text:
[_Federal Rideau_] FEDNAV is a group of Canadian companies, divisions, and subsidiaries in the maritime transport industry.[1] Primarily involved in transporting over 30 million tonnes of bulk cargo and break bulk cargo worldwide, the company is also involved in vessel servicing and cargo handling.[2]

Fednav Limited is Canada's largest ocean-going, dry-bulk shipowning and chartering company.[3] It primarily is engaged in transporting bulk cargo and breakbulk cargo worldwide.[4] Its fleet comprises close to 115 owned, long-term chartered, and spot chartered vessels and includes most of St. Lawrence Seaway-max-sized bulk carriers, Supramax, and Panamax vessels.

Business units and subsidiaries

The core companies include Fednav Limited, Fednav International Ltd., Federal Marine Terminals, Inc. (FMT), Fednav Atlantic Lakes Line (FALLine), Fednav Direct and Arctic Operations, Projects, and Ice Services. The company is headquartered in Montreal with offices in Tokyo, Antwerp, Hamburg, Rio de Janeiro, Singapore, Barbados and Charlotte.

The company has a number of revenue streams. It is primarily known as an owner and charterer of ships.[5] According to the company, its main business is marine transportation of dry bulk and breakbulk cargoes worldwide.[6] The company has expertise in ship transport in the Canadian Arctic and ice navigation services.[7]

It also provides off ship services. It provides stevedoring services at terminals owned and operated by its subsidiary, FMT.[8] In 2020, FMT operates a total of 12 terminals throughout the United-States and Canada, including at the Port of Hamilton, with a commercial office in Charlotte. It also provides logistics services such as warehousing and ground transportation through its other subsidiary Fednav Direct.[9]

Fleet

As of 2020, Fednav owns a fleet of 64 ships built between 1978 and 2019. All of the ships lie in the range of to . Two of the ships are registered in Canada, three in Barbados, and 60 in the Marshall Islands.[10]

The rest of Fednav's fleet consists of 40 to 60 short- and long-term charters depending on the time of year. The current 20 long-term chartered ships were built between 2005 and 2018. Fourteen of these are between 53,000 DWT to 64,000 DWT, and the rest fall in the range of to . One of these ships is registered in Hong Kong, eleven in Panama, five in Singapore and, three in the Marshall Islands.[11] The company currently has 11 new ships on order, of which, 5 will be owned, scheduled for delivery between 2019 and 2021. The total DWT of the owned and long-term chartered fleet is 3,306,724 DWT with an average age of 9 years.

Many of the ships in the Fednav fleet are strengthened for navigation in ice.[12][13] It operates in locations such as the Beaufort Sea and Bent Horn at latitude 76°77′ north. Most of its vessels have been classified with the Ice Class 1C* notation by Det Norske Veritas. This allows them to work in the Canadian Arctic with the assistance of icebreakers.[14] Three vessels in the Fednav fleet, 1978-built , 2006-built , and 2014-built are fitted with icebreaker bows and have enough ice-strengthening and installed power to operate independently in Arctic ice conditions. In 2018, Fednav ordered a fourth icebreaking cargo vessel to eventually replace the MV _Arctic_. The Polar Class 4 ship is scheduled for delivery in 2020. The company is equipped to operate unescorted in Arctic waters year round, servicing Northern mines of nickel, zinc, lead, copper, and iron ore, among other things.

Fednav vessels operating in the arctic are required to have specially trained ice advisors on board.[15] Ice advisors advise the ship's master in issues such as minimizing ice accretion.

  image   name     year                 yard   notes
  ------- -------- -------------------- ------ ------- ---------------------------------------------------------------------
  []      {{ship   Federal Bering}}     2015
  []      {{ship   Federal Bristol}}    2015
  []      {{ship   Federal Danube}}     2004
  []      {{ship   Federal Hunter}}     2001
  []      {{ship   Federal Katsura}}    2005
  []      {{ship   Federal Kumano}}     2003
  []      {{ship   Federal Margaree}}   2005
  []      {{ship   Federal Rideau}}     2000
  []      {{ship   Federal Sakura}}     2005
  []      {{ship   Federal Schelde}}    1997
          {{ship   Federal Tiber}}      2011
  []      {{ship   Federal Welland}}    2000
  []      {{ship   Federal Weser}}      2002
  []      {{ship   Federal Yoshino}}    2001
  []      {{ship   Federal Yukon}}      2000

  : Some vessels owned or operated by Fednav

Notes

[1] Fednav, 2007. _Fednav Divisions_.

[2]

[3]

[4]

[5]

[6] Fednav, 2007. _Fednav Limited_.

[7]

[8]

[9]

[10] Fednav, 2007. _Fleet Owned_.

[11] Fednav, 2007. _Fleet Chartered_.

[12]

[13]

[14] Røe 2008.

[15]

title: Fednav

question: What does the text say about Fednav's fleet?

answer: As of the year 2020, it owns a fleet of 64 ships and charters the rest of its business. All the owned ships are long-term and medium-sized vessels. They are between 40 and 60 in number and are used for short- and long-term charters. It also provides stevedoring services at terminals owned and operated by its subsidiary, FMT.

critique: The answer omits that the company has a fleet of 40 to 60 short- and long-term charters depending on the time of year.

critique: There are more details about the fleet that should be included in the response.

critique: The answer should mention the ships' ice-breaking capabilities.

critique: The text says the company has a fleet, not just owned ships.

critique: The company's fleet size is not mentioned.

critique: The answer should mention the company's ships in the Arctic.

critique: The answer omits some details about Fednav's fleet.

critique: Doesn't mention that its fleet is strengthened for navigation in ice.

critique: Stevedoring services are not mentioned in the article.

critique: It would have been preferable to have an exact number rather than a range to give the reader more information. There are active ships, such as those on order, to calculate the average.

critique: The response contains information that is not useful to the task.

critique: It is omitted that the company has a fleet of 64 ships built between 1978 and 2019.

critique: Three vessels in the fleet are equipped to sail in Arctic ice, one of which is on order. Include this information in the response.

question: What does the text say about the group's leadership?

answer: No answer

critique: The response misses to provide a response to the task.

critique: There is no information about the group's leadership.

critique: The answer is not relevant to the question.

critique: "No answer" is not a good response to the question asked.

critique: The answer is incorrect. There information on the group's leadership in the text.

critique: The response misses to mention that the article mentions that the company is headquartered in Montreal with offices in Tokyo, Antwerp, Hamburg, Rio de Janeiro, Singapore, Barbados and Charlotte.

critique: There is no clear answer provided in the text.

critique: The response is incorrect. The text does mention the group's leadership.


split: train

text:
Artificial intelligence (AI) has finally caught the Indian government’s attention.

On Feb. 01, delivering his budget speech, finance minister Arun Jaitley told parliament that the government think-tank, Niti Aayog, will spearhead a national programme on AI, including research and development. The intent showed in the numbers: Budget allocation for Digital India, the government’s umbrella initiative to promote AI, machine learning, 3D printing, and other technologies, was almost doubled to Rs3,073 crore ($477 million) this year.

“It’s extremely encouraging to see the government recognise the need for research in cutting-edge technologies,” Subrat Kar, CEO and co-founder of Noida-based video intelligence platform Vidooly, told Quartz. Niti Aayog’s support will “allow us to indigenously develop technologies on par with our Silicon Valley counterparts, and reduce dependency on them,” Kar said.

Niti Aayog, led by CEO Amitabh Kant, has been a key promoter of various digital campaigns in the country, including the massive biometric programme, Aadhaar, and the India chain project, which is creating blockchain infrastructure to support IndiaStack, a set of codes developed around Aadhaar. That’s why the AI initiative has charged up tech companies.

Meanwhile, the department of science is also set to launch centres of excellence (CoEs), investing in research, training, and skilling in digital manufacturing, big data analysis, quantum communication, and internet of things (IoT).

Yet, all this may have come a little too late.

BACK OF THE LINE

Globally, several countries have already committed millions of dollars to developing AI programmes. The US leads the pack, thanks to decades of public and private investment. Over the last five years, San Francisco’s Bay Area, in It helps that the US is home to institutes that champion AI research. particular, has attracted 41% of all global investments in AI, according to China-based Synced Review. It helps that the US is home to institutes that champion AI research such as Stanford University and Massachusetts Institute of Technology (MIT), and the world’s biggest tech companies like Facebook, Amazon, Apple, and Google.

China, aclose second, is swiftly ramping up efforts. Canada, reportedly the birthplace of AI research, is fast turning into a hub with tech majors like Google, Microsoft, and Facebook setting up research labs in Montreal.

THE CHINESE EXAMPLE

To play catch up, India is following its neighbour’s footsteps.

“Arguably, China has set the example for India,” said Kartik Hosanagar, professor of technology and digital business at University of Pennsylvania’s Wharton School. Last year, the Asian nation laid out an AI development plan, outlining goals for the next three years and a blueprint for its strategy until 2030. Not only are its local players, including search giant Baidu, taxi company Didi Chuxing, or internet firms Alibaba and Tencent, spending aggressively on AI, global companies like Google have also set up labs there.

India isn’t faring badly, though. Over half (58%) of the companies using AI in the country work at scale, beyond pilot and test projects. However, the sector is dominated by American firms like Accenture, Microsoft, and Adobe, which have their innovation centres here. Home-grown efforts on the academic, business, and investor fronts are few.

