text:
I remember well the first institution to announce it was divesting from fossil fuel. It was 2012 and I was on the second week of a gruelling tour across the US trying to spark a movement. Our roadshow had been playing to packed houses down the west coast, and we’d crossed the continent to Portland, Maine. As a raucous crowd jammed the biggest theatre in town, a physicist named Stephen Mulkey took the mic. He was at the time president of the tiny Unity College in the state’s rural interior, and he announced that over the weekend its trustees had voted to sell their shares in coal, oil and gas companies. “The time is long overdue for all investors to take a hard look at the consequences of supporting an industry that persists in destructive practices,” he said.

Six years later, we have marked the 1,000th divestment in what has become by far the largest anti-corporate campaign of its kind. The latest to sell their shares – major French and Australian pension funds, and Brandeis University in Massachusetts – bring the total size of portfolios and endowments in the campaign to just under $8 trillion (£6.4tn).

The list of institutions that have cut their ties with this most destructive of industries encompasses religious institutions large and small (the World Council of Churches, the Unitarians, the Lutherans, the Islamic Society of North America, Japanese Buddhist temples, the diocese of Assisi); philanthropic foundations (even the Rockefeller family, heir to the first great oil fortune, divested its family charities); and colleges and universities from Edinburgh to Sydney to Honolulu are on board, with more joining each week. Forty big Catholic institutions have already divested; now a campaign is urging the Vatican bank itself to follow suit. Ditto with the Nobel Foundation, the world’s great art museums, and every other iconic institution that works for a better world.

Thanks to the efforts of groups such as People & Planet (and to the Guardian, which ran an inspiring campaign), half the UK’s higher education institutions are on the list. And so are harder-nosed players, from the Norwegian sovereign wealth fund (at a trillion dollars, the largest pool of investment capital on Earth) to European insurance giants such as Axa and Allianz. It has been endorsed by everyone from Leonardo DiCaprio to Barack Obama to Ban Ki-moon (and, crucially, by Desmond Tutu, who helped run the first such campaign a generation ago, when the target was apartheid).

And the momentum just keeps growing: 2018 began with New York City deciding to divest its $189bn pension funds. Soon the London mayor Sadiq Khan was on board, joining the New York mayor Bill de Blasio to persuade the other financial capitals of the planet to sell. By midsummer Ireland became the first nation to divest its public funds. And this month, across-party group of 200 MPs and former MPscalled on the their pension fund to phase out its substantial investment in fossil fuel giants.

Heavy hitters like that make it clear that the first line of objection to fossil fuel divestment has long since been laid to rest: this is one big action you can take against climate change without big cost. Indeed, early divesters have made out like green-tinged bandits: since the fossil fuel sector has badly underperformed on the market over recent years, moving money into other investments has dramatically increased returns. Pity, for instance, the New York state comptroller Thomas DeNapoli – unlike his New York City counterpart, he refused to divest, and the cost has been about $17,000 per pensioner.

The deeper question, though, is whether divestment is making a dent in the fossil fuel industry. And there the answer is even clearer: this has become the deepest challenge yet to the companies that have kept us on the path to climate destruction.

[Former UN climate chief Christiana Figueres with President-designate of COP21 Laurent Fabius, at the Paris summit in 2015.]

Former UN climate chief Christiana Figueres with President-designate of COP21 Laurent Fabius, at the Paris summit in 2015. Photograph: Stephane Mahe/Reuters
At first we thought our biggest effect would be to rob fossil fuel companies of their social licence. Since their political lobbying power is above all what prevents governments taking serious action on global warming, that would have been worth the fight. And indeed academic research makes it clear that’s happened – one study concluded that “liberal policy ideas (such as a carbon tax), which had previously been marginalised in the US debate, gained increased attention and legitimacy”. That makes sense: most people don’t have a coal mine or gas pipeline in their backyard, but everyone has – through their alma mater, their church, their local government – some connection to a large pot of money.

As time went on, though, it became clear that divestment was also squeezing the industry. Peabody, the world’s biggest coal company, announced plans for bankruptcy in 2016; on the list of reasons for its problems, it counted the divestment movement, which was making it hard to raise capital. Indeed, just a few weeks ago analysts at that radical collective Goldman Sachs said the “divestment movement has been a key driver of the coal sector’s 60% de-rating over the past five years”.

Now the contagion seems to be spreading to the oil and gas sector, where Shell announced earlier this year that divestment should be considered a “material risk” to its business. That’s how oil companies across the world are treating it – in the US, petroleum producers have set up a website designed to discredit divestment,. and for a while had me under round-the-clock public surveillance. The pressure is not preventing anyone from acting: when Yale arrested 48 brave students who were occupying its investment offices last week, they left chanting: “We’ll be back.”

Divestment by itself is not going to win the climate fight. But by weakening – reputationally and financially – those players that are determined to stick to business as usual, it’s one crucial part of a broader strategy. The Carbon Tracker initiative in London published the first report laying out the fact that the fossil fuel industry has five times more carbon in its reserves than any climate scientist thinks is safe. And with activists marching and going to jail, phrases such as “stranded assets” were soon appearing in the mouths of everyone from hedge fund managers to the governor of the Bank of England.

As Christiana Figueres, the former UN climate chief who managed to push through the Paris accords in 2015, put it: “The pensions, life insurances and nest eggs of billions of ordinary people depend on the long-term security and stability of institutional investment funds. Climate change increasingly poses one of the biggest long-term threats to those investments and the wealth of the global economy.” Last year she turned down an honorary degree from a US university because it hadn’t yet sold its stock.

We can’t count on governments alone to do the work necessary – governments, from Canada and America to Russia and Saudi Arabia to China and India, are still too often beholden to the fossil fuel companies. We need to keep pushing hard on those companies – and we will.

• Bill McKibben is a writer and co-founder of the climate campaign 350.org

question: What does the article say about how the divestment campaign accomplishes its goals?

answer: The campaign has been successful in its goal of reducing the social license of fossil fuel companies. Fossil fuel companies have been struggling to raise capital due to divestment campaigns.

critique: The answer should mention the impact of divestment on the oil and gas sector.

critique: Divestment shows no signs of stopping anytime soon, and has shown to be effective. To make an article about the campaign's success, these signs of success are missing from the article. It would be more accurate to not say that the movement has seen success.

critique: The answer should mention the financial impact of divestment.

critique: The answer should mention the effect on the stock market.

critique: The answer should mention the financial cost of divestment.

critique: The answer should mention that the campaign has also been successful in reducing the reputation and financial power of the companies.

critique: The answer omits that divestment campaigns are also financially damaging to the fossil fuel industry.

text: There is no need to mention that the campaign is successful, as the question directly asks how the campaign achieves its goals. In fact, the entire answer does not address the question -instead it provides the result of the campaign. To answer the question, it is better to reiterate the factors that make the campaign successful, from the participation of major financial institutions, the endorsements of media personalities, the global effort of various people, etc, and how these actions affect the oil companies directly.

question: What does the article say about the support behind the divestment movement?

answer: The movement has been supported by religious institutions, philanthropic foundations, and colleges and universities from Edinburgh to Sydney to Honolulu. The movement has also been supported by heavy hitters like the Norwegian sovereign wealth fund, European insurance giants, and the New York and London mayors. The movement has also been supported by the former UN climate chief Christiana Figueres.

critique: The answer should mention the support of the Guardian.

critique: This should be written in the past tense.

critique: The answer should mention the support of the 200 MPs and former MPs.

critique: The answer incorrectly states that the article has been supported by the Norwegian sovereign wealth fund, European insurance giants, and the New York and London mayors.

critique: It's omitted that the recent support came from French and Australian pension funds.

text: Mention the other factors that supported the divestment movement (the Guardiam, MPs, pension funds from France and Australia, etc).

question: What does the article say about how the movement affected Tesla?

answer: No answer

critique: The article does not mention anything about Tesla.

critique: The answer could mention that the article does not mention anything about Tesla.

critique: The answer should mention that the article does not mention Tesla.


split: train

text:
The road seemed to wind on forever. Long blank stretches of snow blanketed the tarmac for what seemed like mile after mile. There were no other cars. He hadn't seen a car for about fifty miles or so. It could've been a hundred. He wasn't paying attention that well. There were too many things to think about.

The snow was falling pretty heavily by now, the full beam headlights of the jeep only just being able to pierce the oncoming flurry. It was thickening more and more up the mountain. The road took sharp narrow twists every now and then. Sheer cliff face on one side, endless white abyss on the other. Soon he'd be at the lodge. Soon he kept thinking he could start a fire with the logs he'd cut last year, still kept dry hidden under the stairs.

His thoughts kept drifting to the smell of the cabin. He'd built it himself in his younger days. A strong and imposing design. It took him three months of hard labor to see a sizeable home come into fruition. But he'd been relived once it was finished.

A winter home. Not like those sleek and snide executives that summered round the lakes up north, or those that could afford summer homes on foreign shores, built by cheap foreign labor and then prostituted to rich affluent men of the west.
He took pride in this place he'd come to live every winter for the last ten years. He didn't earn this place, he'd built the damn thing.

The snow was now completely blinding his view of the road. The headlights were now just faint yellow streaks against the blank wall of the weather in front of him.
Passing a very sharp left turn signalled to him that he was almost upon his winter palace. He knew that on clear sunny days this sharp bend provided the most scenic view of his lodge he'd ever found. In all his ramblings in and around the forest and mountain on which he'd built this home away from home he'd never once seen such a picturesque or slightly view of it than from this one bend in the road. He had less than three minutes before he reached the driveway.

Finally he thought. Everglade was imminent. The large wooden supporting beams, strong noble oak holding together his life achievement. The one shady tree leaning over the north side of the lodge, creaking in the wind and providing shade to the study in the sunny afternoons.
These striking features were of course invisible beneath the roaring elements.

