text:
The following short story is from a fight my friends and I had, where one of my friends took over the fight and kicked some serious ass. Some things were added for entertainment purposes but the story is pretty much all there.

**Fight at the taco truck, as I remember it.**

It was the beginning of winter. Testosterone ran high, beards were long. Common folk refer to this phenomenon as 'no shave November' I call it a regular Wednesday. It was a large group of us this particular night. Mauri, Mikey, Eric, 'Other' Mikey, voluptuous Rosie, and of course yours truly. We started the night on the slums of Sunset. A dirty one block radius crawling with the worst type of people besides hipsters, more hipsters. If it wasn't for the Wednesday's specials and surplus of sluts, this place would be nothing less than an arcade fire concert screening Wes Anderson films. We loaded up on the cheap booze, and stuck around for the slutty ambiance.

As our uneventful night came to an end we decided to meet at Gus' infamous taco truck. We rode in two separate cars, or as the urban kids say 'we was rolling deep' Mauri, Eric and Mikey took the quick route and stopped at our local liquor for a twelve pack of our favorite brand. I ended up driving 'other Mike's' car because to be honest the kid couldn't handle his liquor. This also gave me a chance to gauge the possibility of sex with Rosie. Sex seemed pretty probable, but then again it always does. I would catch her staring at me while I drove. I couldn't tell if she was admiring my ability to drink out of my flask while keeping an eye on the road or my disregard for danger, all I knew is that she was amazed and probably aroused. I decided to take the scenic route.

Call it a hunch, or perhaps supernatural abilities, but as soon as I pulled into the parking lot I could sense trouble. I quickly and skillfuly parked the small jalopy and leaped out. "Where are you going!" Rosie yelled. I didn't have time to answer, shit was going down and I was going to help it. I ran towards the kerfuffle around Mikey's car and made it there just in time to see a tall, skinny, awkward looking man taking a swing at my good friend Mauri. I didn't need an explanation or reason to start handing out cans, that was plenty. I dove into the group of people fist first until I reached that tall awkward face. His acne infested skin felt soft against my rugged knuckles. It was a little too late to realize 'Awkward Skinny' had friends. Things went dark for a bit after this.

As I came to my senses, I glimpsed around to assess the situation. Things weren't looking good, but they weren't looking bad either. Eric landed some quick jabs that sounded like double bass pedals from a metal band, he had chosen his guy and he was going to take him out. Phony Mike was being gay in the car comforting Rosie. Mauri stood quietly studying the scene and Mikey was walking over to assist me when some random Joe appeared out of nowhere with a handful of fists for both of us. Now this 'Random Joe' did not know Mauri. He did not know that Mauri had been pretty peaceful this whole time, watching these events unfold. He did not know the rage that hid behind him. He did not know that Mauri is a cool guy, a regular mother fucking Teresa but if you fuck with his friends... well then he will fuck you up.

Mauri's shirt came off and his drunken stance became firm. With his fist up in the air he went around taking names and handing out prizes. 'Random Joe' and 'Awkward Skinny' turned their attention to the one taking out their friends and surrounded him. Rosie and 'Imposter Mike' came out to try to instill some peaceful sense into us. I watched helplessly as Mauri was surrounded by seven guys and a midget. (You know gangs mean bussiness when the 'gang midget' is called out for a fight.) To my surprise, Mauri's confidence looked to be intact, he looked over at me and gave me his 'ok' wink. I nodded back. I understood.

'Random Joe' jumped on top of 'Gang Midget' and began swinging his arms. Gang midget struggled to keep his balance but managed to charge towards Mauri. As Mauri mouthed out "What the fuck?!' he took a quick dive to dodge this 'one and a half man turbine'. The midget couldn't control his direction and ran right into a wall. 'Awkward skinny' bursted out in a maniacal laugh and pointed at Mauri, his five remaning henchmen rushed Mauri on the floor. They covered him entirely with punches and grunts, if I didn't know any better, it looked like a japanese gangbang without pixels. I looked at Eric and Mikey and we all nodded in agreement, we had to get in. But just as we decided to join the fun, Mauri burst from within sending all five of them to the floor. Shirtless Mauri stood up and pointed at 'Awkward skinny'

"You!" He began,

"You wanted a fucking beer, we gave you a fucking beer!"

The fab five quickly recovered and tried their luck again. Awkward skinny kept laughing. Something was clearly wrong with him.

The five fucks took their swings and kicks, but these were no match for Mauri's quick turns and ducks. He was salsa dancing around the punches, it was a beautiful sight. Eventually, they stopped their futile attempts to touch Mauri.

"Is that all you got?!" Mauri teased.

The winded five farts had nothing. It was Mauri's turn. To say he knocked them out fast is an understatement. He walked through them making them taste his friendship fury. He made his way towards that tall awkward skinny fuckhead that had started it all.

It was pretty clear this was Mauri's fight, but before he started unloading, Awkward skinny crumbled down to his knees and begged for mercy. Not even Ghandi would have listened to that prick, but Mauri swallowed what was left of his pride and turned away. The crowd that had gathered cheered and chanted his name. He walked taller than before and began making his way back to the car. Just then, 'Awkward skinny' pulled out a full bottle of newcastle and pitched it towards an unaware Mauri. We all looked in shock,and questioned "How the fuck does someone hide a full bottle through an entire fight?!" but we quickly realized he hadn't participated for most of it. We tried to yell out to mauri but our expressions warned him faster and he majestically turned around to quickly catch the bottle. He promptly opened it up and chugged it like a legend in the making. Alex, who had not been part of this whole night, just happened to be getting himself some tacos, he witnessed this last unjustice and ran towards awkward skinny to launch his frail ass towards a car. "No one throws out a full Newcastle" Alex sighed.

Mauri and Alex joined us back by the car to finish our brew. I could tell Rosie had lost all interest in me and was going to spend the night with Mauri but I wasn't even mad, because after that fight, he deserved a good fucking.

question:
Answer the following question based on the above passage:

Why was there a fight at a taco truck?

answer: Cause, you know, they had a fight at a taco truck. And the "Fight at the taco truck" is the story line.

text: The answer fails to give a valid respond to the question

refinement: It was likely over someone asking for a beer.

answer: There are no details.

text: Though there are no clear details, it is implied that it was over someone asking for a beer.

refinement: There are no clear details but it is implied that it was over someone asking for a beer.

answer: It's not exactly clear, but it seems the gang asked Mauri for a beer and he gave them a beer. Why they then started to fight is unclear.

answer: The fight arose when an awkward, skinny man attacked one of Mauri's friends and Mauri fought back with the help of his friends.

answer: There was a fight at a taco truck because someone took a swing at one of Mauri's friends. Mauri and his friends ended up fighting in self-defense, and Mauri took down his opponent. One of Mauri's opponents threw a full bottle of beer at Mauri, but he caught it and drank it. A bystander who was getting tacos at the time joined in to take down one of the opponent's.

text: It misses to mention that the bystander happened to be their friend Alex.

refinement: There was a fight at a taco truck because someone took a swing at one of Mauri's friends. Mauri and his friends ended up fighting in self-defense, and Mauri took down his opponent. One of Mauri's opponents threw a full bottle of beer at Mauri, but he caught it and drank it. Alex who was getting tacos at the time joined in to take down one of the opponent's.

question:
Answer the following question based on the above passage:

What were the emotions occuring before, during, and after the fight?

answer: Overall, the emotions are mostly anger (anger at awkward skin-and-bones man), then entertainment (when there were several in a pile up on the floor) for the narrator.

text: It misses to mention that after the fight, there was feeling of accomplishment amongst the friends.

refinement: Overall, the emotions are mostly anger (anger at awkward skin-and-bones man), then entertainment (when there were several in a pile up on the floor) for the narrator. After the fight was over, there was a feeling of accomplishment and respect among the group

text: It inaccurately describes "Awkward Skinny"

refinement: Overall, the emotions are mostly anger (anger at "Awkward Skinny"), then entertainment (when there were several in a pile up on the floor) for the narrator. After the fight was over, there was a feeling of accomplishment and respect among the group

answer: Before the fight, adrenaline coursed through everyone's veins. The fight itself was chaotic and brutal. After the fight was over, there was a feeling of accomplishment and respect among the group. Meanwhile, the opponents they had beaten retreated with humiliation.

answer: Things started pretty well with the friends hanging out until a fight broke out. Oftentimes the main character, which is described as tough, takes aggressive action when Mauri, a main character, is involved. Later, it's described as if the group of main characters although being drunk, appreciate that Mauri stood up for them. This was a sign of gratitude for their friend's bravery and loyalty.

text: There's no evidence that suggest the main character is often described as tough.

refinement: Things started pretty well with the friends hanging out until a fight broke out. Later, it's described as if the group of main characters although being drunk, appreciate that Mauri stood up for them. This was a sign of gratitude for their friend's bravery and loyalty.

answer: The emotions occuring before the fight were anxiety and vigilance. During the fight, there was fear and excitement. After the fight, there was relief, pride, and happiness.

text: There was no evidence to suggest there was fear and excitement during the fight.

refinement: The emotions occurring before the fight were anxiety and vigilance. During the fight, it was adrenaline filled. After the fight, there was relief, pride, and happiness.

answer: The narrator wants to help his friend Mauri. Clearly there is anger. It seems that the narrator is irritated with "phony" Mike, and admires Mauri.

text: It misses to mention the emotions before the fight.

refinement: Before the fight were anxious moment to help the narrator's friend, Mauri. Clearly there is anger. It seems that the narrator is irritated with "phony" Mike, and admires Mauri.

text: It misses to mention the emotions after the fight.

refinement: Before the fight were anxious moment to help the narrator's friend, Mauri. Clearly there is anger. It seems that the narrator is irritated with "phony" Mike, and admires Mauri. After the fight was over, there was a feeling of accomplishment and respect among the group.

question:
Answer the following question based on the above passage:

Did anyone get seriously injured or die?

answer: No, no one got seriously injured or died.

text: There is no mention of severe injury.

answer: No, nobody got seriously injured or died as a result of the fight.

text: There is no mention of severe injury.

answer: Nobody seems to get seriously injured or die.

text: There is no mention of severe injury.

answer: No

text: There is no mention of severe injury.

answer: None of the group.

text: There is no mention of severe injury.

question:
Answer the following question based on the above passage:

Who was involved in the fight?

answer: They were on their way to grab a bite at Gus' infamous taco truck

text: Fails to address the question

refinement: The narrator, his male friends Mauri, Mikey, Eric, and seven others from the opposing side.

answer: The narrator, his male friends Mauri, Mikey, Eric, and 'Other Mike' and the girls Rosie and voluptuous Rosie.

text: Rosie was not involved in the fight and neither was the 'other mikey'.

refinement: The narrator, his male friends Mauri, Mikey, Eric, and seven others from the opposing side.

answer: The fight involved Mauri, 'other Mikey', Eric, 'Awkward Skinny', and 'Random Joe'.

text: It was actually Mike instead of 'other Mikey' that was involved. It misses to mention the narrator as well.

refinement: The fight involved Mauri, Mikey, Eric, and the narrator. From the opposing side it was 'Awkward Skinny', 'Random Joe' and five others.

answer: There were seven of the opposing team, including "Awkward Skinny" and "Random Joe". Mauri, Eric, Mikey, Rosie, "Imposter Mike" and Alex were the protagonists.

text: Imposter Mike and Rosie were not involved in the fight.

refinement: There were seven of the opposing team, including "Awkward Skinny" and "Random Joe". Mauri, Eric, Mikey, and Alex were the protagonists.

answer: A gang against the narrator and his friends: Mauri, Mikey, Eric, and other Mike.

text: The other Mike was not involved.

refinement: A gang against the narrator and his friends: Mauri, Mikey, Eric, and other Mike.

question: Write a ~7 sentence summary.

answer:
In the last third of a year, groups of friends gather some nights at their usual haunt, a one-block radius in Stumptown Sunset. They call the night a Wednesday.