[ ]
Percentage of companies using AI who are doing so at scale, beyond pilots

Between 2014 and 2017, AI startups in India raised less than $100 million from venture capitalists. In any case, hardly any new Indian tech companies are research oriented. There is also a severe dearth of data, which hinders research. And finally, even those who do set up AI-based ventures struggle to find the right talent and skills.

“We should recognise that India is so far behind in this race that I’d put the odds for success to be low,” Hosanagar said. “India might end up as a big consumer of the new tech-economy featuring AI- and IoT-related technologies. But will it be a big producer in this economy? Today’s environment suggests that it’s unlikely.”

China, meanwhile, has been luring top global AI researchers, many from Silicon Valley firms. It has built a $2 billion research park dedicated to AI in western Beijing and its spending more millions on AI research at universities and private firms. The research community in China is also far more robust than in India.

The Chinese government spends 2% of its GDP on research while India’s marks a dismal 0.6%. And its implementation is also far ahead: The country, with its lax privacy standards compared to the rest of the world, is already using facial recognition technology in daily life there already, from buying KFC to boarding planes.

Image: Quartz

Moreover, regular collaboration between Chinese corporates, universities, and the government over the last many years has now begun to pay off for that country. A survey by technical recruiting platform HackerRank ranked Chinese programmers as the world’s best. In recent years, they’ve often won international machine-learning competitions.

In India, AI has only just begun to make its way into classrooms, and a lack of qualified professors is not helping at all.

Moreover, large-scale, real-world applications of AI will take time to emerge. And initially, it is likely to be restricted to laboratories.

“The return on investment in AI won’t be evident for a while,” said Anindya Ghose, the Heinz Riehl professor of business at New York University (NYU). The entire ecosystem—government, companies, employees—needs to brace for this period of limbo as the domains where AI can be used shape up.

Whether India can persevere through this is another matter altogether.

question: What does the text say about androids?

answer: No answer

critique: No answer has been given. The text contains the information regarding androids.

critique: The answer should mention that the text doesn't mention androids.

question: What does the text say about Artificial Intelligence (AI) and India?

answer: The Indian government think-tank, Niti Aayog, will spearhead a national program on artificial intelligence (AI), including research and development. Budget allocation for Digital India, the government's umbrella initiative to promote AI, machine learning, 3D printing, and other technologies, was almost doubled to Rs3,073 crore ($477 million) this year. The Indian government thinks that AI will generate about $9.6 trillion for the global economy by 2030.

critique: The article doesn't mention the global economy.

critique: The claim that AI will generate $9.6 trillion for the global economy is unattested.

critique: The third line of the answer is made up.

question: What does the text say about India's place in the AI pecking order?

answer: According to the author, India's research community in AI is far behind its contemporaries in global strongholds such as the U.S., Japan, South Korea, and China. These countries have already committed millions of dollars to developing AI programs.

text: Japan and South Korea aren't mentioned in the article at all.

category: accuracy

question: What does the text say about the difficulties India is facing when AI is concerned?

answer: The big challenge India is facing is lack of data and qualified professors. The country is not far behind in the AI race in general, but they are very far behind in terms of academic and research. India is also far behind in the AI race when compared to countries like the US, China, and Canada. Because India is behind in the AI race, they are not able to attract top AI experts from other countries. India is also far behind in terms of large-scale, real-world applications of AI and because of this, their returns on investment won't be evident for a while. The entire ecosystem, government, corporations, and employees will have to brace for this period of limbo as the domains where AI can be used shape up.

critique: 'The country is not far behind in the AI race in general, but they are very far behind in terms of academic and research. India is also far behind in the AI race when compared to countries like the US, China, and Canada. Because India is behind in the AI race, they are not able to attract top AI experts from other countries.' is found after Myanmar is mentioned, and doesn't have anything to do with India's position in the global AI fear, so just remove it.

critique: The response includes extraneous information not useful for the task.

critique: The response contains extraneous information not useful for the task.

text: The answer claims India isn't far behind while the article says the opposite.


text:
_NOW TO THE FUTURE_ is an album by FourPlay String Quartet. It is their third studio album, and features more originals and less covers than the previous two. Track 9, Bollyrock, fuses the styles of traditional Indian raga with a rock style.

Track listing

  1.      Title                                             Length   Writer
  ------- ------------------------------------------------- -------- --------------------------------------
  | 1.    “2 + 2 = 5”                                       3:38     Radiohead
  | 2.    “Evolve or Decay”                                 4:48     original by Lara Goodridge
  | 3.    “Downtown Nudnik”                                 4:33     original by Peter Hollo
  | 4.    “You've Changed Your Tune”                        4:26     original by all four members
  | 5.    “Reptilia”                                        3:29     Julian Casablancas / The Strokes
  | 6.    “All Blues”                                       4:23     Miles Davis
  | 7.    “Trust”                                           3:48     original by Lara Goodridge
  | 8.    “Now To The Future”                               6:10     original by all four members
  | 9.    “Bollyrock”                                       8:22     original by all four members
  | 10.   “Cry Me a River”                                  4:36     Arthur Hamilton
  | 11.   “Goodbye Pork Pie Hat” (Theme for Lester Young)   4:40     Charles Mingus / Rahsaan Roland Kirk
  | 12.   “The Hunter”                                      4:57     original by Lara Goodridge
  | 13.   “Appalachian Jam”                                 8:27     original by all four members

Category:2006 albums Category:FourPlay String Quartet albums

title: Now to the Future

question: Describe Now to the Future.

answer: Now to the Future is an album by FourPlay String Quartet. It is their third studio album, and it features more originals and less covers than the previous two.

critique: The answer should mention the track Bollyrock.

question: Which target audience would listen to the album, Now to the Future?

answer: The target audience would be people who are interested in music and enjoy listening to different genres of music.

critique: The answer does not make it very clear what music is being referred to.

critique: The answer should mention that the album is for adults.

text: The passage does not state what the target demographic of the album is.


text:
_FEEL THE FIRE_ is the debut studio album by thrash metal band Overkill, released on October 15, 1985[1] through Megaforce Records.

Overview

The final track, “Sonic Reducer”, is a cover of a 1977 song by punk rock band Dead Boys; it was not included on the vinyl[2] or cassette[3] versions of the album, and on some CD reissues it was instead placed between “Second Son” and “Hammerhead”.[4] “Rotten to the Core” has been a mainstay of the band's live setlist since 1984.[5]

Reception

_Feel the Fire_ received a positive review from AllMusic's Alex Henderson, who awarded the album three stars out of five, saying that it “made quite a splash within the heavy metal community and listenership”, and “possessed all the blistering riffs and complete abandonment fans would learn to expect from Overkill.” Henderson then finished his review, saying that _Feel the Fire_ “solidified a loyal fan base that would grow steadily as the band expanded their sound and catalog through the mid- and late '80s. The classic original band lineup of Bobby “Blitz” Ellsworth on vocals, Bobby Gustafson on guitars, Rat Skates on drums, and bassist D.D. Verni sounds surprisingly accomplished on this major-label debut, giving tight performances and ultimately helping (along with fellow second-wave thrash bands like Flotsam and Jetsam and a myriad of Bay-Area metal outfits) define a generation of spastic, but impressive second wave of aggressive thrash metal.”[6]

_Feel the Fire_ did not initially reach the _Billboard_ 200 charts or become a commercial success. Based on the moderate success of _Feel the Fire_, Overkill signed a recording contract with Atlantic Records in 1986, although they would still remain on Megaforce until _Horrorscope_ (1991).

Touring and promotion

Overkill spent most of 1985 and 1986 on tour for _Feel the Fire_, supporting such bands as Carnivore, S.O.D., Blessed Death, Nuclear Assault, Liege Lord, Black Flag, Venom, Anthrax and D.R.I.[7] In 1986, Overkill was part of two major tours; they supported Anthrax and Agent Steel on the _Spreading the Disease_ tour in Europe, and opened for Slayer on the _Reign in Blood_ tour in the United States.[8]

Track listing

Personnel

Overkill

-   Bobby “Blitz” Ellsworth – vocals
-   Bobby Gustafson – guitar
-   Rat Skates – drums
-   D. D. Verni – bass

Technical

-   Alex Perialas – engineering
-   George Marino – mastering
-   Carl Canedy – production
-   Jon Zazula – executive production

[1]

[2] “Overkill – Feel The Fire”. Discogs. Retrieved 2013-12-24.

[3] “Overkill – Feel The Fire”. Discogs. Retrieved 2013-12-24.

[4] “Overkill – Feel The Fire”. Discogs. Retrieved 2013-12-24.

[5] “Rotten to the Core by Overkill Concert Statistics”. setlist.fm. 2013-12-24.

