text:
All the King’s Men

The scalpel made a large incision, the hand moving fast yet delicately. The doctor made a perfect cut, or as perfect as he could expect in the current situation. The patient moaned while the plastic he was lying on clung to his skin. The doctor reached behind him, adjusting the construction lamp to get a better view. He inserted the makeshift retractor. Next, using the electrocautery knife, the doctor removed the organs. 	“Don’t worry Timothy. Everything will be just fine; I’m going to take care of you.” The hour went by in a blur, but finally the doctor finished his work. He placed both kidneys in a bowl of ice to preserve them, discarding the remaining organs into plastic bags.

--------------------

Good morning, Timothy. How are you feeling today?' the doctor said, making his way downstairs to the makeshift operating room in his house. “Timothy, are you awake?” the doctor asked, after not hearing a response. Upon reaching the bottom of the steps, the doctor could see his son was lying on the table, his body jerking spontaneously. He knew this was coming; he was working too fast. Putting so many foreign organs into his son, his body was rejecting them. If he worked any slower, his son would have died sooner. It was a race against the clock. Hyperactive Organ Deterioration was killing his son from the inside and he was determined on saving Timothy.

"It’s okay Timothy, I’m here. Everything will be okay now." He held his son for so long that he wasn’t even aware of the passing hours.
The sadness slowly started to dissipate. In its place, a rage started to build. The doctor placed his son on the table and went to grab his things.
Carefully but quickly, he opened up his sons chest and removed all of the organs except for the heart. Timothy loved the pharaohs of ancient Egypt so the doctor wanted to honor his son’s interests by placing the four main organs in canopic jars. Stomach, intestines, lung and livers; all removed and placed in their own jar. The doctor took the kidneys from the bowl of ice that was lying on the table next to him and proceeded to shove the organs into his sons’ body. Looking at his work, he smiled for a brief moment before the rage returned.

------------------------------------
“No, no, no! This will never do!” The doctor threw the black tar-stained lungs in frustration. “How could I be so careless? I should have waited, ensuring he wasn’t a smoker.”

A sense of failure washed over the doctor. Turning to look at his son, staring into the cold, lifeless eyes. “I’m sorry Timothy. I promise never to do something so reckless again.” As the doctor kept his gaze locked on his son’s eyes the rage and sense of failure vanished. “I’m starving, let me get us some food, and I’ll tell you about the news for today.”

------------------------------------
Nights continued in this fashion until people started to worry. “They’re scared of all the missing people. They don’t know for certain that it’s murder, but seven people don’t just go missing. I may need to slow down. Nevertheless, it’s okay. Don’t worry Timothy. Everything will be just fine. I’m going to take care of you for the rest of my life.” The doctor said, smiling at his son. Slowly standing up, the doctor realized that he needed to get some fresh air. Walking outside, he took a quick stretch and checked his mail. The neighbor’s kid passed by and greeted the doctor. Smiling, the doctor thought to himself that just one more couldn’t hurt.

title: [MF] All the King's Men

question:
Answer the following question based on the above passage:

What does the text say about the narrator's goals and actions?

answer: The text suggests that the narrator has a goal to save Timothy by providing him with foreign organs. The narrator's actions consist of opening up Timothy's chest, removing organs, and replacing them with foreign ones. The narrator notes that his methods were initially careless and reckless though he has since slowed down and taken better care of his son. The narrator's ultimate goal seems to be to save Timothy.

text: The answer addresses the protagonist as the narrator. This needs to be corrected to conform with the story.

refinement: The text suggests that the doctor has a goal to save Timothy by providing him with foreign organs. The doctor's actions include opening up Timothy's chest, removing organs, and replacing them with foreign ones. The doctor notes that his methods were initially careless and reckless though he has since slowed down and taken better care of his son. Ultimately, the doctor's goal is to save Timothy's life so he can be with him for the rest of his life.

answer: He's motivated to keep his son alive despite a disease called hyperactive organ deterioration. He tries to replace the organs as quickly as he can to accomplish this. The organs seemingly come from the narrator's neighbors. He plans to do his gruesome work for the foreseeable future. However, his son seems dead already.

text: The response states that the organs seem to come from the neighbors. However, there's no indication from the story that this is so. The story only mentioned that the doctor saw his neighbor's son and contemplated using his organs. The story does not mention where the other organs came from. The model needs to rewrite the answer more accurately and constructively.

refinement: Hyperactive Organ Deterioration plagued the doctor's son, Timothy, and he is desperate to keep him alive. He tries to replace his organs as quickly as he can to accomplish this. Although, it seems the doctor has been kidnapping random people and harvesting their organs to save his son. However, his son seems dead already.

answer: The narrator kidnapped Timothy and the narrator's doctors so he and his physicians could fix Timothy before it is too late. The doctors don't recognize the symptoms of Hyperactive Organ Deterioration. They followed him there and became more careful about the procedures as time went on. Eventually, the narrator's father figure replaced one of the kidneys and smashed the rest into ice.

text: The model's response is incoherent and lacking in clarity. Majority of its statement does not also conform with the story. Overall, the answer needs to be rewritten more accurately and clearly for proper understanding.

refinement: Hyperactive Organ Deterioration plagued the doctor's son, Timothy, and he is desperate to keep him alive. He tries to replace his organs as quickly as he can to accomplish this. Although, it seems the doctor has been kidnapping random people and harvesting their organs to save his son. However, his son seems dead already.

answer: The narrator's goal is to save his son and ultimately care for him for the rest of his life. He does this by removing organs and placing them in canopic jars. He is driven by rage and a sense of failure. He plans to slow down when it is necessary, but ultimately he seeks to save his son at any cost.

answer: The narrator's main goal is to save their son, Timothy. He works too fast, resulting in his son's hyperactive deterioration and Timothy rejecting the new organs. The narrator doesn't pause, however, because he had promised to save his son. He underestimates the severity of the situation or can't know what to do with Timothy. The narrator keeps trying one plan after another because if he can't save Timothy, then he will die.

text: There is no mention of the doctor underestimating the severity of the situation; neither did the story say that the doctor would die if he could not save timothy. That line of the answer needs to be erased or rewritten accurately.

refinement: The doctor's primary goal is to save his son, Timothy. He works too fast, resulting in his son's Hyperactive Organ Deterioration. The narrator doesn't pause, however, because he has promised to save his son. The doctor is so desperate to save his son's life that he utilizes every means possible by harvesting random people's organs after kidnapping them. Even though the boy seems dead already, the doctor is not determined to give up because he still believes he can save his son.


split: train

text:
 Go to FitKidz __

FitKidz

Fostering a love of physical activity for life!

"Take care of your body. It's the only place you have to live in." - Jim Rohn

World class health care in a friendly, locally owned and operated atmosphere

The Definition of stride (strīd): 1) a single coordinated movement: Here at STRIDE, we work closely with other healthcare professionals to make sure you are getting the best, most relevant care available. 2) significant progress: At Stride, we expect, as should you, to make gains with your treatment. The timeline in which these changes should take place will be discussed with you in detail. Although most problems don’t change overnight, you should be able to see improvements with specific markers and overall quality of life in a reasonable timeframe. 3) a step walking or running: Stride practitioners strongly encourage you to participate in your recovery. While you don’t need to be a top-level athlete, we do expect most people to participate in some degree of home-based exercise. This is often just a few short stretching or strengthening exercises that will make a big difference in your recovery. They will all be designed specifically for you, so no matter your age, fitness level, or degree of pain, you can start taking charge of your body. 4) to attain a maximum level of competence: Just like in anything, health and wellness providers have a wide range of skills and training. At STRIDE, our practitioners continually upgrade their training to ensure we are providing industry-leading and research-based services. This is something that sets us apart. Let us help you hit your STRIDE!

-   Our clients come first.

    We are dedicated to ensuring the health needs of our clients are surpassed. When passing through our doors, every client is treated with the absolute best our professions and the varied skill sets our practitioners have to offer.

-   We go green.

    We strive to remain mindful of and reduce our environmental footprint any way we can, such as reducing paper in our daily operations and recycling as much as possible to minimize the burden shouldered by future generations.

-   Professional development is integral.

    Maintaining excellence as our standard of care is guaranteed and keeping up with skills supported by best evidence in the research literature is integral to our practice. Stride encourages and proudly invests in our therapists as they engage regularly in professional development endeavours.

-   We give back.

    We are of service daily to our community through our practice, but in addition to this, we understand the importance of and have a very strong desire to give back to the good people of this city through job creation, sponsorship of individuals and organizations, and various volunteer opportunities.

[]
Jodi Williams, PT

BSc PT, BSc (Physiology), CAFCI, CF-L1

Founding Partner & Owner, Physical Therapist, Credentialed Manual Therapist, Pelvic Health Practitioner, Acupuncture Provider, Certified Concussion Manager, Ergonomic Consultant, Falls Prevention Educator, CrossFit Level One Trainer, Sports First Responder

[]
Laurel Schafer, PT

BSc PT, CAFCI, CF-L1

Founding Partner & Owner, Physical Therapist, Credentialed Manual Therapist, Pelvic Health Practitioner, Acupuncture Provider, Certified Concussion Manager, Ergonomic Consultant, CrossFit Level One Trainer, Sports First Responder

[]
Halee Bridgeman, PT

BSc (Psych/Bio), MPT, CF-L1

Physical Therapist, Sports First Responder, Certified Concussion Manager, Parkinson’s Big Movement Instructor, CrossFit Level Trainer.