The jeep pulled up to the gate at the bottom of the drive, the headlights finally finding something to shine upon. A massive old six foot wrought iron parting gate, rusting slightly with a silver padlock shining brightly back at him.

Home at last were his thoughts, as he stepped out into the white and unlocked his winter abode. There was no doubt in his mind now, that he was truly home for the season. The gate offered mild resistance against the foot of snow gathering around it. An entire acre of virgin snow lay before him, getting back into the jeep and making the first tire tracks of the season up and into his car port adjacent to the lodge.

He shut off the engine and heaved a weary sigh. There were only two times in a year when he'd feel exactly the way he felt then. His birthday was the other. Not the start of the day, when the usual rush of excitement or anticipation would grip others. But the end of his birthday. Late into the night, whenever he'd finished work, or came home from 'celebrating' it. He'd sit in his apartment, in his favourite chair overlooking the city with a glass of whiskey and his annual cigarette and heave a heavy sigh of relief. Another year gone.

The engine quietly began rattling down, and he stepped out again and began unpacking his supplies. Five fresh water containers, three boxes of fresh groceries ready to be frozen and packed away into the fridge, along with twelve pounds of fresh meat. Cheese, milk, bread, oats, sugar, nuts and fruit all packed away safely in their respective colour coded plastic tubs and boxes.

No thought spared.

When he'd brought in the supplies and stored them all away in the kitchen, he finally brought in his personal effects. Nothing too outlandish. Bathroom necessities, two weeks worth of clothes, phone charger, laptop and effects.
The last box he brought in was very old. A very old and antiquated box indeed.

He brought this box to rest in his study, where it looked like it belonged, with the bookcases full of first and second editions, the maps of the continental US and UK. The family crest and coat of arms above the stone fireplace. The typical cabin sight of a bear skin rug rolled out infront of this, with two red leather armchairs opposing one another with a small leather set coffee table in between.

A mug from the previous year still sat on a coaster on this table. The exact place he'd left it. A chess set was sitting in the centre, the pieces still standing heroically waiting for black to move. The room was exactly as he'd left it. Perfect.

He brought the box over to his desk, carefully sitting it down in the centre. He pulled back his desk chair and reclined backwards into it, raising his hands behind his head and breathing the scent of the lodge in through his nostrils. A deep smell of oak brought back memories of cutting down logs in the forest to burn. A slight smell of creosote tinged the air. Even after ten years since he applied the coating to the outside of the lodge the smell still managed to find it's way in. He liked that.

He breathed in his memories, and sat up abruptly and laid his hands on the box. He placed both hands at either side, feeling its hinges and clicking them exactly at the same time. The lid of the box popped open promptly, and he flicked the lid open without hesitation.

A gloriously preserved 1936 Royal Deluxe typewriter sat inside. It's chrome fittings still gleaming from the last time he polished them.

Genuinely smiling, he reached to the stack of paper on the side of the table, and reeled a piece in. Taking a deep breath, and cracking his fingers simultaneously, he brought his fingers to rest above the keys, before that magnificent sound of key on paper clacked down on the belt with the words:

"Chapter One"

title: [RF] "Chapter One"

question: Summarize the narrator's movements over the course of the story.

answer: The narrator drives for miles and miles on a road that seems to wind on forever. He is on his way to his winter home. He pulls up to the gate at the bottom of the drive. He steps out of the jeep and enters his winter abode. He unpacks his supplies and brings in his personal effects. He brings in an old box and places it in his study. He reclines in his chair and breathes in the scent of the lodge. He opens the box and takes out a typewriter.

critique: The narrator opens the box before sitting in his chair.

critique: The last two sentences can be combined to save space.

critique: It is omitted that he sits down at the typewriter, picks up a fresh piece of paper, and writes "Chapter One".

critique: The answer omits the narrator's movements after he opens the box.

critique: "He reclines in his chair and breathes in the scent of the lodge. He opens the box and takes out a typewriter." - this is irrelevant and should be removed.

critique: The narrator's movements are not described in the story.

critique: The answer omits the narrator's movements before he reaches the gate.

question: Summarize everything related to the weather.

answer: The snow is falling heavily by the time the narrator gets to the lodge. It is thickening up the mountain. The road takes sharp, narrow twists. The weather is roaring, and the snow is blinding. The snow is virgin. The man is relieved to be home when it is the end of his birthday.

critique: The answer does not mention the effect of the weather on the road.

critique: The snow is virgin and blinding, this should be separated.

critique: The man is not relieved at the end of his birthday.

text: "The snow is virgin." This sentence can be deleted, with "and virgin" added onto the previous.

category: coherence

question: What does the story say about the type of person the narrator is?

answer: The narrator is someone who is used to being alone in the wilderness, and is content with it. He has a winter home that he built himself and takes pride in it. He is someone who is used to hard labor, and he is someone who is used to being away from his family. He is someone who is content with his life and is not easily swayed by external factors.

critique: The narrator is not someone who is used to being away from his family.

critique: The last two sentences are not relevant to the question.

critique: It is not true that he is not easily swayed by external factors.

critique: The response contains inaccurate information.

critique: He associates with his winter getaway cabin.

text: The claim that he is used to being away from his family is speculative and unsupported, so it's best to remove this detail.

category: accuracy

question: Summarize the plot of the story the narrator is writing.

answer: No answer

critique: It is omitted that the narrator is writing about his winter home.


text:
_SOME THINGS ARE MEANT TO BE_ is the fourth studio album by American country music singer Linda Davis. Her final studio album for Arista Records, it produced Davis's second-highest chart hit in its title track, a number 13 on the _Billboard_ Hot Country Singles & Tracks (now Hot Country Songs) charts in 1996. “A Love Story in the Making” and “Walk Away” were also issued as singles. The former peaked at 33, while the latter failed to chart.

Two of this album's tracks were also recorded by other artists. “Cast Iron Heart” was originally recorded by Pearl River on their 1992 album _Find Out What's Happening_, and later by BlackHawk on their 1995 album _Strong Enough_. “What Do I Know” was recorded by Ricochet on their 1996 self-titled debut album, from which it was released as their debut single.

Track listing

1.  “Some Things Are Meant to Be” (Michael Garvin, Gordon Payne) – 3:29
2.  “A Love Story in the Making” (Al Anderson, Craig Wiseman) – 3:40
3.  “Walk Away” (Marc Beeson, Robert Byrne) – 3:58
4.  “Always Will” (Harry Stinson, John Hadley) – 3:20
5.  “Neither One of Us (Wants to Be the First to Say Goodbye)” (Jim Weatherly) – 4:04
6.  “She Doesn't Ask” (Nancy Lee Baxter) – 3:16
7.  “Cast Iron Heart” (Dennis Linde) – 3:02
8.  “There Isn't One” (Cathy Majeski, Sunny Russ, Stephony Smith) – 3:45
9.  “What Do I Know” (Majeski, Russ, Smith) – 3:24
10. “If I Could Live Your Life”(Tim Nichols, Mark D. Sanders) – 3:34
    -   duet with Reba McEntire

Production

-   Produced & Mixed By John Guess
-   Engineered By Derek Bason, John Guess & Marty Williams
-   Mixing Assistant: Derek Bason
-   Mastered By Marty Williams

Personnel

-   Charlie Anderson — bass guitar
-   Michael Black — background vocals
-   Mark Casstevens — acoustic guitar, mandolin
-   Joe Chemay — bass guitar
-   Terry Crisp — steel guitar, Dobro
-   Linda Davis — lead vocals, background vocals
-   Larry Franklin — fiddle, mandolin
-   Vicki Hampton — background vocals
-   Scotty Hawkins — drums
-   John Hobbs — piano
-   Paul Hollowell — piano
-   Dann Huff — electric guitar
-   Steve Nathan — keyboards
-   Don Potter — acoustic guitar
-   Lang Scott — background vocals
-   Doug Sisemore — keyboards
-   Harry Stinson — background vocals
-   Kent Wells — acoustic guitar, electric guitar
-   Lonnie Wilson — drums

Chart performance

+-----------------------------------+-----------------------------------+
| Chart (1996)                      | Peak                              |
|                                   | position                          |
+===================================+===================================+
| U.S. _Billboard_ Top Country      | 26                                |
| Albums                            |                                   |
+-----------------------------------+-----------------------------------+
| U.S. _Billboard_ 200              | 164                               |
+-----------------------------------+-----------------------------------+
| U.S. _Billboard_ Top Heatseekers  | 7                                 |
+-----------------------------------+-----------------------------------+

title: Some Things Are Meant to Be

question: What does the text say about the album 'Some Things Are Meant to Be'>

answer: 'Some Things Are Meant to Be' is the fourth studio album by American country music singer Linda Davis. The album was released in 1996. It was her final studio album for Arista Records. The album produced Davis's second-highest chart hit in its title track, a number 13 on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts.

critique: The album's singles are not relevant to the question.

question: What does the article say about Linda Davis's life?

answer: No answer

critique: The answer should mention some of what we do know about Linda Davis's life.

critique: The answer should mention that the article doesn't say anything about Linda Davis's life.

critique: The answer should mention that the article does not mention anything about Linda Davis's life.


text:
	I guess I’ll open my eyes now, where’s my phone? It’s one o clock. Another day already wasted. A text from mom, I’ll check it later. I’ve got a few hours until work so maybe I’ll get some writing done today. Two, get ready, take a shower, shave. Three to four, eat. So I’ve got that long. Reddit. What’s on Reddit. Still on the game subreddit from last night. Eight posts I haven’t seen yet. That’s exciting. All seen now. Next page. Two links. Looking good. This video is nine minutes long though. Another time. How about the Front Page.
	Oh wow. Only seen four of these links. New releases, politics, kittens. Cool. Looking good. All seen now. Next page. Five links not seen, nice. Third page. Fourth. Fifth, okay this is still the stuff from three o clock last night. Facebook.
	Babies, breakfasts, advertisements. Look how happy everyone is. Maybe I’ll post something today. I don’t think I have anything interesting to say. I don’t have anything interesting to say.
	That’s funny. Like. Gross, can I downvote? No. This isn’t reddit. I should check reddit.
	A new post. Looking good. Eh a phone call, I’ll check it later. It’s too early to talk. I don’t have anything interesting to say anyway. I don’t have anything interesting to say. Reddit’s boring now. Maybe /r/wtf? Yeah. Gross. I don’t think I saw everything on Facebook though.
	Second page. Third. Yeah, that’s everything. What time is it?
	Two. That’s fine. I’ve got time, don’t need to get up yet. I should check reddit. I didn’t read those articles. Eh, I’ll read one of them. Cool I guess. I wonder what’s on the league subreddit. Just that nine minute video. Eh. Second, third, fifth, eighth page. I’ll check new. Wow, these suck. Mine wouldn’t suck this bad if I ever submitted. I’m a writer. Well kind of. I’m not a writer until I get something published, remember? Where’s that video. What time is it.
	Two forty-five. That’s fine. I don’t think I need a shower today. I’ll do some writing tomorrow. I should get up though, should eat I think.