[6]

[7]

[8]

title: Feel the Fire (Overkill album)

question: What does the text say about "Sonic Reducer"?

answer: The final track on the album, "Sonic Reducer", is a cover of a 1977 song by punk rock band Dead Boys. The song was not included on the vinyl or cassette versions of the album, and on some CD reissues, it was instead placed between "Second Son" and "Hammerhead". The song has been a mainstay of the band's live setlist since 1984.

critique: The song was not included on the vinyl or cassette versions of the album, and on some CD reissues, it was instead placed between "Second Son" and "Hammerhead". This sentence is irrelevant to the question.

critique: The song has been a mainstay of the band's live setlist since 1984. - this is not relevant to the question.

critique: The song was not included on the vinyl or cassette versions of the album, and on some CD reissues, it was instead placed between "Second Son" and "Hammerhead".

critique: The response includes irrelevant information.

critique: An unambiguous statement (“The song has been a mainstay of the band's live setlist since 1984.”) is phrased awkwardly.

question: What does the text say about Dead Boys?

answer: Dead Boys is a punk rock band. Their song "Sonic Reducer" was covered by Overkill on their debut studio album, "Feel the Fire". The song was not included on the vinyl or cassette versions of the album, and on some CD reissues it was instead placed between "Second Son" and "Hammerhead".

critique: The answer should mention that the song was not included on the vinyl or cassette versions of the album.

critique: The song was not included on the vinyl or cassette versions of the album, and on some CD reissues it was instead placed between "Second Son" and "Hammerhead". - this part is not really relevant to the question and should be removed.

critique: The song was not placed between "Second Son" and "Hammerhead" on some CD reissues.

critique: The detail distinguishing the band to which the song previously belonged to is not necessary.

critique: The song was not included on the vinyl or cassette versions of the album, and on some CD reissues it was instead placed between "Second Son" and "Hammerhead". is irrelevant.

question: What does the text say about the album's reception?

answer: The album received a very positive review from AllMusic's Alex Henderson who described it as a "blistering" and "spastic" album.  He said it defined the second-wave thrash metal genre and also solidified the band's loyal fan base.

critique: The second sentence should mention the album's reception.

critique: The album's reception is described in more detail in the text.

critique: The album's reception is not described as "very positive".

critique: The album did not define the second-wave thrash metal genre.

critique: The answer does not include the rating the album received.

question: What does the text say about the production process?

answer: The album was produced by Alex Perialas, George Marino, Carl Canedy, and Jon Zazula.

critique: Everything is about the production process, there is no answer

critique: The answer omits the role of the band's members.

critique: It's omitted that the album was released in October 1985.


text:
“Just a few questions sir, and we’ll be out of your hair” said the neatly kept woman behind the desk.

“No problem”, Pete replied, wondering how she fell into this job.

“Okay then, so. Age?”

“25”, he said, after a brief pause that someone lying might have needed.  She nodded, punching the keyboard twice.

“Weight?”

“Ooo, God knows. Sorry. I mean, I have no idea.  The last time I weighed myself I was about 210, 220? But that was at least a month ago.” He turned to his side. “What do you reckon?”  She smiled, embarrassed at his gesture.

“We’ll say 210 then.” Pete congratulated himself, then thanked her for the accidental compliment.

“Time of death?” asked the woman, slightly more sternly then the last questions.  Pete was taken aback.  He was having fun before that one.

“Don’t you already know that?” he asked.  She shrugged sympathetically. “It’s for our records.”

“Fine. Suicide.” A subtle wince brushed over her face at his brisk retort.  “Will that be a problem?” he asked, noticing her expression.

“No, no absolutely not”.  The woman made a conscious effort to force a smile.  Peter smiled back, her smile was convincing enough.  She had lovely teeth, too.  “If you’d like to go through, Jon will show you around.”

As the words came out of her mouth, a polished, white door opened to the right of her desk.  Jon, who looked like he had stepped out of a shaving advert, was waiting on the other side, doing his best to make him feel as welcome as possible with a beaming smile.  “Come through my friend!” he shouted enthusiastically.  Peter didn’t like him already.

He stepped through the door, not pausing to consider the fact that one of life’s biggest questions was soon going to be answered for him. Of course, he had preconceptions of what heaven might look like – clouds, cherubs, wispy structures with thrones and columns - but he decided he would leave those in the waiting room.   They were mostly taken from Disney’s Hercules anyway; a dubious source at best.

With his jaw hung open, he pivoted on the spot, like a netball player desperately searching for a pass.  The door behind him had disappeared, and surrounding him, in every direction, were rows, and rows, and rows, of cubicles.  They seemed to go on infinitely into the distance, punctuated by a medium sized houseplant by the doorway of each one, and a water cooler every 50 yards in the corridors dissecting them.  He looked at Jon, who was looking around in gleeful awe, as though he too was seeing it for the first time.  “Isn’t it amazing” he said, breaking from his trance to gage Peter’s reaction.

“It’s…an office?”, though it was more of an observation then a question.

“This is what we call The Mothership” explained Jon, still baring those suspiciously white teeth.  “It’s the central hub. The engine room, if you like. This is where you’ll be working.”

title: Heaven is a place on Earth - Part 1

question: What does the story say about the best way to make sure one ends up in heaven and not hell?

answer: No answer

critique: The question can be answered. "No answer" isn't an accurate response.

critique: The answer should mention Pete's suicide.

question: What does the story say about where Pete is in the context of heaven and hell?

answer: Pete is dead and in heaven. He committed suicide. He is 25 years old, and he weighs 210. His time of death is not stated, but he died recently. The woman behind the desk is from heaven. Heaven is described as an office, and Pete is told he will be working in the "engine room" of heaven.

critique: The answer should mention that Pete is in purgatory.

critique: The woman behind the desk is from the "Mothership" which is heaven's central hub.

critique: The woman behind the desk is from the "Mothership" which is the central hub of heaven.

critique: It is omitted that Pete is in the waiting room of heaven.

critique: The woman behind the desk is not from heaven.

critique: It's not necessary to mention that he weighs 210 lbs.

critique: The woman behind the desk is from the "Mothership" and not heaven.

text: Pete's location is not described as either heaven or hell--it is more like working an office job.

question: What does the story say about Pete?

answer: Pete is 25-years-old and a suicide victim. He weighs 210-220 pounds and he doesn't know how long he's been dead. He has lovely teeth and was somewhat offended by the gruff, stern tone the receptionist used. Despite the slight wince from the woman when she thought Peter might attempt to kill himself again, the receptionist doesn't see a problem with Pete's death.

critique: Most of the details in the answer are irrelevant to the question.

critique: The receptionist's tone is not mentioned.

critique: The receptionist's tone was off for Pete, but he wasn't offended by it.

text: The last sentence is inaccurate; Pete has no plans to kill himself again.

question: What does the story say about the other characters in the story not named Pete?

answer: The woman behind the desk is the one who asks Pete questions. She is neatly kept and has a stern look. She seems sympathetic toward Pete when he tells her he committed suicide. She has lovely teeth. Jon is a man who looks like he has stepped out of a shaving advert. He is waiting on the other side of the door to show Pete around. He is enthusiastic and greets Pete with a beaming smile.

critique: The answer should mention that Pete doesn't like Jon.

critique: It's omitted that Jon has suspiciously white teeth.

critique: The answer omits that the woman gives Pete a sympathetic look after he tells her that he committed suicide.

critique: The woman's teeth are not relevant to the question.


text:
HR plays a vital role in ensuring team members are healthy, energised and engaged

It’s hardly news to suggest that some employees who take sick leave aren’t genuine in their illness, according to Karen Gately, founder of Corporate Dojo.

Gately added that the reality is that staff access personal leave for a myriad of reasons, some of which reflect critical culture and engagement issues HR and leaders are wise to address.

According to Gately, the most common implications of high rates of absenteeism are lost momentum of critical initiatives, project budget and time blow outs, turnover of high performing team members, and company brand damage.

“While HR plays a vital role in ensuring the team are healthy, energised and engaged, the biggest difference at the end of the day is made by the leaders of your business,” said Gately. She added that it’s important to prioritise the development of every leader’s ability to adopt a coaching attitude and approach to working with each member of their team.

“When leaders know their people, inspire them to strive, invest in their development and hold them accountable for the promises they make to themselves and the organisation, sickies are very likely to be rare.”

Fundamentally, overcoming absenteeism takes creating a cultural environment that inspires people to want to give their best, added Gately.

“Understanding why that isn’t already the case is key to identifying and addressing underlying causes.”  According to Gately, the most important steps HR can take to eradicate ‘sickies’ from any organisation include the following:

ENGAGE LEADERS
Guide leaders to understand the extent of the issue - including the real cost to your business of people taking unscheduled time out.  Help them to appreciate that some of this capacity can be recaptured by ensuring people want to be there. The reality is shifting the problem takes engagement of every leader and ensuring their approach has a positive impact on your organisation’s culture.

Most Read

MAKE THE HEALTH AND WELL-BEING OF YOUR PEOPLE A STRATEGIC PRIORITY
Educate leaders about the link between the strength of your team’s spirit and optimising commercial results. Help them also to understand that when people are energised, and their mental health is strong, they are entirely more likely to engage, and invest the full depth of their potential in their role and your organisation.

RESERVE JUDGEMENT
Having a lack of integrity or an attitude of entitlement are of course among the reasons people ‘chuck a sickie”. Just as common however are those people who call in sick when in fact there are other issues going on for them that they don’t feel safe to reveal to their employer.

Talk to people about why they are struggling to be at work and be compassionate to the need for people to balance the priorities of work and the rest of their life. Understand what is going on for people before deciding upon the most appropriate course of action.

MAKE IT SAFE TO BE HONEST
Most people will be reluctant to call their boss and say I’m really tired, or ‘mentally fried’ and I need to take a day to recharge. Instead, they call in and say, I’m feeling sick or I need to care for someone else who is sick. Clearly this is dishonest however, sometimes people choose to tell what they regard as ‘white lies’ to create the space for them to prioritise their own wellbeing or that of their family.

BE PRAGMATIC
Some organisations are beginning to accept the simple reality that at times people just need time to rest and recharge.  An unscheduled day off can make a big difference to our ability to maintain the energy levels needed to perform at our best.  If there isn’t a critical reason someone needs to be at work on a particular day, give them the option of calling a brief time out if they really need it.

CALL OUT SICKIES
When it becomes evident that someone is simply taking advantage of what they perceive to be an entitlement to use up their leave balance, address the issue head on.

