to his reaction to slight provocations.

text: This response is not related.

text: Missing refinement.

answer: This information can't be found.

answer: According to the passage, Andy's anger outbursts seem to stem from being mad most of the time. He suspects that most people are used to his outbursts, but he's surprised when he declares himself as mostly mad at Heathrow passport control and is instead sent to a padded cell rather than allowed to enter the country. It's uncertain why Andy feels so mad most of the time, but it could be because people often let him down in some way or another.

text: This response is not related.

text: Missing refinement.

question: Has the outburst ever got him in trouble?

answer: Despite Andy's warning to new acquaintances, he's occasionally found himself in trouble as a result of his outbursts. While the padded cell seems comfortable enough, it's certainly not an ideal way to spend an extended amount of time.

text: It is omitted that why was he in the padded cell.

refinement: Despite Andy's warning to new acquaintances, he's occasionally found himself in trouble as a result of his outbursts. After outrage at the Heathrow passport control, the British immigration officer put him in a padded cell.

text: The fact that Andy mentions the 30256 square interlocks means that he spent a good extended amount of time in the cell.

answer: Yes, he was once taken away to a padded cell after introducing himself at the Heathrow passport control.

answer: Andy has had trouble with his anger outbursts in the past, though not usually to the extent that he gets in trouble. Usually his family and friends mostly understand his anger issues, but at larger events such as Heathrow Airport, his explosive reaction can still cause some trouble.

question: Does Andy try to contain his anger?

answer: Andy does not try to contain his anger and usually lets it explode when he feels the need to. This seems to make it easier for those around him, as they are more prepared for his outbursts.

answer: No.

answer: No, Andy does not seem to try very hard to contain his anger. He acknowledges that he is “mostly mad” and that his anger often erupts. Instead of trying to contain his anger, Andy seems to enjoy it and has no problem alerting new people to his anger prone personality.

question: Write a ~5 sentence summary.

answer: The protagonist is a person prone to anger and they expect others to be aware of that. When attempting to enter the UK, instead of being allowed into the country, they are sent to a padded cell. The protagonist likes the padded cell despite the voices, and they find them comforting.

text: The protagonist is named Andy.

refinement: Andy is prone to anger and they expect others to be aware of that. When attempting to enter the UK, instead of being allowed into the country, they are sent to a padded cell. Andy likes the padded cell despite the voices, and they find them comforting.

text: Wrong use of pronoun - They.

refinement: Andy is prone to anger and he expects others to be aware of that. When attempting to enter the UK, instead of being allowed into the country, he is sent to a padded cell. Andy likes the padded cell despite the voices, and he finds them comforting.

text: Andy mentioning his anger outbursts while introducing himself to new people means that he expects others to be aware of it.

answer:
Andy Wokswizme has frequent anger outbursts. His family and friends are used to it hence do not comment. But he introduces himself to new people with a warning about his anger.

Once while taking a vacation to the UK, he was stopped by the Heathrow passport control and taken away to a padded cell. Andy was able to sleep well in the cell thinking about the 30256 squares interlocked neatly.

answer: Andy finds himself in an unfortunate situation when trying to enter the UK. The immigration officer mistakes his polite introduction as an indication of madness, and calls for men in white coats to take him away to a padded cell. Andy nevertheless enjoys the experience and finds solace in the neat patterns of the padded cell, even when the voices won't leave him alone at night.

text: It is omitted that Andy likes the voices.

refinement: Andy finds himself in an unfortunate situation when trying to enter the UK. The immigration officer mistakes his polite introduction as an indication of madness, and calls for men in white coats to take him away to a padded cell. Andy nevertheless enjoys the experience and finds solace in the neat patterns of the padded cell, even when the voices won't leave him alone at night, which he likes.

answer: Andy is mad and mostly aware of that, but finds himself upset when an immigration officer brands him as crazy upon hearing him introduce himself as "mostly mad". Andy is being held in a padded cell until the voices in his head (who he likes) allow him to sleep.