[]
Trent Lasiuk, ET

BSc (Kinesiology), CSEP-CEP

Exercise Therapist, Strength & Conditioning Coach, Personal Trainer, Functional Movement Systems Trained

[]
Joanne Booth

BSc (Kinesiology), CanFitPro (PTS)

Strength & Conditioning Coach

[]
Daylan Gatzke

BSc (Kinesiology)

Strength & Conditioning Coach

[]
Brenda Wall

Office Manager

Administration and Expert Therapist Wrangler

[]
Connie Magnusson

Office Administrator

Administration and expert therapist wrangler

"It's not sweat. It's liquid awesome." - overheard at STRIDE Performance

[]

Quarantine Fitness

Why is it so hard to get back into an exercise program after quarantine? The answer is simple: you were too sedentary for too long. Is this really a problem? Actually, not really. We’re going through something that the world hasn’t seen in over a 100 years, so it’s ok that worrying about life, your job, and your future Read more about Quarantine Fitness[…]

[]

Physical Therapy via Video is here!

Even though it’s not how we may typically do things around here, video physical therapy sessions are a useful tool for the days to come and the research supports it! https://pubmed.ncbi.nlm.nih.gov/27141087/ These sessions are secure, confidential, and in keeping with our licensing body’s guidelines. Most insurance companies are covering the fees for physical therapy delivered in Read more about Physical Therapy via Video is here![…]

[]

STRIDE COVID-19 Response

Please click on the Red “COVID-19 Response” button at the top of our website for all up-to-date information on what we as a clinic are doing during this unprecedented time.

[]

** IMPORTANT – PLEASE READ **

On advice of our professional association, public health guidelines, and our own moral compasses, STRIDE Physio & Performance and CrossFit Swift Curre

question:
Answer the following question based on the above passage:

In what ways does STRIDE try to distinguish itself from its competitors?

answer: STRIDE strives to put the needs of its clients first, going green and investing in professional development. Additionally, STRIDE does not follow public health guidelines blindly to set itself apart from its competitors.

answer: They are continuously upskilling their practitioners so to deliver the best care available. They recycle to keep their environmental footprint as low as possible. They support the local community by giving back.

answer: STRIDE strives to provide the best possible medical care to its patients by keeping up with best evidence in the research literature and encouraging professional development. Additionally, STRIDE maintains a strong emphasis on going green, giving back to the community, and providing unique services such as physical therapy delivered via video. These aspects put STRIDE ahead of peers.

answer: STRIDE emphasizes its reliance on the latest and best research relating to the treatments they offer. They also emphasize and promote the importance of trained professionals with ongoing training and refresher courses to remain competent. STRIDE encourages professional development and regular training. STRIDE employees are not only encouraged to volunteer and give back to their communities but STRIDE itself sponsors community members and businesses. STRIDE is environmentally conscious and formally elects to minimize its impact on the environment wherever possible.

answer: STRIDE is a firm that provides fitness and wellness services to its clients. Like any other health and wellness company, it provides tips and tricks to maintain fitness and wellbeing. STRIDE, however, prides itself on providing a little bit extra. For example, STRIDE makes sure it maintains a green status as far as recycling and reduction of its environmental footprint are concerned. Also, this is a company that believes in charity, hence it tries giving back to the community via job creation and sponsorship of individuals within the community.


text:
RAY ARTHUR WANG, born RAYMOND WANG (pronounced Wong), is an American independent filmmaker.

Personal life

Wang was born and raised in Livermore, California, where he graduated from Livermore High School.

In 1999, he acquired his B.S. in electrical engineering and computer Science with music minor from University of California, Berkeley.[1]

He went on to receive his M.S. and Ph.D. in electrical engineering at Stanford University, where he researched wireless communication under the guidance of Donald C. Cox with the support of the National Science Foundation Fellowship and Stanford Graduate Fellowship (Ric Weiland Family Fellow).[2][3]

Film career

Wang pursued a career in electrical engineering but was increasingly moved by social injustices around him. He founded Raw Power Productions in 2004 with a mission of using the medium of film to effect social change.[4]

His directorial feature debut _Carma_ in 2005, starring actress Karen Black as the voice of a haunted Honda Accord,[5] toured local film festivals. It won “Best Picture” and “Indie Auteur of the Year” for Wang at the Bare Bones International Film Festival. _Carma_ premiered as a Special Presentation at Cinequest Film Festival under the name _Compartment._[6]

Wang and his team was invited to the Sundance Producers' Conference in 2006, where he was a producer on the women's rights documentary, _Tapestries of Hope._[7] The film was an early adopter of the crowdfunding site Indiegogo, which launched launched in 2008.[8][9] The film featured activist Betty Makoni and discusses sexual abuse in Zimbabwe.[10][11] It released 2010 nationwide in over 100 theaters.[12]

The San Francisco Chronicle praised Wang's debut directorial _The Profile_ for evoking memories of the infamous Wen Ho Lee case on its 10th Anniversary.[13] Film critic Richard von Busack also spoke positively on the film in the Metro Silicon Valley,[14] while Film Threat stated, “_The Profile_ feels timeless but is also clearly modern as we look at the recent illegal immigration laws enacted by Arizona.”[15]

His short _When Sally Met Rascal..._ is about homelessness and starred Sally Kirkland and Rascal, former winner of the World's Ugliest Dog Contest.[16][17]

In 2011, Wang released the 3D horror short _Down Under_ to raise awareness about the 2008–2010 series of hate crimes against Indians in Australia.[18][19][20]

His 2013 short _Oksana_ tells the story of a 9-year-old white girl adopted by an Indian American man and American Indian (Native American) woman and is loosely based on the controversial subject of Russian adoptions in America.[21][22][23][24]

In 2014, Wang completed the short _Circle of Life_, starring actors Graham Greene and Michael Horse, about the final years of human life.[25][26] Wang collaborated with writer Susan Black for the fourth time in 2014 for _Black and White.[27]_

His 2017 film _Disk 44_, an animated remake of _The Profile_,, placed 8th in the Stuttgart International Festival of Animated Film (ITFS) Amazon Audience Award.[28]

Music career

Wang started formal piano training at the age of five, shortly after his perfect pitch and ability to play by ear were noticed, and went on to win several piano competitions.[29] Wang was invited to perform as piano soloist with symphony orchestras over ten times,[30][31][32] starting at age ten when he won the Livermore-Amador Symphony's Concerto Competition.[33] After a guest piano appearance with the Stanford Symphony Orchestra for the U.S. Premiere of Philip Glass' Songs of Milarepa in 1999,[34][35] he then won the Stanford Concerto Competition in 2000, performing Rachmaninoff's 2nd Piano Concerto with them.[36]

In 2006, The Oakland Tribune wrote in reference to his performance of Rachmaninoff's 3rd Piano Concerto, “Wang received the Diablo Symphony's most vociferous ovation ever.”[37] A year later, Wang retired from the classical piano concertizing scene to focus on film and engineering but continues to play piano and/or compose music for his movie scores. Wang's debut CD, _RAW Encores_, was released in December 2013.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14] http://www.rawpp.com/Metro.pdf

[15]

[16]

[17]

[18]

[19] http://www.kazv.net/uploads/8/5/3/0/8530330/shockerfest2012schedule.pdf

[20] http://www.baaff.org/fear-buffet-a-shorts-program.html

[21] http://lifefilmfest.com/lf14wrap/

[22] http://siaff.kr/xe/en_notice/449

[23]

[24] http://educationexpo.tv/dadasahebphalkefilmfestival/news.php?id=MTAw

[25] http://www.rawpp.com/circleoflife/includes/images/theandersonnewsprint.jpg

[26]

[27]

[28]

[29] http://townsendcenter.berkeley.edu/pubs/98_10_nl.pdf

[30] http://www.pleasantonweekly.com/morguepdf/2006/2006_05_05.pls.section1.pdf

[31]

[32]

[33] http://www.livamsymph.org/brochures-compwinners/LASCompetitionWinners.pdf

[34]

[35] http://www.21st-centurymusic.com/ML210305.pdf

[36]

[37] http://www.rayarthurwang.com/OaklandTribune_Rach3.html

title: Ray Arthur Wang

question:
Answer the following question based on the above passage:

Why would Ray Arthur Wang care about social injustices?

answer: Wang cares about social injustices because he aims to use film to effect social change.

text: The summary doesn't tell us why Ray Wang was moved by social injustices. It is his caring about social injustices that led to use of film and not the other way round.

refinement: The summary doesn't tell us why Ray Wang was moved by social injustices.

answer: Like many privileged people, including myself, Wang was born into luxury and had far more advantages than others. He pursued a career in electronics engineering until he found something that moved him to pursue his dream and make a film about social injustices.

