text:
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[3 Secrets to Grow your Instagram]

You may think the more followers you have the better or you might think you’d get more credibility this way… Wrong! Let me share with you why it isn’t the only thing you need to thrive!

Having a pretty strong follow may seem like you are extremely known throughout Instagram and don’t get me wrong but when I reached my 2,000 followers I thought I was all that and a bag of chips. No joke.

The reality is, I was chasing the wrong thing and noticed I wasn’t getting any clicks on the link in my bio.

Engagement

We all know that content is super important and with Instagram’s Algorithm… it’s all about the Engagement and relevancy. This is one of the first marketing strategies you will need to grow.

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Engagement allows you to earn more sales, shares, likes, and seriously lots of opportunities as an influencer..

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Think of ways you can genuinely connect with your soulmate clients without sounding weird or icky. Making these connections will allow you to build a strong foundation. Plus, build your Credibility.

Liking

One thing I love about Instagram is this like feature because it shows your followers what you’ve liked and you can see what they’re liking as well. So, that’s gold. However, it doesn’t pay the bills and I’m sorry to tell you this awful news.

So, can you get a ton of likes without buying fake likes? Of course, you can. What you can do is:

-   Look at those profiles who are liking your photos and see if they resonate with you. If they’re real people, then you know you’re doing something right. If not, then you probably need to do the following.
-   Check your hashtags and this may be a no brainer but sometimes having certain hashtags can bring you more spammers than anything else.

Now, once you see who’s liking your content you can return the favor and causing them to engage with you more. Because the truth be told everyone knows and sees what they’re liking.

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Comments

The second marketing strategy you need is comments! Comments are truly an amazing way to market yourself. How grateful am I when someone leaves a long positive comment? It shows me how they took a few minutes out of their time to leave a thoughtful comment. And in all seriousness, if you’re not commenting back you’re missing out big time.

Try your best to reply back to comments. Especially within the first 15-30 minutes of you posting. That time is super crucial.

Here’s something to consider:

If they left you an emoji comment, then return the favor with the same thing.

If they left you a long positive message, then return the favor the same way.
And finally, just make sure you interact with them, don’t leave them hanging there and just be yourself but not snobby. Oh, and don’t forget to tag them in the comment or they’ll never see it. There’s a chance they’ll see it but remember you want to leave a lasting impression.

Shares

The last marketing strategy you need is shares! I think this is one of my favorite strategies. You know how Facebook has that feature to share. Twitter has a re-tweet and so on. Instagram doesn’t quite have that but others can still share your content or vice versa.

There’s this thing called re-gram and of course, you can download the app or you can save the photo now with the new version of Instagram. It’s so cool because I don’t have to go back and forth looking for it anymore.

The great thing about when someone shares your content is that they’re sharing your content with their audience. How awesome is that? You’re getting double exposure right there and then.

One thing to keep in mind is if you’re going to be sharing others content is to tag them on the picture and on the caption, as well. This is so crucial because it can get you in big trouble if you don’t and that is copyright issues.

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A Few More Tips:

-   Look at who is sharing your content
-   Are your pictures unique or can they be replicated? It’s hard to tell if others created content like yours and shared it or if they used yours to share. But pay close attention to what type of content they’re re-sharing.

And that’s it! Read this powerful blog post for other growth strategies:

Soul led Strategies for more Instagram Growth

P.S. Want to learn more about how you can grow your Social Media Channels? Get Exclusive Content and Aligned Social Media Tips by signing up below.