answer: Andy introduces himself to the reader as 'mostly mad', and is baffled when he is taken away by authorities after attempting to enter the UK. He has found comfort in the padded cell he is locked in, and the voices in his head seem to like him - as long as he promises to keep up his honesty and his tendency to fly into anger quickly.

text: Andy also introduces himself to his friends and family as 'mostly mad'.

refinement: Andy introduces himself to the reader and his friends and family as 'mostly mad', and is baffled when he is taken away by authorities after attempting to enter the UK. He has found comfort in the padded cell he is locked in, and the voices in his head seem to like him - as long as he promises to keep up his honesty and his tendency to fly into anger quickly.

text: There is no evidence that the voices like him for as long as he is honest.

refinement: Andy introduces himself to the reader and his friends and family as 'mostly mad', and is baffled when he is taken away by authorities after attempting to enter the UK. He has found comfort in the padded cell he is locked in, and the voices in his head seem to like him.

answer: The narrator explains that they tend to be easily angered, but that they've learned to warn people ahead of time. However, when introducing himself to immigration officers at Heathrow Airport, they lock him up in a padded cell instead of letting him through. The narrator doesn't mind the padded cell, as it helps him to sleep, and enjoys talking to the voices he hears (who likely like him because he tells them upfront that he's mad).

text: Poor use of a pronoun - They.

refinement: The narrator explains that he tends to be easily angered, but that he's learned to warn people ahead of time. However, when introducing himself to immigration officers at Heathrow Airport, they lock him up in a padded cell instead of letting him through. The narrator doesn't mind the padded cell, as it helps him to sleep, and enjoys talking to the voices he hears (who likely like him because he tells them upfront that he's mad).


text:
*Hello, I wrote this quickly at work this morning after I dreamt about it. Please let me know what you think and any comments or critiques you may have are welcomed.*

**Not Quite Paradise**

It was hot in the garage; the dryer had only just stopped running so the heat hadn’t left yet not that it would matter. Actually come to think of it, it was hot everywhere. Even stepping outside and taking a deep breath feels like a drag on a cigarette without the nicotine. Sweat dripped down my face and back. I should have been used to it by now after having been here for almost a year, but it hasn’t gotten any better.

I pull the clothes from the machine with both arms being careful not to touch the scalding metal sides. I go to close the dryer door when my eyes spot a lone black sock at the back of the dryer. I reach for it. A pulling sensation, like that of two magnets held close together begins to tug at my fingers, then my hands, then my arms, and eventually the rest of my body. The world turns bright white. A loud rushing sound fills my ears.

“Oh god…Not now, I’m not dressed for th---“

*Ooopppfff!* The air escapes from my lungs as I tumble face down onto the black and white tiles of a familiar kitchen. The sudden coldness of the floor against my bare skin sends a chill down my back.
An even more familiar voice breaks the silence, “Good, you’re here. I’m trying to get this jar of pickled radish open, but the lid is stuck. I even ran it under hot water for two minutes.”

“You’re twenty-three years old and you still force me to come here to open a jar for you?” I say while still lying on the ground. Looking up, my eyes passed by pink fluffy puppy slippers, long slender legs, a short light blue apron, and finally the face of a beautiful young woman with long brown hair who was clearly not in the mood for games judging by her scowl.

“Yisssshhhh!” she hissed stamping her puppy slippers on the ground. “If you aren’t going to make yourself useful then you can just go back and stay there.”

“Gimme that jar,” I tell her, picking myself up off the ground. Her kitchen is nice and cool; a stark contrast to my hot and humid garage.

Standing up I am almost a head taller than she is, but the gaze from her large brown eyes makes me feel small and insignificant. She hands me the jar, our fingers brush and I can feel a cool pleasant tingling where our skin touch. I make my way over to one of the drawers, fish out a spoon, and begin using it to tap the edges of the lid, loosening its grip on the jar. It finally pops open and I hand her the pickled radish.

“What are you making anyway?” I ask.