Waiting at the Taco Truck, a tussle between two others breaks out, and the narrator takes the scenic route and gets there in time to see Mauri about to be hit someone. Mauri's friends join the fight, one by one, and need the narrator's help.

It is Mauri's fight. After finishing with his four attackers, he moves to confront the main attacker. Making the man kneel, Mauri turns away. The man pulls out a bottle of Newcastle and hurls it at Mauri. Mauri catches it, takes a gulp, and then throws it at the man.

text: There's no evidence to suggest what was the usual hang out spots or where.

refinement:
In the last third of a year, groups of friends gathered in the slums of Sunset. They call the night a Wednesday.

Waiting at the Taco Truck, a tussle between two others breaks out, and the narrator takes the scenic route and gets there in time to see Mauri about to be hit someone. Mauri's friends join the fight, one by one, and need the narrator's help.

It is Mauri's fight. After finishing with his four attackers, he moves to confront the main attacker. Making the man kneel, Mauri turns away. The man pulls out a bottle of Newcastle and hurls it at Mauri. Mauri catches it, takes a gulp, and then throws it at the man.

text: There's no evidence that Mauri throws the bottle back at the man.

refinement:
In the last third of a year, groups of friends gathered in the slums of Sunset. They call the night a Wednesday.

Waiting at the Taco Truck, a tussle between two others breaks out, and the narrator takes the scenic route and gets there in time to see Mauri about to be hit someone. Mauri's friends join the fight, one by one, and need the narrator's help.

After finishing with his four attackers, he moves to confront the main attacker. Making the man kneel, Mauri turns away. The man pulls out a bottle of Newcastle and hurls it at Mauri. Mauri catches it, takes a gulp like a legend.

answer: A group of friends get together at a taco truck and one of them starts a fight with someone else. One of the friends jumps in to help out and starts more chaos as more people come into the scene. In the end, one of the original fighters knocks out all five of the opponents and another friend helps finish off the last one. He proceeds to chug a Newcastle beer that was thrown at him.

text: It misses to specify that it is Mauri who knocks out the opponents.

refinement: A group of friends get together at a taco truck and one of them starts a fight with someone else. One of the friends jumps in to help out and starts more chaos as more people come into the scene. In the end, Mauri knocks out all five of the opponents and another friend, Alex helps finish off the last one. He proceeds to chug a Newcastle beer that was thrown at him.

text: It inaccurately mentions that there were 5 opponents, however there were seven.

refinement: A group of friends get together at a taco truck and one of them starts a fight with someone else. One of the friends jumps in to help out and starts more chaos as more people come into the scene. In the end, Mauri knocks out five of the remaining opponents out of the seven. Another friend, Alex helps finish off the last one. He proceeds to chug a Newcastle beer that was thrown at him, but he catches.

answer: On a typical Wednesday night, a fight breaks out at a taco truck. One of Mauri's friends takes up the fight and earns a reputation for being incredibly skilled in a fight. The fight continues and Mauri becomes famous for defeating all five of his opponents with ease. During the fight, someone throws a full bottle of Newcastle beer at Mauri, but he catches it and drinks it. Alex runs over and beats the person who threw the bottle. The night concludes with Mauri spending time with his friends.

text: It inaccurately mentions that Mauri's friend take up the fight, however it is Mauri.

refinement: On a typical Wednesday night, a fight breaks out at a taco truck. Mauri takes up the fight and earns a reputation for being incredibly skilled in the fight. The fight continues and Mauri becomes famous for defeating all five of his opponents with ease. During the fight, someone throws a full bottle of Newcastle beer at Mauri, but he catches it and drinks it. Alex runs over and beats the person who threw the bottle. The night concludes with Mauri spending time with his friends.

text: It inaccurately mentions that there were 5 opponents, however there were seven.

refinement: On a typical Wednesday night, a fight breaks out at a taco truck. Mauri takes up the fight and earns a reputation for being incredibly skilled in the fight. The fight continues and Mauri becomes famous for defeating five of his opponents with ease. During the fight, someone throws a full bottle of Newcastle beer at Mauri, but he catches it and drinks it. Alex runs over and beats the person who threw the bottle. The night concludes with Mauri spending time with his friends.

text: Inaccurately mentions that a bottle is thrown during the fight, however it was after the fight.

refinement: On a typical Wednesday night, a fight breaks out at a taco truck. Mauri takes up the fight and earns a reputation for being incredibly skilled in the fight. The fight continues and Mauri becomes famous for defeating five of his opponents with ease. After the fight, someone throws a full bottle of Newcastle beer at Mauri, but he catches it and drinks it. Alex runs over and beats the person who threw the bottle. The night concludes with Mauri spending time with his friends.

answer: The narrator and his friends have had a night of drinking on Sunset, and return to Gus' famous taco truck. He senses some trouble and goes to see what is going on. While there, his friends Joe and Mauri fight a gang of 7 guys. The narrator is unsure if they will win, but Mauri is a shark in the ring. Right as Mauri and three friends start beating up seven guys, one of the guys pulls out a bottle, which Mauri catches and drinks loudly. While no one throws a whole bottle away.

text: Incorrectly mentions Joe as the narrator's friend, however Joe is an opponent

refinement: The narrator and his friends have had a night of drinking on Sunset, and return to Gus' famous taco truck. He senses some trouble and goes to see what is going on. While there, his friend Mauri was in a fight with 7 guys. The narrator is unsure if they will win, but Mauri is a shark in the ring. Right as Mauri and three friends start beating up seven guys, one of the guys pulls out a bottle, which Mauri catches and drinks loudly. While no one throws a whole bottle away.

text: It misses to mention that the bottle is thrown at Mauri, but instead he catches it and drinks it.

refinement: The narrator and his friends have had a night of drinking on Sunset, and return to Gus' famous taco truck. He senses some trouble and goes to see what is going on. While there, his friend Mauri was in a fight with 7 guys. The narrator is unsure if they will win, but Mauri is a shark in the ring. Right as Mauri and three friends start beating up seven guys, one of the guys pulls out a bottle of beer and throw it at Mauri. Mauri turns to catch it and chugs it. While no one throws a whole bottle away.

text: It misses to mention that Alex says "No one throws out a full Newcastle".

refinement: The narrator and his friends have had a night of drinking on Sunset, and return to Gus' famous taco truck. He senses some trouble and goes to see what is going on. While there, his friend Mauri was in a fight with 7 guys. The narrator is unsure if they will win, but Mauri is a shark in the ring. Right as Mauri and three friends start beating up seven guys, one of the guys pulls out a bottle of beer and throws it at Mauri. Mauri turns to catch it and chugs it. Alex sighs and says "No one throws out a full Newcastle".

answer: The narrator and his friends, Mikey, Mauri, Eric, other Mike, and Rosie, are out drinking on a Wednesday night. They decide to go to Gus' taco truck; they take two cars. The narrator, Rosie, and other Mike arrive to see Mauri, Mike, and Eric engaged in a fight with a gang. The narrator jumps out of the car and begins throwing punches. Mauri is the hero of the fight, taking on five guys at once. The instigator of the fight begs Mauri not to beat him, so Mauri walks away. The instigator throws a full bottle of liquor at Mauri's back, but Mauri turns and is able to grab the bottle without being injured; he drinks it.


split: train

text:
No sound, and even though Jack’s eyes are closed he knows wherever he is its very bright. And forcing his eye-lids open with more energy than he had ever used before to do such a task. He brought up an arm to shield himself from a light that most surely wasn’t artificial but was at the same time. As if the light was coming from all around him but nowhere at the same time.

	He tried to speak but found that no words escaped him. And he slowly sat up and looked around to get his bearings. Wherever he was, he’d never seen anything like it before. There appeared to be an expansive stretch of nothingness before him. A long and vast whiteness, He was sure this was a dream, that this feeling of unrelenting sadness gripping him, deep down in the pit of his stomach was just a nightmare that had yet to reveal the punch-line.

Where am I? He thought as he stood up. It took a lot of energy to accomplish this task, his bones and joints were sluggish and clumsy. Once he managed to get to his feet he became dizzy, to the point where he had to put his hands on his knees and bend over for a minute to let it subside.

	Squinting through half closed eyes he tried to look around again and though the light was still very bright it had abated slightly and he could finally stand up straight again. He rubbed a hand over his eyes. He tried to call out again but the words still wouldn’t come. He knew he was speaking but he couldn’t hear anything coming out.

	“There is no use trying to speak.” A woman’s voice came from behind him, seemingly out of the nothingness; A very familiar voice.

	He slowly turned around and was sure that this was a dream. The sight of her made his heart drop, stop and melt all at the same time. He couldn’t remember her name but he knew that he had known this girl very well, knowing every inch of her body and most of her personality.

	She just smiled sadly and took a step forward she moved with a grace and sadness that brought a breaking dread to Jack and he squinted as he watched her move about as if she were gliding along the floor that wasn’t there. This is a dream? He thought to himself and he wasn’t very surprised to hear her speak again. “In a way it is. In a way it is not.” He frowned and looked around again. Where are we?