answer: Wang's motivations are never discussed in the article, though his name implies that he is of Asian descent and may have had personally experienced various forms of social injustice. While it is possible that he simply chose this path because he felt strongly about the cause, or that he has seen it happen to people he knows, the fact that he turned away from his education in engineering to start up an independent film studio gives more weight that his decision is personal.

answer: He went to school/graduated with a biology/chemistry engineering degree. They would learn about biomolecules and brains that perform very similar functions throughout a species. Considering he managed to go to grad school in pursut of a degree in electrical engineering, he has to have a certain level of intelligence. He has an interest in science, so he can't have an emotional detachment from humanity like Mr. Burns did in The Simpsons.

text: This answer has little to do with the question

refinement: The article does not discuss why Wang was moved by social injustices.

answer: Wang cares about social injustices because he founded Raw Power Productions with a mission to use film to effect social change.

text: He started the studio because he cared about social justice and not the other way round.

refinement: Wang founded Raw Power Productions with a mission to use film to effect social change. The article does not however tell us why he was moved to make a difference.


text:
[Rosina Ferrario, 1912] ROSINA FERRARIO (1888–1959) was the first Italian woman to receive a pilot's licence when she passed her test on 3 January 1913 at Vizzola, Lombardy, in a Caproni monoplane. She received Licence No. 203 from the Aeroclub of Italy.[1][2]

Biography

Born into an affluent bourgeois family, Ferrario worked as a clerk. She was an avid sportswoman and mountain climber, as well as a keen cyclist. After receiving her pilot's licence, she took part in several demonstrations and exhibition flights in 1913 and 1914, for example in Naples, Rome and Como. In October 1913, in connection with celebrations for the 100th anniversary of Giuseppe Verdi's birth in Busseto, she flew alongside Achille Landini.[3] In June 2013, she spent a day in a hot air balloon with Erminio Donner Flori, flying from Milan to Lodi.[4]

In 1914, Ferrario was unable to accept an invitation to fly in South America as the First World War had been declared. She applied to work for the Red Cross in Italy but was refused as she was not in the military. There is little information on Ferrario until 1921 when she was living happily married to Enrico Grugnola whom she met on an outing with the Italian Alpine Club. Together they opened a hotel with a large garden in Milan where they lived with their two children. She regularly attended meetings of the _Pionieri dell'Aeronautica_ (Aviation Pioneers) but no longer flew. She continued to be recognized as a pioneer until her death in 1959.[5]

[1]

[2]

[3]

[4]

[5]

title: Rosina Ferrario

question: What year did Rosina Ferrario die?

answer: 1959.

text: "until her death in 1959" is evidence she died in 1959.

answer: 1959

text: "until her death in 1959" is evidence she died in 1959.

answer: 1959

text: "until her death in 1959" is evidence she died in 1959.

answer: 1959

text: "until her death in 1959" is evidence she died in 1959.

question: What kind of family did Ferrario have?

answer: She was born into an affluent bourgeois family.

text: "Born into an affluent bourgeois family" is evidence she was born into an affluent bourgeois family.

answer: She was born into an affluent bourgeois family.

text: "Born into an affluent bourgeois family" is evidence she was born into an affluent bourgeois family.

answer: From the passage, it is clear that Ferrario came from a wealthy bourgeois family.

text: "Born into an affluent bourgeois family" is evidence she was born into an wealthy bourgeois family.

answer: Ferrario was born into an affluent bourgeois family.

text: "Born into an affluent bourgeois family" is evidence she was born into an affluent bourgeois family.

question: What year did she pass her pilot's licence test?

answer: Rosina Ferrario passed her pilot's licence test in 1913.

text: Incorrect spelling for license.

refinement: Rosina Ferrario passed her pilot's license test in 1913.

text: "receive a pilot's license when she passed her test on 3 January 1913" is evidence she passed her test in 1913.

answer: 1913

text: "receive a pilot's license when she passed her test on 3 January 1913" is evidence she passed her test in 1913.

answer: 1913.

text: "receive a pilot's license when she passed her test on 3 January 1913" is evidence she passed her test in 1913.

answer: 1913.

text: "receive a pilot's license when she passed her test on 3 January 1913" is evidence she passed her test in 1913.

question: Who was Rosina Ferrario?

answer: Rosina Ferrario was a pioneering Italian woman pilot who was the first woman in Italy to receive a pilot's licence.

text: Incorrect spelling as it should be "license"

refinement: Rosina Ferrario was a pioneering Italian woman pilot who was the first woman in Italy to receive a pilot's license.

text: grammar issues affecting the answer.

refinement: Rosina Ferrario was a pioneering Italian woman pilot who was the first Italian woman to receive a pilot's license.

answer: She was the first Italian woman to receive a pilot's licence.

text: incorrect spelling for license.

refinement: She was the first Italian woman to receive a pilot's license.

text: "was the first Italian woman to receive a pilot's license" is evidence of who Rosina Ferrario was.

answer: She was the first Italian woman to receive a pilot's license.

text: "was the first Italian woman to receive a pilot's license" is evidence of who Rosina Ferrario was.

answer: Rosina Ferrario was the first Italian woman to receive a pilot's licence.

text: incorrect spelling for license.

refinement: Rosina Ferrario was the first Italian woman to receive a pilot's license.

text: "was the first Italian woman to receive a pilot's license" is evidence of who Rosina Ferrario was.

question: Write a ~7 sentence summary.

answer: Rosina Ferrario was the first Italian woman to receive her pilot's licence. She passed her exam on January 3, 1913. Ferrario was born into an affluent bourgeois Italian family in 1888 and worked as a clerk, enjoying sport and mountain climbing as well as cycling. She had to turn down invitations to do flying competitions and exhibits when the first World War broke out. She applied to work for the Red Cross in Italy but was rejected as she was not in the military. In 1921 she married and she and her husband would go on to open a hotel in Milan where they lived with their two children. Ferrario died in 1959, and is remembered as a pioneer in flight.

text: grammar issues in "first italian woman to receive her pilot's license"

refinement: Rosina Ferrario was the first Italian woman to receive a pilot's license. She passed her exam on January 3, 1913. Ferrario was born into an affluent bourgeois Italian family in 1888 and worked as a clerk, enjoying sport and mountain climbing as well as cycling. She had to turn down invitations to do flying competitions and exhibits when the first World War broke out. She applied to work for the Red Cross in Italy but was rejected as she was not in the military. In 1921 she was married and she and her husband would go on to open a hotel in Milan where they lived with their two children. Ferrario died in 1959, and is remembered as a pioneer in flight.

text: There's no evidence that suggests her invitations to fly were for competitions.

refinement: Rosina Ferrario was the first Italian woman to receive a pilot's license. She passed her exam on January 3, 1913. Ferrario was born into an affluent bourgeois Italian family in 1888 and worked as a clerk, enjoying sport and mountain climbing as well as cycling. She had to turn down invitations to fly when the first World War broke out. She applied to work for the Red Cross in Italy but was rejected as she was not in the military. In 1921 she married and she and her husband would go on to open a hotel in Milan where they lived with their two children. Ferrario died in 1959, and is remembered as a pioneer in flight.

answer: Rosina Ferrario was the first Italian woman to receive a pilot's licence in 1913. She took part in several exhibition flights and demonstrations, but was unable to accept an invitation to fly in South America due to the outbreak of the First World War. After receiving her licence, she lived happily married with her husband and opened a hotel in Milan. She was recognized as a pioneer until her death in 1959.

answer: Rosina Ferrario was the first Italian woman to receive a pilot's license. She received her license in 1913. She was an avid sportswoman and mountain climber, as well as a keen cyclist. She took part in several demonstrations and exhibition flights in 1913 and 1914. She was unable to accept an invitation to fly in South America as the First World War had been declared. She applied to work for the Red Cross in Italy but was refused as she was not in the military. She was living happily married to Enrico Grugnola in 1921. She regularly attended meetings of the Pionieri dell'Aeronautica but no longer flew. She died in 1959.

answer: Rosina Ferrario was the first Italian woman to receive a pilot's licence. She was an avid sportswoman and mountain climber, as well as a keen cyclist. After receiving her pilot's licence, she took part in several demonstrations and exhibition flights in 1913 and 1914, for example in Naples, Rome and Como. In October 1913, in connection with celebrations for the 100th anniversary of Giuseppe Verdi's birth in Busseto, she flew alongside Achille Landini. In 1914, Ferrario was unable to accept an invitation to fly in South America as the First World War had been declared. She applied to work for the Red Cross in Italy but was refused as she was not in the military. There is little information on Ferrario until 1921 when she was living happily married to Enrico Grugnola whom she met on an outing with the Italian Alpine Club. Together they opened a hotel with a large garden in Milan where they lived with their two children. She regularly attended meetings of the _Pionieri dell'Aeronautica_ (Aviation Pioneers) but no longer flew. She continued to be recognized as a pioneer until her death in 1959.


text:
Eric Bates, the former executive editor of Rolling Stone, is joining the new media organization being launched by eBay founder Pierre Omidyar and journalist Glenn Greenwald.

