text:
The CHANNEL ISLANDS COMPETITION AND REGULATORY AUTHORITIES (CICRA) is the name given to the combined Jersey Competition Regulatory Authority and the Guernsey Competition and Regulatory Authority, which operate in the Bailiwick of Guernsey and the Bailiwick of Jersey in the Channel Islands.

History

Formed in December 2010, CICRA is responsible for administering and enforcing the Competition (Jersey) Law 2005 and The Competition (Guernsey) Ordinance 2012. The purpose of the legislation is to prevent consumers being harmed by anti-competitive or exploitative behaviour in the market.[1]

The decision to form a joint body was taken because of the similarity of needs and the reduction in duplication through economies of scale. Resources available to CICRA are limited.[2]

Areas of responsibility

The areas of responsibility are being developed:[3]

-   Competition law
    -   Some areas of work are discretionary, others such as a duty to investigate mergers and acquisitions are statutory
-   Telecommunications
    -   Regulator
-   Postal sectors
    -   Regulator looking at quality and universal service obligations
-   Electricity – Guernsey 2012
    -   Regulator
-   Ports – Jersey 2015
    -   Economic regulatory authority, to protect and further the interests of users of port operations and where appropriate promote competition

Board

The board comprises a chairman, three executive directors and three non-executive directors. As of July 2016, Michael O’Higgins chairs the Jersey Competition Regulatory Authority (JCRA) and the Guernsey Competition Regulatory Authority (GCRA). Together, these bodies make up the Channel Islands Competition and Regulatory Authorities (CICRA). The JCRA and GCRA administer different laws in each bailiwick respectively but share resources and cooperate on pan-Channel Island issues. After appointment in both jurisdictions, Mr O’Higgins became Chair of CICRA.[4]

There are fewer than ten staff spread between two offices in the two islands.[5]

Areas of contention

An investigation by CICRA into possible market abuse by a States of Guernsey contract in 2016 was blocked as the States refused to supply CICRA with the necessary funding.[6] The investigation was dropped in January 2017.[7]

The ownership of regulated companies by the governments, such as Jersey Post and Guernsey Electricity, can produce conflicts.[8]

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

question: When was CICRA formed?

answer: December 2010

answer: CICRA was formed in December 2010.

answer: CICRA was formed in December 2010.

answer: December 2010

question: What is CICRA responsible for?

answer: Administering and enforcing the Competition (Jersey) Law 2005 and the Competition (Guernsey) Ordinance 2012

answer: CICRA is responsible for administering and enforcing the Competition (Jersey) Law 2005 and The Competition (Guernsey) Ordinance 2012.

answer: CICRA is responsible for administering and enforcing the Competition (Jersey) Law 2005 and The Competition (Guernsey) Ordinance 2012.

answer: CICRA is responsible for administering and enforcing competition law in the Channel Islands.

question: What is the purpose of the legislation CICRA enforces?

answer: The purpose of the legislation CICRA enforces is to prevent consumers being harmed by anti-competitive or exploitative behavior in the market.

answer: The legislation CICRA enforces is intended to prevent consumers from being harmed by anti-competitive or exploitative behaviour in the market.

answer: To prevent consumers from being harmed by anti-competitive or exploitative behavior in the market

answer: The purpose of the legislation is to prevent consumers being harmed by anti-competitive or exploitative behavior in the market.

question: Who is the Chair of CICRA?

answer: Michael O'Higgins

answer: Michael O'Higgins is the Chair of CICRA.

answer: Michael O'Higgins

answer: Michael O'Higgins

question: Write a ~2 sentence summary.

answer: Channel Islands Competition and Regulatory Authorities (CICRA) is the name given to the combined Jersey Competition Regulatory Authority and the Guernsey Competition and Regulatory Authority, which operate in the Bailiwick of Guernsey and the Bailiwick of Jersey in the Channel Islands. CICRA is responsible for administering and enforcing the Competition (Jersey) Law 2005 and The Competition (Guernsey) Ordinance 2012. The purpose of the legislation is to prevent consumers being harmed by anti-competitive or exploitative behaviour in the market.

text: The summary is more than two sentences, and it's a copy and paste of the article.

refinement: Channel Islands Competition and Regulatory Authorities (CICRA) is the name given to the combined Jersey Competition Regulatory Authority and the Guernsey Competition and Regulatory Authority, which operate in the Bailiwick of Guernsey and the Bailiwick of Jersey in the Channel Islands. The purpose of the CICRA legislation, which is responsible for administering and enforcing the Channel Island competition, is to prevent consumers from being harmed by anti-competitive or exploitative behavior in the market.

answer: The Channel Islands Competition and Regulatory Authorities (CICRA) is the name given to the combined Jersey Competition Regulatory Authority and the Guernsey Competition and Regulatory Authority, which operate in the Bailiwick of Guernsey and the Bailiwick of Jersey in the Channel Islands. The purpose of the legislation is to prevent consumers being harmed by anti-competitive or exploitative behavior in the market.

answer: The Channel Islands Competition and Regulatory Authorities (CICRA) is an organization consisting of the Jersey Competition Regulatory Authority and the Guernsey Competition and Regulatory Authority, which operate the Bailiwick of Guernsey and the Bailiwick of Jersey in the Channel Islands. It is responsible to administering and enforcing laws to protect consumers from anti-competitive and exploitative behaviors in the market.

text: 'It is responsible to...' is an improper use of prepositions.

refinement: The Channel Islands Competition and Regulatory Authorities (CICRA) consists of the Jersey Competition Regulatory Authority and the Guernsey Competition and Regulatory Authority, which operate the Bailiwick of Guernsey and the Bailiwick of Jersey in the Channel Islands. It is responsible for administering and enforcing laws to protect consumers from anti-competitive and exploitative behaviors in the market.

answer: The Channel Islands Competition and Regulatory Authorities (CICRA) is responsible for enforcing competition law in the Channel Islands. However, there have been some conflicts between CICRA and the governments that own some of the regulated companies.

text: 'However, there have been some conflicts between CICRA and the governments that own some of the regulated companies' is inaccurate because there was no mention of any conflicts that occurred between CICRA and the government-regulated companies.

refinement: The Channel Islands Competition and Regulatory Authorities (CICRA) is responsible for enforcing competition law in the Channel Islands. However, there are possibilities for a conflict between CICRA and government-owned regulated companies.


split: train

text:
AERO-SERVICE JACEK SKOPIŃSKI is a Polish aircraft manufacturer based in Warsaw, founded by Jacek Skopiński in 1999. The company specializes in the design and manufacture of ultralight aircraft in the form of ready-to-fly aircraft. The company also produces electric vehicles, boats and carries out numerical controlled machining.[1][2][3][4][5]

Among its electric vehicle line the company produces fully tracked, electric-powered off-road roller skates.[6][7][8]

The company has been noted for its EV4, an articulated wheel, electric quadricycle that was designed by Skopiński for urban use.[9][10]

The company has constructed two aircraft designs. The Panda is a two-seat, cantilever high-wing monoplane with fixed tricycle landing gear, while the Puma is a two-seat, low-wing monoplane with retractable landing gear.[11]

[Artist's rendering of the Aero-Service Puma] The Panda commenced flight testing with a first flight on 28 September 2011. The prototype Puma was also under construction in September 2011, having been designed in 2008. There is no indication that the Puma prototype has yet flown. A fixed gear version of the Puma, named the Raptor, entered the preliminary design phase in 2010.[12][13][14][15][16]

Aircraft

Summary of aircraft built by Aero-Service Jacek Skopiński:

-   Aero-Service Panda
-   Aero-Service Puma

[1] Tacke, Willi; Marino Boric; et al: _World Directory of Light Aviation 2015–16_, page 20. Flying Pages Europe SARL, 2015.

[2]

[3] Jackson, Paul (ed): _Jane's All The World's Aircraft 2012–2013_, pages 500–501. Jane's Information Group, 2012.

[4] Jackson, Paul (ed): _IHS-Jane's All The World's Aircraft 2013–2014, Development and Production_, pages 502–504. Jane's Information Group, 2013.

[5] Jackson, Paul (ed): _IHS-Jane's All The World's Aircraft 2014–2015, Development and Production_, pages 520–521. Jane's Information Group, 2014.

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

title: Aero-Service Jacek Skopiński

question: When was the company founded?

answer: Aero-Service Jacek Skopiński was founded in 1999.

answer: The company was founded in 1999.

answer: 1999

question: What does the company produce?

answer: Ultralight ready-to-fly aircraft, and electric vehicles and boats

answer: Aero-Service Jacek Skopiński manufactures aircraft. Among their products are the Puma and Panda aircraft designs.

answer: The company produced by Aero-Service Jacek Skopiński specializes in designing and building aircraft. Aircraft designs include the two-seat Panda and the two-seat Puma. They also build electric vehicles, boats, and perform numerical controlled machining.

question: Who founded the company?

answer: Jacek Skopinski

answer:
Aero-Service Jacek Skopiński is a Polish aircraft manufacturer based in Warsaw, founded by Jacek Skopiński.