	“We are everywhere, and nowhere at the same time. We are together again, but apart forever.” She smiled and stepped closer. He suddenly didn’t want her to come any closer and he felt tears forming in his eyes. What do you mean?  She merely smiled. “Is it too bright here? Your eyes haven’t adjusted yet. It will take some time.” She glanced around and as she did the air around him seemed to shift and change.

	And now he was standing in the middle of an old bar. Four pool tables off to the right, and a bar in the middle. The girl was now behind the bar. “Do you remember this place?”  Jack looked around the room. It was empty aside from them. He nodded slowly. It’s where we met. But I can’t remember your name. After all these years, I’ve known you. I’m sorry.

	She just smiled sadly again. “That is not important. My name is no longer a part of your memory.” She moved around the bar and poured a double of whiskey. “This was your favorite wasn’t it?”

	Jack instantly felt something churn in his stomach and he shut his eyes for an instant he heard a sort of siren blaring and then he opened them again, the room had changed once more. They were in his apartment lying in bed. Her head on his chest, her short hair brushed away from her upturned face. “This is where we spent our first night together.” She smiled. And he felt like crying even more. I remember you saying that we had to do this or we’d never know if it was worth it. He thought.

	“Was it worth it?” She asked and kissed his collar bone lightly. An icy chill ran up his spine. He shuddered. Every single second of it.

	“Every second.” She sighed and he felt her cool hand intertwine with his. “I need to tell you something Jack.” I know, This isn’t a dream…  He felt the tears now, they had been escaping the corners of his eyes for who knew how long. What happened? Where are we?

	He shut his eyes and the blaring siren slipped back in for a moment And the voices of people shouting in the distance.

	“You are dying. People say that your life flashes before your eyes before you die…” Her voice was getting distant. Further away and Jack squeezed his arms around her holding her close. The body he held tightly. Don’t leave me. Please Don’t leave me! The sirens were stronger now piercing the walls of his subconscious.

	“You have to make a choice.” She said. Her voice was distant and muddled now. “I Hate to give you such a cliché ultimatum but you have a choice to make.” Jack nodded his head, the room around him swam and rippled seeming to meld the moldy ceiling of his apartment with a starry night sky. “Stay here with me. Or go back.” Her voice was coming in a little stronger now. What happened? Where’s back, why aren’t you there?

 	“Do I really have to say it?” She sat up on her elbow and looked down at him. And he knew there from the sadness in her eyes and the way she smiled soothingly down at him. He reached a hand up and ran a thumb along her jaw-line. “All you have to do is choose. There is still time. Go back.”

And with that he knew what he had to do. He brought both hands up to hold her face gently in his hands and he pulled her down close to him so that their noses were touching. And he was able to find his voice. “There is no life for me, without you.” And he smiled.

	She frowned for a moment and scrunched her nose up. “Are you sure?” She asked. And he smiled.

“From the moment I saw  you, Ash...”

	The ambulance rumbled along the lonely stretch of Arizona highway, and the coroner’s van behind it. “Jimmy, turn off the siren… We’ve lost him.” The paramedic paused checking his watch. Sat up and removed his rubber gloves. “CPR is unsuccessful. We can’t work him back up.”

title: "Ash" By FallenMonument

question: What does Jack see in his vision?

answer: A beautiful woman he cannot remember.

answer: In his vision, Jack sees himself being with the woman that he knows but cannot remember. They are reliving various moments of their relationship, from meeting to their final moments together. At the end of the vision, Jack eventually dies.

text: Too much information, this is not a summary.

refinement: In his vision, Jack sees himself being with the woman that he knows but cannot remember. They are reliving various moments of their relationship, from meeting to their final moments together.

answer: Jack is shown scenes from his past with a woman named Ash before ultimately deciding he wants to stay with her and pass away. This is evidenced by him holding her close and telling her 'there is no life for me, without you.'

text: Last sentence unnecessary and lacks coherence.

refinement: Jack is shown scenes from his past with a woman named Ash before ultimately deciding he wants to stay with her and pass away.

question: What does the woman tell Jack?

answer: The woman tells Jack that he is dying and that he must make a choice to either stay and live with her or return and live again, but only so long as he is alive.

answer: He can choose to leave or stay.

answer: "I know you have a choice to make." The woman tells Jack that he has to make a choice whether to go

text: INCOMPLETE!

refinement: "I know you have a choice to make." The woman tells Jack that he has to make a choice whether to go or stay.

question: What does Jack choose?

answer: Jack chooses to stay alive.

text: WRONG.

refinement: Jack chooses to stay with her, and pass away.

answer: To stay with the woman and die.

answer: He chooses to go back.

text: WRONG.

refinement: He chooses to go stay with her, and die.

question: How does the story end?

answer: The story ends with Jack dying. His last words are speaking to his past lover, and choosing to return to her despite the fact that this is death.

answer: The main character in the story dies. Though he was able to say goodbye to the love of his life before he did.

text: Wrong.

refinement: The main character in the story dies. He chooses to stay with his lover.

answer: We see medics in an ambulance who are unable to resuscitate Jack because he has chosen to die.

question: Write a ~2 sentence summary.

answer: The protagonist is faced with a difficult choice and at the last moment decides to stay with their love, in what appears to be a dream-like state of existance. However, they soon realize that they are actually Dying, and with that knowledge, the protagonist says goodbye and lets go, knowing that he will never love the same way again.

answer: This story is about a man, Jack, who is dying and has a vision of his dead lover who invites him to the afterlife. He chooses to go with her, and he perishes.

answer: The protagonist is in a strange place experiencing different past events with a woman named Ash. Unfortunately, it is revealed that he is dying, and he eventually makes the decision to stay with her in this strange place. In the end, he passes away, and the paramedics confirm that CPR is unsuccessful.

answer: The protagonist is in a strange place where he can't communicate or remember his past love. He finds out that he is dying, and makes a choice to stay with her. When all efforts to revive him fail, the ambulance arrives to take him away.

text: Opposite.

refinement: The protagonist is in a strange place where he can't communicate or remember his past love. He finds out that he is dying, and makes a choice to stay with her. Outside his vision, when all efforts to revive him fail, he dies in an ambulance.

answer: The main character in the story, Jack, is offered a choice between staying with his love or going back to life. After making the difficult decision, he dies, leading the ambulance attendants to pronounce his death.

answer: The narrator is dying, and is given the choice to stay in a surreal dream world with a former lover. Though he makes the conscious decision to return, he soon dies, with the ambulance taking him away to the coroner's office.

text: Opposite.

refinement: The narrator is dying, and is given the choice to stay in a surreal dream world with a former lover. He makes the conscious decision to stay, and he dies in an ambulance.


text:
We’re still waiting for an episode set inside a shopping mall.

In many ways, “THE WALKING DEAD” is a continuation of what GEORGE ROMERO started way back in 1968. The show, as many of its key creative forces admitted in the wake of Romero’s passing, simply would not exist without _Night of the Living Dead_, _Dawn of the Dead_ and _Day of the Dead_ paving the way – after all, it was Romero who created the modern day zombie.

But it isn’t just because “The Walking Dead” is a zombie show that it owes a debt to George Romero. Much like Romero’s films, the zombies in “The Walking Dead” are often presented as something more than mindless monsters, and so too does the show focus much of its time on the human characters and their struggles in a post-apocalyptic world.

Simply put, “The Walking Dead” is the closest anyone who’s not George Romero has ever come to recapturing what Romero did with his seminal zombie masterpieces.

And I assure you, that’s very much by intention. Not only was “The Walking Dead” creator Robert Kirkman directly inspired by Romero, but one of the key creative forces on the show is also a student of Romero’s. Makeup effects master GREG NICOTERO, executive producer and frequent episode director on “The Walking Dead,” got his start working under Tom Savini on Romero’s _Day of the Dead_, and it’s Nicotero who often directly pays tribute to his friend and mentor in the episodes he directs.

Nicotero’s “zombie tributes” on “The Walking Dead” have become little fun Easter eggs for fans, paying tribute to zombie films that Nicotero is a personal fan of. Of course, many of those homages are direct tributes to George Romero’s enduring creations, and we wanted to highlight all of those tributes for you here today.

Here’s what they are and where to find them!

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1) Flyboy (_Dawn of the Dead_) – Season 3, Episode 5

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2) Plaid Shirt Zombie (_Dawn of the Dead_) – Season 3, Episode 15

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3) Bub (_Day of the Dead_) – Season 4, Episode 15

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4) The Crate (_Creepshow_) – Season 5, Episode 1

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5) Machete Zombie (_Dawn of the Dead_) – Season 5, Episode 16

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6) _Creepshow_ Poster Art – Season 7, Episode 12

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7) Johnny (_Night of the Living Dead_) – Season 6, Episode 6 (*Deleted Scene*)

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8) Dr. Tongue (_Day of the Dead_) – Season 7, Episode 16

question: Summarize everything about George Romero.

answer: George Romero is the creator of Night of the Living Dead, Dawn of the Dead, and Day of the Dead. He created the modern-day zombie that influenced the TV show "The Walking Dead."

text: Doesn't mention how it influenced "The Walking Dead."

refinement: George Romero is the creator of Night of the Living Dead, Dawn of the Dead, and Day of the Dead. He created the modern-day zombie that influenced the TV show "The Walking Dead."  Many of the zombie tributes in "The Walking Dead" are direct homages to Romero's films, including "Flyboy" (from "Dawn of the Dead"), "Bub" (from "Day of the Dead"), and "Machete Zombie" (from "Dawn of the Dead").

answer: George Romero is a filmmaker who is best known for his zombie films. He is often credited with creating the modern day zombie.

text: Doesn't mention the films he's known for.

refinement: George Romero is a filmmaker who is best known for his zombie films Night of the Living Dead, Dawn of the Dead, and Day of the Dead. He is often credited with creating the modern day zombie.

text: Doesn't mention why this is relevant to "The Walking Dead."

refinement: George Romero is a filmmaker who is best known for his zombie films Night of the Living Dead, Dawn of the Dead, and Day of the Dead. He is often credited with creating the modern day zombie and influencing works like "The Walking Dead."

text: Doesn't mention how it influenced "The Walking Dead"

refinement: George Romero is a filmmaker who is best known for his zombie films Night of the Living Dead, Dawn of the Dead, and Day of the Dead. He is often credited with creating the modern day zombie and influencing works like "The Walking Dead."  Many of the zombie tributes in "The Walking Dead" are direct homages to Romero's films, including "Flyboy" (from "Dawn of the Dead"), "Bub" (from "Day of the Dead"), and "Machete Zombie" (from "Dawn of the Dead").