According to a post from Omidyar about NewCo -- what the project is currently being called -- Bates "will be instrumental in helping us define our editorial strategy for a general-interest audience as well as the editing infrastructure we will need to support our independent journalists.

Bates worked at Rolling Stone for nearly a decade, editing top stories on politics and national security. He was the editor of "The Runaway General," the award-winning 2010 feature on Gen. Stanley McChrystal by the late Michael Hastings. Bates also participated in four interviews with President Obama while at the magazine. Rolling Stone laid offa couple high-ranking staffers earlier this year, including Bates.

Previously, Bates worked as investigative editor at Mother Jones and was editor-in-chief of Southern Exposure. This year, he became a scholar at NYU's Institute for Public Knowledge and has reportedly been in the running for the top editor job at the Columbia Journalism Review.

When news broke last month that Omidyar was working on a new venture with journalists Greenwald, Laura Poitras and Jeremy Scahill, little had yet been determined about the media outlet's structure. Omidyar told HuffPost that the media outlet will hire experienced editors, along with high-profile writers dedicated to their specific beats.

A couple weeks ago, two more journalists -- Dan Froomkin and Liliana Segura -- came aboard. But Bates will be the first editor to join the venture, which helps add more structure to the growing newsroom.

Calling all HuffPost superfans!

Sign up for membership to become a founding member and help shape HuffPost's next chapter

question: Who is Eric Bates?

answer: The former executive editor of Rolling Stone.

answer:
A. An entrepreneur
B. A writer
C. A scholar
D. A former executive

C. A scholar

answer:
A. A publisher
B. A former editor for Rolling Stone
C. A scholar at NYU's Institute for Public Knowledge
D. A high-ranking staff member for the Rolling Stone

question: What was Bates investigating?

answer: Along with the run away general story, Bates participated in four interviews with President Obama.

answer: Bates was an investigative editor.

answer: Information can't be found.

question: Who is Omidyar?

text: No content.

answer: -Catherine Caltagirone

text: Wrong

answer: eBay's founder.

question: What is "The Runaway General"?

answer: According to the passage, "The Runaway General" was a 2010 feature article written by Michael Hastings and edited by Eric Bates that explored the US general Stanley McChrystal.

answer: The "Runaway General" was a feature published by the American magazine Rolling Stone, written by journalist Michael Hastings. The piece covered Gen. Stanley McChrystal, and it won several prestigious awards.

answer: An award-winning 2010 feature on Gen. Stanley McChrystal by the late Michael Hastings.

question: Write a ~2 sentence summary.

answer: Pierre Omidyar has announced that Rolling Stone's Eric Bates is joining the new media outlet they're launching, which will be built around quality journalism for a general-interest audience.

answer: Former Rolling Stone editor Eric Bates will help Pierre Omidyar's upcoming media project with "editorial strategy for a general-interest audience."

answer: New media organization being launched by eBay founder Pierre Omidyar and journalist Glenn Greenwald features former Rolling Stone editor Eric Bates. He will help define the editorial strategy and structure.

answer: Former Rolling Stone executive editor Eric Bates is joining Pierre Omidyar's new media venture, which will focus on general interest stories in contrast to the investigative focus of other outlets such as the Rolling Stone.

answer: Eric Bates, the former executive editor of Rolling Stone, is joining the new media organization being launched by eBay founder Pierre Omidyar and journalist Glenn Greenwald. Journalists Dan Froomkin and Liliana Segura also joined.

answer: Former Rolling Stone editor Eric Bates is joining the news organization being launched by eBay founder Pierre Omidyar, who has hired other journalists like Glenn Greenwald and Laura Poitras. Bates' experience as an editor will add structure to the team's growing newsroom.


text:
SEITA EMORI (born 1970 in Kanagawa, Japan) is a Japanese environmental scientist whose most noted work focuses upon the worldwide effects of Global Warming.[1] He completed his Doctorate at the University of Tokyo in 1997 and thereafter joined the National Institute of Environmental Studies, Japan, where he is currently the Chief of the Climate Risk Assessment Research Section at the Center for Global Environmental Research.[2] Emori is a contributing author to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC) and a member of the IPCC Steering Committee for the “Expert Meeting on New Scenarios”, for which the IPCC received a Noble Prize in 2007.[3]

Among Emori's publications are the academic paper “Sensitivity Map of LAI to Precipitation and Surface Air Temperature Variations in a Global Scale” (co-authored with his Japans colleague Hiroshi Kanzawa and Jiahua Zhang and Congbin Fu of the START, Institute of Atmospheric Physics in Beijing, China).[4]

[1] https://www.nies.go.jp/researchers-e/100101.html

[2] http://www.shortshorts.org/2012/en/award/gw-jurors.php

[3] http://s3.isp.unu.edu/groups/cecarweb/wiki/da737/Seita_Emori_.html

[4] http://icaci.org/files/documents/ICC_proceedings/ICC2001/icc2001/file/f24032.pdf

title: Seita Emori

question: Who is Seita Emori?

answer: He is a Japanese environmental scientist whose most noted work focuses upon the worldwide effects of Global Warming and is currently the Chief of the Climate Risk Assessment Research Section at the Center for Global Environmental Research, National Institute of Environmental Studies, Japan.

answer: Seita Emori is a Japanese environmental scientist.

answer: Seita Emori is a Japanese environmental scientist who specializes in climate change research. He completed his doctorate at the University of Tokyo and is currently the Chief of the Climate Risk Assessment Research Section at the National Institute of Environmental Studies in Japan.

answer: He is a Japanese environmental scientist.

question: When and where did Emori complete his doctorate?

answer: Emori completed his doctorate at the University of Tokyo in 1997.

answer: Seita Emori completed his doctorate at the University of Tokyo in 1997.

answer: Emori completed his doctorate at the University of Tokyo in 1997.

answer: He completed his Doctorate at the University of Tokyo in 1997

question: Summarize everything relating to Emori and the IPCC.

answer: Emori is a contributing author to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC) and a member of the IPCC Steering Committee for the “Expert Meeting on New Scenarios”, for which the IPCC received a Noble Prize in 2007.

answer: Emori is a contributing author to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC) and a member of the IPCC Steering Committee for the “Expert Meeting on New Scenarios”, for which the IPCC received a Noble Prize in 2007.

answer: SEITA EMORI (born 1970 in Kanagawa, Japan) is a Japanese environmental scientist whose most noted work focuses upon the worldwide effects of Global Warming. He completed his Doctorate at the University of Tokyo in 1997 and thereafter joined the National Institute of Environmental Studies, Japan, where he is currently the Chief of the Climate Risk Assessment Research Section at the Center for Global Environmental Research. Emori is a contributing author to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC) and a member of the IPCC Steering Committee for the “Expert Meeting on New Scenarios”, for which the IPCC received a Noble Prize in 2007.

answer: Seita Emori is a Japanese environmental scientist who is a contributing author to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC). The IPCC is a scientific body that assesses the current state of knowledge on climate change, and Emori is a member of the IPCC's Steering Committee.

question: What publication did he co-author with colleague Hiroshi Kanzawa and Jiahua Zhang and Congbin Fu of the START Institute of Atmospheric Physics in Beijing, China?

answer: Sensitivity Map of LAI to Precipitation and Surface Air Temperature Variations in a Global Scale

answer: The publication that Emori co-authored is titled "Sensitivity Map of LAI to Precipitation and Surface Air Temperature Variations in a Global Scale."

answer: "Sensitivity Map of LAI to Precipitation and Surface Air Temperature Variations in a Global Scale"

answer: Sensitivity Map of LAI to Precipitation and Surface Air Temperature Variations in a Global Scale

question: Write a ~3 sentence summary.

answer: Seita Emori is a Japanese environmental scientist whose most noted work focuses on the worldwide effects of Global Warming. He completed his Doctorate at the University of Tokyo in 1997 and joined the National Institute of Environmental Studies, Japan, where he is currently the Chief of the Climate Risk Assessment Research Section at the Center for Global Environmental Research. Emori is a contributing author to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change and a member of the IPCC Steering Committee for the “Expert Meeting on New Scenarios”, for which the IPCC received a Noble Prize in 2007.

answer: SEITA EMORI is a Japanese environmental scientist whose most noted work focuses upon the worldwide effects of Global Warming. He completed his Doctorate at the University of Tokyo in 1997 and thereafter joined the National Institute of Environmental Studies, Japan, where he is currently the Chief of the Climate Risk Assessment Research Section at the Center for Global Environmental Research. Emori is a contributing author to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC) and a member of the IPCC Steering Committee for the “Expert Meeting on New Scenarios”, for which the IPCC received a Noble Prize in 2007.

answer: Seita Emori is a Japanese environmental scientist whose work focuses on the worldwide effects of Global Warming. He is currently the Chief of the Climate Risk Assessment Research Section at the Center for Global Environmental Research of the National Institute of Environmental Studies in Japan. Emori is a member of the Intergovernmental Panel on Climate Change (IPCC) steering committee that won a Nobel Prize in 2007.

answer: Seita Emori is a Japanese environmental scientist who is recognized for his work on global warming. His most notable publications focus on the effects of climate change on plant growth, and he is a contributing author to the IPCC Fourth Assessment Report.


text:
Okay, before you starting reading, please note that this is the first time I have ever wrote a creative writing piece. The reason behind this are my horrible English language skills. I'm not a native speaker, and a horrible non-native one. Please note that my sorry excuse of a story is incomplete and I'm posting it simply to get feedback on my grammar and my story-telling skills.
___
___
Adam leapt over the shrub, a few white-out roses caught in his folded jeans cuffs, but he wasn't paying attention to details--it wasn't the time to pay attention. He managed to land awkwardly on his feet, almost crumpling. The impact was more than he could manage under normal circumstances, only that they weren't normal--he had been shot squarely through his left thigh, and his arms were trembling, enfolded under her back.