“Gimbap (Korean sushi) you want some?”

My stomach rumbles. It has been a long time since I’ve eaten anything substantial. “Sure! I mean…is it alright? It is allowed?”

“Just sit there,” she says pointing to a stool at the counter.

For the next few minutes I watch her while she prepares the food. She hums, wiggles her hips, and bobs her head as she cooks. I cannot help but stare. Gradually my eyes force their way off of her and towards the window. It is so clear there I checked twice to be sure there was anything there to begin with. Outside the sky is blue, the sun is shining, and tall palm trees sway back and forth against a peaceful ocean in the background. It was beautfiul and I get to be a tiny part of it today.

“Done!” she exclaims. Spinning around she reveals a plate of delicious looking Gimbap with a little mayo dressing on the side for dipping. A small pile of kimchi sat on one side of the plate.

“Say ahhh” she says picking up a piece with a pair of chopsticks and maneuvering it towards my face.

“Ahhh” I open my mouth. As the roll touches my tongue I can feel my body jerk violently backwards as I fall off the stool. The magnetic feeling fills my body once again, while darkness fills my vision. A high-pitched siren is all I can hear.

I wake up with my head in the dryer. It is hot. Beads of sweat have already formed on my forehead. I chew the Gimbap that has somehow made its way into my mouth.

“Delicious.” I whisper while swallowing slowly, savoring every morsel. Sighing, I grab the lone sock, put it in the basket, and head out the door back into an equally hot and humid house. Out the window the sky is filled with dark ominous looking clouds. The trees forever smoldering with fiery ash caked on the ground.

This is how my days are spent. Today I was her jar opener, yesterday a deckhand her boat, and tomorrow I might be her maid. I am her personal assistant making her life whatever heaven she chooses, while I serve out my eternity in hell.

title: Not Quite Paradise

question:
Answer the following question based on the above passage:

Summarize the positive events in the story.

answer: The protagonist falls into a world where the sky is blue, the sun is shining, and there is beautiful ocean scenery everywhere. In this world, the protagonist is able to provide assistance to a young woman in need. There is the comforting sense of community while dining together on delicious Korean sushi. However, despite these seemingly positive experiences, the protagonist lives in a hotter and more miserable time period, where conditions are extreme. In the end, their experiences are not heavenly but rather merely a brief escape from hell.

text: "However, despite these seemingly positive experiences, the protagonist lives in a hotter and more miserable time period, where conditions are extreme." - this part isn't positive and should be deleted.

refinement: The protagonist falls into a world where the sky is blue, the sun is shining, and there is beautiful ocean scenery everywhere. In this world, the protagonist is able to provide assistance to a young woman in need. There is the comforting sense of community while dining together on delicious Korean sushi. In the end, their experiences are not heavenly but rather merely a brief escape from hell.

text: "the comforting" - replace with "a comforting"

refinement: The protagonist falls into a world where the sky is blue, the sun is shining, and there is beautiful ocean scenery everywhere. In this world, the protagonist is able to provide assistance to a young woman in need. There is a comforting sense of community while dining together on delicious Korean sushi. In the end, their experiences are not heavenly but rather merely a brief escape from hell.

text: "their" - the protagonist is male.

refinement: The protagonist falls into a world where the sky is blue, the sun is shining, and there is beautiful ocean scenery everywhere. In this world, the protagonist is able to provide assistance to a young woman in need. There is a comforting sense of community while dining together on delicious Korean sushi. In the end, his experiences are not heavenly but rather merely a brief escape from hell.

answer: There is only one, the narrator's perception of the woman's body as he watches her cook. Otherwise, this is a story of servitude and unhappiness, with the narrator having a life of hell.

text: Missing a few details about the positive events in the story.

refinement: The protagonist gets to escape the heat and misery of hell every day for a few moments and experience the beauty of heaven. He gets to taste good and satisfying food from time to time, courtesy of the young woman whom he serves. The protagonist also gets to spend time with a beautiful young woman, as evidenced by his perception of the woman's body as he watches her cook.