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question: What is the writer's motivation?

answer: The author wants to sell their article service, in which they teach others how to make money with Instagram.

question: What does the text say about the content of the reader's posts?

answer: No answer

critique: The answer should mention the author's advice to look at the profiles who are liking your photos and see if they resonate with you.

question: What does the text say about communicating using emojis.

answer: The author says that when you receive an emoji comment, you should return the favor with the same thing. If you receive a long positive message, you should return the favor the same way. You should also make sure to interact with the person and not leave them hanging.

critique: It's omitted that you should not be snobby.

critique: The answer should mention that the author is talking about Instagram.

critique: The answer should be more specific about what the author means by "the same way".

critique: The answer does not mention the importance of emojis.

text: "If you receive a long positive message, you should return the favor the same way." - this is irrelevant and should be removed.

question: What is the text trying to emphasize?

answer: The text is trying to emphasize that engagement is the way to grow your Instagram.

critique: The answer is incorrect because it does not mention the other three strategies.


split: train

text:
	Rushing out of the lobby and into the street, Carol had never realized how harsh the cold was. Looking back at the building where she had once sought solitude, she wondered to herself how such a nightmare could take place in a building so regular. a building where people come and go as they please all day long.
	"These things weren't supposed to happen in this neighborhood”. she thought to herself.
	This would be the last time Carol would step onto the "LR Suites" door mat. With her son Ian waiting with the doorman, she was able to hail a taxi much quicker than she expected. Luck was something Carol had never been blessed with.
	"Mommy I'm cold, why are we outside?" Ian's innocent voice questioned.
	"We are going on an adventure, but you mustn't speak until you can see the sunlight poke through the skyscrapers." Carol answered.
	The doorman carried out the lone suitcase, the one Carol had gotten on her wedding night, and loaded it into the trunk of the taxi. This was the first time that suitcase had seen any action since He did not like travel. Carol picked up Ian in his light blue footie pajamas and set him in the seat next to her, already asleep. There is a calming innocence about children sleeping. A knock on the window startled her.
	"Have a nice night Mrs. Oakland." said the doorman, tipping his blue suede hat as she walked out the door.
	"Please, just Carol now." she murmured.
	She directed the taxi to the airport, and took a deep breath as the car sped off into the early morning. After all the commotion, she hadn't had time to look at herself. Her quaint corporate body, trained and ready for a triathlon, was now shivering, even with the taxi's heat on full. She was smart, but not smart enough to avoid letting Him do this to her. A pearl necklace, one that had been ripped away from her neck, was clutched in her hands. She dawned the necklace, or what was left of it, and put her arm around Ian. Every car behind her made question if He was in one of them. He would not be awake until later that next day though. Looking at her toned thighs, she tried to cover up the marks by pulling down her dress. this only caused more marks to show on her shoulders. pulling up to the airport terminal, Carol paid the man 100$, refused change and scurried into the building with a drowsy Ian following.
	"When does your next flight leave?" She asked a bored looking attendant.
	"To where?" the attendant answered.
	"Anywhere, any flight." She replied hastily.
	"Okay, well the next flight isn't until 6:30. To Houston." Said the attendant.
	Without a 'thank you' Carol dragged Ian off to the correct airline and purchased the tickets in cash. Ready to go through security, the sturdy 1980s suitcase was loaded onto the belt and she got through with ease.
	"Where are you off to in such a sleepy attire young man?" asked a jolly TSA officer.
	"My mommy says we are going on an adventure. But I'm not allowed to talk until the sun comes up so don't tell her we spoked." Ian whispered to the man.
	"Haha well you enjoy yourself sir! and I won't tell anyone, it'll be our little 	secret." The officer replied, his light blue shirt slightly constricting his goodbye-wave.
	Carol almost felt better now that she was through security. The more
barriers she could put between herself and Him, the better. Sitting in the terminal she thought of her expensive apartment, the dainty furniture, the elaborate devices, and of course, the extensive liquor cabinet in the office. That was where He had spent all of his time. Sitting across from her, an old woman smiled and knitted with pretty blue yarn. An officer stood by the door to the plane, not too far from where she was. Carol felt safe, almost. She could not lose focus though, she had to protect Ian and make sure she didn't fall asleep. She had to make this flight, or else He would show up. The clock above her read 5:53 and she almost couldn't believe they had sat there for an hour. Time becomes irrelevant when your body goes into its basic hardwired state. The old woman across from her took a closer look at Ian and was horrified. Carol saw that the bruises were starting to surface and covered his neck with her scarf, choosing to show her own instead. There was no denying it now, the officer, the old woman and perhaps the doorman had all seen the marks.
	"Mommy, mommy! I can see the sunlight! does our adventure begin now?" Ian's happy little voice asked.
	"Almost honey, almost..." Carol answered quietly. She was almost calmed down all the way, almost ready to smile, when she heard a ruckus coming from the security area. there was screaming and there was yelling, all men's voices, and a terrifying thought ran through her head: "It's Him." And indeed it was. He had found them, and now He was ready to finish the job. A siren rang out overhead and the shouting got closer. She picked up Ian and started to walk in other direction when He turned a corner and saw them.
	"YOU BITCH, AFTER ALL IVE GIVEN YOU, UNGRATEFUL SLUT, I WILL K-"
	Shots rang out. The officer stood, quivering. The officer collapsed from
shock. Carol stood there and wanted to feel sadness, but none came to her. She wanted to be hurt, the man she had loved was now dead, but she still felt nothing. She wanted to cry out and attack the officer that had shot her, but now she wanted to thank him. Ian started crying, but she ignored him. The old woman came up beside her. Carol took off the necklace He had given her, and put it in the hands of the old woman, who then in return, wrapped a blue knitted scarf around Carol’s neck.