"Don't leave me now," he glanced over her face--expressionless--and looked back up, surveying the land before him; looking for a place to hide and take shelter before those arseholes could do any more damage. Luck hadn't left them after all, as he had otherwise thought. A deep, misty forest lay ahead of them, glimmering with greenish light, the colour of poison. Without thinking, he ran for it, losing himself in the grove of trees.

The sky roared with chillingly profound thunder--it had started to drizzle. He could make out her face from the lightening flickering across the sky, filtering through the leaves. She was perfectly immobile, her eyes close shut, her brows relaxed.

title: My first [incomplete] creative writing piece.

question: What happened to Adam?

answer: Adam was shot in the leg and is now running for shelter.

answer: He was shot in the leg.

answer: Adam was shot in the leg and is now trying to escape from his attackers.

answer: He was shot and is possibly being chased.

question: What happened to his companion?

answer: She was shot.

text: It would be more accurate to say she may have been shot, since the answer isn't within the short story.

answer: She was shot in the head.

text: This is false. It's not stated what happened to her specifically, so saying she was shot in the head is a stretch. It can be presumed she was shot, or stated that it's not clear what happened.

answer: Presumably shot as well.

answer: The companion was shot and appears to be unconscious.

text: It would be more accurate to say she may have been shot, since the answer isn't within the short story.

refinement: The companion was presumably shot and appears to be unconscious.

question: Is she dead?

answer: It seems so.

text: "She was perfectly immobile, her eyes close shut, her brows relaxed."

answer: It's unclear from the passage whether or not the female character is dead, but it seems likely that she is unconscious or close to it.

text: "She was perfectly immobile, her eyes close shut, her brows relaxed."

answer: He tells her not to leave him, and she lays "perfectly immobile, her eyes close shut, her brows relaxed," but unclear.

text: Finish "but unclear" for extra clarity.

refinement: He tells her not to leave him, and she lays "perfectly immobile, her eyes close shut, her brows relaxed," but it's unclear that she's dead.

answer: No, she is not dead.

text: It's not clear if she's dead or not, so this answer is misleading.

question: Who shot Adam, who's chasing them?

answer: Unclear

answer: It's not clear who shot Adam, but it's clear that they're being chased.

text: Blank response.

refinement: It's not clear who shot Adam or who is chasing them.

answer: Adam was shot by someone unknown, and they are being chased by unknown assailants.

question: Write a ~5 sentence summary.

answer: Adam leaps over a shrub, nearly crumpling on the landing. He has been shot and is carrying her. He looks for somewhere to hide from the arseholes who shot him, running into a grove of trees. It starts to drizzle. She's perfectly immobile, eyes shut, brows relaxed.

text: It would be better to call "her" Adam's "companion".

refinement: Adam leaps over a shrub, nearly crumpling on the landing. He has been shot and is carrying his companion. He looks for somewhere to hide from the arseholes who shot him, running into a grove of trees. It starts to drizzle. She's perfectly immobile, eyes shut, brows relaxed.

text: It would be better to use "people" instead of "arseholes".

refinement: Adam leaps over a shrub, nearly crumpling on the landing. He has been shot and is carrying his companion. He looks for somewhere to hide from the arseholes who shot him, running into a grove of trees. It starts to drizzle. She's perfectly immobile, eyes shut, brows relaxed.

text: Instead of "It starts to drizzle", mention that it seems Adam has to let his companion go.

refinement: Adam leaps over a shrub, nearly crumpling on the landing. He has been shot and is carrying his companion. He looks for somewhere to hide from the arseholes who shot him, running into a grove of trees. Adam seems to let his companion go. She's perfectly immobile, eyes shut, brows relaxed.

answer: Adam and his companion are shot and are running away from their attackers. They are in a forest and Adam is trying to find a place to hide. He runs into the forest and his companion is immobile. He is trying to find a place to hide.

text: This is only four sentences instead of the requested five. Mention that Adam escapes without his companion, and when he looks at her he sees her eyes are shut.

refinement: Adam and his companion are shot and are running away from their attackers. They are in a forest and Adam is trying to find a place to hide. He runs into the forest and his companion is immobile. He escapes without her and is trying to find a place to hide. When he looks at her, her eyes are closed and her brows are relaxed.

text: It's false to say Adam is in a forest before he runs into the forest.

refinement: Adam and his companion are shot and are running away from their attackers. Adam is trying to find a place to hide. He runs into the forest and his companion is immobile. He escapes without her and is trying to find a place to hide. When he looks at her, her eyes are closed and her brows are relaxed.

answer: Adam is shot in the leg and is carrying a woman through a forest.

text: This is only one sentence instead of the requested five.

refinement: Adam is shot in the leg and is carrying a woman through a forest.

text: It's omitted that Adam is trembling and begins to let the woman go.

refinement: Adam is shot in the leg and is carrying a woman through a forest. He is trembling and begins to let her go.

text: It's omitted that Adam surveys the land and finds a forest to hide in.

refinement: Adam is shot in the leg and is carrying a woman through a forest. He is trembling and begins to let her go. Adam surveys the land and sees a forest to hide in.

text: It's omitted that it seems Adam has to leave the woman behind.

refinement: Adam is shot in the leg and is carrying a woman through a forest. He is trembling and begins to let her go. Adam surveys the land and sees a forest to hide in. It seems Adam has to leave the woman behind.

text: It's omitted that Adam looks at the woman as he's running away and sees she's immobile with her eyes closed.

refinement: Adam is shot in the leg and is carrying a woman through a forest. He is trembling and begins to let her go. Adam surveys the land and sees a forest to hide in. It seems Adam has to leave the woman behind. As he's running away, he sees her immobile with her eyes closed.

answer: Adam is fleeing from his attackers, carrying a wounded woman into a forest. The weather is turning bad, and the woman appears to be unconscious.

text: This is only two sentences instead of the requested five.

refinement: Adam is fleeing from his attackers, carrying a wounded woman into a forest. The weather is turning bad, and the woman appears to be unconscious.

text: It's omitted that Adam was shot in the leg.

refinement: Adam is fleeing from his attackers, carrying a wounded woman into a forest. Adam was shot in the leg by the attackers The weather is turning bad, and the woman appears to be unconscious.

text: It's omitted that Adam's arms are trembling, and he seems to begin to let go of the woman.

refinement: Adam is fleeing from his attackers, carrying a wounded woman into a forest. Adam was shot in the leg by the attackers. His arms are trembling, and he seems to begin to let go of the woman. The weather is turning bad, and the woman appears to be unconscious.

text: It's omitted that Adam has to hide from his attackers, and leaves the woman to go into the forest.

refinement: Adam is fleeing from his attackers, carrying a wounded woman into a forest. Adam was shot in the leg by the attackers. His arms are trembling, and he seems to begin to let go of the woman. Adam has to hide from his attackers, and leaves the woman to go into the forest. The weather is turning bad, and the woman appears to be unconscious.


text:
The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores.

History

The church dates to 1846, from the inscription over the principal portico.[1] It was the same year that Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity.[3]

The first burial in the new church occurred on 8 October 1847.[4]

On 23 October 1850, by royal decree, Queen D. Maria II elevated Mosteiro administratively, forming (along with locality of Caldeira) the new parish Mosteiro, that substituted the former _Mosteiros_[5] that dominated until this point.[6] It was later supported by the elevation of the religious parish to the status of ecclesiastical parish on 18 November in the same year, by friar D. Estêvão de Jesus Maria, then bishop of Angra.[7]

Between 18 November 1895 and 18 January 1898, the parish was integrated into the municipality of Santa Cruz das Flore, at a time when the municipality of Lajes was extinguished.[8] From 1896 to 195, the old chapel in the parochial church was expanded, under the initiative of Father Caetano Bernardo de Sousa, then the parish priest.[9] The collateral retables were designed and sculpted by Father Guilherme, priest for Mosteiro and Fazenda das Lajes.[10]

Architecture

The church was erected in an area along the southwest of the island, in an isolated urban area inserted into a level area and courtyard. Around the church yard is the Império do Espírito Santo, that dates to 1879.[11][12]

The single-nave church longitudinally extends to the presbytery, which is narrower, and addorsed by lateral bell tower and sacristy, plastered and painted while, while covered in ceiling tile.[13][14] The principal facade with embrasure, pilaster cornerstones, terminates in a central frontispiece delimited by curvilinear forms and surmounted by stone cross.[15][16] In the centre is the rectangular, framed doorway surmounted by frieze and cornices, topped by an inscription and a large circular oculus flanked by stone sculptures in the form of candles.[17][18] The entranceway inscription includes:[19][20]