answer: George Romero is a filmmaker who is best known for his influential zombie films, including "Night of the Living Dead" (1968), "Dawn of the Dead" (1978), and "Day of the Dead" (1985). His films are often credited with starting the modern zombie genre, and "The Walking Dead" creator Robert Kirkman has said that the show would not exist without Romero's work paving the way. Many of the zombie tributes in "The Walking Dead" are direct homages to Romero's films, including "Flyboy" (from "Dawn of the Dead"), "Bub" (from "Day of the Dead"), and "Machete Zombie" (from "Dawn of the Dead").

answer: George Romero is the creator of the modern day zombie. He created Night of the Living Dead, Dawn of the Dead, and Day of the Dead. He passed away in 2017.

text: Doesn't mention how he influenced "The Walking Dead."

refinement: George Romero is the creator of the modern day zombie. He created Night of the Living Dead, Dawn of the Dead, and Day of the Dead. He passed away in 2017. Many of the zombie tributes in "The Walking Dead" are direct homages to Romero's films, including "Flyboy" (from "Dawn of the Dead"), "Bub" (from "Day of the Dead"), and "Machete Zombie" (from "Dawn of the Dead").

question: Who is Greg Nicotero?

answer: Greg is the executive producer and frequent episode director on "The Walking Dead." He has worked under Tom Savini on Romero’s Day of the Dead.

text: Doesn't mention that he's makeup effects master, too

refinement: Greg is the makeup effects master, executive producer, and frequent episode director on "The Walking Dead." He has worked under Tom Savini on Romero’s "Day of the Dead."

answer: Greg Nicotero is a makeup effects master who worked under Tom Savini on Romero's Day of the Dead. He is also an executive producer and frequent episode director on The Walking Dead.

answer: Greg Nicotero is a makeup effects master who has worked on "The Walking Dead" since the show's inception. He is also a student of George Romero's, and often pays tribute to Romero's zombie films in the episodes he directs.

text: Doesn't mention that he's also executive producer and sometime director.

refinement: Greg Nicotero is a makeup effects master, executive producer, and sometime director who has worked on "The Walking Dead" since the show's inception. He is also a student of George Romero's, and often pays tribute to Romero's zombie films in the episodes he directs.

text: Doesn't mention working under Tom Savini on "Day of the Dead."

refinement: Greg Nicotero is a makeup effects master, executive producer, and sometime director who has worked on "The Walking Dead" since the show's inception. He is also a student of George Romero's, having worked under Tom Savini on Romero's "Day of the Dead," and often pays tribute to Romero's zombie films in the episodes he directs.

answer: Greg Nicotero is a makeup effects master who got his start working under Tom Savini on Romero's Day of the Dead.

text: Doesn't mention being executive producer and director on "The Walking Dead"

refinement: Greg Nicotero is a makeup effects master, executive producer, and director of "The Walking Dead" who got his start working under Tom Savini on Romero's Day of the Dead.

question: How did Greg Nicotero pay tribute to George Romero?

answer: In the episodes he directed, Greg left some "zombie tributes" as fun Easter eggs for fans to find to pay homage to George Romero's creations.

answer: He directed episodes of "The Walking Dead" that included zombies that were similar to zombies in George Romero's films.

text: Doesn't mention the "Zombie tributes" he sprinkles throughout the episodes he directs.

refinement: He directed episodes of "The Walking Dead" that included "zombie tributes:" fun little Easter eggs for fans that are homages and direct tributes to Romero's creations.

answer: He paid tribute to George Romero by including zombies in the show that were inspired by Romero's films.

text: Doesn't mention "zombie tributes."

refinement: In episodes he directed, he paid tribute to George Romero by including zombies in the show that were inspired by Romero's films, direct homages that act as fun little Easter eggs for the fans.

answer: Greg Nicotero paid tribute to George Romero by including zombies in "The Walking Dead" that were inspired by his films, including "Night of the Living Dead", "Dawn of the Dead", and "Day of the Dead". These zombies often included specific details from the original films, such as clothing or props.

question: In what seasons and episodes of "The Walking Dead" can these zombie tributes found?

answer: The zombie tributes can be found in Seasons 3, 4, 5, 6, and 7, with specific episodes being Episode 5 (Bub from "Day of the Dead"), Episode 15 (Plaid Shirt Zombie from "Dawn of the Dead"), Episode 16 (Machete Zombie from "Dawn of the Dead"), and Episode 16 (Dr. Tongue from "Day of the Dead").

text: Missing some episodes, asks for season and episode not specifically what the tribute was.

refinement: The zombie tributes can be found in Seasons 3, 4, 5, 6, and 7. Specifically, they can be seen in Season 3, Episode 5; Season 3, Episode 15; Season 4, Episode 15; Season 5, Episode 1; Season 5, Episode 16; Season 6, Episode 6; Season 7, Episode 12; and Season 7, Episode 16.

answer: Season 3, Episode 5, Season 3, Episode 15, Season 4, Episode 15, Season 5, Episode 1, Season 5, Episode 16, Season 7, Episode 12, Season 6, Episode 6, and Season 7, Episode 16.

answer: These zombie tributes are in S3E5, S3E15, S4E15, S5E1; S5E16; S7E12, S6E6, and S7E16.

answer: Season 3, Episode 5, Season 3, Episode 15, Season 4, Episode 15, Season 5, Episode 1, Season 5, Episode 16, Season 6, Episode 6, Season 7, Episode 16

text: Missing an episode.

refinement: Season 3, Episode 5, Season 3, Episode 15, Season 4, Episode 15, Season 5, Episode 1, Season 5, Episode 16, Season 6, Episode 6, Season 7, Episode 12, and Season 7, Episode 16

question: Write a ~2 sentence summary.

answer: The Walking Dead has paid tribute to George Romero's zombie films in a number of episodes, including tributes to Flyboy from Dawn of the Dead, Plaid Shirt Zombie from Dawn of the Dead, Bub from Day of the Dead, and Johnny from Night of the Living Dead. In Season 6, there is a deleted scene featuring a Dr. Tongue tribute from Day of the Dead.

text: Unnecessary sentence.

refinement: The Walking Dead has paid tribute to George Romero's zombie films in a number of episodes, including tributes to Flyboy from Dawn of the Dead, Plaid Shirt Zombie from Dawn of the Dead, Bub from Day of the Dead, and Johnny from Night of the Living Dead.

text: Doesn't mention why "The Walking Dead" pays tribute to Romero.

refinement: "The Walking Dead" is a zombie show that owes a debt to George Romero's legacy, including the fact that makeup effects master, executive producer, and sometime director Greg Nicotero got his start on Romero's "Day of the Dead." The show has paid tribute to George Romero's zombie films in a number of episodes, including tributes to Flyboy from Dawn of the Dead, Plaid Shirt Zombie from Dawn of the Dead, Bub from Day of the Dead, and Johnny from Night of the Living Dead.

answer: In many ways, "The Walking Dead" is a continuation of what George Romero started way back in 1968. The show, as many of its key creative forces admitted in the wake of Romero's passing, simply would not exist without "Night of the Living Dead", "Dawn of the Dead" and "Day of the Dead" paving the way - after all, it was Romero who created the modern day zombie.

text: Doesn't mention paying tribute to Romero.

refinement: Because "The Walking Dead" is a continuation of what George Romero started way back in 1968, it has paid tribute to George Romero's zombie films in a number of episodes, including tributes to Flyboy from Dawn of the Dead, Plaid Shirt Zombie from Dawn of the Dead, Bub from Day of the Dead, and Johnny from Night of the Living Dead. The show, as many of its key creative forces admitted in the wake of Romero's passing, simply would not exist without "Night of the Living Dead", "Dawn of the Dead" and "Day of the Dead" paving the way - after all, it was Romero who created the modern day zombie.

answer: The zombies in the TV show "The Walking Dead" are influenced by George Romero's Night of the Living Dead, Dawn of the Dead, and Day of the Dead. Executive producer Greg Nicotero pays tribute to George Romero by leaving some "zombie tributes" as fun Easter eggs for fans to find in some episodes of The Walking Dead.

text: Doesn't specify example tributes.

refinement: The zombies in the TV show "The Walking Dead" are influenced by George Romero's Night of the Living Dead, Dawn of the Dead, and Day of the Dead. Executive producer Greg Nicotero pays tribute to George Romero by leaving some "zombie tributes" as fun Easter eggs for fans to find in some episodes of The Walking Dead including tributes to Flyboy from Dawn of the Dead, Plaid Shirt Zombie from Dawn of the Dead, Bub from Day of the Dead, and Johnny from Night of the Living Dead.

answer: The article is about the zombie show, The Walking Dead, and how it is a continuation of George Romero's work. It lists the zombie tributes in the show and where to find them.

text: Doesn't specify example tributes from the show.

refinement: The article is about the zombie show, The Walking Dead, and how it is a continuation of George Romero's work. It lists the zombie tributes in the show and where to find them including tributes to Flyboy from Dawn of the Dead, Plaid Shirt Zombie from Dawn of the Dead, Bub from Day of the Dead, and Johnny from Night of the Living Dead.


text:
The LANGE MEILE (“Long Mile”) is a plateau (hence the name _Auf der Langen Meile_ - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about .[1] It lies within the region of Franconian Switzerland in the Upper Franconian county of Forchheim in the state of Bavaria.

Location

The Lange Meile is located on the western fringes of the Franconian Jura in the Franconian Switzerland-Veldenstein Forest Nature Park. Its plateau lies between the four towns of Heiligenstadt (Bamberg county) to the north-northeast, Ebermannstadt to the east, Forchheim to the south-southeast and Eggolsheim to the west. Nearby villages include Eschlipp to the north-northeast, Niedermirsberg, Breitenbach, Neuses-Poxstall, Reifenberg and Weilersbach to the east, Ehrlersheim and Rettern to the south, Kauernhofen, Weigelshofen, Drosendorf, Götzendorf to the west and Drügendorf to the north-northwest.

On the northern edge of the Lange Meile, on its boundary with the main plateau of the Franconia Jura between Eschlipp and Drügendorf are limestone quarries. Here the _Staatsstraße_ 2260 from Ebermannstadt runs past Eschlipp between the quarries to Drügendorf. To the east the plateau descends into the valley of the Wiesent, a tributary of the Regnitz and, to the west, into that of the Eggerbach, a short tributary of the Main-Danube Canal.