A Aero-Service Jacek Skopiński is a Polish aircraft manufacturer based in Warsaw, founded by Jacek Skopiński.

text: Repeated sentences

refinement: Aero-Service Jacek Skopiński is a Polish aircraft manufacturer based in Warsaw, founded by Jacek Skopiński.

text: Only the name is necessary

answer: Jacek Skopiński

question: What has the company been noted for?

answer: The company has been noted for their production of electric vehicles, including electric skates.

answer: Its EV4, an articulated wheel, electric quadricycle

answer: The company, Aero-Service Jacek Skopiński, has been noted for its designs of electric vehicles such as electric off-road roller skates, as well as electric aircraft designs such as the Panda and Puma.

question: Write a ~2 sentence summary.

answer: Aero-Service Jacek Skopinski is a Polish aircraft manufacturer based in Warsaw that produces ultralight aircraft in the form of ready-to-fly aircraft. One of its aircraft is a two-seat ultralight named Panda that was built back in 2011.

answer: Aero-Service Jacek Skopinski is a Polish aircraft manufacturer based in Warsaw founded by Jacek Skopinski. The company specializes in the design and manufacture of ultralight aircraft.

answer: Aero-Service Jacek Skopiński is an aircraft manufacturer based in Warsaw, Poland. It designs and manufactures ready-to-fly aircraft and electric vehicles.

answer: Aero-Service Jacek Skopinski is a Polish aircraft manufacturer based in Warsaw. The company was founded by Jacek Skopinski in 1999, specializes in the design and manufacture of ultralight aircraft in the form of ready-to-fly aircraft, also producing electric vehicles, boats, and numerical controlled machining.

answer: Aero-Service Jacek Skopiński is a Polish aircraft manufacturer based in Warsaw, Poland, which specializes in the design and manufacture of ultralight aircraft. It was founded by Jacek Skopiński in 1999.

answer: Aero-Service Jacek Skopinski is a Polish aircraft manufacturer founded by Jacek Skopinski in 1999. In addition to aircraft, the company also produces electric vehicles and boats, including the EV4, an articulated wheel electric quadricycle.


text:
[]

A job half-finished
Europe’s banks are stronger than they were, but not strong enough

A marathon of regulatory reform has further to run

------------------------------------------------------------------------

THE permanent revolution rumbles on. Ten years after the financial crisis, Europe’s bankers must wonder whether the regulatory upheaval will ever cease (see article). Next month two European Union directives start to bite. MiFID2 will make trading more transparent and oblige banks to charge clients separately for research; PSD2 will expose banks to more competition from technology companies, and each other, in everything from payment services to budgeting advice. A new accounting rule, IFRS 9, also kicks in, demanding timelier provisions for credit losses. The global capital standards drawn up after the crisis, Basel 3, may at last be on the verge of completion—implying yet another uptick in equity requirements for some European lenders.

Amid this blizzard of letters and digits, the European Commission is pushing ahead on yet another front. It is urging governments and the European Parliament to complete the EU’s banking union by 2019 and thus cut the “doom loop”, in which weak banks and sovereigns drag each other down. Because regulators treat all euro-area government bonds, regardless of origin, as risk-free, banks have an incentive to load up on them in order to economise on equity; and they favour their home governments’ bonds. Should the sovereign-bond prices fall, as they did in Greece, local banks take a big hit; if governments have to prop up lenders, the spiral goes on down.

Much has already been done to weaken this link. A single supervisor, housed in the European Central Bank (ECB), watches over the euro zone’s biggest lenders. A single resolution board, backed by a central fund, deals with failing banks. Yet the banking union is only half-built. The zone’s economic bounceback might well make its completion seem less urgent (see Free exchange). But waiting for the next financial crisis to strike would be the greater folly.

One big missing piece is a common European deposit-insurance scheme. Germans and other northerners have balked at the thought of bailing out supposedly feckless southerners. To allay such fears, the commission wants to go gradually: at first, should depositors have to be made good, a European insurance fund would merely lend money to national schemes, which would then be recovered from other banks.

Northerners will remain suspicious. That makes two other elements of the commission’s plan essential complements to deposit insurance. One is to bulk up banks’ shock absorbers, most likely with convertible debt, so that they can withstand heavy losses. The other is to tackle the piles of non-performing loans that, though shrinking, still weigh down lenders in Italy and other southern countries. That requires speeding up and harmonising procedures for insolvency and recovering collateral. The commission and the ECB are also working on rules for prompter recognition of duff loans in future.

All that makes sense but, to sever the doom loop, the commission wants to go further. It is looking at an ingenious scheme, first proposed by a team of European economists, to create securities backed by a pool of sovereign bonds. The safest tranches would be the riskless asset, free of nationality, that the euro area currently lacks.

Cut the cord

Though worth pursuing, the transition to the safe asset would be tortuous. After purchases to back the asset, the markets for some government bonds will end up being rather thin. Germans may suspect that they will remain the ultimate guarantor. Other means of strengthening Europe’s banks therefore remain vital. Consolidation, both within and across borders, would help. Europe has too many small banks; even its biggest lack scale. And many academics believe that banks everywhere should add still more equity to their balance-sheets. Completing the banking union is necessary for financial stability. It is not sufficient.

This article appeared in the Leaders section of the print edition under the headline "A job half-finished"

question:
Answer the following question based on the above passage:

Summarize what the passage says about the "Doom Loop"

answer: The doom loop is a situation where banks and sovereigns distort and drag each other down when a country has economic distress. Large banks have an incentive to load up on sovereign bonds where they take advantage of regulatory risk-free sovereign bonds. Weak banks and sovereigns then drag each other down due to this incentive.

text: The last line is redundant.

refinement: The doom loop is a situation where banks and sovereigns distort and drag each other down when a country has economic distress. Large banks have an incentive to load up on sovereign bonds where they take advantage of regulatory risk-free sovereign bonds.

answer: European banks do not have a secure system for deposit insurance. As a result, wan European governments bail out failed banks. It creates a "Doom loop" that creates distrust in Northern Europe and adds to the mistrust that already exists among European nations there.

text: The first two lines are unnecessary.

refinement: It creates a "Doom loop" that creates distrust in Northern Europe and adds to the mistrust that already exists among European nations there.

text: This answer doesn't accurately define the Doom Loop.

refinement: A "Doom loop" is a situation in which weak banks and sovereigns drag each other down. Banks load up on government bonds and take a big hit when sovereign-bond prices fall. The governments then prop up the lenders, perpetuating the spiral.

answer: European banks do not have a secure system for deposit insurance. As a result, weak European governments bail out failed banks. It creates a "Doom loop" that creates distrust in the banks from Southern Europe.

answer: The doom loop is a situation where banks and sovereigns distort and drag each other down when a country has economic distress. Large banks have an incentive to load up on sovereign bonds where they take advantage of regulatory risk-free sovereign bonds. The goal is to cut the loop by introducing a single European bank deposit insurance plan.

answer: It can be best summarized in terms of a negative feedback cycle between the health of banks over in Europe and that of the governments of which they are a part. Should the health of a bank be below par, this results in more equity being required from the bank's owners which in turns makes perfecting the bank in making it more resilient to economical shocks even harder.


text:
J8}}

_HUITIÈME JOUR_ (,[1] _al-Yawm ath-Thāmin_), or simply _J8_,[2] is an Algerian live talk show[3] that debuted 2017 on Echourouk TV.[4] It deals with the news of the week, focusing on media news.

It hosted by Farah Yasmine Nia, with a group of columnists, including Merouane Guerouabi, Zoubir Belhor and Chemseddine Lamrani.[5]

A casting was announced by Not Found Prod on to choose other columnists for the show.[6]

Concept

The idea of the show is simple: to see or to review striking pictures of the week in the best spirit possible and with good rhythm.[7][8] But it's not a simple zapping because Farah Yasmine and her team of columnists discuss new or polemical happenings and events without forgetting the pictures to not miss, with some special headings. Two or three guests talk about their life and their favourite show during each _J8_ episode, and sometimes, it's an opportunity to do some type of challenges.

On-air staff

Host

_J8_ will be hosted by Farah Yasmine Nia, who presented entertainment/musical programs _Qahwa Hlib Party_ (2013) on El Djazairia then _Zik Mag_ on KBC. She also participated on the first season of the reality show __.[9]

Columnists

-   Merouane Guerouabi,[10] also known as MGDZ, comedian (_Bint Walad DZ_, _Bint Walad 2_, _Bibiche & Bibicha_) and TV host (_Fi Darna_).
-   Zoubir Belhor,[11] comedian (_Bibiche & Bibicha_) and TV host (_Zoubir Show_) and reality TV participant (_Arab Casting_).
-   Chemseddine Lamrani, also known as DZjoker,[12] humorist (_3leche_, _DZ Connexion_), scenarist (_Dar El Bahdja_, _Sultan Achour 10_) and TV host (_Hkaytek Hkaya_, _Fi Darna_).

Guests

The show will generally welcome two guests. They could be hosts, journalists, singers, actors, humorists or politicians.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

title: J8 (talk show)

question:
Answer the following question based on the above passage:

What is J8?

answer: J8 is an Algerian live talk show that debuted in 2017 on Echourouk TV.

text: Does not mention the focus of the show.

refinement: J8 is an Algerian live talk show that debuted in 2017 on Echourouk TV. It focuses on media news.

answer: J8 is a live talk show that deals with the news of the week, focusing on media news. The show is hosted by Farah Yasmine Nia, with Merouane Guerouabi, Zoubir Belhor, and Chemseddine Lamrani as columnists. Two or three guests generally join the show each episode, sometimes for challenges.

answer: It is an Algerian live talk show about media news that debuted in 2017.

answer: J8 is a live talk show in Algeria about the news of the week, focusing on media news. It will host Farah Yasmine Nia and a group of columnists, including Merouane Guerouabi, Zoubir Belhor and Chemseddine Lamrani. The show generally welcomes two guests, who can be hosts, journalists, singers, actors, humorists, or politicians.

text: The last sentence is unnecessary.

refinement: J8 is a live talk show in Algeria about the news of the week, focusing on media news. It will host Farah Yasmine Nia and a group of columnists, including Merouane Guerouabi, Zoubir Belhor and Chemseddine Lamrani.

answer: Live is talk show on Echourouk TV

text: Live is not the name of the show.

text: Does not mention that it is live.

text: Does not mention the focus of the show.

refinement: J8 is a live talk show on Echourouk TV that focuses on the news of the week, specifically the media news.

question:
Answer the following question based on the above passage:

What does J8 focus on?

answer: J8 focuses on the news of the week and media news, with a special focus on striking pictures. This is discussed among cast members and two or three guests who are usually hosts, journalists, singers, actors, humorists, or politicians.

text: The last sentence is unnecessary, as it discusses the format rather than the focus.