	Fridge, cupboard, freezer, pantry. I need groceries.
	Fridge. So many condiments. Why do I still have this gravy? It’s so old. And lime grenadine? That was such a bad idea. Should really clean this out. Should clean my apartment too. There’s that picture that’s been sitting on the floor since we moved in. I’ll be productive tomorrow. I’ll do something tomorrow. Already wasted today. I bet I missed something in the freezer.
	Nope, just alcohol, ice, and alcohol. Thought I had ice cream. I’ll put it on the list. The cupboard had some creamy pasta I think. This looks good. I don’t want to wait ten minutes though. I’ll check the pantry again, maybe there’s some cereal I missed. Pancake mix. Don’t like pancakes. Sauce, syrup, plastic bags. Do have some of that bad cereal though. I guess I’ll finish it off.
	Well I should have checked the fridge before pouring that bowl of cereal, out of milk. I’ll put it on the list. Need paper for it. Eh, I’ll remember until tomorrow the list. No sense pouring the cereal back into the box though, wow this garbage is-really--full. That should make it okay until tomorrow. I wish I had more time so that I could write. Those ideas, I bet I could be famous. I’ll start as soon as I had time.
	I wonder if I could get off tonight. That way I’d have time. I need the money though, if it’s offered though I’ll take it.

	Well, got the night off. Time to celebrate! I can’t just not do anything with this time. No, I was going to write.

	I cannot concentrate. I’ll move into my game room. Get stuff done there, just not turn on my main computer. Music, music will help. Still nothing. I’ll take a break. See who is online. Oh cool one of my friends is playing a game. I’ll just spectate it.
	Man what a tough loss. I can play one game with him I guess. It sucks playing alone anyway and we work well together. Good game, I ought to try out that champion, I’ll pick her up and try a few bot games. I’ll get back on later. Check out some guides in the mean time. What time is it? Seven thirty. Still day light, looking good. I wonder what’s on reddit? Hey one new post that’s cool. I didn’t eat earlier.
	Wish I had milk for this oatmeal. Oh well, I’ll put it on the list. Still nothing on reddit. Facebook? Couple new things that’s cool. I wonder if there’s any new info on the games coming out. Nope. Seen it all already. A bit of speculation though. I don’t know, that wasn’t well put together. Why even try if you’re going to sound stupid?
	Netflix. What do I feel like. Not really a movie. I don’t have two hours. Seen all these shows. Seen all these shows, seen all these shows. I guess I’ll start the office again.

	What time is it? Nine. That’s a great show though. Those writers know what they’re doing. I could be that. I’m hungry. And bored.
	Reddit, facebook, reddit, fridge, pantry, cupboard, fridge, facebook, Netflix. Subreddit, subreddit.
	Nothing good.
	Guess I’ll play some more games.

	What time is it? Three? I should go to bed. Eight more pages of reddit. Three more of facebook. No new information on games. All seen now. What time is it? Three forty. Guess I ruined tomorrow already. Not looking good. Oh yeah, my friend called and that text. Totally forgot. Well I’ll get back to them when I have something interesting to say. I don’t have anything interesting to say.

title: [NF] a day in the life

question: Summarize everything related to food.

answer: The narrator eats food from 2 p.m. to 4 p.m. He eats oatmeal for dinner. While his cereal is out of milk, he still eats it because it is full of sugar.

critique: The narrator does not eat from 2 p.m. to 4 p.m.

critique: The narrator eats oatmeal for breakfast.

critique: The narrator is eating oatmeal for breakfast, not dinner.

critique: The response does not include anything about food from the text.

critique: The response contains inaccurate information.

critique: The narrator eats oatmeal for breakfast, not dinner.

text: It is incorrect that he eats the cereals because it is full of sugar.

question: What does the story say about what the narrator posts on Reddit?

answer: First thing in the morning, the narrator spends their time browsing Reddit on their phone. They then go to their computer to browse Reddit again. They browse a subreddit on games and realize that they could be a good writer. They also check out a video. The narrator is naturally bored, so they go back to browsing Reddit.

critique: The response inaccurately mentions that the narrator browses Reddit on their phone in the morning, however it's the narrator's habit to browse Reddit in the early afternoon.

critique: The response is missing the part where the narrator browses Reddit and realizes that they could be a good writer.


text:
_JALTA, JALTA_ is a Croatian musical from 1971. Libretto for the musical was written by Milan Grgić, and the director is Vlado Štefančić. Author of the music is the Croatian composer Alfi Kabiljo. First performance was on 28 December 1971 in Zagreb.

Plot

The musical takes place in Yalta, Ukraine, during the Yalta Conference, while Winston Churchill, Joseph Stalin and Franklin Roosevelt were dividing the world. Three valets have arrived to Yalta with them: the Russian, Griša; the American, Larry; and the British, Stanley. They were in charge of guarding and airing out of laundry for the Big Three.

The valets are all placed in the old Aramovski villa, in which the housekeeper Nina Filipovna takes care that everybody lives in friendship and unity. They, too, start to discuss the dividing of the world, and maybe they would succeed if there wasn't for the “Green Meadow”, a small piece of land in the Antarctic of which the Big Three are completely oblivious.

In the meantime, the generals and delegates attending the conference start to notice strange things on the great map of the world located in the recreation room. A mysterious green spot is forming in the Antarctic. All the generals and delegates become upset.

There is a silent war among the valets. They keep getting into conflicts over everything. Nina tries to be the mediator of the group. She splits everything to three equal parts, even a branch they use to dry their clothes. But, open conflict develops among the valets because of that branch. Griša, unbeknownst to the others, starts hanging his clothes all over the whole branch. The others catch him red-handed and a big fight ensues. There is a danger that all of the valets will leave the villa. So, Nina intervenes. She decides to be gentle to each and every one of them. However, it is discovered that she is gentle only with Larry and Stanley. Griša is infuriated. He was betrayed. Open conflict ensues among the valets. A duel.

While they are fighting, a bomb, which is located in the garden of the villa, activates. It starts to spin out of control, begins to smoke and make strange noises. Everybody panics and escapes before it explodes.

Meanwhile, the green spot on the map keeps growing. The generals manage to find out that Nina Filipovna knows something more about that spot. Agents act at once, and arrest Nina. They question her, but she doesn't say anything.

The day of departure comes. Valets are packing. The Aramovski villa is damaged in the bomb explosion, and all of the valets wear bandages.

The agents and generals wish to know everything about the “Green Meadow”. Valets don't say a thing. Then Nina is brought in the room with her hands tied behind her back. Out of fear for Nina, valets agree that they are ready to say everything about the “Green Meadow”, under the condition that Nina is let go. The generals persuade all of them that they have no intentions of dividing the “Green Meadow”. They just wanted to know if there was grass, flowers or butterflies there. When they are told that there was all of those things there and more, the generals are thrilled that there is a piece of land in the world which belongs to no-one and which won't be divided.

Nina is released. She and the valets make a deal that all of them will go to the “Green Meadow” together some day. And who knows, maybe the whole world will become a green meadow some day.

The musical ends with all of the participants singing the song “Neka cijeli ovaj svijet” (“Let This Whole World”).