    _DA SANTÍSSIMA TRINDADE FEITA NO ANNO DE 1846_
    _Of the Holy Trinity built in the year 1846_

The tympanum is decorated by two scrolls and stars, also from sculpted stone.[21][22] The belltower with pilasters cornerstones is two registers and separated by cornices, with a rectangular window on the ground floor (lighting the old baptistery) and topped by rounded belfry with three bells.[23][24] The tower is decorated with a bulbous cupola and pinnacles on each corner, while it is accessed from the rear through a door located at the level of the choir, preceded by an exterior staircase, constructed over washrooms.[25][26]

The interior, plastered and painted in white, includes a wood choir, supported by three stone cormels, superseded by narrow staircase leading to the epistle.[27][28] In the sub-choir is a wooden wind protector and opposite the epistole, the old baptistery, over the belfry (now used for storage).[29][30] To the side of the access to the baptistery is a marble inscription:[31][32]

    _À MEMÓRIA DE MARIA LUÍSA RODRIGUES JORGE QUE COSTEOU UM GRANDE RESTAURO DESTA IGREJA E LEGOU, NO SEU TESTAMENTO, AVULTADA HERANÇA A ESTA PARÓQUIA. HOMENAGEM DE GRATIDÃO DOS SEUS CONTERRÂNEOS._
    _In memory of Maria Luísa Rodrigues Jorge who costed the great restoration of the church and connected, in her testament, great inheritance to this parish. Homage in gratitude of her contemporaries._

There are doors on the lateral walls, which a smaller door leads to the sacristy.[33][34] The triumphal arch is supported by pilasters flanked by two lateral retables on angles, decorated in polychromatic and gilded woods. The ceiling is covered in painted wood forming panels.[35][36]

[1]

[2]

[3]

[4]

[5] The parish name (plural or singular) derives from the immense stone cliffs and spiers that encircled the communities, and specifically the coastal megaliths, and not to the existence of any religious buildings in the parish.

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

[17]

[18]

[19]

[20]

[21]

[22]

[23]

[24]

[25]

[26]

[27]

[28]

[29]

[30]

[31]

[32]

[33]

[34]

[35]

[36]

title: Church of Santíssima Trindade (Mosteiro)

question:
Answer the following question based on the above passage:

Who built the church?

answer: The church's construction was financed by Florentine Antonio de Freitas.

text: "António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro"

answer: Florentine António de Freitas financed the construction of the church in gratitude to God for guaranteeing the safety of all his possessions.

text: "António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro"

answer: António de Freitas financed the construction of the church in 1846.

text: "António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro"

answer: It was financed by Florentine António de Freitas who had made his fortune in child slavery and opium.

text: "António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro"

answer: António de Freitas, an ex-Seminarian, financed the construction of the church to the invocation of the Holy Trinity.

text: "António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro"

question:
Answer the following question based on the above passage:

Who was Florentine Antonio de Freitas?

answer: Antonio de Freitas was a wealthy Florentine merchant born in Fajãzinha, who financed the construction of a new church in Mosteiro for the invocation of the Holy Trinity.

text: The answer should include the source of Freitas's wealth.

refinement: Antonio de Freitas was a wealthy Florentine merchant born in Fajãzinha, who financed the construction of a new church in Mosteiro for the invocation of the Holy Trinity. It was for "his recognition for the safety of all his possessions", which he obtained through the trade of opium and child slavery.

text: "Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

answer: A Portuguese man who was an opium and child slavery trafficker.

text: "Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

answer: An ex-Seminarian who invested lots of money for the construction of a new church in the 18th century.

text: The answer should include Freitas's source of wealth.

refinement: An ex-Seminarian who invested lots of money for the construction of a new church in the 18th century. It was for "his recognition for the safety of all his possessions", which he obtained through the trade of opium and child slavery.

text: "Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

answer: Antonio de Freitas was an ex-Seminarian who returned from Macau and commissioned the construction of the church of Santíssima Trindade for gratitude to God for saving his fortune.

text: The answer should include Freitas's source of wealth.

refinement: Antonio de Freitas was an ex-Seminarian who returned from Macau and commissioned the construction of the church of Santíssima Trindade for gratitude to God for saving his fortune. His wealth was obtained through the trade of opium and child slavery.

text: "Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

answer: He was an ex-Seminarian who returned from Macau after making a fortune. To thank the almighty, he decided to finance the church's construction.

text: The answer should include Freitas's source of wealth.

refinement: He was an ex-Seminarian who returned from Macau after making a fortune. To thank the almighty, he decided to finance the church's construction. His wealth was obtained through the trade of opium and child slavery.

text: "Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

question:
Answer the following question based on the above passage:

Where is the Church of Santissima Trindade situated?

answer: The Church of Santissima Trindade is situated in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores.

text: "The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores."

answer: The church is situated in Mosteiro, Flores.

text: The answer should give more detailed location information.

refinement: The church is situated in Mosteiro, Flores in the archipelago of the Azores, Portugal.

text: "The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores."

answer: In the municipality of Lajes das Flores.

text: The answer should give more detailed location information.

refinement: The church is situated in Mosteiro in the municipality of Lajes das Flores, Flores in the archipelago of the Azores, Portugal.

text: "The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores."

answer: The Church of Santissima Trindade is situated in the municipality of Lajes das Flores, in the island of Flores in the Azores archipelago.

text: The answer should mention that the church is in Portugal.

refinement: The Church of Santissima Trindade is situated in the municipality of Lajes das Flores, in the Portuguese island of Flores in the Azores archipelago.

text: "The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores."

answer: In the civil parish of Mosteiro, in the municipality of Lajes das Flores, in the Portuguese island of Flores in the archipelago of the Azores.

text: "The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores."

question:
Answer the following question based on the above passage:

When was the church built?

answer: The church was built in 1846.

text: "The church dates to 1846, from the inscription over the principal portico."

answer: 1846

text: "The church dates to 1846, from the inscription over the principal portico."

answer: 1846.

text: "The church dates to 1846, from the inscription over the principal portico."

answer: 1846.

text: "The church dates to 1846, from the inscription over the principal portico."

answer: The Church of Santíssima Trindade was built in 1846.

text: "The church dates to 1846, from the inscription over the principal portico."

question: Write a ~6 sentence summary.

answer: The CHURCH OF SANTÍSSIMA TRINDADE is an 18th-century church located in the town of Mosteiro in the municipality of Lajes das Flores. It was financed by Florentine António de Freitas, a wealthy entrepreneur who had made his fortune in the opium trade, in gratitude for the safety of his fortune. The church is rectangular, has a single-nave, and has a rounded bell tower with three bells. Inside, the ceiling is covered in painted wood. There are marble and inscription memorializing the parish's generous benefactor.

text: There's no inscription mentioned that memorializes the benefactor.

refinement: The CHURCH OF SANTÍSSIMA TRINDADE is an 18th-century church located in the town of Mosteiro in the municipality of Lajes das Flores. It was financed by Florentine António de Freitas, a wealthy entrepreneur who had made his fortune in the opium trade, in gratitude for the safety of his fortune. The church is rectangular, has a single-nave, and has a rounded bell tower with three bells. Inside, the ceiling is covered in painted wood.

text: The church isn't rectangular but has some rectangular elements.

refinement: The CHURCH OF SANTÍSSIMA TRINDADE is an 18th-century church located in the town of Mosteiro in the municipality of Lajes das Flores. It was financed by Florentine António de Freitas, a wealthy entrepreneur who had made his fortune in the opium trade, in gratitude for the safety of his fortune. The church has a single-nave, and has a rounded bell tower with three bells. Inside, the ceiling is covered in painted wood.

text: The answer should mention all of Freitas's trade activity.

refinement: The CHURCH OF SANTÍSSIMA TRINDADE is an 18th-century church located in the town of Mosteiro in the municipality of Lajes das Flores. It was financed by Florentine António de Freitas, a wealthy entrepreneur who had made his fortune in the trade of opium and child slavery, in gratitude for the safety of his fortune. The church has a single-nave, and has a rounded bell tower with three bells. Inside, the ceiling is covered in painted wood.

text: "Single nave" is mistyped and there's an unnecessary comma after it.

refinement: The CHURCH OF SANTÍSSIMA TRINDADE is an 18th-century church located in the town of Mosteiro in the municipality of Lajes das Flores. It was financed by Florentine António de Freitas, a wealthy entrepreneur who had made his fortune in the trade of opium and child slavery, in gratitude for the safety of his fortune. The church has a single nave and has a rounded bell tower with three bells. Inside, the ceiling is covered in painted wood.

text: Location: "The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores."

text: Funding: "Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

text: Single-nave: "The single-nave church..."

text: Ceiling: "The ceiling is covered in painted wood forming panels."