High points

Among the high points on the Lange Meile, which are only gentle hill summits or eminences, are the following (with heights in metres (m) above sea level (NHN):[2]

-   Schützenberg (517 m), northeast of Rettern
-   Wachknock (517 m), between Niedermirsberg and Breitenbach
-   Mirsberger Höhe (514.5 m), northwest of Niedermirsberg
-   Rotenberg (510 m), east-northeast of Kauernhofen
-   Retterner Kanzel (506.3 m), east of Rettern
-   Steinberg (506 m), north of Reifenberg
-   Högelstein (497.9 m), between Kauernhofen and Rettern
-   Schloßberg (493.1 m), northeast of Drosendorf

Geology

The rocks of the _Lange Meile_ were formed by the Jurassic Sea and consist of clay, sandstone and limestone. Sediments of the Malm characterise the plateau. Its source waters are used to supply drinking water to several nearby villages. It has a high lime content.

Reserves

On the eastern flanks of the _Lange Meile_ is one of the western areas of the Special Area of Conservation called Wiesent Valley and Side Valleys (_Wiesent-Tal mit Seitentälern_, FFH No. 6233-371), the western flank of this table-like hill is part of the southern area of the SAC known as the Albtrauf from the Frisener Warte to the Lange Meile (_Albtrauf von der Friesener Warte zur Langen Meile_, FFH No. 6132-371). Large parts of the _Lange Meile_ lie in the western part of the Franconian Switzerland-Veldenstein Forest protected area, established in 2001 founded and covering an area of 1,021.64 square kilometres (LSG No. 322697).[3]

Landscape and sights

The steep sides of the _Lange Meile_ are forested, the plateau itself is bare in many areas and is used for agriculture.

On the Lange Meile are Feuerstein Castle Airfield south of the Mirsberg Heights (_Mirsberger Höhe_) and, south of that, the Feuerstein Observatory. On the _Wachknock_, to the east, is the youth hostel of Feuerstein Castle.

[1] map services of the BfN

[2]

[3]

title: Lange Meile

question: What is the highest point included here?

answer: The highest point included in this passage is the Schützenberg.

text: "Wachknock (517 m), between Niedermirsberg and Breitenbach" proves that Wachknock is also 517 m high. The two points tie for the highest point.

refinement: The highest points included in this passage is the Schützenberg and Wachknock.

text: "Schützenberg (517 m), northeast of Rettern" is evidence that Schützenberg is 517 m high.

answer: The highest point is Schützenberg, which is 517 meters above sea level.

text: "Wachknock (517 m), between Niedermirsberg and Breitenbach" proves that Wachknock is also 517 m high. The two points tie for the highest point.

refinement: The highest points are Schützenberg and Wachknock, which are both 517 meters above sea level.

text: "Schützenberg (517 m), northeast of Rettern" is evidence that Schützenberg is 517 m high.

answer: Shützenberg and Wachknock are tied at 517 meters.

text: "Schützenberg (517 m), northeast of Rettern" is evidence that Schützenberg is 517 m high.

text: "Wachknock (517 m), between Niedermirsberg and Breitenbach" is evidence that Wachknock is also 517 m high.

answer: The highest point included in the Lange Meile is the Mirsberger Höhe, which is 517 metres above sea level.

text: "Schützenberg (517 m), northeast of Rettern" and "Wachknock (517 m), between Niedermirsberg and Breitenbach" is evidence of the two highest points.

refinement: The highest point included in the Lange Meile is the Schützenberg and the Wachknock, which are both 517 metres above sea level.

question: Explain everything about the northern ridge?

answer: There are limestone quarries along the border between  Eschlipp and Drügendorf. The eastern part of the plateau descends into the valley of the Wiesent. The western descends into the valley of the Eggerbach.

text: "To the east the plateau descends into the valley of the Wiesent, a tributary of the Regnitz and, to the west, into that of the Eggerbach, a short tributary of the Main-Danube Canal." describes the eastern side of the plateau. This is not applicable to the northern ridge and should be removed from the answer.

refinement: There are limestone quarries along the border between Eschlipp and Drügendorf.

text: "On the northern edge of the Lange Meile, on its boundary with the main plateau of the Franconia Jura between Eschlipp and Drügendorf are limestone quarries." is evidence of the limestone quarries between Eschlipp and Drügendorf.

answer: The northern ridge is a limestone ridge that is located on the northern edge of the Lange Meile. It is located on the boundary between the Lange Meile and the main plateau of the Franconia Jura between Eschlipp and Drügendorf. The ridge is used for limestone quarries.

text: "On the northern edge of the Lange Meile, on its boundary with the main plateau of the Franconia Jura between Eschlipp and Drügendorf are limestone quarries." is proof of the location of limestone quarries along the northern edge of Lange Meile.

answer: The northern ridge of the Lange Meile is home to limestone quarries and the Feuerstein Castle Airfield. The airfield is located on the Mirsberg Heights, and the Feuerstein Observatory is located south of it. The area is also home to a youth hostel located on the Wachknock.

text: "On the northern edge of the Lange Meile, on its boundary with the main plateau of the Franconia Jura between Eschlipp and Drügendorf are limestone quarries." is the only information relating to the northern edge of the Lange Meile that is found in the text.

answer: The northern ridge is on the boundary of the main plateau of the Franconia Jura between Eschlipp and Drügendorf. Limestone quarries are located on the northern edge of the Lange Meile.

text: "On the northern edge of the Lange Meile, on its boundary with the main plateau of the Franconia Jura between Eschlipp and Drügendorf are limestone quarries." is evidence of the location of limestone quarries along the northern edge of Lange Meile.

question: What is the Staatsstraße 2260?

answer: The Staatsstraße 2260 is a road that runs past Eschlipp between the quarries to Drügendorf.

text: "Here the 'Staatsstraße' 2260 from Ebermannstadt runs past Eschlipp between the quarries to Drügendorf." is proof of the location of Staatsstraße.

answer: It might be inferred that it is a road or street

text: "Here the 'Staatsstraße' 2260 from Ebermannstadt runs past Eschlipp between the quarries to Drügendorf." is evidence that the street is well defined in the text - it runs from Eschlipp to Drügendorf.

refinement: It is a road that runs from Ebermannstadt past Eschlipp between the quarries to Drügendorf.

text: "Here the 'Staatsstraße' 2260 from Ebermannstadt runs past Eschlipp between the quarries to Drügendorf." is proof that Staatsstraße refers to a street.

answer: The Staatsstraße 2260 is a highway that runs between Ebermannstadt and Drügendorf.

text: "Here the 'Staatsstraße' 2260 from Ebermannstadt runs past Eschlipp between the quarries to Drügendorf." is proof of the location of Staatsstraße.

answer: The Staatsstraße 2260 is a road that runs through the Lange Meile, connecting the towns of Ebermannstadt and Drügendorf.

text: "Here the 'Staatsstraße' 2260 from Ebermannstadt runs past Eschlipp between the quarries to Drügendorf." is proof of the location of Staatsstraße.

question: What types of stone are common in the Lange Meile?

answer: Clay, sandstone, and limestone.

text: "The rocks of the 'Lange Meile' were formed by the Jurassic Sea and consist of clay, sandstone and limestone." is evidence of three types of stone found in the Lange Meile.

answer: The rocks of the Lange Meile are formed by the Jurassic Sea and consist of clay, sandstone and limestone.

text: "The rocks of the 'Lange Meile' were formed by the Jurassic Sea and consist of clay, sandstone and limestone." is evidence of three types of stone found in the Lange Meile.

answer: Sandstone and Limestone

text: "The rocks of the 'Lange Meile' were formed by the Jurassic Sea and consist of clay, sandstone and limestone." is evidence of three types of stone found in the Lange Meile. Adjust the answer to include the third type of stone.

text: Remove capitalization of Limestone.

text: "The rocks of the 'Lange Meile' were formed by the Jurassic Sea and consist of clay, sandstone and limestone." is evidence that sandstone and limestone were found in the Lange Meile.

answer: The Lange Meile is made up of clay, sandstone, and limestone.

text: "The rocks of the 'Lange Meile' were formed by the Jurassic Sea and consist of clay, sandstone and limestone." is evidence of three types of stone that were found in the Lange Meile.

question: Wha does "Lange Meile" translate to?

answer: "Long Mile"

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about..." is evidence of the translation of Lange Meile.

answer: "Lange Meile" translates to "long mile" in English.

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about..." is evidence of the translation of Lange Meile.

answer: The Long Mile

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about..." is evidence of the translation of Lange Meile.

answer: The Lange Meile is a plateau in the Franconian Jura in south Germany which is up to about .

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about..." makes the heritage of the name as well as the translation of the name clear. Lange Meile translates to Long Mile and is a derivative of 'On the Long Mile'. Change the answer to reflect the true translation of Lange Meile to Long Mile.

refinement: The Lange Meile translates to Long Mile.

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about..." is evidence of the location of the Lange Meile.

question: Write a ~2 sentence summary.

answer: The Lange Meile is a plateau in the Franconian Jura in south Germany. It is up to about and is located on the western fringes of the Franconian Jura in the Franconian Switzerland-Veldenstein Forest Nature Park.

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about." is where the term 'up to about' comes from in the summary. It does not have any meaning. Remove the first part of sentence two from the summary.

refinement: The Lange Meile is a plateau in the Franconian Jura in south Germany. It is located on the western fringes of the Franconian Jura in the Franconian Switzerland-Veldenstein Forest Nature Park.

text: "The rocks of the Lange Meile were formed by the Jurassic Sea and consist of clay, sandstone and limestone. Sediments of the Malm characterise the plateau." contains interesting information on the geology of Lange Meile. Include the three types of stone found there in the summary.

refinement: The Lange Meile is a plateau in the Franconian Jura in south Germany. It is located on the western fringes of the Franconian Jura in the Franconian Switzerland-Veldenstein Forest Nature Park and is made up of sandstone, limestone and clay.

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about..." is evidence of the location of Lange Meile.

text: "The Lange Meile is located on the western fringes of the Franconian Jura in the Franconian Switzerland-Veldenstein Forest Nature Park." is evidence of its location relative to the Franconian Jura.

answer: The Lange Meile is a plateau in the Franconian Jura in south Germany. It is located between the four towns of Heiligenstadt, Ebermannstadt, Forchheim, and Eggolsheim.