answer: The story begins in a hot, uncomfortable garage with sweat dripping down the protagonist's face. They reach in to a dryer to retrieve a sock and accidentally get pulled into another reality. In their new reality, the protagonist watches their counterpart prepare food and becomes mesmerized by her beauty. One day later, the protagonist opens a pickled radish jar for the counterpart and falls off the stool, falling once again into the other reality. The protagonist eats the food their counterpart prepared.

text: The response failed to answer the question.

refinement: The protagonist gets to escape the heat and misery of hell every day for a few moments and experience the beauty of heaven. He gets to taste good and satisfying food from time to time, courtesy of the young woman whom he serves. The protagonist also gets to spend time with a beautiful young woman, even starting at her while her back is turned.

answer: The narrator's experiences in the woman's world are positive, especially in comparison to the hell of the narrator's own world of residence. These experiences include: the cooler temperature, the attractive company of the young woman, the view of a clear sky and beach, and the taste of Gimbap that makes it back to the narrator's world when they are forced to return.

answer: There aren't any major positive events.

text: "There aren't any major positive events." - this is inaccurate because the story has some positive events.

refinement: The protagonist gets to escape the heat and misery of hell every day for a few moments and experience the beauty of heaven. He gets to taste good and satisfying food from time to time. The protagonist also gets to spend time with a beautiful young woman.

question:
Answer the following question based on the above passage:

Summarize the relationship between the characters.

answer: The man is the woman's assistant, making her dreams come to life.

answer: The characters are polar opposites. One is in a perpetual state of heat while the other resides in a cool, serene environment. The character in heat is there to serve the character in paradise, opening jars and doing the chores while they bask outside in the sunshine. Even though their relationship is vastly different, the magnetic pull between them has both characters inexplicably linked together. The relationship is one of servitude and power.

text: "The characters are polar opposites. One is in a perpetual state of heat while the other resides in a cool, serene environment. The character in heat is there to serve the character in paradise, opening jars and doing the chores while they bask outside in the sunshine. Even though their relationship is vastly different, the magnetic pull between them has both characters inexplicably linked together." - extraneous information that should be removed.

refinement: The relationship is one of servitude and power.

answer: The narrator belongs in hell, working as someone's personal assistant and serving to make the other person's life heavenly. Her situation is reversed.

text: "working as someone's personal assistant and serving to make the other person's life heavenly." - that someone is the woman from the other side (paradise). The response should be corrected to reflect that.

refinement: The narrator belongs in hell, working as a beautiful woman's personal assistant and serving her whenever she needs him to make her life heavenly. Her situation is reversed.

text: "Her situation is reversed." - extraneous information.

refinement: The narrator belongs in hell, working as a beautiful woman's personal assistant and serving her whenever she needs him to make her life heavenly.

answer: The narrator is subservient to the woman, obliged to attend to the woman in whichever role is required. These roles include deckhand, handyman, etc. The narrator is resigned to this as their eternity and the woman seems satisfied with the arrangement.

answer: The protagonist falls into the real world while in a dream state and winds up following and assisting the main character in daily tasks. The relationship between the two is one of convenience and dependency; the protagonist creates order in a chaotic situation while the main character gets things done.

question:
Answer the following question based on the above passage:

What does the story say about hell?

answer: The story suggests that hell is a place of intense heat and dryness, where a character has to perform mundane tasks for someone else in order to remain there. The environment of hell is dismal and not meant for living beings, but the character chooses to stay there out of pure service to their employer. Therefore, the story implies that hell is a place devoid of respite and comfort, with unfulfilling work and undesirable conditions overall.

text: Change "hell" to "Hell"

refinement: The story suggests that Hell is a place of intense heat and dryness, where a character has to perform mundane tasks for someone else in order to remain there. The environment of hell is dismal and not meant for living beings, but the character chooses to stay there out of pure service to their employer. Therefore, the story implies that Hell is a place devoid of respite and comfort, with unfulfilling work and undesirable conditions overall.