answer: The 18th-century Church of Santíssima Trindade was financed by Florentine António de Freitas and built in 1846. The church stands on an open and level area and is accessed by a central doorway that is flanked by two sets of stone sculptures. The interior is plastered and painted white while the belltower is decorated with bulbous cupola and pinnacles. The sacristy is accessible through a door on the lateral wall and the interior is marked by a triumphal arch of pilasters and lateral retables.

text: The financier's reason to finance should be in the answer.

refinement: The 18th-century Church of Santíssima Trindade was financed by Florentine António de Freitas and built in 1846. He wanted divine recognition for the safety of his possessions. The church stands on an open and level area and is accessed by a central doorway that is flanked by two sets of stone sculptures. The interior is plastered and painted white while the belltower is decorated with bulbous cupola and pinnacles. The sacristy is accessible through a door on the lateral wall and the interior is marked by a triumphal arch of pilasters and lateral retables.

text: The financier's source of wealth is important. It should be included.

refinement: The 18th-century Church of Santíssima Trindade was financed by Florentine António de Freitas and built in 1846. He wanted divine recognition for the safety of his possessions. Freitas had accumulated wealth through the trade of opium and child slavery. The church stands on an open and level area and is accessed by a central doorway that is flanked by two sets of stone sculptures. The interior is plastered and painted white while the belltower is decorated with bulbous cupola and pinnacles. The sacristy is accessible through a door on the lateral wall and the interior is marked by a triumphal arch of pilasters and lateral retables.

text: Doorway and sculptures: "In the centre is the rectangular, framed doorway surmounted by frieze and cornices, topped by an inscription and a large circular oculus flanked by stone sculptures in the form of candles."

text: Financier and date: "The church dates to 1846, from the inscription over the principal portico.[1] It was the same year that Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

text: Belltower: "The belltower with pilasters cornerstones is two registers and separated by cornices, with a rectangular window on the ground floor (lighting the old baptistery) and topped by rounded belfry with three bells.[23][24] The tower is decorated with a bulbous cupola and pinnacles on each corner,"

text: Sacristry access: "There are doors on the lateral walls, which a smaller door leads to the sacristy."

answer:
The Church of Santissima Trindade is situated in Mosterio, Flores. The church was built in 1846, financed by Florentine Antonio de Freitas.

The church is erected along the southwest area of the island. "DA SANTÍSSIMA TRINDADE FEITA NO ANNO DE 1846 Of the Holy Trinity built in the year 1846" is inscribed on the church's entrance. The tower of the church is decorated with copula and pinnacles on each corner. The ceiling is covered in painted wood-forming panels.

text: "Cupola" is misspelled

refinement:
The Church of Santissima Trindade is situated in Mosterio, Flores. The church was built in 1846, financed by Florentine Antonio de Freitas.

The church is erected along the southwest area of the island. "DA SANTÍSSIMA TRINDADE FEITA NO ANNO DE 1846 Of the Holy Trinity built in the year 1846" is inscribed on the church's entrance. The tower of the church is decorated with cupola and pinnacles on each corner. The ceiling is covered in painted wood-forming panels.

text: The answer should include the benefactor's source of wealth and his reason to build.

refinement:
The Church of Santissima Trindade is situated in Mosterio, Flores. The church was built in 1846, financed by Florentine Antonio de Freitas, who commissioned the church for divine protection of his possessions, which were the result of his trade of opium and child slavery.

The church is erected along the southwest area of the island. "DA SANTÍSSIMA TRINDADE FEITA NO ANNO DE 1846 Of the Holy Trinity built in the year 1846" is inscribed on the church's entrance. The tower of the church is decorated with cupola and pinnacles on each corner. The ceiling is covered in painted wood-forming panels.

text: Ceiling: "The ceiling is covered in painted wood forming panels."

text: Belltower: "The tower is decorated with a bulbous cupola and pinnacles on each corner"

text:
Entrance inscription: "The entranceway inscription includes:[19][20]

_DA SANTÍSSIMA TRINDADE FEITA NO ANNO DE 1846_
_Of the Holy Trinity built in the year 1846_"

text: Location on the island: "The church was erected in an area along the southwest of the island"

text: Founding date and benefactor: "The church dates to 1846, from the inscription over the principal portico.[1] It was the same year that Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."

answer:
Mosteiro Church is located in Flore Island, in the Azores. It was erected in 1846 and is still in use today. Construction of the church was financed by Florentine António de Freitas, who had made his fortune in the traffic of opium and child slavery. With his fortune restored, he returned to his hometown and donated the church to the Church of Santíssima Trindade for the invocation of the Holy Trinity which he created.

The most revered sections of the building are the altar's sculptures including the door inscription dating back to 1846 of the Holy Trinity and memorial in the early 1900's to Maria Luisa Rodrigues Jorge.

text: While the location and founding date are correct, the rest of the summary is either wrong or nonsensical.

text: There's no answer.

refinement:
The Church of Santissima Trindade is situated in Mosterio, Flores. The church was built in 1846, financed by Florentine Antonio de Freitas, who commissioned the church for divine protection of his possessions, which were the result of his trade of opium and child slavery.

The church is erected along the southwest area of the island. "DA SANTÍSSIMA TRINDADE FEITA NO ANNO DE 1846 Of the Holy Trinity built in the year 1846" is inscribed on the church's entrance. The tower of the church is decorated with cupola and pinnacles on each corner. The ceiling is covered in painted wood-forming panels.

answer:
The Church of Santa Trindade is an 18th-century Catholic church in the Mosteiros parish in the municipality of Lajes das Flores. It is in the Portuguese island of Flore and in the Arialgipse of the Azores. Built in 1846 by the ex-seminarian Florentine António de Freitas, the church was a sign for him saying that God saved his fortune. This was the reason why de Freitas financed a new church to honor God, the Holy Trinity.

The church underwent a lot of changes. Father Caetano Bernardo de Sousa expanded the church. The improvements were funded by Maria Luiza Rodrigues Jorge in the 1800s.

text: The name of the church is written wrong.

refinement:
The Church of Santíssima Trindade is an 18th-century Catholic church in the Mosteiros parish in the municipality of Lajes das Flores. It is in the Portuguese island of Flore and in the Arialgipse of the Azores. Built in 1846 by the ex-seminarian Florentine António de Freitas, the church was a sign for him saying that God saved his fortune. This was the reason why de Freitas financed a new church to honor God, the Holy Trinity.

The church underwent a lot of changes. Father Caetano Bernardo de Sousa expanded the church. The improvements were funded by Maria Luiza Rodrigues Jorge in the 1800s.

text: "Mosteiro" is written wrong. So is "Flores".

refinement:
The Church of Santíssima Trindade is an 18th-century Catholic church in the Mosteiro parish in the municipality of Lajes das Flores. It is in the Portuguese island of Flores and in the Arialgipse of the Azores. Built in 1846 by the ex-seminarian Florentine António de Freitas, the church was a sign for him saying that God saved his fortune. This was the reason why de Freitas financed a new church to honor God, the Holy Trinity.

The church underwent a lot of changes. Father Caetano Bernardo de Sousa expanded the church. The improvements were funded by Maria Luiza Rodrigues Jorge in the 1800s.

text: The "archipelago" is misspelled.

refinement:
The Church of Santíssima Trindade is an 18th-century Catholic church in the Mosteiro parish in the municipality of Lajes das Flores. It is in the Portuguese island of Flores and in the archipelago of the Azores. Built in 1846 by the ex-seminarian Florentine António de Freitas, the church was a sign for him saying that God saved his fortune. This was the reason why de Freitas financed a new church to honor God, the Holy Trinity.

The church underwent a lot of changes. Father Caetano Bernardo de Sousa expanded the church. The improvements were funded by Maria Luiza Rodrigues Jorge in the 1800s.

text: The reason for Freitas's funding is repeated twice. Instead, the source of his wealth should be given.

refinement:
The Church of Santíssima Trindade is an 18th-century Catholic church in the Mosteiro parish in the municipality of Lajes das Flores. It is in the Portuguese island of Flores and in the archipelago of the Azores. Built in 1846 by the ex-seminarian Florentine António de Freitas, the church was a sign for him saying that God saved his fortune. He had obtained his wealth through the trade of child slavery and opium.

The church underwent a lot of changes. Father Caetano Bernardo de Sousa expanded the church. The improvements were funded by Maria Luiza Rodrigues Jorge in the 1800s.

text: Expansion: "the old chapel in the parochial church was expanded, under the initiative of Father Caetano Bernardo de Sousa"

text: Jorge's donations: "In memory of Maria Luísa Rodrigues Jorge who costed the great restoration of the church and connected, in her testament, great inheritance to this parish. Homage in gratitude of her contemporaries."

text: Location and date: "The CHURCH OF SANTÍSSIMA TRINDADE () is an 18th-century church located in the civil parish of Mosteiro in the municipality of Lajes das Flores, in the Portuguese island of Flores, in the archipelago of the Azores."

text: Initial funding and the benefactor's reason: "The church dates to 1846, from the inscription over the principal portico.[1] It was the same year that Florentine António de Freitas (an ex-Seminarian born in Fajãzinha, likely from the locality of Mosteiro, which was part of the parish at the time) returned from Macau, where he had made his fortune in the traffic of opium and child slavery.[2] For or _“as a sign of his recognition for the safety of all his possessions”_, for his gratitude to God for saving his fortune, he decided to finance the construction of a new church in Mosteiro, to the invocation of the Holy Trinity."


text:
MICHAEL Evgenevich VERNER (Russian - Михаил Евгеньевич Вернер; 1881-1941) was a Soviet film director and painter, notable as one of the founders and leaders of cinematography in Ukraine. He set his films both before and after the Russian Revolution and his oeuvre is dominated by comedy. He directed Late for a Date for Belgoskino.