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about..." is evidence of the location of Lange Meile.

text: "Its plateau lies between the four towns of Heiligenstadt (Bamberg county) to the north-northeast, Ebermannstadt to the east, Forchheim to the south-southeast and Eggolsheim to the west." is proof of its location relative to the four villages.

answer: The Lange Meile is a plateau in the Franconian Jura in south Germany, with heights ranging from 500-517 metres above sea level. It is home to the Feuerstein Castle Airfield and Observatory, and is protected as part of the Franconian Switzerland-Veldenstein Forest Nature Park.

text: "- Schloßberg (493.1 m), northeast of Drosendorf" is the lowest high point mentioned in the text. Correct the range of heights to start at 493m.

refinement: The Lange Meile is a plateau in the Franconian Jura in south Germany, with heights ranging from 493-517 metres above sea level. It is home to the Feuerstein Castle Airfield and Observatory, and is protected as part of the Franconian Switzerland-Veldenstein Forest Nature Park.

text: "The LANGE MEILE (“Long Mile”) is a plateau (hence the name _Auf der Langen Meile_ - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about ." is evidence of the location of Lange Meile.

text:
"Among the high points on the Lange Meile, which are only gentle hill summits or eminences, are the following (with heights in metres (m) above sea level (NHN):[2]

- Schützenberg (517 m), northeast of Rettern
...
- Schloßberg (493.1 m), northeast of Drosendorf" is evidence that 517m is the highest point mentioned in the text.

text: "On the Lange Meile are Feuerstein Castle Airfield south of the Mirsberg Heights ('Mirsberger Höhe') and, south of that, the Feuerstein Observatory. On the 'Wachknock', to the east, is the youth hostel of Feuerstein Castle." is evidence of the airfield, observatory and hostel located on the Lange Meile.

text: "Large parts of the 'Lange Meile' lie in the western part of the Franconian Switzerland-Veldenstein Forest protected area, established in 2001 founded and covering an area of 1,021.64 square kilometres" is evidence of the protected area of which Lange Meile forms part.

answer: This article discusses a geological formation known as the Lange Meile. It discusses some of the geological and topological features of the plateau, including what river valleys it connects with and what types of stone compose it.

text: "The Lange Meile (“Long Mile”) is a plateau (hence the name 'Auf der Langen Meile' - “On the Long Mile” - is often used) in the Franconian Jura in south Germany which is up to about ." is confirmation of the geological formation.

text: "Among the high points on the Lange Meile, which are only gentle hill summits or eminences, are the following (with heights in metres (m) above sea level (NHN):" is evidence that the topological features are included in the text.

text:
"Geology
The rocks of the Lange Meile were formed by the Jurassic Sea and consist of clay, sandstone and limestone. Sediments of the Malm characterise the plateau. Its source waters are used to supply drinking water to several nearby villages. It has a high lime content." is evidence of the geological information contained in the text." is evidence of geological information in the text as well as the information on the stone it contains.

text: "To the east the plateau descends into the valley of the Wiesent, a tributary of the Regnitz and, to the west, into that of the Eggerbach, a short tributary of the Main-Danube Canal." is evidence of the river valleys and where they flow to.


text:
[HuffPost] [HuffPost]

Samantha Bee Skewers Fox News' Hypocrisy Over NFL Protests

Samantha Bee took aim at Fox News contributors who have been commenting on the National Football League protests.

On Wednesday’s broadcast of “Full Frontal with Samantha Bee,” the host blasted the conservative network’s pundits who suggested the league’s wealthy players should, in fact, be “grateful” for being allowed to succeed.

In response to former House Speaker Newt Gingrich’s claim that multimillionaires who feel oppressed “need a therapist, not a publicity stunt,” Bee said, “No. If you’re a multimillionaire who feels oppressed, you’re a Fox News personality.”

“For black people, professional success doesn’t come with a ‘get out of racism free’ card,” she added.

Bee also had harsh words for the commentator who said people should be “thanking” President Donald Trumpfor starting a “national conversation” about race by repeatedly attacking football players who protest police brutality and racial injustice by taking a knee during the national anthem.

“Hey, wow, and what a conversation we’re having,” said Bee. “Talking about black people and their owners and how they should be grateful for the privilege of working on a field. Who says Trump is taking us backward?”

CHECK OUT THE FULL SEGMENT ABOVE.

RELATED COVERAGE

-   Trump's Attempt At Using Usain Bolt To Slam NFL Players Spectacularly Backfires
-   NFL Stars Erupt In Anger Over Donald Trump's 'Son Of A Bitch' Speech
-   Congresswoman Takes A Knee On The House Floor To Protest Trump's NFL Remarks
-   Action-Movie Star Steven Seagal Believes In Free Speech, But Not 'Disgusting' NFL Protests

Calling all HuffPost superfans!

Sign up for membership to become a founding member and help shape HuffPost's next chapter

[HuffPost]

BEFORE YOU GO

question: What is this article about?

answer: This article is about Samantha Bee's criticism of Fox News' hypocrisy over the NFL protests.

answer: Samantha Bee took aim at Fox News contributor regarding their commentary about the NFL protests.

text: "Fox News contributor" - add an "s" to "contributor"

refinement: Samantha Bee took aim at Fox News contributors regarding their commentary about the NFL protests.

answer: Samantha Bee skewers Fox News' hypocrisy over NFL protests.

answer: The article discusses Samantha Bee's criticism of Fox News commentators who have commented on the NFL protests.

text: "who have commented on" - replace with "hypocrisy over" for better accuracy.

refinement: The article discusses Samantha Bee's criticism of Fox News commentators' hypocrisy over the NFL protests.

question: Who is quoted as saying, "need a therapist, not a publicity stunt,"?

answer: Former House Speaker Newt Gingrich.

answer: Former House Speaker Newt Gingrich is quoted as saying that multimillionaires who feel oppressed "need a therapist, not a publicity stunt."

answer: Former House Speaker Newt Gingrich.

answer: Newt Gingrich

text: Add that he's a former House Speaker

question: Is Samantha Bee a supporter of Donald Trump?

answer: No.

answer: No, she is not.

answer: Based on the content of the passage, it is difficult to say whether or not Samantha Bee is a supporter of Donald Trump. However, she does seem to be critical of his comments about the NFL protests.

text: "Based on the content of the passage, it is difficult to say whether or not Samantha Bee is a supporter of Donald Trump. However, she does seem to be critical of his comments about the NFL protests." - it is very clear that Samantha is not a supporter of Donald Trump.

refinement: Based on the content of the passage, it is clear that Samantha Bee is not a supporter of Donald Trump and is critical of his comments about the NFL protests.

answer: Based on her comments in the article, she isn't a supporter.

question: What did the Fox News pundits suggest about the football players?

answer: The pundits suggested that the football players should be grateful for being allowed to succeed.

answer: They suggested that the players should be grateful for being allowed to succeed.

answer: They suggested that the players should be grateful for being allowed to succeed.

answer: The pundits suggested that the football players should be grateful for being allowed to succeed, despite protesting police brutality and racial injustice.

text: "despite protesting police brutality and racial injustice." - this is irrelevant and should be removed.

refinement: The pundits suggested that the football players should be grateful for being allowed to succeed.

question: Write a ~2 sentence summary.

answer: Samantha Bee takes aim at Fox News commentators who have been critical of NFL players protesting police brutality and racial injustice, arguing that they are hypocritical given their own wealth and privilege.

text: Did not meet the 2-sentence summary requirement. The entire summary can be divided to make two sentences.

refinement: Samantha Bee takes aim at Fox News commentators who have been critical of NFL players protesting police brutality and racial injustice. She argues that they are hypocritical given their own wealth and privilege.

answer: Samantha Bee took aim at Fox News contributor regarding their commentary about the NFL protests. The Fox News pundits suggested that the players should be grateful for being allowed to succeed.

text: Add an "s" to "contributor"

refinement: Samantha Bee took aim at Fox News contributors regarding their commentary about the NFL protests. The Fox News pundits suggested that the players should be grateful for being allowed to succeed.

answer: Samantha Bee took aim at Fox News contributors who have been commenting on the National Football League protests. She blasted the conservative network's pundits who suggested the league's wealthy players should, in fact, be "grateful" for being allowed to succeed.

answer: Samantha Bee skewered Fox News' hypocrisy over NFL protests.

text: Did not meet the 2-sentence summary requirement and needs a bit more content.

refinement: Samantha Bee skewered Fox News' hypocrisy over NFL protests. She blasted the conservative network’s pundits who suggested the league’s wealthy players should, in fact, be “grateful” for being allowed to succeed.


text:
ALEX HØGH ANDERSEN (born May 20, 1994) is a Danish actor and photographer.[1][2] He is mainly known for the role of Ivar the Boneless in the historical drama television series _Vikings_.[3]

Biography

Born and raised in the town of Slagelse in the western part of Zealand, Andersen discovered his love for acting while studying drama at school. It was there he learned the basics of acting, including the discipline, focus, and teamwork needed to succeed in the business. Andersen participated in many musical oriented plays and was fortunate to gain a lot of experience with many big roles. Like his peers, he began auditioning for film roles. At age 17, Andersen realised the difference between live performances and acting in front of a camera. This encouraged him to pursue Film and Media Studies at the University of Copenhagen.[4]

When he is not acting, Andersen enjoys spending much of his time focusing on photography. Considering himself a visually-minded person, he continues to learn more and more about cameras due to his experience shooting and directing short films. In addition, he learned dancing, singing, sports, fencing and stunts.[5]

Filmography

Film

  Title                                          Year   Role          Notes
  ---------------------------------------------- ------ ------------- ----------------------------
  _Big Hero 6_                                   2014   Hiro Hamada   Voice role; Danish version
  _Ødeland_                                      2015   Jakup         Short film
  _A War_                                        2015   Anders Holm   Also known as _Krigen_
  _Koldt på toppen_                              2017   Himself       Short film
  _How to Train Your Dragon: The Hidden World_   2019   Eret          Voice role; Danish version
  _Et Bånd Mellem Mennekser_                     2019   Adrian        Short film

Television

  Title                         Year           Role                Notes
  ----------------------------- -------------- ------------------- -------------------------
  _Outsider_                    2012           Victor              Main role; miniseries
  _Tvillingerne & Julemanden_   2013           William Iversen     Main role
  _Hedensted High_              2015           Flotte Tjelle       Episode: “Kantinedamen”
  _Vikings_                     2016–present   Ivar the Boneless   Main role

Theater

  Year   Title                Role               Notes
  ------ -------------------- ------------------ -----------
  2010   _Sværdet i Stenen_   Arthur Pendragon   Main role

[1] https://www.canon.se/nordic-photographers/alex/.