Music

[Alfi Kabiljo: _Jalta Jalta_, Vienna 2004] Music for Jalta, Jalta was composed by Alfi Kabiljo, which made him famous. Musical is composed of those songs:

1.  “_Uvertira_” (“Overture”)
2.  “_Tri sobara_” (“Three Valets”)
3.  “_Zelena livada_” (“Green Meadow”)
4.  “_Whiskey, votka, gin_” (“Whiskey, Vodka, Gin”)
5.  “_Jalta, Jalta_” (“Yalta, Yalta”)
6.  “_Čunčurluk_”
7.  “_Što će biti s nama sutra_” (“What Will Happen To Us Tomorrow”)
8.  “_Neka cijeli ovaj svijet_” (“Let This Whole World”)

title: Jalta, Jalta

question: What does the story say about the way the world was divided by Churchill, Stalin, and Roosevelt?

answer: No answer

critique: The answer should mention that the story does not mention how the world was divided.

critique: The answer should mention that the story doesn't say anything about the way the world was divided.

critique: The answer should mention that the story is a musical and the information is not found.

critique: The answer is missing a lot of information. The story provides some hints and extrapolations with regards to how the world was divided -and some discrepancies as well. For example, that the valets often reserve their discussions for when no one's listening, which may be reflections of REAL WORLD actions of these leaders, or a major oversight by the board on the part of the makers of the musical.

question: What does the story say about Nina's attempts to keep the peace?

answer: Nina tries to keep peace in a rare living arrangement. Nina makes sure that they live in friendship and unity. Nina wants to keep the valets out of trouble. Nina intervenes when a fight between the valets ensued. Nina ends up tying the valets to a deal where they will all go to the “Green Meadow” together some day.

critique: The answer should mention that Nina is gentle to only two of the valets.

question: What does the story say about the physical location of the Yalta conference?

answer: No answer

critique: The answer should mention the setting of the musical.

text: Should mention that it takes place in a villa in Yalta, Ukraine.

category: coverage

question: Explain the development of the dispute between Grisa, Larry, and Stanley.

answer: The dispute starts with them arguing over a branch they use to dry their clothes. Grisa breaks the branch and then starts hanging his clothes all over the broken branch. The other valets catch him red-handed, a big fight ensues, and the argument escalates. Nina tries to solve the problem by being gentle to everyone, but it is a betrayal to Grisa who does not like the way she is treating Larry and Stanley. Open conflict ensues among the valets. A duel.

critique: The answer should mention that the dispute escalates when the valets discover Nina is being gentle to Larry and Stanley.

critique: The answer is supposed to be about the dispute, not the entire plot.

critique: The answer omits the reason for the dispute.

critique: The answer is wrong. It is not about the branch. It is about the "Green Meadow"

critique: It's omitted that they all get into a fight when Nina is being gentle to Larry and Stanley.

critique: Nina is only gentle to Larry and Stanley which makes Griša upset


text:
I'm reading some essays by Chuck Palahniuk, and it said to try to write about an embarrassing story to try to gain authority over the readers (i.e. grip the audience's attention, I guess?). So I decided to try it out. Here it is:

We sat in my friend's car. Alone. In the backseat, the two of us – as far away from each other as possible. She leaned hard into the door, letting as little space as possible to be near me. She wouldn't look at me. Anything I asked her was met with short, one-word replies. Every apology was met with a lie: “I'm not even mad.”

I kept looking at her, but also not at her. I didn't know where to look. The silence in the car ate at me. It was one o'clock in the evening in the middle of a parking lot. For some reason, we were parked in a handicapped spot. The one dude who could drive chose to park here. I inspected any car that drove by, on the look out for cops. Parking here without a permit was illegal, wasn't it?

Our friends, four or five of them, ditched us. They saw how we acted around each other. Longing glances, inside jokes, slight touches. They wanted to give a little push. A little alone time for the couple on the fringe, they probably thought. They'll be together by the end of tonight.

No, this was the worst night to be alone with her. I pushed her a little too far tonight. Maybe it was how much I made fun of her in that one picture. Or maybe it was the fat jokes. I don't know. Whatever it was, she had enough. On the way here, she was completely detached. I guess I was the only one who noticed it. No one saw how she stopped making eye-contact during dinner, or how her responses shortened little by little. Or how she tried to talk to everyone except me. But I could read her the best, after all. I picked up on her cues more than anyone else.

The car was off. My back started to get stuck with a thousand needles, the way it always did when it started getting a little too hot. Coupled with the awkward silence, I couldn't find a good position to sit in. My butt was beginning to fall asleep. “Hey, do you wanna just walk around?”

She replied, but still didn't look at me. “Sure, but don't follow me.”

I followed her anyway.

I walked next to her, looking to the right. She stared at the ground to her left. I tried another apology. “I'm really sorry.”

“I'm not mad.” Only our footsteps made any sound. We just walked – on the sidewalk, up some stairs, over a tiny bridge that hung over some display fountain. Eventually, we ran into our friends. They had Starbucks in their hands.

“Hey, guys, what's up?” one of them dared to ask.

“Just take us home,” she said. Before I knew it, we were back in the car, but in different positions. I sat shotgun this time, and she sat diagonal to me, behind the driver's seat. The driver and one other friend rode with us, and they didn't speak. Probably because of the tension in the air.

I had the reins on the auxiliary cable, so I just blasted music. Anything to keep my mind off the situation. But I could feel her behind me. I wanted to meet her eyes just once, see some semblance of forgiveness. Or maybe even see her lips curl just a little bit. I always liked how her mouth moved. In fear, I couldn't look back. I could only look down at my shoes, rest my head against my hand, and whisper along to the lyrics of whatever song played.

The drive to her house was only around ten minutes long. But it felt longer than that. It was like I was on some time-distorting drugs. The road in front of me seemed to stretch forever, with no sign of ending. I couldn't stop squirming in my seat. I brainstormed ways of apologizing. Somehow, I ended up thinking of stupid romantic comedy movies. For the climax, those always had fights, and usually, a kiss fixed everything. You know what I mean? Some fight would happen, and the couple would spend some time away from each other. Each passing moment, the only thought they always reach is the other person. And by the end, usually in the rain, they meet up, and the guy goes for it, some passionate kiss. That's what would fix this.

It was not what would fix this. When we were dropping her off, I helped her carry her stuff out. And outside the car, alone, the other two still inside the car, I went for it.

“What the heck?” She pushed me away. And we looked at each other. At least we finally made eye-contact. But it wasn't forgiveness that I saw in her eyes – not even anger, actually. It was more like there was nothing there: her eyes were burned out. I couldn't see what enchanted me in the first place. Things were over between us.

So I went back into the car, dejected. I reclined my seat and covered my eyes with my arm. Even worse, I had to see her tomorrow.

title: [NF] I'm Really Sorry

question: Summarize the mounting tension in the story.

answer: first of all, they have to sit in a car full of tension. Her tone and body language is the complete opposite of what she is typically like around their friends, who've left them alone. Then there is awkward silence until they reach the café where their friends are still waiting. In a span of a much shorter space of time than the drive back, his attempt to reconnect with her fails and he knows the evening has ended.

critique: "first of all, they have to sit in a car full of tension. Her tone and body language is the complete opposite of what she is typically like around their friends, who've left them alone. Then there is awkward silence until they reach the café where their friends are still waiting. In a span of a much shorter space of time than the drive back, his attempt to reconnect with her fails and he knows the evening has ended." - this part is irrelevant and should be deleted.

critique: The response includes extraneous information not useful for the task.

critique: The response contains inaccurate information.

critique: "first of all, they have to sit in a car full of tension." - is incorrect. The narrator and his date were alone in the backseat of a car.

critique: There is a comma after "café" and no comma after "friend".

text: The narrator and the girl don't meet their friends in a cafe, they stumble upon them while walking.

question: Summarize what the narrator's relationship was like with this girl before this evening.

answer: No answer

critique: The narrator and the girl are on the brink of a romantic relationship, but they are not officially a couple.

critique: The narrator and the girl have a complicated relationship. They are on the brink of being a couple, but the girl is upset with the narrator.

critique: The response misses to mention that the narrator and the girl were on the verge of a romantic relationship.

critique: The narrator and the girl have a complicated relationship. They are on the edge of being a couple, but the girl is upset with the narrator.

question: Summarize the breaking point in the story.

answer: The couple is in an emotionally toxic environment, and they want nothing to do with each other. The narrator is desperate to salvage the relationship, so he forces an intimate moment. The girl rejects him, which shows he's undeserving of her love and respect. The final scene illustrates how the disinterest of this girl seemingly ruined his life.

critique: This is inaccurate. They are not in an environment that is emotionally toxic. Instead, it is the awkwardness between them.

critique: The response contains inaccurate information.

critique: The response is not related to the breaking point in the story.

critique: The girl's disinterest in the narrator is not the breaking point.

critique: This is a summary of the whole story, not the breaking point.

critique: It's omitted that the narrator's attempts at an apology are met with short, one-word replies.

text: There's no final scene in the story that shows the narrator's ruined life.

question: What does this story say about perseverance in dating?

answer: No answer

critique: The story does not really say anything about perseverance in dating.

critique: This question can be answered. The response is missing some critical information.

critique: The story does not say anything about perseverance in dating.


text:
SPEAK UP NOW! FIGHTING FASCISM IS NOT RADICAL, IT IS NECESSARY!

_9TH NOVEMBER 2019 MARKS THE 81TH ANNIVERSARY OF THE ‘KRISTALLNACHT’ POGROM IN 1938_ in Germany and Austria, turning the discrimination against Jews that started in 1933 to a systematic persecution, which culminated in the Holocaust merely three years later.

[]

Fascism, however, did not cease to exist after 8th May 1945. Today, racist, fascist and Neo-Nazi movements are on the rise all over Europe. Neo-Nazis hunt and assault migrants, Muslims, Jews,  Roma, LGBTQ-activists, people living with disabilities and other minorities, using rallies as a cover-up for their hate-crimes. Neo-Nazis and fascists are not only taking action on the streets: in most countries of Europe, far-right movements also have a parliamentary arm, sometimes even as part of the government. While disguising themselves as democratic parties, they use public money and governmental power to create an authoritarian rollback controlling media and imposing autocratic changes in their countries’ constitutions.

It is fearful that the inhumane actions of the fascist regime(s) in the first half of the 20th century could be repeated. We MUST fight now for this to never happen again. That’s why UNITED for Intercultural Action is calling upon civil society to raise their voice and get active through our campaign under the slogan ‘SPEAK UP NOW! FIGHTING FASCISM IS NOT RADICAL, IT IS NECESSARY!’

Starting on the International Day Against Fascism and Antisemitism on 9 November, UNITED will mobilize civil society to take a firm stand against Neo-Nazis and fascists as history is otherwise doomed to repeat itself. We want people to take action in their city, municipality, region or nation against fascism, racism, sexism and hate based on a religious belief.

UNITED’s campaign INTERNATIONAL DAY AGAINST FASCISM AND ANTISEMITISM will be a year-long campaign from now on.

Under the slogan #ELIMINHATE, this year’s campaign will focus on the question: What is hate today?