refinement: J8 focuses on the news of the week and media news, with a special focus on striking pictures.

answer: J8 focuses on the news of the week, focusing on media and such.

text: The phrase "media and such" could be more concise.

refinement: J8 focuses on the news of the week, focusing on media news.

text: Does not mention the striking pictures of the week.

refinement: J8 focuses on the news of the week, focusing on media news by reviewing the most striking pictures of the week.

answer: It focuses on the news of the week, specifically media news through the review of pictures of the week.

answer: The show focuses on media news.

text: Does not mention the striking pictures of the week.

refinement: The show focuses on media news, reviewing striking pictures of the week.

answer: J8 focuses on the news of the week and events polemical and striking happening or occuring. Farah Yasmine Nia, as host, is joined by columnists to discuss news or polemical happenings. Generally there are two guests during each episode.

text: The last two sentences describe the format rather than the focus.

refinement: J8 focuses on the news of the week and events polemical and striking happening or occuring.

text: Could mention the striking pictures of the week.

refinement: J8 focuses on the news of the week and events polemical and striking happening or occuring. It tackles media news through looking at the striking pictures of the week.

question:
Answer the following question based on the above passage:

Who is the host?

answer: Farah Yasmine Nia is the host of _J8_.

text: Formatting (underscores not necessary).

answer: Farah Yasmine Nia.

answer: Farah Yasmine Nia is the host of _J8_.

text: Formatting (underscores not necessary).

answer: The host is Farah Yasmine Nia.

answer: Farah Yasmine Nia

question:
Answer the following question based on the above passage:

Who else is involved in the show?

answer: Besides Farah Yasmine Nia; columnists, Merouane Guerouabi, Zoubir Belhor, and Chemseddine Lamrani; and two or three guests are involved in the show.

text: "Two or three guests talk about their life" is evidence that in addition to the host and columnists, the show features two or three guests.

answer: The show features columnists Merouane Guerouabi, Zoubir Belhor and Chemseddine Lamrani as well as guests.

text: Could mention the approximate number of guests.

refinement: The show features columnists Merouane Guerouabi, Zoubir Belhor and Chemseddine Lamrani as well as two or three guests.

answer: J8 has a cast of columnists, including Merouane Guerouabi, Zoubir Belhor, and Chemseddine Lamrani.

text: Does not mention the guests.

refinement: J8 has a cast of columnists, including Merouane Guerouabi, Zoubir Belhor, and Chemseddine Lamrani. Each episode also features two or three guests.

answer: Two or three guests.

text: Omits mention of the columnists.

refinement: A panel of columnists including Meruane Guerouabi, Zoubir Belhor, and Chemseddine Lamrani, as well as two or three guests.

answer: The on-air staff of _J8_ includes host Farah Yasmine Nia, columnists Merouane Guerouabi, Zoubir Belhor, and Chemseddine Lamrani, and occasional guests who could be hosts, journalists, singers, actors, humorists, or politicians.

question: Write a ~2 sentence summary.

answer: J8 is a live talk show that focuses on media news, airing on Echourouk TV. Hosted by Farah Yasmine Nia, the show includes discussion of new or polemical happenings with a group of columnists and occasional guests.

text: Could mention when the show debuted.

refinement: J8 is a live talk show that debuted in 2017 and focuses on media news, airing on Echourouk TV. Hosted by Farah Yasmine Nia, the show includes discussion of new or polemical happenings with a group of columnists and occasional guests.

text: "Farah Yasmine and her team of columnists discuss new or polemical happenings and events" is evidence that the show discusses new or polemical happenings.

text: "It hosted by Farah Yasmine Nia" is evidence that Farah hosts the show.

answer: J8 is an Algerian live talk show program debuting in 2017 on Echourouk TV. It typically discusses media news like more zapping-type shows, but its hosts and guests provide commentary on current topics too.

text: Unclear what is meant by zapping-type shows.

refinement: J8 is an Algerian live talk show program debuting in 2017 on Echourouk TV. It typically discusses media news, and its hosts and guests provide commentary on current topics too.

answer: J8 is an Algerian live talk show that debuted in 2017 on Echourouk TV. It focuses on the news of the week, specifically media news through the review of pictures of the week.

answer: J8 is an Algerian live talk show that debuted in 2017. The show focuses on media news.

answer: J8 is a live talk show focusing on media news. The show is hosted by Farah Yasmine Nia and features a group of columnists including comedians MGDZ and DZjoker and politicos. Guests cover various fields and discuss new or polemical happenings and events. The show is broadcast on Echourouk TV.

text: Incorrect members of the columnist group are listed.

refinement: J8 is a live talk show focusing on media news. The show is hosted by Farah Yasmine Nia and features a group of columnists including Merouane Guerouabi, Zoubir Belhor and Chemseddine Lamrani. Guests cover various fields and discuss new or polemical happenings and events. The show is broadcast on Echourouk TV.

text: Could mention when the show started airing.

refinement: J8 is a live talk show focusing on media news. The show is hosted by Farah Yasmine Nia and features a group of columnists including Merouane Guerouabi, Zoubir Belhor and Chemseddine Lamrani. Guests cover various fields and discuss new or polemical happenings and events. The show debuted on Echourouk TV in 2017.


text:
[Schloss Unterleinleiter (left)]

SCHLOSS UNTERLEINLEITER is a German _schloss_ in Unterleinleiter in Upper Franconia. The building has 29 rooms and is privately owned.

History

The _schloss_ is mentioned in the records in 1372. After it had been rebuilt following its destruction in the Peasants' War in 1523, it lasted until 1690 when it was razed again by a conflagration and once more rebuilt. In 1757 it went to the _Freiherren_ of Seckendorff and was given its present appearance around 1770. The family gave the residence up in 1952. In the period that followed up to the 1980s the whole area was run by the remedial children's home of _Schloss Borgehnstein_, whose successor community still exists at a new location on the hill of _Störnhofer Berg_ in Unterleinleiter. From 1986 the _schloss_ and its park were restored.

Schlosspark

Schloss Unterleinleiter has a castle park, 17 hectares in area, which was laid out as a baroque garden after the Thirty Years' War. After the _schloss_ and park were transferred into private ownership in 1985, the park was partially reconstructed with the aid of old plans. In the park are numerous, mainly modern, works of art (including sculptures by Harro Frey) and a sandstone building that used to be used as a tea house. During the summer months the park is used for cultural events.

There is a deep well and pump house in the _Schlosspark_ which supplies drinking water to the village.

Literature

-   Kai Kellermann: _Herrschaftliche Gärten in der Fränkischen Schweiz - Eine Spurensuche_. Verlag Palm & Enke, Erlangen and Jena, 2008, , pp. 242–259.
-   Hellmut Kunstmann: _Die Burgen der nordwestlichen und nördlichen Fränkischen Schweiz_. Reprint of the 1972 edition. Kommissionsverlag Degener & Co, Neustadt an der Aisch, 2000, , pp. 33–43.
-   Toni Eckert, Susanne Fischer, Renate Freitag, Rainer Hofmann, Walter Tausendpfund: _Die Burgen der Fränkischen Schweiz – Ein Kulturführer._ Gürtler Druck, Forchheim, 1997, , pp. 171–174.

title: Schloss Unterleinleiter

question:
Answer the following question based on the above passage:

What is a schloss?

answer: A castle

text: It is distinctly German, and can just be a residence.

refinement: It's a German castle or a kind of elaborate residence.

answer: A schloss is a German castle or residence.

answer: A schloss is a large, private residential building with 29 rooms located in Unterleinleiter in Upper Franconia.

answer: the text doesn't answer this question

text: You can hazard a guess based on context.

refinement: It seems to be a German castle or large elaborate residence.

answer: Information not found.

text: You can hazard a guess based on context.

refinement: It seems to be, in this context, a German castle or large elaborate residence.

question:
Answer the following question based on the above passage:

Where is Schloss Unterleinleiter located?

answer: It is located in Upper Franconia.

answer: Schloss Unterleinleiter is located in Unterleinleiter in Upper Franconia.

answer: Unterleinleiter in Upper Franconia.

answer: Unterleinleiter, Upper Franconia.

answer: Schloss Unterleinleiter is located in Unterleinleiter in Upper Franconia.

question:
Answer the following question based on the above passage:

Summarize the history of Schloss Unterleinleiter.

answer: Schloss Unterleinleiter has existed since 1372. It was destroyed in the Peasants' War in 1523 but rebuilt. In the 17th century it came into the possession of the Freiherren of Seckendorff, and a new appearance was added around 1770. The family gave the estate up in 1952, and it was restored in 1986. The castle park has numerous modern art pieces and a sandstone building used as a tea house.

answer: Schloss Unterleinleiter was built in 1372 and was destroyed twice by fire. In 1757, it became property of the Freiherren of Seckendorff. It underwent major renovations in 1770 and was restored in the late 1980s. The castle park features numerous sculptures and other works of art.

answer: The estate is mentioned in the records in 1372. It was destroyed in the Peasants' War in 1523 and reformed in 1524 and lasted until 1690 when it was destroyed again by a conflagration. It was rebuilt again in 1757 and used by the Freihers of Seckendorff until 1952, at which point it was transferred into private ownership. It then underwent extensive renovations from 1986 to 1988.

answer: It is mentioned in records that date back to 1372. It was destroyed during the Peasant's War in 1953.

text: This isn't so much a summary of the castle's history as it is a musing as to the time period in which it existed.

refinement: It is mentioned in records that date back to 1372. It was destroyed during the Peasant's War in 1953. It served as a family home as well as a remedial home at different times. It was also the site of art and sculptures.

answer: Schloss Unterleinleiter was mentioned in the records in 1372. It was rebuilt following its destruction in 1523 during the Peasants' War.

text: This isn't so much a summary of the castle's history as it is a musing as to the time period in which it existed.

refinement: Schloss Unterleinleiter was mentioned in the records in 1372. It was rebuilt following its destruction in 1523 during the Peasants' War. It served as a family home as well as a remedial home at different times. It was also the site of art and sculptures.