Of course, it’s important to respect everyone’s right to take personal leave due to ill health, however it’s also critical that you hold people accountable for behaving in ways that reflect a lack of commitment and integrity.

LEAVE NO ROOM FOR DOUBT
Set very clear expectations about the importance of being a reliable member of the team. Make this clear from the beginning of every individuals employment, and through coaching feedback, reinforce what being reliable means in your business.

HOLD PEOPLE ACCOUNTABLE
Be prepared to exit from your business, people who are unwilling to shift their attitude or approach. If you have provided fair opportunity to understand your expectations and reasonable support to change their behaviour, and someone continues to be unreliable, it’s time for them to go.

question: What does the text say about the importance of mental health?

answer: The mental health of team members is an important factor in the overall health of a company. When team members are energized and their mental health is strong, they are more likely to engage and invest the full depth of their potential in their role and the company.

critique: An investigation with sufficient evidence is omitted in the second half of the text.

critique: The answer should mention the link between mental health and absenteeism.

critique: The answer should mention the costs of absenteeism.

critique: The answer should mention the cost of absenteeism.

critique: The answer should mention the impact of mental health on absenteeism.

question: Summarize what the author recommends for people who are taking advantage of their supervisor.

answer: The author recommends that people who are taking advantage of their supervisor be held accountable for their behavior. The author also recommends that people who are taking advantage of their supervisor be held accountable for behaving in ways that reflect a lack of commitment and integrity. The author also recommends that people who are taking advantage of their supervisor be held accountable for behaving in ways that reflect a lack of commitment and integrity.

critique: The author recommends that people who are taking advantage of their supervisor be held accountable for their behavior.

critique: It's redundant to say the same thing twice.

critique: The author does not recommend that people who are taking advantage of their supervisor be held accountable for behaving in ways that reflect a lack of commitment and integrity.

text: The author recommends being firm and leaving no doubt about what's expected in the workplace.

category: coverage

question: What does the text say about high rates of absenteeism?

answer: According to Gately, the most common implications of high rates of absenteeism are lost momentum of critical initiatives, project budget and time blow outs, turnover of high performing team members, and company brand damage.

critique: It is omitted that Gately also says that a high rate of absenteeism can be a sign of a critical culture and engagement issue.

critique: The answer should mention the costs of absenteeism.

critique: The answer should mention the causes of absenteeism.

critique: The answer could mention the causes of absenteeism.

critique: It's omitted that high rates of absenteeism can be a sign of critical culture and engagement issues that HR and leaders should address.

question: Summarize what the text says about the responsibility of company leaders.

answer: The responsibility of company leaders is to engage their team and invest in their development. Leaders need to hold people accountable for their promises to themselves and the company. If the company believes an employee is taking advantage of an entitlement to use their leave balance, then the employee should be held accountable for their behavior.

critique: The answer should mention the importance of creating a culture that inspires people to want to give their best.

critique: The answer omits that leaders need to be aware of the extent of the issue and understand the link between the strength of the team's spirit and commercial results.

critique: Incomplete answer. Needs to add "Guiding leaders to understand the issue (absenteeism) is also key."

critique: The answer should mention that leaders should be able to coach their team members.

critique: The answer omits the importance of creating a cultural environment that inspires people to want to give their best.


text:
The world is made of edges, you said and I, thinking of razors and cliffs and the black terminator rushing towards us past the resolute meridians of our days, looked up at you, and you smiled and said no.

 You drew a map on a white napkin and told me how there are always more feet than will go into a mile, more inches than will make a foot, about every edge. Achilles was in it and some slow thing, a turtle perhaps, or a snail.
 But these were only masks for numbers, and I grew tired of Achilles and his logarithms, and we went to the beach.

 The dew was on the rocks and the tide was out and there were soft things quaking in the horrible light. There is so much death at the edges, I said.

 Everything lives at the edges. You frowned at me like a stormcloud. You spoke of ecotones and cusps and crises. I saw your fingers rubbing chalkdust, shedding the imagined detritus of a hundred dusty lectures.

 I listened while the sun sneaked through your curls and warmed my arms like your hands on a cold morning. I rubbed my board with the pale bitter wax that smells like violins and tobacco and burns if you get it in your eyes.

 Then I painted you with coconut oil and lemon where we hid behind the big red parasol, and your breasts rose and fell like the pears on the windrow by the seawall, your fingers espaliered a small blossom.

 I left you there on the green striped towel with your books and sunglasses, your tea and the basket of boiled eggs and sandwiches and the last of the fig newtons. And I went to the ocean.

 (I dreamt out there, did I tell you?)

 The place where the sea and the earth and the air touch, I touched too, making a moist track, and we were like sisters meeting or like four old lovers, sleeping side by side in a tent with the moon watching, or like both of those things loving each other and jealous at the same time.

 I have heard of the surf marching forward, of the waves battering the earth and retreating, sending forays against the sand and being hurled back.
 This is a man thing, I thought.

 We who have lain at the point where the dry becomes the wet know that these are kisses and caresses, and the thrusts and tumblings have no martial intent. All living things are born from this meeting, into the bright air. We gasp, we burn, we die and return, whether to earth or sea.

 (Your thoughts were not lost out there, you see?)

 I hold them in my head when I let the dreams take me, and we do not disagree.

 The thing about edges, I liked. Everything that really lives, lives at the edge of something, you said, and I saw a bead rolling between two widening wires, always about to fall, and somehow never doing it. Always moving forward, and rising and declining imperceptibly, as the world carries it onward.

 Benoit, you said, and ecotone. I liked the words, but you never told me what they mean, unless I was listening to the gulls or the surf or the soft murmur of your pulse beneath my hand.

The wind shook your blue hat, and I got you a green lounge from the old man who made the umbrellas for the wind to break and drag across the foreshore like tattered dreamthings.

 Like the birds of wakening, that watched us from the long rusted rails above the seawall and there was a tall girl at the bar who said that the sun was in your hair and I hated her for seeing it and for seeing you smile, and loved her for knowing the same things that I knew.

The heartbeat of the world you called it, the surf you meant, and the tall girl brought us crab legs and you talked a while about the things that come out of the sea.

 The hermit crabs and the robbers, the tiny sidling fingernail crabs that run away from motion like a child who fears strangers, straggling behind the skirts of the seawrack peeping bashfully out.

 And the great ghost crabs; the grey and shining grandmothers twitching their long braches like blind man’s sticks through the pebbles toward the tidepools, with the moon in their eyes.

 They love the sun, but the moon is their mistress - you told me this, and asked me:

 "Have I told you that the sea is made of blood? It's true; but the blood is stronger now that it was when we left."

 I knew you did not mean ourselves, but some lost frightened fossil, living again for a moment in the tide behind your eyes.

 We swam then, and you moved back and forth through the break like an otter, and then the boarders came down the long stair and waited till we came out before charging like whooping soldiers into that great onslaught that neither marked them nor wavered.

 Under the rusting nod of the lotus pod spigot you turned and turned and lost the scent of our mother the ocean, and smelled like you and the sun and the cocoa butter sunscreen I had bought from the old man with the red hat.

 Blind, you said, but he saw you, as the earth and the ocean and the sky see you now. As the fire saw you then, lapping lights across your sand dusted hip, limning out our vagrant silhouettes upon the moist earth.

 (I thought I held you that night in the tent, but it was not you, was it?)

 Beneath their lids your eyes were watching the pale circles of the gulls, reaching with their wings for the earth as the sky drew them back in the direction of the invisible stars.

 The next day I rode to the top of the break and found a wave waiting; a terrible thing as green and clear and bubbled as the bottom of an antique bottle.

 And I was up and I was in it and the board was a tongue in the mouth of the ocean, and I was for a while that thing which you were always:

 Caught between the air and the sky, driving forward into time, unmoving, until the ocean cast me out and dropped me at your feet, and we showered and you combed out my hair and we had breakfast.

 (These are the things I remember, in this dim place beneath the trees, where the ocean has not been these million lifetimes.)

 (Still), within your eyes, i think I am there, that I will always live there, on the edge between memory and dream, with the bright birds and the grey skies, turning, rising like the wave, and hanging in that place within your mind, where standing still we rise, and rising, turn, and fall, and are falling, now. Forever.

title: Creatures of the Swash Zone

question: What does the story say about what the narrator says about life at the edges?

answer: The narrator says that everything lives at the edges. The narrator says that there is so much death at the edges. The narrator says that everything lives at the edges. The narrator says that everything that really lives, lives at the edge of something. The narrator says that the thing about edges is that everything that really lives, lives at the edge of something.

critique: The narrator repeats the same thing four times.

critique: The narrator says that everything lives at the edges.

critique: The narrator doesn't say that the thing about edges is that everything that really lives, lives at the edge of something.

critique: "The narrator says that everything lives at the edges" - is redundant and should be removed.

question: What does the story say about the Swash Zone?

answer: No answer

critique: The answer could mention that the swash zone is where the sea and the earth and the air touch.

critique: The answer should mention the swash zone.

critique: The Swash Zone is a place where the sea, the earth and the air meet, and it's where all living things are born.


text:
I felt the metal shift as I turned my key in the lock, swinging open the wooden door to a hallway and a stairwell. Her scarf still adorned the bannister and the pair of black heels were still by the door, the ones she wore when we went to that run-down club and drowned our post-exam sorrows in multiple glasses of whiskey. The lights in the hallway and kitchen were still on, lighting the various ornamental pieces littered across the walls, the small stain of red wine from our house-warming party seemed eerily bright, but everything did through my hazy eyes.