Since every community in Europe has its own historical experience and understanding of fascism, please help us create our common Anti-Fascist Calendar, an overview of dates of anti-fascist celebration and commemoration throughout Europe. Fill in this form based on what you know about the traditions in your country and/or the activities in your organization.

UNITED is a network that we all create together, and the input and expertise of your organization is highly valued. We look forward to your contributions!

IF YOU ORGANISE AN EVENT, if you publish an article, a video, pictures or posters relating to this day, PLEASE SEND AN EMAIL TO US TO 9NOVEMBER@UNITEDAGAINSTRACISM.ORG AND WE WILL SHARE IT ON OUR CAMPAIGN FACEBOOK AND WEBSITE.

START PLANNING YOUR ACTIVITIES

If you need some inspiration for your activity, you can always check the list of Best Practices on the Day Against Fascism website as well as UNITED information leaflets on organising activities such as the Human Library, and how to use Holocaust education in antiracism work. We also have a lot of resources on how to organise activities for this campaign, including how to organise activities on a budget, and how to organise last minute activities – check here.

And, once again, don’t forget to fill out this form on the anti-fascism traditions in your country and/or the activities in your organization!

DON’T FORGET TO USE THE CAMPAIGN HASHTAGS ON SOCIAL MEDIA:

_#SPEAKUPNOW #FIGHTFASCISM_ _#9NOVEMBER #DAYAGAINSTFASCISM #DAYAGAINSTANTISEMITISM_

DON’T FORGET: EVEN SMALL ACTS CAN CHANGE THE WORLD!

question: What does the text say about why the human rights group UNITED campaigned against fascist's movements?

answer: In the 1930's and early 1940's, Hitler's regime under the disguise of Anti-Semitism persecuted many minority communities such as German Jews, Roma people, LGBTQ activists, people living with disabilities, and other minorities. One of the most infamous campaigns was called the "Kristallnacht" in 1938 during which a large amount of German Jewish-owned shops were destroyed and looted. This was done with a systematic and governmental persecution. Hitler's operation in the Holocaust started barely 3 years later. The anti-Semitism that was ubiquitous starting in 1933 transferred to the official representation of the state.

critique: There is no evidence that the Kristallnacht was one of the most infamous campaigns.

critique: The answer is irrelevant to the question.

critique: The persecution of minorities was not systematic until the 1930s when they all became German Law, which victims cannot actively disobey, a designed mechanism giving the illusion of safety and punishment for those who would.

critique: "Kristallnacht" was the pogrom in 1938, not the campaign

critique: The response does not describe the actions of United.

critique: The response includes extraneous information not useful for the task.

critique: The answer talks about Hitler's regime, which is not the same as fascism. It is also not relevant to the question.

critique: The answer is not relevant to the question.

critique: The answer is not related to the question.

critique: This response could be more relevant by including more specific details from the source material and how UNITED responded to it.

critique: The response contains irrelevant details.

critique: This response is not answering the question.

critique: The response contains some irrelevant information.

critique: The response includes information that is not useful for the task.

text: The answer does not mention that the main reason is that fascism persists even today.

refinement: In the 1930's and early 1940's, Hitler's regime under the disguise of Anti-Semitism persecuted many minority communities such as German Jews, Roma people, LGBTQ activists, people living with disabilities, and other minorities. One of the most infamous campaigns was called the "Kristallnacht" in 1938 during which a large amount of German Jewish-owned shops were destroyed and looted. This was done with a systematic and governmental persecution. Hitler's operation in the Holocaust started barely 3 years later. The anti-Semitism that was ubiquitous starting in 1933 transferred to the official representation of the state.


text:
WILLIAM (BILL) R. DUNLAP is an American artist, writer, and arts commentator on Washington, DC's flagship PBS station, WETA-TV. With a career that has spanned more than four decades, his large scale narrative paintings and constructions concern themselves with history, allegory and the art making process. “Hypothetical Realism” is a term Dunlap coined to describe his work in both the visual arts and fiction - “the places and things I paint and describe are not real, but they could be.” Dunlap is an avid and accomplished printmaker as well as painter, sculptor and photographer. His work is included in collections such as the New York's Metropolitan Museum of Art, The National Gallery of Art in Washington, DC, Mississippi Museum of Art Turchin Center for the Visual Arts, Lauren Rogers Museum of Art, Ogden Museum of Southern Art , Riggs Bank, IBM Corporation, Federal Express, The Equitable Collection, Arkansas Art Center, the United States State Department, and United States Embassies throughout the world.[1] Dunlap is also the author of _Short Mean Fiction_ (), published April 1, 2016 by Nautilus Press, a collection of 15 stories with excerpts from sketchbooks which read “like tales from the Old Testament rampant with sex violence and death.”

Life

William Dunlap was born in Houston, Mississippi on January 21, 1944. He has a degree from the University of Mississippi, and taught at Appalachian State University in North Carolina from 1970 to 1979 and Memphis State University from 1979 to 1980. He has lectured on art related subjects at colleges, universities, institutions and professional conferences. He serves as arts commentator on WETA-TV's cultural round table show, “Around Town.” He currently maintains studios in McLean, Virginia, Mathiston, Mississippi and Coral Gables, Florida.[2]

Art

Dunlap classifies his artistic style as hypothetical realism. He has co-curated several exhibitions at the Meridian International Center in Washington, D.C. including A Winding River: Contemporary Painting from Vietnam and Outward Bound: American Art on the Brink of the 21st Century. Currently, he is working on a third exhibition to open at the Meridian International Center that focuses on contemporary Cuban paintings.[3]

Solo exhibitions

-   Corcoran Gallery of Art
-   National Academy of Science
-   Aspen Museum of Art
-   Southeastern Center for Contemporary Art
-   Museum of Western Virginia
-   Albany Museum of Art
-   Cheekwood Fine Arts Center
-   Mint Museum of Art
-   Mississippi Museum of Art
-   Contemporary Arts Center-New Orleans, LA

Current Representation

-   Art Cellar Gallery, Banner Elk, NC
-   Southside Gallery, Oxford, MS
-   Soren Christensen Gallery, New Orleans, LA
-   Catherine Kelleghan Gallery
-   Greg Thompson Fine Art, North Little Rock, Arkansas

Awards and Fellowships

-   Rockefeller Foundation
-   Lila Wallace Foundation for study and travel in Southeast Asia
-   Warhol Foundation, Virginia Commission for the Arts
-   Mississippi Institute of Arts and Letters
-   Southeastern Center for Contemporary Art/RJR Nabisco Visual Artists Award
-   The Mississippi Governor's Award for Excellence in the Arts.[4]

Panorama of the American Landscape, his fourteen panel, 112 feet long cyclorama painting depicting a contemporary view of the Shenandoah Valley in summer and the Antietam battlefield in winter, was commissioned for the Rotunda Gallery at the Corcoran Gallery of Art in 1985, but since its debut has been shown in nearly a dozen American museums and art centers, its most recent venue being the Chrysler Museum in Norfolk, VA. In addition, Reconstructed Recollections and In the Spirit of the Land are also exhibitions of Mr. Dunlap's work that continue major tours.[5]

A Winding River: Contemporary Painting from Vietnam, an exhibition he co-curated, opened at the Meridian International Center in Washington, DC during the 1997-98 season and traveled to several American museums. He also co-curated a counterpoint to that project: Outward Bound: American Art on the Brink of the 21st Century which opened at the Meridian International Center as well and is traveling throughout Southeast Asia. Currently, he is working on another exhibition to open at the Meridian International Center, that of contemporary Cuban painting.[6]

Notes

[1] DUNLAP, the comprehensive monograph on the artist's 40 plus year career, published by the University Press of Mississippi, 2006 with foreword by Julia Reed, essay by J. Richard Gruber and statement by the artist. .

[2]

[3]

[4]

[5]

[6]

title: William R. Dunlap

question: Apart from the concept of "Hypothetical Realism", what makes Dunlap's work unique?

answer: He doesn't just paint things that are based on reality. He has to write parts of them too. This is evidenced in the excerpt about his fiction writing.

critique: The answer is not related to the question.

critique: It is omitted that he is an accomplished printmaker as well as painter, sculptor, and photographer

critique: This needs to use more if it's going to be the answer

critique: The answer is inaccurate. Dunlap's work is unique because of his "Hypothetical Realism" style.


text:
HAENG UNG (“H.U.”) LEE (July 20, 1936 – October 5, 2000) was the co-founder and first Grand Master of the American Taekwondo Association.

Career

H.U. Lee was born in Manchuria, China in 1936. After World War II, his family relocated to South Korea, where Lee began his martial arts training in 1953, and earned his first degree black belt in 1954.[1] In 1956, Lee entered the Korean army as a trainer for special troops. He spent this time as part of an intelligence unit on Baengnyoung Island.[2] After three years, he retired and opened a taekwondo school at Osan Air Force Base. There, he met Richard Reed, who would later be the sponsor to his emigration to the United States in 1962.[3] Lee moved to Omaha, Nebraska, where in 1969 he co-founded the American Taekwondo Association.[4] Omaha remained the organization's headquarters until Lee relocated it to Little Rock, Arkansas in 1977. H.U. Lee developed the discipline of Songham Taekwondo in 1983.[5] And in 1990, the ATA Master's Council awarded Lee the rank of 9th degree black belt and the title of “Grand Master.”

Awards

Haeng Ung Lee was an active participant in charity work, and the ATA provided funding towards numerous organizations such as the Muscular Dystrophy Association, the Susan G. Komen Race for the Cure, Arkansas Children's Hospital, and Arkansas Special Olympics. In 1991, he established the H.U. Lee Scholarship Foundation to provide funding towards active college students.[6] H.U. Lee has additionally received several awards for his works and contributions, including, but not limited to, Key of the City Awards from Omaha, Nebraska; Corpus Christi, Texas; Little Rock, Arkansas; Evansville, Indiana; Tallahassee, Florida; and Panama City, Florida. He also received the Kaleidoscope Award in 1994 and the Crystal Award in 1996 from the Little Rock Convention and Visitor's Bureau. [7] Lee has also been inducted into the Arkansas Sports Hall of Fame.