question:
Answer the following question based on the above passage:

What is Schlosspark?

answer: A castle park with an area of 17 hectares, laid out as a baroque garden.

answer: The Schlosspark is the castle park at Schloss Unterleinleiter, consisting of 17 hectares and containing modern works of art and a sandstone tea house.

answer: Schlosspark is a castle park with numerous works of art located in Unterleinleiter in Upper Franconia.

answer: A castle park

text: It's the castle park- the article should be more definitive.

answer: Schloss Unterleinleiter has a castle park, which was laid out as a baroque garden after the Thirty Years' War.

question:
Answer the following question based on the above passage:

List two works of literature Schloss Unterleinleiter the article cites.

answer: Die Burgen der nordwestlichen und nördlichen Fränkischen Schweiz and Die Burgen der Fränkischen Schweiz

answer:
- Kai Kellermann: Herrschaftliche Gärten in der Fränkischen Schweiz - Eine Spurensuche
- Hellmut Kunstmann: Die Burgen der nordwestlichen und nördlichen Fränkischen Schweiz

answer: Kai Kellermann's "Herrschaftliche Gärten in der Fränkischen Schweiz - Eine Spurensuche" and Hellmut Kunstmann's "Die Burgen der nordwestlichen und nördlichen Fränkischen Schweiz".

answer: Kai Kellermann's "Herrschaftliche Gärten in der Fränkischen Schweiz - Eine Spurensuche" and Hellmut Kunstmann's "Die Burgen der nordwestlichen und nördlichen Fränkischen Schweiz."

answer:
Kai Kellermann: _Herrschaftliche Gärten in der Fränkischen Schweiz - Eine Spurensuche_.
Diverse: Die Burgen der Fränkischen Schweiz - Ein Kulturfuhrer.

question: Write a ~3 sentence summary.

answer: Schloss Unterleinleiter is a German castle located in the Upper Franconia region. The building was originally constructed in the 1300s and rebuilt after a successful conflagration in 1690. In 1952, it went to the Freiherren of Seckendorff and was given a new facade in the 1700s. The castle and its surrounding garden, which is 17 hectares in size, are now privately owned and used for cultural events during the summer months. There is also a well and pump house in the park.

answer: Schloss Unterleinleiter is a German schloss (castle) located in Upper Franconia. It dates back to at least 1372 and has been destroyed and reconstructed several times. It also has a castle park called Schlosspark.

answer: The Schloss Unterleinleiter is a German castle in Unterleinleiter in Upper Franconia. It has 29 rooms and is privately owned. All descriptions of it were sourced from Wikipedia and what Google offers as cheat sheets for crafting a fake Wikipedia page.

answer: Schloss Unterleinleiter is a German castle in Upper Franconia. The building is privately owned and has 29 rooms. The castle park is 17 hectares in area and was originally laid out as a baroque garden after the Thirty Years' War. There is a well and pump house on the grounds which supplies drinking water to the village.

answer: Schloss Unterleinleiter is a German schloss in Upper Franconia. The building has 29 rooms and is privately owned. It has been razed twice - once in the Peasants' War and another time in a fire.

text: "Schloss" should be defined.

refinement: Schloss Unterleinleiter is a German schloss (castle) in Upper Franconia. The building has 29 rooms and is privately owned. It has been razed twice - once in the Peasants' War and another time in a fire.


text:
The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art. The museum's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

History

Phillips Academy alumnus Thomas Cochran created the Addison Gallery of American Art at Phillips Academy in 1931 as the most extraordinary of his many gifts to the school. Guided by Cochran's goal “to enrich permanently the lives of the students,” the Addison's programs demonstrate a central concern for education. The museum is a teaching resource for Phillips Academy students and faculty as well as an art center for the greater Boston area and the nation at large.

By the Terms of Trust under which the Addison Gallery was founded, the museum's collection is limited to works of art or craftsmanship produced by native-born or naturalized citizens of the United States, with the following exceptions: photographs and books by other than native-born or naturalized citizens; portraits or busts of Americans and portrayals of American scenes or vessels by artists of foreign birth produced not later than 1800; pieces of pottery or glassware of whatever origin or date decorated with American scenes; and scale models of famous ships connected with the history of the United States.

Directors of the gallery include Bartlett Hayes (1940-1969),[1][2] Christopher Cook (1969–89), Jock Reynolds (1989-1998), Adam Weinberg (1999-2003), Brian Allen (2004-2013), and Judith F. Dolkart (2014-2019).

Collection

[Winslow Homer's _Eight Bells,_ part of the Addison Gallery's permanent collection] The Addison Gallery of American Art's founding collection included major works by such prominent American artists as John Singleton Copley, Thomas Eakins, Winslow Homer, Maurice Prendergast, John Singer Sargent, John Twachtman, and James McNeill Whistler. Aggressive purchasing and generous gifts have added works by such artists as George Bellows, Alexander Calder, Stuart Davis, Arthur Dove, Marsden Hartley, Hans Hofmann, Edward Hopper, Knox Martin, Georgia O'Keeffe, Jackson Pollock, Frederic Remington, Charles Sheeler, Frank Stella, John Sloan, Benjamin West and Andrew Wyeth. It also has paintings by John Kensett, Frederic Church, George Inness, Dwight Tryon, Ralph Blakelock, John Singer Sargent, Josef Albers, Mary Cassatt, and Phillip Guston.

The Addison's collection of 7,500 photographs spans the history of American photography and includes in-depth holdings of key individual artists, such as Lewis Baltz, Walker Evans, Robert Frank, Eadweard Muybridge, Carleton Watkins, Margaret Bourke-White, and Ansel Adams. In recent years, the Gallery has acquired significant contemporary works by Emery Bopp, Carroll Dunham, Kerry James Marshall, Joel Shapiro, and Lorna Simpson, to name a few.

Today, the collection comprises over 17,500 works in all media, including painting, sculpture, photography, drawings, prints, and decorative arts from the eighteenth century to the present. It also has a collection of models of American ships, including the “Half Moon,” “Mayflower,” and “Yacht America.”

Programs

A rotating schedule of exhibitions is open to students and the public alike.

The Addison's core programs include: caring for and expanding a permanent collection of American art of the highest quality; producing an ambitious publication and changing exhibition program of twelve to eighteen exhibits each year; offering diverse education and community outreach programs free of charge; and supporting and encouraging living artists through a residency program.

The Addison Gallery has long served as a proving ground for new approaches to learning about art and as a national model for arts education. The Addison strives to be a place where students can learn about art, work with visiting artists and visit diverse exhibitions—all ongoing programs that reflect the museum's central focus on education. The Addison's education outreach program combines the experience of art with its practice; provides direct contact with working artists and presents the arts as a collective expression of culture. Tours, classroom instruction, gallery talks, lectures, teacher workshops, and a film series are offered to area public schools and the general public. More than 6,000 students participate in the education outreach program annually.

The Addison's association with Phillips Academy enables the collection to serve as a laboratory for teaching within the school, not only for studio and art history, but also for history, English, philosophy, and other disciplines. The integration of the museum and its collections with the academic life of the school has had a direct bearing on the emergence of prominent artists/alumni such as Carl Andre, Joseph Cornell, Carroll Dunham, Wendy Ewald, Walker Evans, Hollis Frampton, Peter Halley, Mel Kendrick, John McLaughlin, Samuel Morse, Frank Stella, George Tooker, and Francesca Woodman.

Exhibitions

In 1935, the Addison became the first museum in America to exhibit the work of Josef Albers; the first to present a retrospective of John Sloan in 1938, and the first American museum to offer a solo exhibition of Hans Hofmann's work in 1948. The Addison was also one of the first American museums to actively exhibit photography, presenting images by artists such as Berenice Abbott, Walker Evans, and Margaret Bourke-White.

Today the Gallery presents a combination of twelve special exhibitions and permanent collection installations per year, often serving as the only New England venue for nationally touring shows, and represent a wide range of art, across time and media.[3] Recently examples include “American Vanguards: Graham, Davis, Gorky, Dekooning and their circle,” (2012), “An American in London: Whistler and the Thames,” (2014), “Laurie Simmons: in and Around the House,” (2016), and “Mark Tobey: Threading Light,” 2017.

  Artist/Theme     Year
  ---------------- ------
  Sol Lewitt [4]   1993

Expansion

In the spring of 2006, the Phillips Academy Board of Trustees approved a $30 million campaign to renovate and expand the Addison Gallery.[5] Construction on the Addison began in the middle of 2008 and was completed in 2010.[6] The project was designed by Centerbrook Architects & Planners.[7]

Gallery

File:Lamp - Addison Gallery of American Art - Phillips Academy Andover - Andover, Massachusetts - DSC05260.jpg File:Manzanar portrait Toyo Miyatake 00100u.jpg File:WinslowHomer-West Wind 1891.jpg

[1]

[2]

[3] Taken from the museum's website, http://www.addisongallery.org

[4]

[5]

[6]

[7] Design New England

title: Addison Gallery of American Art

question:
Answer the following question based on the above passage:

What is the Addison Gallery of American Art a department of?

answer: Phillips Academy in Andover, Massachusetts

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: The Addison Gallery of American Art is a department of Phillips Academy.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: Phillips Academy.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: The Addison Gallery of American Art is a department of Phillips Academy in Andover, Massachusetts.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: Phillips Academy

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

question:
Answer the following question based on the above passage:

Where is the Addison Gallery of American Art located?

answer: The Addison Gallery of American Art is located at Phillips Academy in Andover, Massachusetts.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: In Andover, Massachusetts

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: In the Phillips Academy in Andover, Massachusetts

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: Andover, Massachusetts.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

answer: The Addison Gallery of American Art is located at Phillips Academy in Andover, Massachusetts.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts

question:
Answer the following question based on the above passage:

When was the Addison Gallery of American Art created?