[2]

[3]

[4]

[5]

title: Alex Høgh Andersen

question: Who is Alex Høgh Andersen?

answer: A Danish actor and photographer. He most famously acted as Ivar the Boneless in the TV series "Vikings".

answer: He is a Danish actor and photographer.

text: Doesn't mention what he's most known for.

refinement: He is a Danish actor and photographer mainly known for the role of Ivar the Boneless in the historical drama television series "Vikings."

answer: Alex Høgh Andersen is a Danish actor and photographer.

text: Doesn't mention what he's most known for.

refinement: Alex Høgh Andersen is a Danish actor and photographer mainly known for the role of Ivar the Boneless in the historical drama television series "Vikings."

answer: Alex Høgh Andersen is a Danish actor and photographer who is best known for his role as Ivar the Boneless in the historical drama television series Vikings.

question: Where is Andersen from?

answer: Alex Høgh Andersen is from Denmark.

text: Specifies the island of Zealand, Denmark

refinement: Alex Høgh Andersen is from Zealand, Denmark.

answer: He was born and raised in the town of Slagelse in western Zealand, where he discovered his love for acting.

answer: According to the passage, Andersen is from the town of Slagelse in the western part of Zealand, Denmark.

answer: He was born and raised in the town of Slagelse in the western part of Zealand.

question: When did Andersen decide to switch from theater to film?

answer: According to the passage, Andersen decided to switch from theater to film when he realized the difference between live performances and acting in front of a camera at the age of 17.

text: Doesn't mention the actual transition to Film and Media Studies.

refinement: According to the passage, Andersen decided to switch from theater to film when he realized the difference between live performances and acting in front of a camera at the age of 17 and decided to pursue Film and Media Studies at the University of Copenhagen.

answer: He realized at 17 the difference between performing live and acting in front of a camera, and decided to pursue Film and Media Studies at the University of Copenhagen.

answer: At age 17, Andersen realized the difference between live performances and acting in front of a camera.

text: Doesn't mention the transition to Film and Media Studies.

refinement: At age 17, Andersen realized the difference between live performances and acting in front of a camera and decided to pursue Film and Media Studies at the University of Copenhagen.

answer: He realized the difference between live performances and acting in front of a camera at age 17.

text: Doesn't mention the transition to Film and Media Studies.

refinement: He realized the difference between live performances and acting in front of a camera at age 17 and decided to pursue Film and Media Studies at the University of Copenhagen.

question: What does Andersen do in his free time?

answer: According to the passage, Andersen enjoys photography and acting, as well as dancing, singing, sports, and learning stunts.

text: Doesn't mention fencing.

refinement: According to the passage, Andersen enjoys photography and acting, as well as dancing, singing, sports, fencing, and learning stunts.

answer: Andersen enjoys spending much of his time focusing on photography.

text: Doesn't mention other pursuits.

refinement: Andersen enjoys spending much of his time focusing on photography. In addition, he learned dancing, singing, sports, fencing and stunts.

answer: Andersen likes to focus on photography when he is not acting, as he considers himself a visually-minded person.

text: Doesn't mention other pursuits.

refinement: Andersen likes to focus on photography when he is not acting, as he considers himself a visually-minded person. In addition, he learned dancing, singing, sports, fencing and stunts.

answer: He enjoys photography.

text: Doesn't mention other pursuits.

refinement: He enjoys photography. In addition, he learned dancing, singing, sports, fencing and stunts.

question: Write a ~5 sentence summary.

answer: Alex Høgh Andersen is a Danish actor and photographer. He is best known for his role as Ivar the Boneless in the historical drama television series Vikings. He was born and raised in the town of Slagelse in the western part of Zealand. He discovered his love for acting while studying drama at school. He is also a photographer.

text: Doesn't mention his transition to film.

refinement: Alex Høgh Andersen is a Danish actor and photographer. He is best known for his role as Ivar the Boneless in the historical drama television series Vikings. He was born and raised in the town of Slagelse in the western part of Zealand. He discovered his love for acting while studying drama at school, later realizing the difference between live performances and acting in front of a camera so he studied Film and Media Studies at the University of Copenhagen. He is also a photographer.

answer: Alex Høgh Andersen is a Danish actor and photographer. He most famously appeared as Ivan the Boneless in "Vikings". Born and raised in Slagelse in western Zealand, where he discovered his loved for acting. He realized when he was 17 that he preferred film to theater, and chose to pursue a career behind the camera, and pursued Film and Media Studies at the University of Copenhagen. In his free time, Andersen focuses on his photography, as he considers himself a visually-minded person.

answer: Alex Høgh Andersen is a Danish actor and photographer who is best known for his role as Ivar the Boneless in the historical drama television series Vikings. He is also a skilled photographer and enjoys dancing, singing, sports, and stunts in his spare time.

text: Doesn't mention transition from theater to film.

refinement: Alex Høgh Andersen is a Danish actor and photographer who is best known for his role as Ivar the Boneless in the historical drama television series Vikings.  He realized when he was 17 that he preferred film to theater, and chose to pursue a career behind the camera, and pursued Film and Media Studies at the University of Copenhagen. He is also a skilled photographer and enjoys dancing, singing, sports, and stunts in his spare time.

answer: Alex Høgh Andersen is a Danish actor and photographer. He is mainly known for the role of Ivar the Boneless in the historical drama television series Vikings.

text: Doesn't mention his transition to film.

refinement: Alex Høgh Andersen is a Danish actor and photographer. He is mainly known for the role of Ivar the Boneless in the historical drama television series Vikings. He realized when he was 17 that he preferred film to theater, and chose to pursue a career behind the camera, and pursued Film and Media Studies at the University of Copenhagen.

text: Doesn't mention other interests.

refinement: Alex Høgh Andersen is a Danish actor and photographer. He is mainly known for the role of Ivar the Boneless in the historical drama television series Vikings. He realized when he was 17 that he preferred film to theater, and chose to pursue a career behind the camera, and pursued Film and Media Studies at the University of Copenhagen. He is also a skilled photographer and enjoys dancing, singing, sports, and stunts in his spare time.


text:
Us four sat ensuring my stay.
In conversation, Rick was indirectly called a liar by Rob and Megan
because of me.
The price of being a father.
Any words spoken to him sounded like "Liar".
Any words spoken to me were in question.
As if I was being interrogated.
I had nothing to say unless asked.
The house was a mansion.
My cousin played the role of Keith Cozart.
I looked forward to good times as the house was left mostly
unattended.
As we spoke my mind wandered into flashbacks and daydreams.
Rob was showing me the room where I was going to stay.
There were many rooms and hallways.
Some rooms were connected by doors and weren't connected to hallways.
I opened a door to a bathroom and there was someone in the bathtub.
At first I laughed and looked away but Rob quicly put his arm around me and
led me away, and as he did I caught another quick glimpse of the bathtub and
noticed that it was a body. I was shocked and Rob started to remind me that I
didn't see anything that there was no one there. I instantly protested to
staying in the adjacent room which was where we were headed. I threatened to say
what I saw if forced to stay there. I was led away. The confusion and
unknowingness turned into fear and Plan. We returned downstairs and played it
off, acting as if that didn't happen. Later I spoke with Rob's sister about
what I had seen and she told me that it was not infact a body but pieces of
bodies that were created from insecurities. That she herself had created some
of the pieces that were in the bathtub. We walked and talked. I thought about
what I heard. Generations of insecurities brought about what was in the
bathtub. They all knew. Did Rick know? Did Megan know? I didn't know.
Who was it? Was it one of their own. We ended up back at the bathroom and I
looked in again and what I saw shocked me to the point that I couldn't clearly
make out what it was. Was it a body or was it pieces? It was entirely
underneath the water. I faked emotion and accepted the pieces of insecurities
and agreed to stay in the adjacent room. It was the only way to survive.
I spent most of the first week alone in the room.
I heard them speaking about me. About how I spent time alone.
I was genuinely afraid. The first chance I would take it.
It was a Saturday. I had stolen a few grams of Rob's cocaine and
over the course of 2 days had made it injectable with no one knowing.
The owner of the mansion, the famous Dr. Bob, had syringes in the
downstairs bathroom. Everyone left late in the night.
The only ones left were Rob and Megan. Who were passed out. I stabbed Rob with
the needle and injected it. As he woke and saw me he knew what my
intentions were but could not prevent them as the high almost instantly kicked
in and he fell into a euphoric state. Megan didn't even wake up.
The thought crossed my mind. Did she know about the bathtub? Had she noticed the
change in my behavior? I weighed the risk of foiling my Plan in my mind before
deciding to leave her behind as I escaped into the night. I stole a car from
the mansions garage and left leaving no trace of where I was going.
The insecurity of being insecure. Being insecure was my only security, the
only thing that led me to escape the fate that awaited me. Where all others had
failed and gave in to become part of the fate themselves I had broken free.

title: the fate that awaited

question:
Answer the following question based on the above passage:

Summarize the narrator's escape and the reason for doing so.

answer: The narrator notices a body in a bathtub at a mansion where he stays with acquaintances or friends. Rob and his sister seem to be the residents of the mansion. Rob tries to underplay the body, but his sister explains later that the body was created from insecurities through generations. The narrator's fears aren't assuaged, and he grows more and more paranoid over the week. He hears Rob and Megan talk about him and resolves to escape at the first chance. He manages to get hold of cocaine, turning it into injectable syringes. He stabs Rob and Megan one night, hops into a car in the garage, and leaves.

text: It is not stated that he stays with acquaintances or friends.

refinement: The narrator notices a body in a bathtub at a mansion where he stays. Rob and his sister seem to be the residents of the mansion. Rob tries to underplay the body, but his sister explains later that the body was created from insecurities through generations. The narrator's fears aren't assuaged, and he grows more and more paranoid over the week. He hears Rob and Megan talk about him and resolves to escape at the first chance. He manages to get hold of cocaine, turning it into injectable syringes. He stabs Rob and Megan one night, hops into a car in the garage, and leaves.

text: The narrator does not stab Megan but just Rob.

refinement: The narrator notices a body in a bathtub at a mansion where he stays. Rob and his sister seem to be the residents of the mansion. Rob tries to underplay the body, but his sister explains later that the body was created from insecurities through generations. The narrator's fears aren't assuaged, and he grows more and more paranoid over the week. He hears Rob and Megan talk about him and resolves to escape at the first chance. He manages to get hold of cocaine, turning it into injectable syringes. He stabs Rob one night, hops into a car in the garage, and leaves.