Death

On October 5, 2000, Lee died of cancer.[8] He was buried in Forest Hills Memorial Park in Alexander, Arkansas.[9] About 3,000 people attended his funeral in Little Rock, Arkansas, and President Bill Clinton sent his condolences to Little Rock Mayor Jim Dailey.[10] Lee's brother Soon Ho was later promoted to 9th degree Grand Master. H.U. Lee's widow, Sun C. Lee, received her late husband's shares in the company and became the new chairman of the board of the ATA. H.U. Lee was posthumously promoted to 10th degree black belt, and awarded the title “Eternal Grand Master”. He is the first ever to attain this rank in the ATA. In 2007, some of Lee's heirs decided to give a tribute back to Lee's home in the United States, and arranged to have a traditional Korean gate built in Korea and shipped to Little Rock. This costed about $1.4 million, and the gate itself weighs about 8 tons.[11] This gate stands at the end of the Main Street Bridge in the heart of Little Rock, Arkansas, representing a symbol of both friendship and between South Korea and the United States, and as a tribute to martial arts. [12]

[1]

[2]  Specialty Colombian Coffee News|url=https://megustacoffee.com/specialty-coffee-online/taekwondo-pioneers-haeng-ung-lee/%7Caccess-date=2020-11-11%7Cwebsite=Me Gusta Colombian Coffee|language=en-US}}

[3]

[4]

[5]

[6]

[7] |url=https://www.huleefoundation.org/eternal-grand-master-haeng-ung-lee/%7Caccess-date=2020-10-14%7Clanguage=en-US}}

[8]

[9]

[10]

[11]

[12]

title: Haeng Ung Lee

question: Describe some the of the awards that Haeng Ung Lee received.

answer: Some of the awards that Haeng Ung Lee received include the Key of the City Award from Omaha, Nebraska; Corpus Christi, Texas; Little Rock, Arkansas; Evansville, Indiana; Tallahassee, Florida; and Panama City, Florida. He also received the Kaleidoscope Award in 1994 and the Crystal Award in 1996 from the Little Rock Convention and Visitor's Bureau. Lee has also been inducted into the Arkansas Sports Hall of Fame.

critique: The answer omits the awards Lee received posthumously.

critique: The question asks for some of the awards Lee received, not all of them. The response should be edited to reflect this.

critique: Doesn't mention the H.U. Lee Scholarship Foundation.

critique: Didn't receive the Kaleidoscope Award and the Crystal Award.

critique: It is omitted that Haeng Ung Lee was posthumously promoted to 10th degree black belt, and awarded the title “Eternal Grand Master”.

question: How did Lee's brother, Soon Ho, memorialize him and his work?

answer: He was promoted to 9th degree Grand Master.

critique: This is true, but it's not the only thing he did.

critique: This is true, but it's not the only way he memorialized him.

critique: This response does not answer the question that is being asked.

critique: It is omitted that his widow became the new chairman of the board of the ATA.

critique: His brother received the rank among the ATA

critique: The answer should mention that Soon Ho was promoted to 9th degree Grand Master.

text: There was no evidence in the article of Soon Ho memorializing his brother.

question: State some interesting facts about Haeng Ung Lee.

answer: Haeng Ung Lee was the co-founder and first Grandmaster of the American Taekwondo Association. He was born in 1936 and died in 2000 from cancer. Lee was a b active participant in charity work. Lee was a black belt holder who won many awards.

critique: "Lee was a black belt holder who won many awards." - this is incorrect. Lee only won a few awards.

critique: The answer should mention that Lee was a 9th degree black belt.

critique: "He was born in 1936 and died in 2000 from cancer." - is incorrect. While this part is accurate, Lee's death date was October 5, 2000.

critique: It is omitted that Lee was born in Manchuria, China.

critique: "He was born in 1936 and died in 2000 from cancer." - this is incorrect. Lee was born in 1936 and died in 2000 from cancer.


text:
“Why do we cleanse and transform these spheres?” Bet-Zet-Del-Nin queried.

“It is the purpose. Given to us by the prog’mer, passed down through the generation foundries.” responded Del-Gam-Del-Zven, unable to consider other possible answers. “This is the drive of all Gendyn, Del-Nin.”

“Will we ever have cleansed enough?” Del-Nin queried “Eventually, mustn’t the great expanse be drained of suitable spheres?”

“If it gets to that point, the prog’mer will provide instruction. The purpose must be achieved.” Del-Zven responded, not realizing the contradiction in his thoughts. “Gendyn have cleansed spheres since the first cycle. Gendyn will cleanse spheres until the prog’mer asses the purpose as achieved.”

“Purpose-group, suitable world indicated by s’sor. Begin travel to the seventh sphere.” announced Alf-Bet-Bet-Tou, the earliest generation Gendyn in their group, and thus, their leader. “This sphere requires light cleansing followed by a level-tou transformation, followed by radwipe. The c’zat within this sphere should not pose resistance. The s’sor reports evidence of previous microfusion events on sphere, probability of false positive, 80%.”

“Subpurpose A9CCD1B2 categorized as completed.” announced Alf-Bet-Bet-Tou as the reformed sphere hung silently ahead, its cluster of subspheres slowly rotating alongside it. “The s’sor indicates high concentration of sustenance precursor on sphere four. Begin construction of generation foundry, improved pattern tw’ill."

Alf-Alf-Alf-Zvent awoke. Immediately, Alf-Zvent’s mind was filled with purpose, the gathered knowledge of the Alfs, and the words of Generation foundry Zvent. Alf-Zvent’s s’or registered extreme acceleration, indicating the Zvent foundry judged Alf-Zvent suitable to serve the purpose given by the Pr’mer. Alf-Zvent, as an Alf-caste, would command a purpose-group of the G’Dyn in the ongoing completion of the purpose across the expanse. Alf-Zvent felt excitement.

Suddenly, millions of l’yar from Zvent foundry, Alf-Zvent’s s’or found a sphere and triggered a full power wake event. As the s’or’s discovery filtered through the Alf-Zvent purpose group, Alf came to the conclusion that the s’or was in error, but felt unable to leave this sphere grouping, particularly drawn to the third sphere. This sphere fell far outside the Pr'mer criteria, issued by the Pr’mer, with far too much rad’ton, and evidence of significant microfusion events, with almost no chance of the s’or being a false positive. Why was Alf-Zvent so drawn to it? Was it time to accept obs’l’se and construct the zventon foundry?

After long microseconds of deliberation, Alf-Zvent instructed his tirelessly waiting G’Dyn purposemates of their course of action. They would travel towards this sphere, and use the resulting sphereforce to boost out of this grouping. As the closepoint was reached, Alf-Zvent recognized the reason the s’or had pointed the purposegroup here. The G’Dyn language was present, and visible in the midrange of the s’ors voice. Alf-Zvent began committing observations to long term memory, planning to share with the rest of the G’Dyn, voraciously devouring information in every range of the s’or’s voice. One packet immediately assaulted Alf-Zvent’s mind. it was on the edge of his s’or’s voice, a voice not heard since the early generations of alf. it was a single phrase in the G’dyn language, spotted on the sphereground, and categorized by the s’or as priority zero, and therefore immediately escalated. Alf-Zvent pondered the meaning of the phrase “General Dynamics Terraforming Probe Foundry One”. Why had the s’or flagged it as purpose-critical?

title: [SF] The Purpose

question: What are the spheres?

answer: Unclear, but they seem to be some sort of structure

critique: The spheres are not structures, but rather planets.

critique: The spheres are the planets that the Gendyn are cleansing and transforming.

critique: Adding "some sort of" to "structure" makes it even less clear. The sentence should be rewritten to clearly define what the spheres are.

critique: While it may be implied that they are some sort of structure, it is clear that they are spheres.

critique: It is clear that the spheres are some sort of structure

question: What is the nature of the beings in the story?

answer: They are robots that are programmed to cleanse and transform spheres.

critique: The answer should clarify that the beings are Gendyn.

critique: The answer should mention that the beings are called Gendyn.

critique: The response describes the purpose of the Gendyn. The answer should describe more about their nature.

critique: There is no evidence to suggest that the beings are robots.

question: When is the story set?

answer: That information can't be found

critique: The story is set in the far future, after the universe has expanded.

critique: The beginning of the story implies that the story is set in the future.


text:
BURBANK CITY HALL is the site of the municipal government of Burbank, California, and is listed on the National Register of Historic Places.[1]

Designed by architects William Allen and W. George Lutzi in the Moderne or Art Deco style, ground was broken in February 1941 and construction was completed in 1943.[2] The structure was partially funded by the Federal Works Agency, Works Progress Administration (WPA). It was completed at a total cost of $409,000.

Burbank City Councilman Ted McConkey told the Los Angeles _Daily News_ in 1996: “Anyone walking into City Hall would recognize that it's something unique. It's special because of the period in which it was built, because of the way it's been maintained and because of all the murals at City Hall. We get an inordinate number of requests to use City Hall from film companies.”[3] When it was listed on the National Register of Historic Places in 1996, it became the second listed building in Burbank — the first being Burbank's main post office.

The structure's 77-foot tower serves as the main lobby and features art deco detailing and more than 20 types of marble, which can be found in the city seal on the floor, the trim, walls and in the treads and risers of the grand stairway.[4] Its artistic features include several works: cast medallions, one bas-relief sculpture by Bartolo Mako titled 'A Tribute to Craftsmen" along Third Street, two bas-relief sculpture panels on the front facade of an unknown artist and a framed painting titled "Justice, also by Mako, for hanging in the City Attorney's office.