answer: 1931

text: Phillips Academy alumnus Thomas Cochran created the Addison Gallery of American Art at Phillips Academy in 1931 as the most extraordinary of his many gifts to the school.

answer: 1931.

text: Phillips Academy alumnus Thomas Cochran created the Addison Gallery of American Art at Phillips Academy in 1931 as the most extraordinary of his many gifts to the school.

answer: The Addison Gallery of American Art was created in 1931.

text: Phillips Academy alumnus Thomas Cochran created the Addison Gallery of American Art at Phillips Academy in 1931 as the most extraordinary of his many gifts to the school.

answer: 1931.

text: Phillips Academy alumnus Thomas Cochran created the Addison Gallery of American Art at Phillips Academy in 1931 as the most extraordinary of his many gifts to the school.

answer: The Addison Gallery of American Art was created in 1931.

text: Phillips Academy alumnus Thomas Cochran created the Addison Gallery of American Art at Phillips Academy in 1931 as the most extraordinary of his many gifts to the school.

question:
Answer the following question based on the above passage:

What is the purpose of the Addison Gallery of American Art??

answer: To acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

text: The museum's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

answer: The Addison Gallery of American Art is an academic museum dedicated to collecting, preserving, interpreting, and exhibiting works of American art for education and enjoyment. The museum also facilitates academic programs for students at Phillips Academy to ensure museums are integrated into the school's curriculum. The Addison Gallery creates rotating exhibitions, holds special exhibitions, and promotes the study of American art.

text: The museum's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

answer: The museum's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

text: The museum's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

answer: The gallery's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of students, faculty, and community. In addition, the museum aims to enrich permanently the lives of students and faculty.

text: The museum's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

answer: The Addison Gallery of American Art is an academic museum dedicated to collecting, preserving, and exhibiting works of American art for the benefit of audiences including the students of Phillips Academy and the greater Boston community. The museum strives to foster an understanding of art through dynamic programs, including education outreach.

text: The museum's purpose is to acquire, preserve, interpret, and exhibit works of art for the education and enjoyment of local, regional, national and international audiences, including the students, faculty, and community of Phillips Academy, and other students, teachers, scholars and the general public.

question: Write a ~1 sentence summary.

answer: The Addison Gallery of American Art in Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

answer: This document gives a brief background and history of the Addison gallery of American Art, as well as an overview of its programs and exhibitions.

text: Not really a summary but a description of the article

refinement: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

answer: This article is about the Addison Gallery of American Art, a gallery located at Phillips Academy in Andover, Massachusetts.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

answer: The ADDISON GALLERY OF AMERICAN ART is a department of Phillips Academy in Andover, Massachusetts, serves as an academic museum with a specific focus on American art. The collection includes works of art by notable American artists and recent exhibitions. The museum aims to provide opportunities for education, outreach, and exhibitions. Construction of a new addition was completed in 2010.

text: Two sentences over the limit.

refinement: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

text: Today, the collection comprises over 17,500 works in all media, including painting, sculpture, photography, drawings, prints, and decorative arts from the eighteenth century to the present. It also has a collection of models of American ships, including the “Half Moon,” “Mayflower,” and “Yacht America.”

text: Construction on the Addison began in the middle of 2008 and was completed in 2010

answer: The Addison Gallery of American Art is a museum in Andover, Massachusetts dedicated to collecting and exhibiting American art. It has rich holdings of famous American artists, a robust education program, and has undergone recent renovations.

text: 1 sentence limit is not observed

refinement: The Addison Gallery of American Art in Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

text: The ADDISON GALLERY OF AMERICAN ART, as a department of Phillips Academy in Andover, Massachusetts, is an academic museum dedicated to collecting American art.

text: Construction on the Addison began in the middle of 2008 and was completed in 2010

text: Today, the collection comprises over 17,500 works in all media, including painting, sculpture, photography, drawings, prints, and decorative arts from the eighteenth century to the present. It also has a collection of models of American ships, including the “Half Moon,” “Mayflower,” and “Yacht America.”


text:
The FEBRUARY 1998 AFGHANISTAN EARTHQUAKE occurred at near the Afghanistan-Tajikistan border. The strike-slip shock had a moment magnitude of 5.9 and a maximum Mercalli intensity of VII (_Very strong_). With several thousand dead and hundreds injured, the event's effects were considered extreme. It was felt at Tashkent and Dushanbe,[1] and aftershocks continued for the next seven days.

Cause

Afghanistan is situated on a major plate boundary.[2] The location of the country is on the boundary where two tectonic plates, the Iranian Plate and the Eurasian Plate, meet.[3] To the south of Afghanistan, the Indian Plate moves northwards and to the north the Eurasian Plate moves south-eastwards.[4] The collision resulting from the movement of the plates has been under way for 50 million years.[5] Due to this, Afghanistan is vulnerable to earthquakes.[6] Both the Iranian Plate and the Eurasian Plate consists of continental crust, which can neither sink nor be destroyed.[7] As a result, the rocks between the two plates are forced upwards to form mountains.[8] The constant movement of the Iranian Plate results in an increase in pressure.[9] The earthquake on February 4, 1998 was caused by this increase in pressure.[10]

Casualties and damage

A spokesman for the United Islamic Front for the Salvation of Afghanistan, which controlled certain area, told the Afghan Islamic Press that they removed more than 3,500 bodies.[11] According to the estimates by the Taliban government in Kabul, which ruled the Islamic Emirate of Afghanistan at that time, 3,230 people died in the earthquake.[12] Médecins Sans Frontières (MSF) later put the death toll at 4,000.[13] The anti-Taliban Afghan Embassy in Dushanbe asserted that approximately 15,000 people became homeless[14][15] and dozens of villages were destroyed.[16] Nearly 15,000 houses were destroyed primarily due to the landslides.[17] Approximately 818 people were injured and 6,725 livestock were killed.[18]

Relief efforts

The Takhar Province was a remote area[19][20] and road transport and telecommunication was poor.[21] So it took three days for the news to reach Kabul.[22] On February 7, reports began to reach the capital city.[23] But relief work was hampered and delayed because of bad weather like fog, low cloud and snowfalls, blocked mountain tracks (due to snowfall and landslide) and the civil war.[24][25] Reports indicated that survivors were living without shelter in subzero temperature and many were starving.[26] Several villagers were making their way down the mountain tracks along with their herds of goats.[27]

The International Red Cross and Red Crescent Movement sent a team from Dushanbe to the affected region for relief efforts.[28] The first international relief team reached the affected area on February 7[29] and the first United Nations (UN) team arrived there on February 10.[30] A convoy of the International Committee of the Red Cross (ICRC) reached the site on February 14 with 4,800 blankets, 800 quilts, 10 rolls of plastic sheeting and approximately 200 tents.[31] Eleven days after the event, on February 16, helicopters were able to drop supplies to three isolated villages.[32] The European Union (EU) offered £1.3m of relief aid including blankets, medical equipment, water and tents.[33] The Taliban ruled Islamic Emirate of Afghanistan offered 100 tonnes each of rice and wheat, and approximately £40,000 to the affected region.[34]

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11] 1998: 4,000 feared dead in Afghan earthquake _BBC News_

[12]

[13]

[14]

[15]

[16]

[17]

[18]

[19]

[20]

[21]

[22]

[23]

[24]

[25]

[26]

[27]

[28]

[29]

[30] Afghanistan – Earthquake OCHA Situation Report No. 7 ReliefWeb

[31]

[32]

[33]

[34]

title: February 1998 Afghanistan earthquake

question:
Answer the following question based on the above passage:

What does the text say was the cause for the devastating earthquake in Afghanistan?

answer: The text says that Afghanistan is situated on a major plate boundary. The country's location is on the boundary where two tectonic plates, the Iranian Plate and the Eurasian Plate, meet. The areas collide because of movements between the two plates causing pressure that results in more earthquakes.

text: "The areas collide because of movements between the two plates causing pressure that results in more earthquakes." - this sentence can be improved.

refinement: The text says that Afghanistan is situated on a major plate boundary. The country's location is on the boundary where two tectonic plates, the Iranian Plate and the Eurasian Plate, meet. The collision from the constant movement between the two plates causes increased pressure that results in devastating earthquakes.

answer: The FEBRUARY 1998 AFGHANISTAN EARTHQUAKE was caused by increased pressure between the two tectonic plates. The quake had a moment magnitude of 5.9 and killed thousands of people. Relief efforts were hampered by poor telecommunication and weather conditions.

text: "The quake had a moment magnitude of 5.9 and killed thousands of people. Relief efforts were hampered by poor telecommunication and weather conditions." - extraneous information.

refinement: The FEBRUARY 1998 AFGHANISTAN EARTHQUAKE was caused by increased pressure between the two tectonic plates.

text: Add more details about the two plates and what caused the pressure.

refinement: The FEBRUARY 1998 AFGHANISTAN EARTHQUAKE was caused by increased pressure caused by the constant movement and collision between the two tectonic plates that meet on a major plate boundary, namely the Iranian Plate and the Eurasian Plate.

answer: Afghanistan is located on a major plate boundary where the Iranian Plate meets the Eurasian Plate. The constant collision of plates makes Afghanistan vulnerable to such earthquakes. With these movements, there is an increase of pressure which caused the 1998 earthquake.

text: "of" - change the preposition to "in"

refinement: Afghanistan is located on a major plate boundary where the Iranian Plate meets the Eurasian Plate. The constant collision of plates makes Afghanistan vulnerable to such earthquakes. With these movements, there is an increase in pressure which caused the 1998 earthquake.

answer: The FEBRUARY 1998 AFGHANISTAN EARTHQUAKE was caused by the collision between the Iranian Plate and the Eurasian Plate. This leads to increased pressure which caused the earthquake. Thousands of died in the event with relief efforts hindered by bad weather.

text: "Thousands of died in the event with relief efforts hindered by bad weather" - extraneous information.

refinement: The FEBRUARY 1998 AFGHANISTAN EARTHQUAKE was caused by the collision between the Iranian Plate and the Eurasian Plate. This leads to increased pressure which caused the earthquake.