The kitchen itself was littered with last night's half eaten meal for one and an empty mug. Flies were feasting on it now. I disposed of the insect's buffet and poured myself a glass of scotch, the ice clanging against the sides of the glass as I strolled out into the cold night air of the garden. Her lighter was on the bench beside the empty ashtray. The light from the flame burned my eyes and the smoke from the cigarette made them water. I played with the lighter, flicking it from hand to hand and rolling it along my fingers, before placing back beside the ashtray where I would leave it until I deemed it time to dispose of it. There were still marks in the lawn where we had set up a small tent a few weeks earlier for a spontaneous 'camping trip' as neither of us had a car.

I had to wash the bedsheets. The ginger hairs that littered them turned my stomach, each sip of whiskey turning it even further. I vomited. As the cold water from the tap splashed my face I felt no more awake and no less sick, the rings of black around my bloodshot eyes made me look ugly. She wouldn't have thought so. I traced my finger over one of the pictures of us with our old university house-mates, nostalgia is a powerful emotion and it felt like so much longer than a year since we had all gone our separate ways. I took the photo from its frame and kissed her image. Nothing but a memoir now. I felt the bile rise once more, the vile mass of acid devoid of any substance scorched my throat and I gagged slightly before forcing it back into the bubbling depths. Her blue eyes still pierced my soul, even through a photograph. I'd never see them again.

Back to my reflection, this time the icy cold was on my wrists and was soon replaced with a comforting warmth, my mouth curved into something resembling a smile as my eyes grew heavy and I slumped back onto the cool tiles of the floor. I was weak. She'd be so disappointed. I dreamed of her. Being forced oxygen through a mask, her freckles darker against the growing paleness of her skin, the muffled sobs of her mother, and the heat fading from her fingers entwined with mine. I dreamed of the world-shattering shriek of the machine and awoke to a dull ringing that seemed to echo around my skull. Three AM. Who rings at three AM?

“Hello?” Is what I meant to say by my throat was far to dry.

“Hello, Mr Harper, we have assessed your application and a technician shall be with you shortly” The voice was strangely calming.

“Who is this?”
“This is Claire from BLS, you contacted us an hour ago.”

“BLS?”

“Better life solutions, sir. Thank you for your custom.”

The dial tone rang, and sleep took me almost instantly. My eyes crept open at seven AM, although, the previous day's fatigue had yet to release its grip on me. My hand slipped on something sticky, blood marked the once white tiles, on my wrist lay a single white scar. Trudging to the bedroom I noticed the faint reflections of my bewildered face on each clear glass surface of the now empty frames, almost as if they were mocking me. That was the first time I cried. I couldn't tell you why, I could get more photos, most of them were from Facebook anyway, but something about the emptiness of what once brought me such joy hit me hard. As I knelt on the once cream carpet, now stained with my blood, the phone rang once more.

“We are sorry you aren't satisfied with our work, we will send out another technician shortly.” Dial tone.

The day consisted of condolences from co-workers I didn't recognise, hugs from people who I'd never given as much as a handshake and a boss that would sooner fire you than have you turn up late telling me I can take time off if I need it. False pity sickens me.The ticking of the clock seemed to grow louder with each passing second, the teeth inside my mouth found each other and clung tightly to their counterparts and my hands vibrated as I pounded the keys, confined to the blinding white walls of my minimum-wage hell. My now tepid coffee tasted almost metallic in my mouth. The voices of co-workers now drowned out the incessant clamouring of the clock. Closing time.

 I felt the metal shift as I turned my key in the lock, swinging open the wooden door to a hallway and a stairwell. Her scarf no longer adorned the banister and the pair of black heels had been moved. I was lost in oceans as I looked into her eyes, filled with love and compassion, filled with memories and history, filled with life.
“Had a nice day at work sweetheart?”
I vomited again.

title: [SF/HR] Better Life Solutions.

question: Summarize the narrator's memories of the woman.

answer: The narrator has a lot of memories of the woman. They remember the time they went to a run-down club to drown their post-exam sorrows in multiple glasses of whiskey. They remember the woman's scarf still adorned the bannister. They remember the woman's black heels by the door. They remember the woman's lighter on the bench beside the empty ashtray. They remember the woman's blue eyes piercing their soul. They remember the woman's freckles. They remember the woman's fingers entwined with theirs. They remember the woman's mother's sobs. They remember the woman's heat fading from her fingers. They remember the world-shattering shriek of the machine.

critique: The narrator only remembers the image of the woman before she died, not any of their shared memories or conversations with each other.

critique: The response includes extraneous information not useful for the task.

critique: Doesn't describe the narrator's sadness at the loss of the woman.

text: The answer can be framed better.

category: coherence

question: Summarize the things that make the narrator vomit.

answer: The narrator vomits after seeing the empty ashtray and the empty plate of food. He vomits again when he sees his dead girlfriend's eyes.

critique: The answer does not list the things that make the narrator vomit.

text: It is omitted that the narrator sees her ginger hair while sipping whiskey and vomits.

question: Summarize what the narrator seems to do to cope with their loss.

answer: They drink whiskey and smoke cigarettes to dull the pain. They seem to have trouble sleeping, but sleep is the only time they can feel at peace. They seem to have difficulty functioning at work, and they are clearly not coping well after their loss.

critique: The answer should mention the narrator's suicide attempt.

critique: The narrator is not coping well after their loss.

critique: The narrator does not seem to have any trouble sleeping.

critique: "They seem to have difficulty functioning at work, and they are clearly not coping well after their loss." - the narrator was never at work, he was on a leave of absence.

critique: Does not mention the flashbacks to old memories.

critique: The narrator is not coping well with their loss.

critique: The narrator's coping mechanisms are not explicitly stated.

question: What does the text say about forgiveness?

answer: No answer

critique: The answer should mention that the narrator is not forgiving himself.


text:
    It was a Saturday morning, I slowly felt around my bed, reaching over and down the sides a little bit. I was looking for my pillow that happened to have fallen off during my previous night’s rest. I could hear the gentle pattering of rain behind the house I spent a majority of my childhood in; the simple rain tapping at the tin roofed shed where my dad kept the lawn mower and spent more time in than I would expect, and did not understand why until later in my life. I moved my hand a little around feeling the silk coverings hanging from my bed brush my arm as I walked my fingers across the deserted floor of my childhood bedroom. It was still very early, nobody was awake yet. The only reason I woke was because of an unremembered dream which led me to seek my lost pillow for comfort. The only memory of this foggy dream was the sound of an ocean’s water sucking far away only to return in a crash. I needed something to hold onto but found nothing on my empty bed. Eventually I felt the old pillow I have used for so many years, holding memories of sneaking girls over to share this bed, and tears brought to me by my father’s cancer that taught me life isn’t fair. I pulled the pillow back onto my bed and laid my head on it, pulled up the sleeping bag i used as a blanket and closed my eyes to let my mind take me to a place without reality.
	I couldn’t fall back asleep. It may have been the rain’s increasing tempo outside or the morning sun peeking into my bedside window. After lying there for about an hour, I decided to get up and find something to eat. the hallway from my bedroom to the kitchen felt much longer than I thought it was, with the shag carpet growing under my feet and grabbing my feet, as if my house knew there was something ahead I should not come to. The carpet was pulling me down now, it wouldn’t allow me to walk any farther through my house, I needed to turn back; but when I did, my room was gone and I found myself in a place unfamiliar to anything I had seen before. The walls looked as if they evolved into something better, a fancy type of wood rich people talk about when discussing wood and whatnot. The carpet let go of my feet and I cautiously walked to the only visible door down this field of carpet which was slowly turning into grass with each additional step I took. I felt a sting on the bottom of my foot, a pain strong than that of any I’ve felt in years. I fell down and viciously grabbed my foot to find what appeared to be a wasp stinger in my foot which I tore from my throbbing foot, now dripping blood from this minor wound which exerted such powerful pain. The stinger was oozing a clear liquid from it, implementing fear that my walking would have to end here and force me to crawl to the still distant door.
	My foot was beginning to swell making walking more difficult with each step. I got to the door and opened it, finding myself blowing out birthday candles in my kitchen from years ago. My father was there, smoking a Marlboro. I was looking through this window I have opened  and stumbled across a memory I tried to repress because it was the first time I noticed my father’s cough. I stepped back from the window and fell onto the hard floor that replaced the grass I was walking on. I felt my body shake internally from this fall.
	I opened my eyes and realized everything up to that point was a dream. I could still hear the slow rain playing dissonant music in my backyard. I sat on the edge of my bed and rubbed my useless eyes.  I had no desire to get out of bed and make use of this Saturday; I already had gone through a week of hell in school and planned on using this day for resting and possibly reading a little Vonnegut. realizing sitting on the edge was as useless as sitting on the edge of the grand canyon, I got up and started feeling around for a wall to guide me to the hall where my dream took me to a place I wish I could have forgotten. This time walking was much easier. No colors to blind me, and no door to seduce my curiosity. I was looking for my stick to feel around my path and not fall as I very often did. I walked very awkwardly, always hunched over a little and slowly moving my arms around anticipating a wall to punch me in the face. I found what I was looking for and sat at a chair in my kitchen waiting for something to happen. Nothing happened.
	My kitchen always had a strange odor to it, almost like a mixture of eggs and humus with a hint of cinnamon. I was always unsure of the birth of this smell as my mom never used any of these ingredients in her cooking. I felt the cold metal from the legs pressed against mine which soothed my heated body from the dream that was still flooding my thoughts. I needed some food to clear my mind, and started to stumble across the floor until I felt a cupboard that would contain cereal. The only cereal we had was these sugary rings that my mom bought to ensure I would not be confused by new things. I was alright with this because I did enjoy this for breakfast when Mom was not awake to make something fresh.
	I decided to eat my cereal dry because I figured finding the milk would be too much hassle for such a little reward. I found my chair again, sat in it, and began eating the cereal. I could taste the extensive amounts of sugar felting in my mouth as I slowly chewed up these rings that I was so accustomed to eating. I finished what I had in my hand and began lying my head on the table. I listening to the rain as it soothed my mind and dozed off back into a place that reality could not even comprehend.