answer: The narrator escaped from a mansion where people were talking about him behind his back. He proceeded to poison one of the people residing in the mansion and ran off with malice intentions. His reasons for escaping were to avoid being a part of the fate that awaited him, whatever that fate may be.

text: The narrator's malicious intentions are not mentioned.

refinement: The narrator escaped from a mansion where people were talking about him behind his back. He proceeded to poison one of the people residing in the mansion and ran off. His reasons for escaping were to avoid being a part of the fate that awaited him, whatever that fate may be.

text: It is omitted that the narrator saw the body.

refinement: The narrator escaped from a mansion where people were talking about him behind his back because he saw the body. He proceeded to poison one of the people residing in the mansion and ran off. His reasons for escaping were to avoid being a part of the fate that awaited him, whatever that fate may be.

text: The narrator does not run but steals a car.

refinement: The narrator stole a car and escaped from a mansion where people were talking about him behind his back because he saw the body. He proceeded to poison one of the people residing in the mansion. His reasons for escaping were to avoid being a part of the fate that awaited him, whatever that fate may be.

answer: The narrator escapes due to being afraid of the fate that awaited him in the mansion. Due to evidence found of pieces of bodies in the bathtub, the narrator was convinced that something bad would happen. By injecting Rob with cocaine and leaving Megan behind, he managed to keep his life by getting away. The reasoning for the escape was to avoid whatever fate was waiting for him.

answer: The narrator parallels the "bathtub" with having no one to rely on in the world, and notice of having to fight. They fear changing their routines. The narrator brandishes a needle and urologic canister then injects Rob with heroin, causing Rob to pass out, momentary letting the narrator escape to the garage where they steal a car and escape the fate that awaited them.

text: It is not stated that the narrator parallels the "bathtub" with having no one to rely on in the world, and notice of having to fight and that they fear changing their routines.

refinement: The narrator brandishes a needle and urologic canister then injects Rob with heroin, causing Rob to pass out, momentary letting the narrator escape to the garage where they steal a car and escape the fate that awaited them.

text: It is omitted that the narrator was afraid something bad would happen to him because they saw the body.

refinement: The narrator brandishes a needle and urologic canister then injects Rob with heroin, causing Rob to pass out, momentary letting the narrator escape to the garage where they steal a car and escape the fate that awaited them. The narrator was afraid something bad would happen to him because they saw the body.

text: The narrator injects Rob with cocaine, heroin.

refinement: The narrator brandishes a needle and urologic canister then injects Rob with cocaine, causing Rob to pass out, momentary letting the narrator escape to the garage where they steal a car and escape the fate that awaited them. The narrator was afraid something bad would happen to him because they saw the body.

answer: The narrator steals a car from the owner, who is their guardian, and flees.

text: It is not said whose car it is.

refinement: The narrator steals a car, who is their guardian, and flees.

text: The guardian is not mentioned.

text: it is omitted that the narrator escapes due to being afraid of the fate that awaited him in the mansion. Due to evidence found of pieces of bodies in the bathtub, the narrator was convinced that something bad would happen.

refinement: The narrator steals a car and flees. They escape due to being afraid of the fate that awaited him in the mansion. Due to evidence found of pieces of bodies in the bathtub, the narrator was convinced that something bad would happen.

text: The narrator sees the body, not the pieces of bodies.

refinement: The narrator steals a car and flees. They escape due to being afraid of the fate that awaited him in the mansion. Due to evidence found of the body in the bathtub, the narrator was convinced that something bad would happen.


text:
The ARMÉE DES ÉMIGRÉS (English: _Army of the Émigrés_) were counter-revolutionary armies raised outside France by and out of royalist émigrés, with the aim of overthrowing the French Revolution, reconquering France and restoring the monarchy. These were aided by royalist armies within France itself, such as the Chouans, and by allied countries such as Great Britain. They fought, for example, at the sieges of Lyon and Toulon.

They were formed from:

-   noblemen volunteers, either descendants of the ancient royal family or not, who had fled France
-   troops raised by these nobles through subsidies from other European monarchies, or through their own means
-   units of the French army which had also emigrated, such as the 4th Hussar Regiment

Even Napoleon I said of them “True, they are paid by our enemies, but they were or should have been bound to the cause of their King. France gave death to their action, and tears to their courage. All devotion is heroic”.

Main units

[Cavalier Noble] [The capture of François de Charette, 1796]

Armée de Condé

-   Régiment de Mortemart

Armée des Princes

Raised in Germany in 1792, at Trier, and commanded by marshals de Broglie and de Castries, under the aegis of Louis XVI's brothers, the comte de Provence and duc d'Artois. 10,000 strong, it returned to France beside the army of Brunswick and was dismissed on 24 November 1792, two months after the French victory at Valmy.

Armée de Bourbon

Other units

Légion des Pyrénées

-   Creation: 1794
-   Also known as: LÉGION ROYALE DES PYRÉNÉES in May
-   Founder: Marquis de Saint-Simon
-   Commander: Marquis de Saint-Simon
-   Size: 600 infantrymen and a squadron of hussars
-   Theatre of operations: Pyrénées-Atlantiques
-   Engagements: Saint-Étienne-de-Baïgorry (26 April 1794), heavy losses (17 prisoners guillotined); montagnes d’Arquinzun (10 July), heavy losses (30 to 50% of its effective strength); Port-Bidassoa (24 July), heavy losses covering the Spanish retreat (50 captured); Siege of Pampelune (November).
-   Operated within the Spanish army of Navarre
-   Sent to the front in 1795, then integrated into the le régiment de Bourbon

Légion de Panetier

-   Creation: 1793
-   Also known as: LÉGION DE LA REINE (_d'Espagne_) in June 1794
-   Founder: Comte de Panetier (died January 1794)
-   Commander: Comte de Panetier, then général de Santa-Clara
-   Size: 400; brought up to strength in June 1794 by the companies du Royal-Provence escaping from the Siege of Toulon and the companies du Royal Roussillon
-   Theatre of operations: Pyrénées-Orientales
-   Engagements: Defence of Port-Vendres (May 1794), evacuated by sea (to avoid being captured and guillotined); Zamora 5 January 1796
-   Operating within the Spanish army
-   Amalgamated into the le régiment de Bourbon

Légion du Vallespir

-   Creation: 1793
-   Also known as: BATAILLON DE LA FRONTIÈRE circa May 1793
-   Founder: Spanish general Ricardos, Spanish soldiers under Émigré officers
-   Commander:
-   Size:
-   Theatre of operations: Defence of Vallespir, then defending Roussillon
-   Engagements:
-   Operating within the Spanish army
-   Several desertions to the légion de Panetier - Amalgamated into the le régiment de Bourbon

Royal Roussillon

-   Creation: January 1794 at Barcelona from émigrés, prisoners and deserters
-   Also known as:
-   Founder: Général Ricardos
-   Commander:
-   Size: 200 in June 94 (of which 129 were massacred by a mob since they were amusing themselves in their barracks on a procession day)
-   Theatre of operations:
-   Engagements: None
-   Subsumed into the légion de Panetier (becoming the légion de la Reine at that moment)

Régiment de Bourbon

-   Creation: 1796 from the légion de la Reine (ex-légion de Panetier), the Bataillon de la frontière, and the légion royale des Pyrénées
-   Also known as: Integrated into the Spanish army as number 47, then 37
-   Founder: Marquis de Saint-Simon
-   Commander : Marquis de Saint-Simon
-   Size: 1600 (1808)
-   Theatre of operations: garrisoning Ciudad Rodrigo (1797) then Majorque
-   Engagements: Siege of Gérone (fell 9 December 1808, 300 captured); Rozas (1808)
-   Operating within the Spanish army
-   Still in existence 1814; formed of foreign soldiers and gardes Wallonnes, under number 41, then in 1860 became Spain's “53rd infantry regiment”, known as _El Emigrado_.

title: Armée des émigrés

question:
Answer the following question based on the above passage:

What does the text say about the time period?

answer: The text talks about armies formed in the late 18th and early 19th centuries of émigrés and allies of the former French monarchy with the aim of overthrowing the French Revolution. The time period was 1792-1800.

text: Not sure where it got 1800. 1814 is the logical cut-off point in the Napoleonic wars. However, the text states one of the regiments survived in Spain until 1860!

refinement: The text talks about armies formed in the late 18th and early 19th centuries of émigrés and allies of the former French monarchy with the aim of overthrowing the French Revolution. The time period was 1792-1814, although one of the regiments persisted in Spain until at least 1860.

answer: No answer

answer: No answer

answer: The text covers events of the eighteenth century. The nineteenth century is mentioned as well. The main units of the Armée des Émigrés were formed in 1792 and the last to disband continued into the nineteenth century.

answer: The ARMÉE DES ÉMIGRÉS was formed during the French Revolution as counter-revolutionary armies, composed principally of émigrés, with the aim of overthrowing the French Revolution and restoring the monarchy. The armies were active primarily between 1792 and 1808, with the main engagements taking place in Pyrénées-Atlantiques and Roussillon.

question:
Answer the following question based on the above passage:

What does the text say about Marquis de Saint-Simon?

answer: The text doesn't say much about him. The only mention is that he was the founding commander of the Régiment de Bourbon and when reporting the loss of besieged towns during the Sieges of Gerona and Zaora. He retired in 1800.

text: No evidence he retired in 1800

refinement: The text doesn't say much about him. The only mention is that he was the founding commander of the Régiment de Bourbon and when reporting the loss of besieged towns during the Sieges of Gerona and Zaora. He was still commanding a regiment in 1808.

answer: The text describes Marquis de Saint-Simon as the founder of the Régiment de Bourbon, and its commander.

answer: The text says that Marquis de Saint-Simon commanded the Régiment de Bourbon.

answer: Marquis de Saint-Simon founded and commanded the Légion des Pyrénées from 1794-1795. After serving in the front, the unit was then integrated into the Régiment de Bourbon. Saint-Simon founded this regiment by combining his own and two other units, and served as commander.

answer: Marquis de Saint-Simon is the founder of the légion du Vallespir, the légion de la Reine émigrée, and the le régiment de Bourbon. He was a major ally to the Armée des émigrés and served alongside the Armée de Condé. He still serves with the thirteenth regiment of hussars.

text: Time is an issue here

refinement: Marquis de Saint-Simon is the founder of the légion du Vallespir, the légion de la Reine émigrée, and the le régiment de Bourbon. He was a major ally to the Armée des émigrés and served alongside the Armée de Condé. He still served with the regiment de Bourbon in 1808.