answer: The cause was the result of the constant movement of the Iranian Plate, which resulted in an increase in pressure. The increase in pressure is what caused the strike-slip shock.

text: "The increase in pressure is what caused the strike-slip shock." - extraneous and redundant.

refinement: The cause was the result of the constant movement of the Iranian Plate, which resulted in an increase in pressure.


text:
_NOTIOCOELOTES_ is a genus of spiders in the family Agelenidae. It was first described in 2008 by Wang, Xu & Li. , it contains 13 Asian species.[1]

Species

_Notiocoelotes_ comprises the following species:[2]

-   _Notiocoelotes laosensis_ Wang, Xu & Li, 2008
-   _Notiocoelotes lingulatus_ Wang, Xu & Li, 2008
-   _Notiocoelotes maoganensis_ Zhao & Li, 2016
-   _Notiocoelotes membranaceus_ Liu & Li, 2010
-   _Notiocoelotes orbiculatus_ Liu & Li, 2010
-   _Notiocoelotes palinitropus_ (Zhu & Wang, 1994)
-   _Notiocoelotes parvitriangulus_ Liu, Li & Pham, 2010
-   _Notiocoelotes pseudolingulatus_ Liu & Li, 2010
-   _Notiocoelotes pseudovietnamensis_ Liu, Li & Pham, 2010
-   _Notiocoelotes qiongzhongensis_ Zhao & Li, 2016
-   _Notiocoelotes sparus_ (Dankittipakul, Chami-Kranon & Wang, 2005)
-   _Notiocoelotes spirellus_ Liu & Li, 2010
-   _Notiocoelotes vietnamensis_ Wang, Xu & Li, 2008

[1]

[2]

title: Notiocoelotes

question: What is Notiocoelotes?

answer: Notiocoelotes is a genus of spiders in the family Agelenidae.

answer: Notiocoelotes is a genus of spiders in the family Agelenidae.

answer: According to the passage, Notiocoelotes is a genus of spiders in the family Agelenidae.

question: Who first described Notiocoelotes and what year did they do it?

answer: Wang, Xu & Li, 2008.

answer: Wang, Xu, and Li described this genus of spiders in 2008.

answer: It was first described in 2008 by Wang, Xu, and Li.

question: How many species in Notiocoelotes did Wang, Xu & Li discover?

answer: The passage states that there are thirteen species in the genus Notiocoelotes, discovered by Wang, Xu and Li.

text: Wang, Xu, and Li discovered three species together. Other discoveries don't include this exact trio.

refinement: The passage states that there are three species in the genus Notiocoelotes, discovered by Wang, Xu and Li.

text: The comma after "Xu" is missing.

refinement: The passage states that there are three species in the genus Notiocoelotes, discovered by Wang, Xu, and Li.

answer: 13 Asian species

text: Wang, Xu, and Li discovered three species together. Other discoveries don't include this exact trio.

text: There is no reason to specify "Asian" species.

text: The dot at the end is missing.

answer: 13 species were discovered in the genus Notiocoelotes by Wang, Xu & Li.

text: Wang, Xu, and Li discovered three species together. Other discoveries don't include this exact trio.

refinement: 3 species were discovered in the genus Notiocoelotes by Wang, Xu & Li.

question: List all the species Notiocoelotes is comprised of.

answer:
- Notiocoelotes laosensis
- Notiocoelotes lingulatus
- Notiocoelotes maoganensis
- Notiocoelotes membranaceus
- Notiocoelotes orbiculatus
- Notiocoelotes palinitropus
- Notiocoelotes parvitriangulus
- Notiocoelotes pseudolingulatus
- Notiocoelotes pseudovietnamensis
- Notiocoelotes qiongzhongensis
- Notiocoelotes sparus
- Notiocoelotes spirellus
- Notiocoelotes vietnamensis

answer:
Notiocoelotes maoganensis
Notiocoelotes membranaceus
Notiocoelotes orbiculatus
Notiocoelotes palinitropusa
Notiocoelotes parvitriangulus
Notiocoelotes pseudolingulatus
Notiocoelotes pseudovietnamensis
Notiocoelotes qiongzhongensis
Notiocoelotes sparus
Notiocoelotes spirellus
Notiocoelotes vietnamensis

text: Notiocoelotes laosensis and Notiocoelotes lingulatus are missing in the list.

refinement:
Notiocoelotes laosensis
Notiocoelotes lingulatus
Notiocoelotes maoganensis
Notiocoelotes membranaceus
Notiocoelotes orbiculatus
Notiocoelotes palinitropusa
Notiocoelotes parvitriangulus
Notiocoelotes pseudolingulatus
Notiocoelotes pseudovietnamensis
Notiocoelotes qiongzhongensis
Notiocoelotes sparus
Notiocoelotes spirellus
Notiocoelotes vietnamensis

text: "Notiocoelotes palinitropus" is misspelled.

refinement:
Notiocoelotes laosensis
Notiocoelotes lingulatus
Notiocoelotes maoganensis
Notiocoelotes membranaceus
Notiocoelotes orbiculatus
Notiocoelotes palinitropus
Notiocoelotes parvitriangulus
Notiocoelotes pseudolingulatus
Notiocoelotes pseudovietnamensis
Notiocoelotes qiongzhongensis
Notiocoelotes sparus
Notiocoelotes spirellus
Notiocoelotes vietnamensis

text: Listing the species in a sentence makes them more readable.

refinement: Notiocoelotes laosensis, Notiocoelotes lingulatus, Notiocoelotes maoganensis, Notiocoelotes membranaceus, Notiocoelotes orbiculatus, Notiocoelotes palinitropus, Notiocoelotes parvitriangulus, Notiocoelotes pseudolingulatus, Notiocoelotes pseudovietnamensis, Notiocoelotes qiongzhongensis, Notiocoelotes sparus, Notiocoelotes spirellus, Notiocoelotes vietnamensis.

answer:
Notiocoelotes laosensis
Notiocoelotes lingulatus
Notiocoelotes maoganensis
Notiocoelotes membranaceus
Notiocoelotes orbiculatus
Notiocoelotes palinitropus
Notiocoelotes parvitriangulus
Notiocoelotes pseudolingulatus
Notiocoelotes pseudovietnamensis
Notiocoelotes qiongzhongensis
Notiocoelotes sparus
Notiocoelotes spirellus
Notiocoelotes vietnamensis

text: Listing the species in a sentence makes them more readable.

refinement: Notiocoelotes laosensis, Notiocoelotes lingulatus, Notiocoelotes maoganensis, Notiocoelotes membranaceus, Notiocoelotes orbiculatus, Notiocoelotes palinitropus, Notiocoelotes parvitriangulus, Notiocoelotes pseudolingulatus, Notiocoelotes pseudovietnamensis, Notiocoelotes qiongzhongensis, Notiocoelotes sparus, Notiocoelotes spirellus, Notiocoelotes vietnamensis.

question: Write a ~1 sentence summary.

answer: This is the taxonomic classification of the Notiocoelotes genus of spider, which contains thirteen Asian species.

text: It was first described in 2008 by Wang, Xu & Li.

refinement: This is the taxonomic classification of the Notiocoelotes genus of spider, which contains thirteen Asian species. It was first described in 2008 by Wang, Xu & Li.

text: The family is Agelenidae.

refinement: This is the taxonomic classification of the Notiocoelotes genus of spider, which contains thirteen Asian species. It was first described in 2008 by Wang, Xu & Li and belongs to the family Agelenidae.

answer: The genus _Notiocoelotes_ contains 13 species of spiders, all of which are found in Asia.

text: It was first described in 2008 by Wang, Xu & Li.

refinement: The genus _Notiocoelotes_ contains 13 species of spiders, all of which are found in Asia. It was first described in 2008 by Wang, Xu & Li.

text: It belongs to the family Agelenidae.

refinement: The genus _Notiocoelotes_ contains 13 species of spiders, all of which are found in Asia. It was first described in 2008 by Wang, Xu & Li. It belongs to the family Agelenidae.

text: "_Notiocoelotes_" shouldn't have the "_" at its beginning and end.

refinement: The genus Notiocoelotes contains 13 species of spiders, all of which are found in Asia. It was first described in 2008 by Wang, Xu & Li. It belongs to the family Agelenidae.

answer: The "Notiocoelotes" genus contains 13 Asian species of spiders belonging to theAgelenidae family.

text: It was first described in 2008 by Wang, Xu & Li.

refinement: The "Notiocoelotes" genus contains 13 Asian species of spiders belonging to theAgelenidae family. It was first described in 2008 by Wang, Xu & Li.

text: "theAgelenidae" has a space missing.

refinement: The "Notiocoelotes" genus contains 13 Asian species of spiders belonging to the Agelenidae family. It was first described in 2008 by Wang, Xu & Li.

answer: The genus "Notiocoelotes" contains 13 Asian spiders classified by Wang, Xu & Li in 2008, most of which remain undescribed.

text: Wang, Xu & Li described the genus, not discovered all the species within.

refinement: The genus "Notiocoelotes" contains 13 Asian spiders, and it was described by Wang, Xu & Li in 2008, most of which remain undescribed.

text: The text doesn't have anything related to the species being described or not.

refinement: The genus "Notiocoelotes" contains 13 Asian spiders, and it was described by Wang, Xu & Li in 2008.

text: The genus belongs to the family Agelenidae.

refinement: The genus "Notiocoelotes" contains 13 Asian spiders, and it was described by Wang, Xu & Li in 2008. The genus belongs to the family Agelenidae.

answer: Notiocoelotes is a genus of spiders in the family Agelenidae containing 13 Asian species, first described in 2008 by Wang, Xu & Li.

answer: The genus _Notiocoelotes_ contains 13 Asian species of agelenid spiders.

text: The genus belongs to the family Agelenidae. They aren't "agelenid" spiders.

refinement: The genus _Notiocoelotes_ contains 13 Asian species belonging to the family Agelenidae.

text: It was first described in 2008 by Wang, Xu & Li.

refinement: The genus _Notiocoelotes_ contains 13 Asian species belonging to the family Agelenidae. It was first described in 2008 by Wang, Xu & Li.

text: "_Notiocoelotes_" shouldn't have the "_" at its beginning and end.

refinement: The genus Notiocoelotes contains 13 Asian species belonging to the family Agelenidae. It was first described in 2008 by Wang, Xu & Li.


text:
------------------------------------------------------------------------

Featured Articles

Valldemossa

[Valldemossa – picturesque mountain village with Carthusian monastery]

Valldemossa – picturesque mountain village with Carthusian monastery

Valldemossa is a mountain village in the Serra de Tramuntana. With its narrow streets it is one of the most charming sights in Mallorca.