title: Sugared rings (first try at short stories

question: Summarize the tension in this story.

answer: The narrator is having a dream that is not a pleasant one. He is in pain and his foot is swollen. He is also having a hard time finding his way around his house. He is also having a hard time finding his way around his house.

critique: The narrator is not having a hard time finding his way around his house.

text: The last two sentences are redundant and irrelevant. They should be omitted.

question: Summarize the narrator's feelings about being in this house.

answer: The narrator is not happy to be in the house. They are not looking forward to the day, and they are not sure what to do with it. They are not sure what to do with the house. They are not sure what to make of the house.

critique: The narrator is not sure what to do with the house, but they are not sure what to make of it.

critique: The narrator is not sure what to make of the house, but the house is not the narrator's house.

critique: It's not clear that they have a desire to be somewhere else, leaving them unsettled.

critique: The narrator is not sure what to do with the house, but it is not implied that they are not sure what to make of it.

critique: The narrator is not sure what to make of the house.

text: This answer is off base. It would be more accurate to say that the narrator feels nostalgic and flooded with memories inside of their childhood home.

question: Summarize the plot twist following the wasp sting.

answer: The protagonist wakes up from their dream, feeling the sting on their foot, but then is taken to a memory of their father smoking in the kitchen. In this memory, the protagonist notices the father's coughing.

critique: The second sentence is a bit on the nose. A more opaque summary would be better.

critique: The answer should mention that the protagonist is in the kitchen when they wake up.

critique: The answer should mention that the protagonist is in a dream.

critique: The answer should mention that the protagonist wakes up from the dream and realizes that everything up to that point was a dream.

critique: The answer should mention that the memory is a dream.

critique: The response is incorrect. The protagonist wakes up from his dream, but then is taken to a memory of his father smoking in the kitchen. The protagonist notices the father's coughing.

critique: The answer should mention that the protagonist is in the kitchen in the memory.

critique: The answer should note that the protagonist realizes that the entire episode was a dream.

question: Summarize why the narrator is all alone on this weekend morning.

answer: No answer

critique: The narrator is alone because he has no family.

critique: The answer is wrong. There is no answer in the passage.

critique: The answer should state that the narrator is alone because he is an adult who lives alone.

critique: The answer should mention that the narrator is alone because it is a Saturday morning and everyone else is still asleep.

critique: The answer is not blank, it can be inferred from the text.


text:
Coconut water has become very popular in the recent years and is now available in most of your favourite grocery stores. Make sure to opt for the unsweetened, organic brands to make sure you get the real thing.

Here are six health benefits of coconut water.

1.  IT LOWERS BLOOD PRESSURE

Thanks to its magnesium, vitamin C, and potassium content, drinking coconut water on a daily basis, can reduce your blood pressure. Two glasses of coconut water is enough for you to use as a yummy “maintenance medicine” for balanced blood pressure. (1)

2.  IT CAN REHYDRATE YOUR BODY — FAST

Coconut water has a bunch of electrolytes that can help you retain water in your body and hydrate you as well. In addition to that, it has complex carbohydrates as well, which makes coconut water a good energy or sports drink replacement. (2)

It has even been used as an alternative to blood plasma transfusions to rehydrate the body in extreme emergencies or remote areas were resources are low. (3)

3.  IT CAN REDUCE HANGOVER

The best way to cure a hangover is avoiding alcohol in the first place, but if you do get one, coconut water is the second best natural cure.

Technically, hangovers are originally called “dehydration due to alcohol binging last night syndrome.” Just kidding. Since coconut water can rehydrate you, it can also alleviate hangovers. Although, the damage has already been done, so it cannot magically remove hangovers instantly. Nevertheless, the time you need to suffer will be greatly reduced.

4.  IT CAN TREAT HEADACHES

Headaches can be caused by a lot of things. If it is caused by dehydration, you know that coconut water can help. On the other hand, if that headache is due to a migraine attack, coconut water can help, too. Because of coconut water’s magnesium content, it can relieve migraine sufferers. Continual consumption of coconut water can even reduce the frequency of migraine attacks. (4)

5.  IT CAN MAKE YOU LOSE WEIGHT

This is what you have been waiting for ladies. Coconut water can actually stave off a few pounds from your body; however, it does not have that direct effect as you may have hoped for. First of all, you can replace your favourite sweetened drink or cola with it. Coconut water is better and can make you reduce weight since it is low on calories and sugar.

In addition, it can help you manage your body’s water content. Since coconut water has lots of potassium in it, you can also effectively manage your body’s sodium content, which retains water and makes you feel bloated and fat.

6.  IT CAN HELP YOU MANAGE YOUR BLOOD SUGAR AND DIABETES

Coconut water also contains amino acids that can help your body produce insulin better and regulate blood sugar levels. Passively, it also reduces glucose levels in the human body and it can alleviate the oxidative stress buildup in your body. (5)

And these health benefits of coconut water are actually only the tip of the iceberg. there are so much more good things coming from adding coconut water to your daily diet. Delicious on its own or we use it often as a liquid base for our green smoothie.

Sources:

1.  http://www.ncbi.nlm.nih.gov/pubmed/15892382
2.  http://www.ncbi.nlm.nih.gov/pubmed/17883020
3.  http://www.ncbi.nlm.nih.gov/pubmed/10674546
4.  http://www.ncbi.nlm.nih.gov/pubmed/9523054
5.  http://pubs.rsc.org/en/Content/ArticleLanding/2012/FO/c2fo30066d#!divAbstract

IF YOU ARE LOOKING FOR A WAY TO LIVE A HEALTHY LIFESTYLE WHILE EATING DELICIOUS, COLORFUL MEALS AND LOSING OR MAINTAINING WEIGHT, CLICK HERE

DON’T FORGET TO DOWNLOAD MY FREE BOOK “AMY’S HOME KITCHEN”, PACKED WITH MY FAMILY’S FAVORITE HEALTHY, CLEAN AND DELICIOUS RECIPES. OR CONNECT WITH ME ON FACEBOOK OR GOOGLE+

[Amy Goodrich]

Amy is a life and food lover, certified biologist, and holistic health coach. She is the founder of the healthy lifestyle website www.Body-in-Balance.org and creator of the online program, www.ThinForever.me. After successfully changing her family’s health and happiness, she’s on a mission to help other people achieve the life and body they want. You can find here on Facebook or Google+ or get her free clean, whole food recipe eBook here: http://www.body-in-balance.org/amys-home-kitchen-recipe-book/

question: Summarize the author's reason for recommending coconut water.

answer: The author recommends coconut water as a useful addition to a diet. The author points out that coconut water's electrolytes and carbohydrates can help keep balance and sustain energy. They note that the water can help with hangovers and headaches. The author goes on to note its ability to help manage ones weight and helps regulate blood sugar in those with diabetes.

critique: The author does not note that coconut water can help with hangovers and headaches.

critique: The response includes extraneous information not useful for the task.

text: The answer should also mention blood pressure regulation and be clearer about its rehydration qualities.

question: What does the article say about the health benefits of cucumber water?

answer: No answer

critique: The answer should mention that cucumber water is not mentioned in the article.


text:
The 1964–65 NBA SEASON was the Celtics' 19th season in the NBA. The Celtics finished the season by winning their eighth NBA Championship, defeating the Los Angeles Lakers in five games. In 1996, the team was named one of the 10 greatest teams in NBA history. In addition five players were inducted into the Hall of Fame - K.C. Jones, Sam Jones, Tom Heinsohn, Bill Russell, and John Havlicek. Sam Jones, Havlicek, and Russell were selected as among the NBA's 50 greatest players. Both Red Auerbach and John Thompson were elected into the Hall of Fame as coaches.

Offseason

NBA Draft

The 1965 NBA DRAFT took place on May 4, 1964.

  Round   Pick   Player       Position           Nationality   School/Club Team
  ------- ------ ------------ ------------------ ------------- ------------------
  1       7      Mel Counts   Center / Forward                 Oregon State
  2       16     Ron Bonham   Forward                          Cincinnati

Roster

Regular season

Season standings

Record vs. opponents

  1964-65 NBA Records
  --------------------- ------- ------ ----- ------ ------ ------ ----- ------ ------
  Team
  Baltimore
  Boston
  Cincinnati
  Detroit
  Los Angeles
  New York
  Philadelphia
  San Francisco
  St. Louis

Playoffs

East Division Semifinals

The Celtics had a division semifinal bye.