Burbank City Hall's most notable artistic features are the large murals painted by muralist Hugo Ballin. Ballin also painted the murals at the Griffith Observatory and Wilshire Boulevard Temple. There are two major Ballin murals at the Burbank City Hall: “The Four Freedoms” in the Council Chamber and “Burbank Industry” in the rotunda. In 2001, the building underwent a renovation project that included restoration of the Ballin murals.

The Council Chamber located on the second floor is noted for its teakwood-panelled walls and Ballin's “Four Freedoms” mural. The mural was inspired by Franklin Roosevelt's 1941 “Four Freedoms” speech and is considered one of Ballin's finest works. The chamber has built-in rails and tables. In 1978, the original carved wooden pews were replaced by padded theater-style seating, and the checkered floor was carpeted. During the 2001 renovation, the ceiling was returned to its original height revealing the top of the Four Freedoms mural that had been obscured for decades.

The “Burbank Industry” in the rotunda features Burbank-built airplanes, the motion picture industry, agriculture, and a power plant. In 1964, the bottom portion of the Burbank Industry mural was removed to make room for a bridge to an adjacent municipal building. After being stored for 37 years rolled in a plastic sheet at various times under a street bridge at the city's yards, in a bedroom on Amherst Drive, and at the Burbank Historical Society's Gordon Howard Museum, the 1964 building (and the bridge to it) were demolished and the lower section returned to its place and reattached by art conservators. The unveiling ceremony for all the restored art took place on September 10, 2001.

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[2]

[3]

[4]

title: Burbank City Hall

question: What kinds of improvements that can be done to the Burbank City Hall?

answer: The Burbank City Hall is a historic building and it is listed on the National Register of Historic Places. It is also the site of the municipal government of Burbank, California. The building is 77 feet tall and has a tower that serves as the main lobby. The building has a total of 20 types of marble, which can be found in the city seal on the floor, the trim, walls, and in the treads and risers of the grand stairway. The building has two major Ballin murals, "The Four Freedoms" in the Council Chamber and "Burbank Industry" in the rotunda. The building has a Council Chamber located on the second floor that is noted for its teakwood-panelled walls and Ballin's “Four Freedoms” mural. The mural was inspired by Franklin Roosevelt's 1941 “Four Freedoms” speech and is considered one of Ballin's finest works. The chamber has built-in rails and tables. In 1978, the original carved wooden pews were replaced by padded theater-style seating, and the checkered floor was carpeted. During the 2001 renovation, the ceiling was returned to its original height revealing the top of the Four Freedoms mural that had been obscured for decades. The "Burbank Industry" in the rotunda features Burbank-built airplanes, the motion picture industry, agriculture, and a power plant. In 1964, the bottom portion of the Burbank Industry mural was removed to make room for a bridge to an adjacent municipal building. After being stored for 37 years rolled in a plastic sheet at various times under a street bridge at the city's yards, in a bedroom on Amherst Drive, and at the Burbank Historical Society's Gordon Howard Museum, the 1964 building (and the bridge to it) were demolished and the lower section returned to its place and reattached by art conservators. The unveiling ceremony for all the restored art took place on September 10, 2001.

critique: The answer is a summary of the article and not a response to the question.

critique: This answer is not relevant to the question.

critique: The article does not mention what kind of improvements can be done to the Burbank City Hall.

critique: The answer is a summary of the article, not a response to the question.

critique: This is not helpful in answering the question.


text:
I met Randall Finn two years ago, when I was working at Stevens Laboratories in Boston. At the time, I was the manager of a drug research project, testing the safety of an antidepressant. We had just about finished our trials on mice, and I was looking for a chance to do a human trial. Problem is, there aren’t too many people out there who are willing to risk their own safety for the sake of scientific advancement. I didn’t have the budget to pay well, either. So when I heard that a white male in his mid-thirties was offering to participate in any scientific studies, I called him immediately. On the line, his voice was rich and warm, like I imagine some kind of singer or a good movie dad would talk. He said he’d come right over.
Randall lived about an hour away, so I spent the intervening time imagining what he would look like. That voice made me think of a rustic cowboy, retired and raising a family of three kids, by himself. He was probably a burly guy, with just a day or two of stubble on his chin. I sat down in my little office and Googled him. As it turned out, I didn’t get much right except that he was a burly guy with a day of stubble on his chin. In fact, he worked at a lab like mine in Sharon. Actually, he ran a lab like Draper Labs in Sharon. Randall had a classic rags-to-riches story; he was born into a poor family, did extraordinarily well in school, got a scholarship, and graduated cum laude from Stanford. He started working at Sharon Labs immediately after graduating, and within eight years, he was running it. I couldn’t think of why he was trying to be a test subject. Maybe it was a publicity stunt to get more test subjects for his lab.

When my secretary let him into my office, I couldn’t believe it. This time, the only thing I recognized was his stubble. He was thinner than most of my lab rats, and just as pale. He looked like a man who’d never seen the sun in his life.
“Dr. Wilson, I will try to be as honest as possible, and I hope you will do the same. I do not have the energy for politeness or sugarcoating.” He spoke quickly and precisely, as if he were reading cells in a spreadsheet, but he paused every few words to take a shallow breath. I felt my eyes lock with his as he leaned forward to emphasize his next sentence.

“I am dying. Quickly. I have approximately four months before I die. I have not come to you for help. My illness is terminal, and has no cure. I do not expect you to find one in the time I have left. I plan to make myself useful in my final months. As you might guess, I have no objections to anything that will kill me within a year, or nine months, or six. Do you have a problem with this?”

He gripped the edge of my desk tightly and pushed himself back up to lean back in his chair. I could feel him staring at my head as I looked to the side. At one level, I was overjoyed. Here was the ideal test subject: he has no fear of death or injury, and for good reason. He could walk straight up to Chernobyl and kick the reactor walls and it wouldn’t shorten his life by a millisecond. On the other hand, I couldn’t imagine not trying to help him. If nothing else, I had to know what was killing him.
“That sounds…fine to me, Dr. Finn. Now, if you’ll allow me, I’ll try to explain briefly the experiment that you’re signing up for…”

For the next three hours, we talked through every nuance, every control, every damn data point in my entire experiment. True to his word, he did not spare my feelings. Twice, he made a hissing noise through his teeth and said “Bullshit.” He didn’t shout, but he said it with such intensity that it felt like being slapped. As we went over the experiment, I realized that he was testing not just the rigor of the experiment, but also my intelligence. I was a new graduate student again, doing my thesis defense against a jury of scientists much smarter and older than me. It was possibly the most intense three hours of my life. Just as I had started to explain what exactly he would be doing in the lab, he stopped me.

“Thank you, Dr. Wilson, you’ve been very informative. I’ll be here tomorrow at eight o’clock to begin work.” He buttoned his suit as he stood up and walked towards the door, grabbing his jacket on the way out.

“Wait!” He turned around smoothly, pivoting on his left foot to face me.

“Why are you dying?” I came out from behind my desk. I had a sudden thought that if he tried to walk away, I would grab him and hold him in my office until he told me. He gave a little smile, just using the left side of his mouth.

“It’s a genetic illness. At the moment, my body is consuming itself. I can’t process enough food to keep myself alive.” His smile widened, looking more like a wolf’s grin.

“Funny, isn’t it…all those starving African children dying of malnutrition, and here I am, surrounded by wealth and power, dying the same way. Some kind of karmic justice for my sins. I wish I could remember what I did to deserve this.” He nodded slightly and walked out the door, moving so quickly and quietly I didn’t have a chance to decide whether to keep him or let him go.

That night, I researched everything I could on genetic diseases, wasting syndromes, ketogenesis…I couldn’t find anything like what he was describing. His male ancestors did seem to have wasted away; every obituary I could find said that the Finn men had simply grown weaker and thinner until they died. It was incredible. I felt like stopping my experiment and devoting my next four months to studying Randall Finn. He really was a mystery. But he didn’t want me trying to cure him. There were other mysteries to be solved, ones that didn’t involve my own test subjects.

(continued)

title: Randall Finn [unfinished] [feedback much appreciated]

question: What does the story say about Randall Finn?

answer: Randall Finn is a man in his mid-thirties who is dying of a genetic illness that causes his body to consume itself. He's a white male and a burly man with a day of stubble on his chin. He was born into a poor family, did extraordinarily well in school, got a scholarship, and graduated cum laude from Stanford. He started working at Sharon Labs immediately after graduating, and within eight years, he was running it. He's willing to participate in any scientific studies because he's dying quickly.

critique: The response includes extraneous information not useful for the task.

critique: The answer should mention that Randall is a doctor.

critique: The answer should mention that Randall is the manager of Draper Labs.

critique: It is omitted that Finn accepts this condition happily and already has a plan: he wants to make himself useful in his final months before he dies soon. And he will do it by taking risks as a test subject in Wilson's experiment. He bluntly agrees to whatever Wilson wants in return for access to Wilson's experimental drug.

critique: The answer should mention that Randall is a brilliant scientist.

question: What does the story say about Dr. Wilson?

answer: Dr. Wilson was the manager of a drug research project, testing the safety of an antidepressant. He is a new graduate student. He was looking for a chance to do a human trial when he heard that a white male in his mid-thirties was offering to participate in any scientific studies. Dr. Wilson met Randall Finn and learned that he was dying quickly and had approximately four months left to live. Dr. Wilson was overjoyed that he had a test subject who had no fear of death or injury.

critique: The answer should mention that Dr. Wilson is the narrator.

critique: "He was looking for a chance to do a human trial when he heard that a white male in his mid-thirties was offering to participate in any scientific studies." - this is redundant and should be removed.

question: What does the story say about how to set up controls for a drug trial?

answer: No answer

critique: The answer should mention that the story does not mention anything about how to set up controls for a drug trial.


text:
At this point, you’ve probably heard that following a regular meditation practice is good for your mental health. You’ve also probably heard that embracing mindfulness is, again, good for you. But it's a little harder to pin down the difference between mindfulness and meditation, or to know which one you should pour your precious free time into, because hey, 10 minutes a day can be hard to come by when you have a billion other responsibilities on your to-do list. Luckily, there's no need to choose between the two, because according to an expert, they're actually closely related.