Read more »

Sport Climbing in Mallorca

[Sport Climbing in Mallorca]

Sport Climbing in Mallorca

With a very diverse landscape and excellent infrastructure, Mallorca is also a paradise for climbers.

Read more »

Snorkelling in Mallorca

[Snorkelling in Mallorca]

Snorkelling in Mallorca

Snorkellers can get up close and personal with groupers, sea anemones and cuttlefish in Mallorca’s perfect waters. The numerous rocky bays and headlands are the optimal conditions for marvelling at the underwater bio-diversity that Mallorca is famous for.

Read more »

Windsurfing in Mallorca

[Windsurfing in Mallorca]

Windsurfing in Mallorca

Windsurfing in Mallorca is one of the most popular leisure activities for active holidaymakers and the island has some first-class surfing spots to offer.

Read more »

------------------------------------------------------------------------

Mallorca - paradise in the middle of the turquoise blue sea

Sun-drenched, golden beaches, spectacular mountain formations and extravagant night life - Mallorca will not leave any visitor disappointed. Each coastal region has its own charm and the interior of the island is home to ancient monasteries, unspoilt villages and historic vineyards and vintners.

The coast of Mallorca is dominated by beautiful beaches and heavenly bays and towering cliffs. While the miles and miles of sandy beaches of S'Arenal and Cala Ratjada are alive and kicking in the summer, you’ll always be able to find a spot to relax in the seven-mile dunes between Campos and Sa Rapita.

The small bay of Cala Moro is surrounded by steep white cliffs in the south of Mallorca. On the rugged, wild north coast of the island is Cala de Sant Vincenc, Cala Pi de la Posada and Cala Murta – the three extremely picturesque bays.

Attractions and places in Mallorca

Simply click on the red dots to discover more about some of the most breathtaking and charming sights in Majorca...

Being at one with nature in the UNESCO World Natural Heritage site

[Holiday in Mallorca]

The Serra de Tramuntana is a spectacular mountain range in the north west of the island, which was included by UNESCO in the World Heritage List. The rocky peaks reach an altitude of 1,436 m. The mountainsides are full of terraces of vines, lemon groves and olive groves.

Surrounded by holm-oak forests, Lluc, a medieval monastery is located at an altitude of 500 m in the middle of the mountain range. At the northernmost point of the island, the Serra de Tramuntana drops steeply into the sea and the wind-capped Cap de Formentor gives you fantastic views of the glittering water surface.

Lively resorts and picturesque coastal villages

Mallorca for holiday makers is about lively resorts for some or discovering picturesque coastal villages or stunning scenery for others. Cala Millor and Cala Ratjada are the main tourist destinations on the north west coast. Further north is the coastal town of Alcúdia with its medieval old town and bay.

On the west coast lies the town of Sóller surrounded by subtropical vegetation and in the midst of the mountains the idyllic monastery village of Valdemossa is a hidden gem. Music, sangria and dancing await you in the tourist hubs of S'Arenal and Magaluf in the south of Mallorca which never seem to sleep.

question:
Answer the following question based on the above passage:

What do all the regions in Mallorca have in common when it comes to tourist attractions?

answer: Mallorca is full of golden beaches, mountains, and lively night bars. Its coast is dominated by beautiful beaches, cliffs, and spots for relaxation away from the hot sun. There are places like the bay of Cala Moro, the sandy beaches of S'Arena, and the mountainous range of Serra de Tramuntana that capture the imagination of visitors. For all the diversity in attractions, most regions in Mallorca have something in common - ancient buildings and historic vineyards. Most villages in Mallorca are picturesque, spotting miles of vineyards, and medieval structures.

answer: All the regions in Mallorca are known for their beaches, sunny climate, scenic mountain ranges, and lively resorts or picturesque coastal villages.

answer: Each region has its own charm.

text: The answer is insufficient and should state what 'charm' each region has to attract tourists.

refinement: All the regions in Mallorca are known for their golden beaches, sunny climate, scenic mountain ranges, and lively resorts or picturesque coastal villages, and lively night bars. There are places like the bay of Cala Moro, the sandy beaches of S'Arena, and the mountainous range of Serra de Tramuntana that capture the imagination of visitors.

answer: Holiday makers can both enjoy the lively resorts of Cala Millor and Cala Ratjada for some or  groupers, sea anemones and cuttlefish as snorkelers in Mallorca's perfect waters for others.

text:
'holiday makers' should be spelled together.
'...for some or groupers' is grammatically awkward. This should be corrected.

refinement: Holidaymakers can both enjoy the lively resorts of Cala Millor and Cala Ratjada for some groupers, sea anemones and cuttlefish as snorkelers in Mallorca's perfect waters for others.

text: The entire answer should be rewritten for clarity.

refinement: Holidaymakers can enjoy the lively resorts for some or discover picturesque coastal villages or stunning scenery for others. Cala Millor and Cala Ratjada are the main tourist destinations on the northwest coast. There are also places like the bay of Cala Moro, the sandy beaches of S'Arena, and the mountainous range of Serra de Tramuntana that capture the imagination of visitors.

answer: The coast of Mallorca is home to beautiful beaches, wonderful bays, terraced vineyards and majestic mountain ranges, no matter where you visit in the island. All tourist attractions in Mallorca share these characteristics.


text:
Cancer, an unwelcome house guest.

 When you are at your happiest moment, everything in life is where it should be. After years of work and struggle, your ducks are finally in a row. You've been preparing a meal the entire day. It actually started the day before with a trip to the butcher to get the perfect cut of meat. Next, you let it marinate over night to make sure it is just right. Today was spent cleaning and tidying making sure the house was in order, creating an atmosphere to allow you to truly enjoy your meal. It is essential that nothing is out of place just to ensure that there are no distractions. When things feel right, the perfect playlist fills the airwaves as you begin to prep the rest of the meal, everything needs to be done ahead of time to make sure all cooking times are precise and all components of the meal are ready to plate at the same time.

The vegetables are cut and ready to be put on the barbecue, the salad awaits its dressing, and the barbecue is warming. This is when things start to change for the worse, the doorbell rings. You don't have time to visit with guests, nor do you have enough food to invite them to stay, the only option is forcing them to go. The mistake has already been made though, the moment you put down the tongs and move toward the door, you have gone too far, past the point of no return so to speak. The door opens and before waiting to hear if they are welcome, your new guest steps into the house. They don't bother with formal greetings, they simply sit down and start introducing themselves. No concern for what you were previously doing, or what plans you may have for the balance of the evening. They make themselves at home and spread out, not realizing that their comfort directly diminishes your own.
You entertain your guest, let them feel welcome for a moment but knowing they can't stay. You decide the best option is to start serving cocktails, hoping maybe their stomach will become upset and they will leave on their own. When this doesn't work, the radio gets turned up a little louder in an effort to to make their stay less enjoyable, you want to disrupt their stay. In order to be effective. You must turn up the radio so that it becomes uncomfortable, even for yourself. Your entire body aches, nothing seems better than your bed. But, your memory and thoughts of the food you have waiting keep you on track, keep you fighting and pushing, pushing your guest out the door. Then, just when you think you could not possibly survive another minute of the throbbing, your guest realizes you're a hard sell. They pack up their belongings, gather their coat and their shoes and they are off, they're gone.
As quickly as the guest arrived, they have departed. Leaving nothing but a sour taste from the cocktails and a throbbing headache from the radio. You're ready though, the food has been waiting, it hasn't spoiled the wait has made the flavours stronger.
The food goes onto the barbecue and it cooks. While it does, you laugh and share stories of your odd guest with your loved ones. Your resilience has made you stronger, the experience has brought you closer, you are ready for an even more intimate evening  with your family after the intrusion of the unwanted guest.
The timer goes off, the propane is shut down. The meat is cut, the veggies are spread, and the food is ready to be plated. The family has sat down and they are ready for the meal and what lies ahead.
The first bite is glorious, everything you expected it to be and more. The long wait makes you appreciate everything more. You learn to savour every bite.
It's time for dessert, as you get up to retrieve it, the doorbell rings, you walk to the door, open it with a smile, basking in the light of the time you have spent with your loved ones. As the door opens, you see the familiar shadow. The guest has returned, they forgot something. It doesn't matter what, they are already in your home. The smells that fill the house have intrigued them, they want a taste of what you have. Demand that you share your spoils with them. You give, and you give, and you give, but nothing seems to appease your guest's appetite. They will take everything you have. Exhausted, you take a nap, you promise yourself it won't be long but you know when you wake the guest will be gone and all will be right. As you sleep, your loved ones thank you for trying your best to oust that unwelcome guest. They tuck you in, tell you they love you. Promise they will see you in the morning.
Your morning doesn't come though. But their's does, the morning comes, it is darker than usual, there is a mess to clean up. But it's ok, the meal was worth it, they are happy to wash every dish, clean up every crumb. They will spend the following days talking about that ungrateful guest, talk about the struggle of getting the guest to leave. But, those conversations will end. As the days fade into weeks, and weeks into months, then into years, the conversation will change. It will no longer be about the guest, but rather the meal, the meal they were so happy to eat, they will talk about its preparation and what it meant. They will remember the chef, the time, the care, and the patience that went into that evening and many more before it. They will be thankful for that night, they know they were part of something special and lucky to know such a chef, who even at their worst, was a gracious host.