East Division Finals

(1) BOSTON CELTICS vs. (3) Philadelphia 76ers: _Celtics win series 4–3_

-   GAME 1 @ Boston: BOSTON 108, Philadelphia 98
-   GAME 2 @ Philadelphia: PHILADELPHIA 109, Boston 103
-   GAME 3 @ Boston: BOSTON 112, Philadelphia 94
-   GAME 4 @ Philadelphia: PHILADELPHIA 134, Boston 131 (OT)
-   GAME 5 @ Boston: BOSTON 114, Philadelphia 108
-   GAME 6 @ Philadelphia: PHILADELPHIA 112, Boston 106
-   GAME 7 @ Boston: BOSTON 110, Philadelphia 109

NBA Finals

  Game     Date       Home Team     Result    Road Team
  -------- ---------- ------------- --------- -------------
  Game 1   April 18   BOSTON        142–110   Los Angeles
  Game 2   April 19   BOSTON        129–123   Los Angeles
  Game 3   April 21   LOS ANGELES   126–105   Boston
  Game 4   April 23   Los Angeles   99–112    BOSTON
  Game 5   April 25   BOSTON        129–96    Los Angeles

_Celtics win series 4–1_

Awards and honors

-   Bill Russell, NBA Most Valuable Player Award
-   Red Auerbach, NBA Coach of the Year Award
-   Bill Russell, All-NBA First Team
-   Sam Jones, All-NBA Second Team

title: 1964–65 Boston Celtics season

question: Summarize what the text states about the 1964-65 Boston Celtics season.

answer: This season was the Boston Celtics' 19th NBA season and it was their eighth NBA championship. The team defeated the Los Angeles Lakers in five games.

critique: The answer should mention that the team was named one of the 10 greatest teams in NBA history.

critique: "The 1964–65 NBA SEASON was the Celtics' 19th season in the NBA. The Celtics finished the season by winning their eighth NBA Championship, defeating the Los Angeles Lakers in five games." is evidence for the team's success and winning record in the season.

critique: The answer fails to mention that five players were inducted into the Hall of Fame.

critique: The answer does not mention that the Celtics won their eighth championship by defeating the Los Angeles Lakers in five games.

critique: "Eight NBA championship" - remove the comma

critique: The answer omits two major accomplishments of the season, including Tom Heinsohn, Bill Russel, and John Havlicek being recognized in the Hall of Fame and Red Auerbach being named the NBA Coach of the Year.

critique: It's omitted that five players were inducted into the Hall of Fame.

critique: The answer should specify the status of the Boston Celtic NBA team to emphasize that it reflected the 1964-65 season.

critique: Doesn't mention five players of the team were inducted into the Hall of Fame.

critique: The answer should mention the other accomplishments of the team.

critique: It is omitted that the Celtics were named one of the 10 greatest teams in NBA history.

critique: The response misses to mention that the Celtics had five players inducted into the Hall of Fame.

critique: The answer could include the fact that the Celtics were named one of the 10 greatest teams in NBA history.

critique: The answer omits the fact that five players were inducted into the Hall of Fame.


text:
BRUCE EDWARD DAVIS, II (born September 2, 1985) is a former American football linebacker and defensive end. He played college football at UCLA And was drafted by the Pittsburgh Steelers in the third round (88th overall) of the 2008 NFL Draft. In his rookie season, he helped the Steelers defeat the Arizona Cardinals in Super Bowl XLIII.

Davis was also a member of the Oakland Raiders, and is the son of former NFL offensive tackle Bruce Davis, Sr.

Early years

Davis attended Clear Creek High School in League City, Texas. As a junior, he made 32 tackles, including eight sacks. He earned All-Greater Houston area and All-League honors after he recorded 65 tackles (50 solo), 12 quarterback sacks and 17 tackles for loss as a senior.

College career

At the University of California, Los Angeles, Davis played defensive end. He redshirted his freshman year in 2003. In 2004, he played in all 12 games, starting the first two contests, at defensive end. He had 17 tackles and 2.5 sacks. In 2005 Davis moved to outside linebacker from defensive end during the spring and played both positions early in the season before moving back to end due to injuries on the team. He appeared in all 12 games and his 28 tackles for the season and was tied for third on the team with two sacks and was sixth with six tackles for losses. As a junior in 2006, he was named first-team All-American by CollegeFootballNews.com and SI.com and he was selected second team All-Pacific-10 Conference. On the year, Davis made 47 tackles, with 12.5 sacks and 17.5 tackles for loss. In 2007, he was a Second-team All-American choice by The NFL Draft Report and the Walter Camp Foundation and was first-team All-Pac-10 Conference. He was a semifinalist for the Bednarik Award and was on the watch lists for the Lott, Nagurski, Lombardi and Hendriks Awards. He started all 13 games at right defensive end, ranking tied for ninth in the nation and tied for first in the league with 12 sacks. He ranked sixth in the Pac-10 with 15.5 stops for losses. On the year he recorded 45 tackles (32 solos) caused two fumbles and recovered another and deflected nine passes and defensed 3 others.

Davis ranks second in school history with 29 quarterback sacks, topped only by Dave Ball’s 30.5 (2000–03). His 42.5 stops for losses rank third in school annals behind Ball (43.5) and Carnell Lake (45.5, 1985–88).

Professional career

Pre-draft

Pittsburgh Steelers

Davis was drafted by the Pittsburgh Steelers in the third round (88th overall) of the 2008 NFL Draft.[1] After being drafted by the Steelers, he was converted to outside linebacker in the Steelers' 3-4 defense, though faced difficulty in the transition, as he was inactive for most of his rookie season. He was waived on September 4, 2009.[2]

New England Patriots

Davis was signed to the New England Patriots practice squad on October 7, 2009.[3] After spending the remainder of the season on the practice squad, he was re-signed to a future contract on January 13, 2010.[4] The Patriots waived Davis on May 27, 2010.[5]

Denver Broncos

Davis was claimed off waivers by the Denver Broncos on June 1, 2010.[6] He was waived on July 27.[7]

San Francisco 49ers

Davis was signed by the San Francisco 49ers on August 10, 2010.[8] On September 3, 2010, Davis was cut from the 53-player roster that would go on to play regular season games.[9] The 49ers then re-signed him to their practice squad on September 5, 2010;[10] he was released from his contract nine days later.[11] He was re-signed to the practice squad on September 22.

Oakland Raiders

On October 5, 2010, the Oakland Raiders signed Davis to their active roster to help bolster the team's injury-depleted linebacker corps.[12] He was waived a year later on October 13, 2011.[13]

Cincinnati Bengals

On November 23, 2011 the Cincinnati Bengals signed Davis to their practice squad.[14]

Second Stint With the 49ers

On January 3, 2012, the San Francisco 49ers signed Davis to their practice squad.[15]

Hamilton Tiger-Cats

On August 4, 2012, Davis was signed by the Hamilton Tiger-Cats and assigned to their practice squad.[16] On August 16, he was promoted to the active roster and started his first career game vs. Winnipeg.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

title: Bruce Davis (linebacker)

question: Describe some interesting facts about Davis's playing career in college.

answer: Davis redshirted his freshman year in 2003. In 2004, he played in all 12 games, starting the first two contests, at defensive end. He had 17 tackles and 2.5 sacks. In 2005 Davis moved to outside linebacker from defensive end during the spring and played both positions early in the season before moving back to end due to injuries on the team. He appeared in all 12 games and his 28 tackles for the season and was tied for third on the team with two sacks and was sixth with six tackles for losses. As a junior in 2006, he was named first-team All-American by CollegeFootballNews.com and SI.com and he was selected second team All-Pacific-10 Conference. On the year, Davis made 47 tackles, with 12.5 sacks and 17.5 tackles for loss. In 2007, he was a Second-team All-American choice by The NFL Draft Report and the Walter Camp Foundation and was first-team All-Pac-10 Conference. He was a semifinalist for the Bednarik Award and was on the watch lists for the Lott, Nagurski, Lombardi and Hendriks Awards. He started all 13 games at right defensive end, ranking tied for ninth in the nation and tied for first in the league with 12 sacks. He ranked sixth in the Pac-10 with 15.5 stops for losses. On the year he recorded 45 tackles (32 solos) caused two fumbles and recovered another and deflected nine passes and defensed 3 others.

critique: The answer is a copy-and-paste of Davis's college career. It should be rewritten.

critique: Add the item about his father helping him through transitions.

critique: The answer is a copy and paste of Davis's college career and should be re-written to highlight the most interesting facts.

question: Describe Davis's professional career.

answer: Davis was drafted by the Pittsburgh Steelers in the third round of the 2008 NFL Draft. He was converted to outside linebacker in the Steelers' 3-4 defense, though faced difficulty in the transition, as he was inactive for most of his rookie season. He was waived on September 4, 2009. Davis was signed to the New England Patriots practice squad on October 7, 2009. He was then signed to the Denver Broncos, then to the San Francisco 49ers, and then to the Oakland Raiders.

critique: The answer should mention that Davis was waived by the Raiders.

critique: The answer should mention that Davis was signed to the Hamilton Tiger-Cats.

question: Which professional football team did Davis enjoy playing for the most in his career?

answer: He played for the 49ers the most.

critique: The answer does not adequately answer the question.


text:
_SKY LIKE A BROKEN CLOCK_ is an album by American blues singer and guitarist Kelly Joe Phelps, released in 2001. It reached #8 on the Billboard Top Blues Albums charts.