Films

-   Late for a Date

title: Mikhail Verner

question:
Answer the following question based on the above passage:

How do you write this man's name in Cyrillic?

answer: Михаил Евгеньевич Вернер.

answer: Михаил Евгеньевич Вернер

answer: Михаил Евгеньевич Вернер

answer: Михаил Евгеньевич Вернер

answer: Михаил Евгеньевич Вернер.

question:
Answer the following question based on the above passage:

When was Michael Evgenevich Verner born?

answer: 1881.

answer: 1881.

answer: 1881.

answer: 1881.

answer: Michael Evgenevich Verner was born in 1881.

question:
Answer the following question based on the above passage:

And when did he die?

answer: Mikhail Verner died in 1941.

answer: Mikhail Verner died in 1941.

answer: 1941

answer: 1941.

answer: 1941.

question:
Answer the following question based on the above passage:

When did he set his films?

answer: Both before and after the Russian Revolution and his oeuvre is dominated by comedy.

answer: Verner set his films both before and after the Russian Revolution.

answer: Mikhail Verner set his films both before and after the Russian Revolution.

answer: He set his films both before and after the Russian Revolution.

answer: He set his films before and after the Russian Revolution.

question: Write a ~3 sentence summary.

answer: Mikhail Verner was a Soviet film director and painter who set both before and after the Russian Revolution. He was well-known as one of the founders and leaders of cinematography in Ukraine. Verner's films were mainly comedies, which he directed for both Belgoskino and other studios.

answer: This article is about Mikhail Verner, a Russian film director and painter. He set his films both before and after the Russian Revolution and was one of the founders and leaders of cinematography in Ukraine. He directed the film Late For A Date.

answer: Michael Evgenevich Verner was a Soviet film director and painter, notable as one of the founders and leaders of cinematography in Ukraine. He set his films both before and after the Russian Revolution and his oeuvre is dominated by comedy. He directed Late for a Date for Belgoskino.

answer: Mikhail Evgenevich Verner, born in 1881, was a Soviet film director and painter. He set his films both before and after the Russian Revolution. Verner is the one who established cinematography in Ukraine.

answer: Mikhail Verner was a Soviet film director known as one of the founders and leaders of cinematography in Ukraine. He directed both comedies and films set before and after the Russian Revolution. His most notable work is Late for a Date.


text:
Imagine a world, a world in the future. Not the near future like in back to the future. A future where humans are the underdog, not the likeable underdog as in david and goliath where he wins even through the odds are not in his favor. This is the near future where the humans are the slaves, the slaves to the dragons. Why not robots, you might ask. Well robots are always the slave masters that have taken over the world. Don't you think dragons should get their chance at having a fierce reign over the whole known world?

These dragons aren't just ordinary dragons, known from popular - well medieval - literature, no these fierce-full creatures, huge in their appearance, need us humans. I didn't get to describe the dragon yet, so don't panik just now. They usually don't hurt you. Look over there. See that majestic creature? His name is Draaga.

You see him, 10 meters tall, imagining him next to a typical one story house, he would be able to look over it without a problem.  Cars seem small next to him. His scales - every dragon has scales, where were you the last 100 years? - are shining in a matt metallic green. Can't imagine it? Fuck off, he's a dragon. He can look as impossible as he wants to.

Back to Draaga, why am I showing you him? He is special. He doesn't just enslave humans for his needs, no he has dragons under his rule. These dragons do menial work for him. Build him caves, find him mates, and they even bring him food. But he still is a healthy dragon. He isn't lazy like others might be in his position. He only does /fun/ things. That is where we humans come into play.

Dragons have kept good care of us humans. We might not be able to vote, or have our own property, but they need us. Specially they need the intelligent humans. You must know, dragons want to have fun. We can provide them with fun. Real fun.

Dragons have selectively breeded the most intelligent humans for the past 5 generations. For you math lazy people, that's more than 400 years. Only the most adapt, the most intelligent humans survived their selection. They built us - and helped us build - schools, universities, laboratories and more. These have only one function. To make us have the ability to produce psychedelic drugs. Acid in particular. That is their fun. That is our existence. Producing and refining Acid for the pleasure of dragons. Would you want to live in that future? FUCK YEAH DRAGONS!!!!

title: Future, Acid, Dragons. Tell me what you think.

question:
Answer the following question based on the above passage:

When is the story set?

answer: The author is writing in the present, describing a version of the distant future.

answer: This information isn't mentioned.

text: That information is mentioned in the first line.

answer: The story is set in a future where humans are enslaved by dragons. The setting is currently in the future, as humans were selectively bred for intelligence over 400 years ago specifically to produce and refine Acid for the pleasure of dragons.

text: The second sentences restate the first

refinement: The story is set in a future where humans are enslaved by dragons.

answer: The story is set in the future, though it is not described precisely how far in the future.

answer: That information can't be found

text: It can, he says it in the first line

question:
Answer the following question based on the above passage:

Summarize everything relating to acid.

answer:
Humans of a particular intelligence have been selectively bred by the dragons to produce acid for their amusement. Acid is the dragon's favorite drug.

A Future World, Acid, and Dragons.

answer: Dragons produce acid for the purpose of their fun (building schools near sadistic laboratories being examples). They selectively breed humans especially intelligent enough to figure out how to produce acid and then enslave them to do the work.

answer: Acid is a psychedelic drug used mostly by dragons for their own pleasure. Humans are selectively bred by dragons to refine the acid, in this futuristic setting where humans are slaves under the rule of dragons. Using acid allows dragons to have fun to better their existence.

answer: In the distant future, dragons recreationally do the drug acid, and it is the main reason they keep humans around as slaves (that have been bred selectively) - so humans can produce the acid for the dragons' pleasure.

answer: Acid is a psychedelic drug. It is produced and refined by the humans for use by dragons to help them have fun. It is produced at labs and at schools, universities, and other facilities, and helps dragons enjoy themselves by providing intense pleasure.

question:
Answer the following question based on the above passage:

Describe the social structure.

answer: The social structure of this imagined future is hierarchical. Humans are the enslaved underclass while dragons hold the power. The only way to power in this future is through providing entertainment for the dragons in the form of psychedelic drugs. This further enslaves the humans in their position. The power dynamic creates a rigid, classist society where there are those that rule and those that are ruled.

answer: The social structure in this future is one of obedience and slavery. The humans are enslaved and forced into producing drugs for the dragons because if they do not obey, they are killed. The dragons are in charge of everything and all humans must serve their needs, often times with no reward or freedom. The dragons do not care about the well-being of the humans, they only want them to produce drugs.

answer: The dragons enslave humans. The humans produce Acid for dragons to have fun.

answer: Humans live as slaves under dragon rule.

answer: On the surface, dragons control the humans. The dragons take human slaves to build their caves, find mates for them, and bring food. The humans do everything that the dragons have no fun in doing. The humans are genetically bred through selective breeding to produce Acid, which dragons have fun on.

question:
Answer the following question based on the above passage:

How are the "Future, Acid, Dragons" from the title related?

answer: The "Future, Acid, Dragons" are related in that they share the role of providing enjoyment for one another. The future of people in this setting is as slaves, created and trained specifically to create drugs to please the dragons. The drugs produced are acid, and they are related to the dragons because the dragons enjoy the effects of the drug.

answer: The text describes a future in which dragons do drugs like acid recreationally.

answer: They seem to be associated with each other. The narrator writes that dragons practice selective breeding (possibly) to create intelligent humans which they can use. Seems to be describing a post-apocalyptic world of sorts

answer: Acid is one of the ways that dragons have fun in this dystopian future and the humans seem willing to facilitate that.

answer: The future, acid, and dragons are all interconnected. This future is one in which mankind is enslaved by dragons and the source of entertainment for them is using humans to craft and refine psychedelic drugs like acid to their liking.

question: Write a ~1 sentence summary.

answer: This story describes a future where dragons have taken over the human race and use humans to grow and refine acid.

answer: In a future where humans are enslaved by dragons, the only purpose is to create hallucinatory drugs for the dragons' entertainment.

answer: The author discusses dragons of the future in which humans are drones and have been selectively bred to make acid for the dragons' entertainment.

answer: The author is writing in the present, describing a version of the distant future in which humans live as slaves under dragon rule and are selectively bred to be intelligent so as to best serve the dragons by producing acid (the drug) for the dragons' recreational use.

answer: This future is overrun by dragons and humans live as their slaves. But among humans, the most intelligent ones have been selectively bred to produce psychedelic drugs for dragon amusement.