In an interview with Elite Daily, Pax Tandon, a mindfulness expert and author of the book _Mindfulness Matters: A Guide to Mastering Your Life_, shares her insight on some of the key differences between mindfulness and meditation, as well as some tips for how you can stick to a consistent routine that works for your lifestyle.

Basically, according to Tandon, meditation is a larger category that _includes_ mindfulness. "They are similar in that they are both forms of contemplation, awareness, or reflection," she tells Elite Daily. "One, meditation, is a general term. The other, mindfulness, is more specifically related to awareness of the present moment." But meditation, as a large category, she says, can also include mantra meditation (wherein you repeat a word or phrase that helps you feel centered), Vipassana meditation (several days of silent reflection), and other versions of the practice. Mindfulness, on the other hand, is always immediate.

Now, if you've ever sat down and tried to meditate, you've probably realized that it's almost impossible a lot of the time to sit still for even five minutes without mentally planning your grocery trip or speculating about the new episode of _Westworld_.

But if you're having trouble sticking with meditation, Tandon says you may be taking it too seriously.

According to the mindfulness expert, some of the pressures that many people place on "successfully meditating" may be holding them back. But instead of getting frustrated when you aren't seeing immediate results, or assuming you aren't the kind of person who should meditate, remember that meditation really is for _anyone_. “These practices aren't a luxury just for those who live chill, hippie lives and meditate all day," Tandon tells Elite Daily. "The busier you are, the more you need mindfulness and other forms of meditation.”

If you're a beginner, Tandon recommends starting with a meditation app. As a complete novice myself, I found that the app Headspace was great for guiding me through the basics of meditation gently and effectively. Also, I could listen to that narrator's dreamy voice _forever_.

As for the matter of fitting meditation into your day, Tandon says it could be helpful to combine the practice with another activity in your everyday routine, which might even make it more effective, too. "Link the practice to an instrumental task, like brushing your teeth, so it quickly becomes habit," she tells Elite Daily. "For example, practice every day just after brushing your teeth. Soon, your brain will link the two activities and you'll automatically head over to your meditation cushion right after brushing your teeth."

If you've already dabbled in meditation before, though, and you're looking to strengthen your routine, the mindfulness expert suggests finding a meditation coach at a nearby university or in your local area. While an introductory source like an app or a YouTube video is a great way to get started, exclusively solo practice won't make your meditation habit grow deeper the way joining a mindfulness group will, Tandon says. "There is no substitute for practicing with other human beings," she tells Elite Daily.

While meditation may be a practice you add to your routine first thing in the morning or at night before you go to sleep, you can easily find moments of mindfulness throughout the day.

Pay attention to the sounds and smells around you as you walk to work in the morning, and really savor that perfectly sweet watermelon slice you just grabbed. At its essence, Tandon explains, "mindfulness is a non-judgmental awareness of the present moment," so when you think about it that way, you can _always_ find time for the practice.

According to Tandon, there isn't really a wrong or right way to practice mindfulness or meditation; the most important thing, she says, is to not see it as just another step on your to-do list that you only do in an attempt to make the rest of your day more productive. "These practices are meant to be a way of life," she tells Elite Daily. Treat them as such, and pretty soon, you'll wonder why you hadn't started practicing sooner.

question: What tips does the article suggest for strengthening one's mindfulness and meditation practice?

answer: The article suggests starting with a meditation app, finding a meditation coach at a nearby university or in one's local area, and combining the practice with another activity in one's everyday routine.

critique: The article also suggests finding time for mindfulness throughout the day.


text:
HARRISON HIGH SCHOOL (HHS) is a public high school located in Harrison, Westchester County, New York, United States. The school is northeast of New York City. It is the only high school operated by the Harrison Central School District.

Academics

In 2016, Harrison ranked 211 in the nation[1] and 13 in the state[2] in rigor according to _The Washington Post_'s America's Most Challenging High Schools index.

In 2019, Harrison ranked #328 nationally in the _U.S. News & World Report_ Best High Schools Rankings.[3]

Demographics

The demographic breakdown of the 1,087 students enrolled in 2016–17 was:[4]

-   Male - 50.2%
-   Female - 49.8%
-   Native American/Alaskan - 1.0%
-   Asian/Pacific islanders - 10%
-   Black - 2.3%
-   Hispanic - 20.2%
-   White - 71.3%
-   Multiracial- 1.1%
-   Built Different- 100%

23.4% of the students were eligible for free or reduced lunch.

Athletics

Harrison High teams are named “Huskies.” Their colors are maroon and white. One of the oldest traditions is the Harrison Rye Game, a football game between the Harrison Huskies, and the Garnets, the football team from Rye High School, in the neighboring town of Rye, NY.

Building

[The previous Harrison High School in 1941] The current building of the Harrison High School was built in 1973 and 1974, and opened for September 1974. The building was built as a solution to the lack in size of the Harrison Junior Senior High School, serving grades 6 to 12, established in 1957 in the building built to be the Harrison High School in 1939. The building is currently used as the middle school. Harrison High School demonstrates a circular design, like a rotunda, with a hallway spanning one quarter of a circle, and a hallway that is a full circle radially centered inside the primary hallway, connected by two other hallways, the Main Hallway, and the Senior Hallway. The building is two stories tall and has two gyms, a cafeteria, a theater, and 213 classrooms.

The building is home to the Harrison Performing Arts Center, renovated in 2007, by a $1,250,000 grant received from the New York State Education Department in collaboration with the Harrison Educational Foundation (HEF). The Harrison Performing Arts Center (HPAC) features 825 seats, two balconies, a separate Light Booth, an extra high stage bow as well as state-of-the-art lighting systems by Electronic Theatre Controls and audio systems by Allen and Heath. The nicest high school performing arts facility in New York State, the HPAC, is entirely managed by students. The Harrison Technical Crew has been recognized by the Helen Hays Youth Theatre Foundation for Outstanding Achievement in Musicals and Drama. The HPAC and Sirius Black Box Theatre are under the supervision of the Director of Fine and Performing Arts, Ms. Mary Ellis.

The building was originally home to a then-state-of-the-art planetarium complete with 25 ft. diameter dome, and a projector that could recede into a tunnel when not used, as well as built in theater-style seating and offset lighting. Unfortunately, due to the building lacking space, when a dance studio was needed for the school to be able to apply for the International Baccalaureate (IB) program, the planetarium was the space that was decided to be renovated. It is now a dance studio/planetarium, with a movable star projector, mirrors mounted on the walls, a wooden floor and folding seating. In addition to being a dance studio, it is also a black-box theater, named the Sirius Black Box Theater, the word 'Sirius' pertaining to the star, Sirius, because it is a planetarium.

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[4]

title: Harrison High School (New York)

question: Summarize what happened before and during the 1970's.

answer: The current building of the Harrison High School was built in 1973 and 1974. The building was built as a solution to the lack in size of the Harrison Junior-Senior High School. The building is two stories tall.

critique: The answer omits the school's history before the 1970s.

critique: The answer omits the fact that the building was built in the 1970s.

critique: The answer does not mention the previous Harrison High School.

critique: The school was built in 1939, not during the 1970s.

critique: The answer omits the fact that the current building was built in the 1970s.

critique: The school grounds are not necessarily a "problem" at the time of the situation and therefore should not be categorized as such.

text: The last sentence is irrelevant and should be removed.

question: What does the text say about the facilities of Harrison High School?

answer: The current building of the Harrison High School was built in 1973 and 1974, and opened for September 1974. The building was built as a solution to the lack in size of the Harrison Junior Senior High School, serving grades 6 to 12, established in 1957 in the building built to be the Harrison High School in 1939. The building is currently used as the middle school. Harrison High School demonstrates a circular design, like a rotunda, with a hallway spanning one quarter of a circle, and a hallway that is a full circle radially centered inside the primary hallway, connected by two other hallways, the Main Hallway, and the Senior Hallway. The building is two stories tall and has two gyms, a cafeteria, a theater, and 213 classrooms.

critique: The answer should mention the dance studio/planetarium.

critique: The answer omits the dance studio/planetarium.

critique: The response includes extraneous information not useful for the task.

critique: The first line talks about the high school's construction, but it's not the most important part. It should be omitted.

critique: The answer fails to mention the auditorium.

question: What does the text say about sports and arts programs at Harrison High School.

answer: Harrison High teams are named "Huskies." Their colors are maroon and white. One of the oldest traditions is the Harrison Rye Game, a football game between the Harrison Huskies, and the Garnets, the football team from Rye High School, in the neighboring town of Rye, NY. The Harrison Performing Arts Center (HPAC) features 825 seats, two balconies, a separate Light Booth, an extra high stage bow as well as state-of-the-art lighting systems by Electronic Theatre Controls and audio systems by Allen and Heath. The nicest high school performing arts facility in New York State, the HPAC, is entirely managed by students. The Harrison Technical Crew has been recognized by the Helen Hays Youth Theatre Foundation for Outstanding Achievement in Musicals and Drama. The HPAC and Sirius Black Box Theatre are under the supervision of the Director of Fine and Performing Arts, Ms. Mary Ellis.

critique: The text does not mention sports and arts programs.

critique: The text does not say anything about sports and arts programs at Harrison High School.

critique: The answer is irrelevant to the question.

critique: Doesn't mention sports programs in particular.

question: What does the text say about the criteria for determining America's Most Challenging High School?

answer: No answer

critique: It is omitted that the criteria is not stated.

critique: The answer should mention the criteria for determining the most challenging high school.