History

_Sky Like A Broken Clock_ was recorded live in the studio with no overdubs. It is Phelps' first record to feature no traditional material, only his own original compositions. Phelps' first releases were essentially his voice and the voice of his slide guitar. He assembled a band and put aside the slide guitar to focus on his fingerpicking style for this release.[1]

Reception

Music critic Travis Draeset wrote in his Allmusic review "The result is a set of low-key, abstract story-songs about voodoo, sin, and prostitution, with “Worn Out,” the album's closer, having a lullaby-like quality. Phelps' guitar work on this album is fairly straightforward (unfortunately not featuring his signature acoustic slide)."[2] Minor 7th also noted the lack of Phelps' slide guitar and wrote: “The great news is that it's great music nonetheless, like discovering a brand-new artist... The abstractions that Phelps captures here are not those of musical notes, but of words forming oblique and cryptic, often dark, narratives.”[3]

Buzz McClain of _No Depression_ noted the spontaneity of the recording, writing “The result is understandably raw and primitive, evocative and emotionally effective, made the more so by Phelps’ weary voice and his precise fingerpicking, which is every bit as impressive as his slide... This is a mature piece of art, made all the more poignant by the pick-up nature of an ensemble that, somehow, sounds strikingly seasoned.”[4]

PopMatters critic Fred Kovey is equivocal, writing: “Phelps does everything right, but it isn’t quite enough. His style of Blues and Celtic influenced singer-songwriting has become so identified with adult contemporary that just being good isn’t enough to pull the casual fan from his torpor... Phelps is an excellent guitar player. More than anything else, his skill with an acoustic six string is what makes him special. But to appreciate his guitar playing you’ll have to listen to the songs over and over; fans may want to, but I doubt the same is true of casual listeners... It offers the pleasure of viewing a master craftsman at work, but that pleasure isn’t quite enough.”[5]

Track listing

All songs written by Kelly Joe Phelps.

1.  “Taylor John” – 5:43
2.  “Clementine” – 6:10
3.  “Sally Ruby” – 4:08
4.  “Beggar's Oil” – 3:24
5.  “Flash Cards” – 5:51
6.  “Gold Tooth” – 6:49
7.  “Tommy” – 5:28
8.  “Fleashine” – 5:31
9.  “Mr. My Go” – 6:52
10. “Worn Out” – 5:07

Personnel

-   Kelly Joe Phelps - vocals, guitar
-   Larry Taylor - bass
-   Billy Conway - drums, percussion
-   Tom West - Hammond organ
-   Dinty Child - pump organ, accordion
-   David Henry - cello
-   Jim Fitting - harmonica

Production

-   Produced by George Howard
-   Mixed by George Howard and David Henry
-   Mastered by Jeff Lipton

[1]

[2]

[3]

[4]

[5]

title: Sky Like a Broken Clock

question: What does the text say about what it takes to be a good acoustic guitar player?

answer: No answer

critique: There is no answer because the question is not answered in the text.

question: What does the text say about Kelly Joe Phelps' album, Sky Like a Broken Clock?

answer: The album was released in 2001. It reached #8 on the Billboard Top Blues Albums charts. Phelps assembled a band and focused on his fingerpicking style for this release. The album features no traditional material, only his own original compositions. The album received positive reviews from Allmusic, Minor 7th, No Depression, and PopMatters.

critique: The album's reception is not mentioned in the text.

critique: It's omitted that the album is praised for "abstractions that Phelps captures here are not those of musical notes, but of words forming oblique and cryptic, often dark, narratives."

critique: The album is not named "Sky Like a Broken Clock" in the text.

critique: The album was recorded live in the studio with no overdubs.

question: What does the text say about how Sky Like a Broken Clock was received by music critics Travis Draeset and Minor 7th?

answer: Music critic Travis Draeset wrote in his Allmusic review that the album is a set of low-key, abstract story-songs about voodoo, sin, and prostitution. He noted that Phelps' guitar work on the album is fairly straightforward. However, it lacks his signature acoustic slide. Minor 7th also noted the lack of Phelps' slide guitar and wrote that the album is great music nonetheless.

critique: The answer contains some incorrect information.

critique: The answer should mention the lack of traditional material.

critique: The article doesn't say that Draeset criticized the album.

critique: It's omitted that Draeset liked the album.

critique: The answer should mention that Draeset's review is positive.

question: What does the story say about how Buzz McClain and Fred Kovey reviewed the album?

answer: Buzz McClain reviewed the album favorably and called it "raw, primitive, evocative, and effective." PopMatters critic, Fred Kovey, is not too keen on the album, saying that Phelps has done everything right but it isn't quite enough. Fred wants his listeners to listen to his songs over and over because fans might want to but certainly not casual listeners.

critique: The response contains inaccurate information.

critique: It is not stated that Fred wants his listeners to listen to his songs over and over because fans might want to but certainly not casual listeners.

critique: The second sentence is false. Fred says that his songs are good, but it isn't quite enough to pull the casual fan from his torpor.

critique: The answer should mention that Fred Kovey thinks that Phelps is an excellent guitar player.

critique: They are talking about the same review from different perspectives.

critique: The answer should mention that Fred Kovey thinks the album is good but not great.

critique: This is a summary of Fred Kovey's review, not Buzz McClain's

critique: The answer omits that McClain says the album is "emotionally effective."


text:
The State Library of Queensland acknowledges that the language heritage and knowledge of these word lists always remains with the Traditional Owners, language custodians and community members of the respective language nations.

These pages include a number of word lists on various topics to support communities in their work to revive, document and preserve Aboriginal and Torres Strait Islander languages. The language content is drawn from a range of historical texts found in State Library's collections.

NOTE: Aboriginal and Torres Strait Islander languages are oral languages that have only been written since European settlement; there may be several variations in spelling and pronunciation. Check with local language custodians as to the preferred local word and its’ spelling and pronunciation.

How do I pronounce Aboriginal sounds?

In pronouncing Aboriginal words, there are some sounds which are quite different to English and require practice.

  English sound   Aboriginal sound
  --------------- --------------------------------------------------------------------------
  dh              Pronounced with the tongue at the back of the teeth. Can sound like 'th'
  ng              Closest to 'ng' sound found in singer.
  ny              Closest to 'n' sound found in onion.
  rr              Rolled 'r' sound, similar to a Scottish 'r'.

How do I pronounce Torres Strait Islander sounds?

In pronouncing Torres Strait Islander language words, there are some sounds which are quite different to English and require practice.

  English sound   Torres Strait Islander sound
  --------------- -----------------------------------------------------------------------
  dh              Pronounced with the tongue at the back of teeth. Can sound like 'th'.
  dz              Can sound similar to 'dj'.
  ng              Closest to 'ng' sound found in singer.
  oi              Prolonged sound that can be between 'oi' and 'ai'.
  p,s and z       Sound similar to English.

Body parts

These pages provide a range of word lists on body parts to support communities in their work to revive, document and preserve Aboriginal and Torres Strait Islander languages. Some of these wordlists complement the _Gambara Gamu Biyu_ body chart poster; while others have been collated from State Library collection items.

NOTE: Aboriginal and Torres Strait Islander languages are oral languages that have only been written since European settlement; there may exist variations in spelling and pronunciation.  The following wordlists should be seen as a guide only - always consult local language speakers/custodians as to the preferred pronunciation.

ABORIGINAL SOUNDS

In pronouncing Aboriginal words, there are some sounds which are quite different to English and require practice.

'DH' is different to English - it is pronounced with the tongue at the back of the teeth.

'DJ' is similar to English - it can be between ‘j’ and ‘ch’.

'NG' is one sound in Aboriginal languages and is different to the 'n' sound in English - it is closest to the 'ng' sound found in singer.

'NH' is different to English - it is pronounced with the tongue at the back of the teeth.

'NY' is one sound in Aboriginal languages - it is closest to the 'n' sound found in onion.

'RR' is a rolled 'r' sound similar to a Scottish 'r'; at the end of a word it may sound like ‘d’.

question: Describe some differences in pronouncing Aboriginal sounds.

answer: Aboriginal sounds are pronounced with the tongue at the back of the teeth, where English sounds are pronounced with the tongue at the front of the mouth.

critique: Incorrect answer. An Aboriginal sound can also be pronounced with the tongue at the back of the teeth, while an English one uses the tongue at the front of the mouth.

text: The answer is a generalisation that is not obviously supported by the text. There are some Aboriginal sounds that are pronounced with the tongue at the back of the teeth, but there are other sounds that are simply unfamiliar to English, like a rolled 'r' sound. It's also not obviously the case that English sounds are pronounced with the tongue at the front of the mouth.

question: Describe what can be learned about the Aboriginal and Torres Strait Islander languages.

answer: The Aboriginal and Torres Strait Islander languages are oral languages that have only been written since European settlement. There are several variations in spelling and pronunciation.

critique: The answer should mention the differences in pronunciation.

critique: The response does not adequately answer the question.

critique: The response misses to mention that the Aboriginal and Torres Strait Islander languages are oral languages that have only been written since European settlement. There are several variations in spelling and pronunciation.

critique: The answer should mention that the languages are different from English.

critique: The answer is too vague and should include more details.

critique: The answer should mention that the languages are oral and that there are differences in pronunciation.

critique: The answer could mention some languages specifics such as the way in which Aboriginal sounds are different from English.

critique: The answer should mention that Aboriginal and Torres Strait Islander languages are oral languages that have only been written since European settlement; there may be several variations in spelling and pronunciation.

question: Who would be interested in learning more about the Aboriginal and Torres Strait Islander languages?

answer: This information is likely to be of interest to people who are interested in learning more about the Aboriginal and Torres Strait Islander languages.

critique: The answer should be more specific about who would be interested in learning more about the Aboriginal and Torres Strait Islander languages.

critique: The question is about who would be interested in learning more about the Aboriginal and Torres Strait Islander languages, not who is interested in learning more about the Aboriginal and Torres Strait Islander languages.