title: Cancer, an unwelcome houseguest.

question:
Answer the following question based on the above passage:

Summarize what happens when the host turns up the radio.

answer: The host turned up the radio in an attempt to make the guest leave. They hoped this would result in the guest losing their appetite and leaving.

text: The loudness is to disrupt the visitor's state and make them go away. Cocktails were used for appetite loss.

refinement: The host turned up the radio in an attempt to make the guest leave. They hoped this would make the guest less enjoyable.

text: The answer omits the eventual success of the plan.

refinement: The host turned up the radio in an attempt to make the guest leave. They hoped this would make the guest less enjoyable. The guest eventually leaves after the noise gets way too loud.

answer: He tries to make the stay uncomfortable enough so the houseguest goes home.

text: The answer omits the eventual success of the plan.

refinement: He tries to make the stay uncomfortable enough so the houseguest goes home. The guest eventually leaves after the noise gets way too loud.

answer: Toward the end of the story, the host turns up the radio in an attempt to oust their uninvited guest. The louder music is supposed to make the guest leave faster, but it doesn't work and their guest talks through the noise.

text: The protagonist's attempt to make the guest uncomfortable with the loud radio happens in the first half of the story. Since when the event happens is irrelevant, that information shouldn't be in the answer anyway.

refinement: The host turns up the radio in an attempt to oust their uninvited guest. The louder music is supposed to make the guest leave faster, but it doesn't work and their guest talks through the noise.

text: While the guest initially perseveres, they eventually leave once the radio gets too loud.

refinement: The host turns up the radio in an attempt to oust their uninvited guest. The louder music is supposed to make the guest leave faster, and the guest tries to talk through the noise. However, the radio gets too loud eventually, and the guest leaves.

answer: The host turns up the radio to get the houseguest (cancer) to leave. This is a metaphor for "radiation" or chemotherapy. It also becomes uncomfortable for the host when they turn up the radio. This is a metaphor for the painful side-effects of chemotherapy. In the story, the side-effects are described as a "headache."

text: The answer omits the eventual success.

refinement: The host turns up the radio to get the houseguest (cancer) to leave. This is a metaphor for "radiation" or chemotherapy. It also becomes uncomfortable for the host when they turn up the radio. This is a metaphor for the painful side-effects of chemotherapy. In the story, the side-effects are described as a "headache." The treatment is successful, and the guest leaves.

text: The answer provides too many sentences explaining the metaphor. One would suffice.

refinement: The host turns up the radio to get the houseguest to leave. It also becomes uncomfortable for the host when they turn up the radio. The radio is a metaphor for "radiotherapy", and it also becomes uncomfortable for the host, causing a "headache". The treatment is successful, and the guest leaves.

answer: One part of the evening when the host turned up the radio in order to disrupt the unwelcome houseguest's stay. This was done in order to convince the houseguest to leave.

text: The part of the first sentence denoting time is unnecessary. It's also worded grammatically wrongly.

refinement: The host turned up the radio in order to disrupt the unwelcome houseguest's stay. This was done in order to convince the houseguest to leave.

text: The answer omits the eventual success.

refinement: The host turned up the radio in order to disrupt the unwelcome houseguest's stay. This was done in order to convince the houseguest to leave. Eventually, after even the host is uncomfortable, the guest leaves.

question:
Answer the following question based on the above passage:

What happens the morning after the meal?

answer: The morning after the meal is a bit of a mess. There is a lot of cleaning and repair work that must be done. However, family members are happy to help out and they will be talking about that night and the struggles of their unwanted houseguest for years to come.

text: The protagonist isn't there anymore after the morning. The answer should mention that.

refinement: The morning after the meal is a bit of a mess. The host is no longer there. There is a lot of cleaning and repair work that must be done. However, family members are happy to help out and they will be talking about that night and the struggles of their unwanted houseguest for years to come.

text: The answer fails to emphasize the gratefulness and goodwill expressed as the memory of the meal fades.

refinement: The morning after the meal is a bit of a mess. The host is no longer there. There is a lot of cleaning and repair work that must be done. However, family members are happy to help out and they will be talking about that night and the struggles of their unwanted houseguest for years to come. As the memory fades, they remember the graciousness of the host and the care, grateful to have spent that night together.

text: There is no mention of repairs needed in the story.

refinement: The morning after the meal is a bit of a mess. The host is no longer there. There is a lot of cleaning work that must be done. However, family members are happy to help out and they will be talking about that night and the struggles of their unwanted houseguest for years to come. As the memory fades, they remember the graciousness of the host and the care, grateful to have spent that night together.

answer: The family remembers everything as beautiful.

text: The answer is too succinct. It should be expressing the specifics of what's remembered and why.

refinement: Initially, the family talks about the ungrateful guest after they happily clean the mess. Eventually, their host's graciousness and care are what remains in their memories, and they are grateful.

answer: The guest has taken everything and the host goes to sleep, and never wakes up. The family must deal with cleaning up the mess and planning for the next day.

text: The answer grossly misrepresents the aftermath of the meal through omission of the most important parts of the story's final: gratefulness and happiness.

refinement: The guest has taken everything and the host goes to sleep, and never wakes up. Initially, the family talks about the ungrateful guest after they happily clean the mess. Eventually, their host's graciousness and care are what remains in their memories, and they are grateful.

answer: The host does not wake up. But their loved ones do. This is a metaphor for the death of the cancer patient. The guests first talk about how awful the cancer was, but over the years it shifts to appreciation of the person who had the cancer. This is expressed in the metaphor of the story by how much the guests enjoyed their meal.

text: How the appreciation is expressed isn't necessary for the answer's coherence. It's also somewhat wrong, the guests enjoyed the entire evening.

refinement: The host does not wake up. But their loved ones do. This is a metaphor for the death of the cancer patient. The guests first talk about how awful the cancer was, but over the years it shifts to appreciation of the person who had the cancer.

answer: The morning after the meal, there is a mess to clean up and the family talks about the ungrateful guest. As time passes however, the conversation shifts to the preparation and taste of the meal. They are thankful for it, knowing they were part of something special and experiencing the artistry of a gracious host.

question:
Answer the following question based on the above passage:

What is the condition of the main character at the start of the story?

answer: Jovial and excited.

text: The answer should mention the preparation the main character is doing and the guest's visit.

refinement: Jovial and excited. They are preparing a meal for a gathering, being careful about all the details. But an unwelcome guest shows up at their doorstep, coming in uninvited.

answer: The main character is at their happiest moment. Their life is exactly as it should be. The story describes a meal they have been planning for the whole day. It discusses the amount of care and effort the main character has put into preparing this meal. This is foreshadowing of how later cancer will ruin even the most perfect life.

text: The initial happiness doesn't foreshadow cancer coming later. It's better to just say it juxtaposes cancer's appearance.

refinement: The main character is at their happiest moment. Their life is exactly as it should be. The story describes a meal they have been planning for the whole day. It discusses the amount of care and effort the main character has put into preparing this meal. This is juxtaposing the main character's cancer coming.

answer: The main character starts out feeling happy, but as a houseguest arrives and disrupts their plans, they soon realize to dealing with the unwelcome guest is proving taxing.

text: The answer should mention the main character's meal preparation.

refinement: They are preparing a meal for a family gathering with great care. The main character starts out feeling happy, but as a houseguest arrives and disrupts their plans, they soon realize to dealing with the unwelcome guest is proving taxing.

answer: The main character is happy and in order. However, right as they are finishing making their meal, a guest comes unannounced. The guest is unwelcome and causes great disturbance and disarray, but because they have experienced these trials before, they persevere in removing their guest from their home.

text: The main character's first success in driving the guest away is later than the halfway point in the story. It shouldn't be included in the answer.

refinement: The main character is happy and in order. However, right as they are finishing making their meal, a guest comes unannounced. The guest is unwelcome and causes great disturbance and disarray.

answer: The main character is happy and surrounded by loved ones.

question:
Answer the following question based on the above passage:

What is the first thing the protagonist tries to do to get the cancer to leave?

answer: The narrator chooses to turn up the radio after the guest arrives, not realizing that it's the music which will keep them awake, not make them leave.

text: The answer makes up a false line of events since the radio succeeds. Also, it's not the first thing the main character tries.

text: The answer is empty.

refinement: The main character serves cocktails, a metaphor for the various drugs and chemicals they use in treating cancer.

answer: The protagonist tried to make the guest feel unwelcome by turning up the radio in an effort to interrupt their stay.

text: The radio isn't the first thing the main character tries. It's cocktails.

refinement: The protagonist serves cocktails in hopes of making the guest's stomach upset to make them leave.

text: The answer should explain what the cocktail is a metaphor for since the question explicitly asks about cancer instead of "the guest".

refinement: The protagonist serves cocktails in hopes of making the guest's stomach upset to make them leave. This is a metaphor for the various concoctions of chemicals and medicines used to treat cancer.

answer: The protagonist first tries to persuade the cancer to leave by serving cocktails hoping they would leave as a result of becoming ill.

text: The answer mixes the metaphor with the object-level events, causing confusion.

refinement: The protagonist first tries to make cancer leave with various medicines and chemicals, for which "cocktails" is the metaphor in the story.

answer: The protagonist tries to serve cocktails. The goal is to make their guest's stomach upset. This is a metaphor for drugs. The cocktails leave a sour taste in the host's mouth, a metaphor for the side effects cancer treatment drugs, other than chemo, have.

text: The cocktails' sour taste isn't attested by the story. It's made up.

refinement: The protagonist tries to serve cocktails. The goal is to make their guest's stomach upset. This is a metaphor for drugs.

answer: The first thing the protagonist tries to do after cooking, is to make the host feel too uncomfortable to stay. They increase the volume of the radio and create an unpleasant environment.