text: "character" - replace with "a resident"

refinement: The story suggests that Hell is a place of intense heat and dryness, where a resident has to perform mundane tasks for someone else in order to remain there. The environment of hell is dismal and not meant for living beings, but the character chooses to stay there out of pure service to their employer. Therefore, the story implies that Hell is a place devoid of respite and comfort, with unfulfilling work and undesirable conditions overall.

text: "in order to remain there" - this is inaccurate because the person in Hell stays there for eternity.

refinement: The story suggests that Hell is a place of intense heat and dryness, where a resident has to perform mundane tasks for someone living in Heaven for eternity. The environment of hell is dismal and not meant for living beings, but the character chooses to stay there out of pure service to their employer. Therefore, the story implies that Hell is a place devoid of respite and comfort, with unfulfilling work and undesirable conditions overall.

text: "The environment of hell is dismal and not meant for living beings, but the character chooses to stay there out of pure service to their employer. Therefore, the story implies that Hell is a place devoid of respite and comfort, with unfulfilling work and undesirable conditions overall." - extraneous information.

refinement: The story suggests that Hell is a place of intense heat and dryness, where a resident has to perform mundane tasks for someone living in Heaven for eternity.

text: "dryness" - this is incorrect. Hell is actually hot and humid.

refinement: The story suggests that Hell is a place of intense heat and humidity, where a resident has to perform mundane tasks for someone living in Heaven for eternity.

answer: The man appears to be stationed in hell, and that's where he does his work too. When he makes mistakes at work, he gets burned (literally) for it. His occupation is that of being the assistant to an extremely cruel and demanding (yet beautiful) woman, in an antiquated setting reminiscent of a Dickens novel, sometime before technology existed. She employs magic to teleport the protagonist from one place to another; a time machine when you need it, as it were. Talk about hot and cold running assistants! It seems like the protagonist was in hell to begin with and got transferred to her here because she liked him, being her servant and everything.

text: The response failed to answer the question.

refinement: Hell is where the narrator has been living for almost a year now, and where he needs to serve out eternity. The place is extremely hot, humid, and filled with smoke. Every breath is like a drag on a cigarette without the nicotine. Hell's sky is filled with dark and ominous-looking clouds. The trees there are forever smoldering and fiery ash is caked on the ground.

answer: No answer

text: Hell was adequately described in the story and an empty answer is unacceptable.

refinement: Hell is extremely hot and humid. The air is hot and heavy with smoke. The sky is filled with dark clouds. The trees are forever burning and there is fiery ash caked on the ground.

answer: The narrator claims to have spent the past year in hell, which is described as extremely hot and humid. From here, the narrator is magically pulled to serve a woman in heaven at her whim. It is not clear if this is a literal version of heaven and hell, but that is the most likely interpretation.

text: "From here, the narrator is magically pulled to serve a woman in heaven at her whim. It is not clear if this is a literal version of heaven and hell, but that is the most likely interpretation." - irrelevant information that should be removed.

refinement: The narrator claims to have spent the past year in hell, which is described as extremely hot and humid.

text: The response is missing a few details about Hell.

refinement: The narrator claims to have spent the past year in hell, which is described as extremely hot and humid. The sky in Hell is filled with dark clouds. The trees forever burn, and the ground is caked with fiery ash.

answer: The story portrays hell as hot, humid, uncomfortable, and dry. It is also portrayed as somewhere where an endless amount of unpleasant tasks is demanded of the character by their cruel mistress. Lastly, the story portrays hell as dark, stormy, and unforgiving. In short, hell is an unpleasant place that one does not wish to find oneself in.

text: "and dry" - it was never mentioned that Hell was dry.

refinement: The story portrays hell as hot, humid, and uncomfortable. It is also portrayed as somewhere where an endless amount of unpleasant tasks is demanded of the character by their cruel mistress. Lastly, the story portrays hell as dark, stormy, and unforgiving. In short, hell is an unpleasant place that one does not wish to find oneself in.