title: [RF] Blue Morning

question: What does the story say about why the airport officer kills Carol's husband?

answer: No answer

critique: The answer should mention that the officer shoots Carol's husband because he is about to kill her.

critique: No response to the question is provided.

critique: The story doesn't say anything about why the officer kills Carol's husband.

critique: The answer should mention that the officer shoots Carol's husband because he is trying to kill her.

critique: This is false. The officer shoots Carol's husband because he was attacking Carol.

critique: The story does not provide an answer to this question.

question: What does the story say about Carol's relationship with her husband?

answer: Carol's husband is abusive. He beats her and her son, and Carol has to hide from him. Carol is trying to escape him by going to the airport, but he finds them. He starts to beat Carol again, but the officer shoots him.

critique: The officer shoots Carol's husband, not Carol.

critique: The officer shoots Carol's husband, not her.

text: "He starts to beat Carol again," - this can't be corroborated. It seems that her husband was close to attacking her and threatening her, which was why the officer shot him.

category: accuracy

question: What does the story say about Carol's husband's childhood?

answer: No answer

critique: The model should consider including an answer to this question.

critique: The story doesn't discuss the husband's childhood, but it could be inferred that he is or was a verbally or physically abusive person.

critique: The response misses to mention that Carol's husband's childhood is not mentioned in the story.

critique: The answer should mention that the story does not mention anything about Carol's husband's childhood.


text:
CARABAO DANG ENERGY DRINK (; ) _Khārābāw dæng_ (“red water buffalo”) is a Thai energy drink launched in 2002 by Carabao Tawandang Co Ltd. It is now Thailand's second most popular energy drink. It is the key brand of Carabao Tawandang in Thailand, with an estimated 21 per cent market share in 2014.[1]

The name “Carabao Dang” comes from the Carabao Group's association with the band Carabao, combined with the German Tawandang Brewery Restaurant. It is marketed with the slogan “Carabao Dang: The Fighting Spirit”.[2]

The drink's launch was accompanied by a high-profile TV advertising campaign featuring the company founder, rock star Yuenyong Opakul, also known as Aed Carabao.[3] This campaign was investigated by the Office of the Consumer Protection Board for being too violent.[4] but went on to win a gold and a silver medal at _Media & Marketing_ magazine's Asian Brand Marketing Effectiveness Awards in 2003.[5] A second ad, featuring clips of late actor Denholm Elliott, digitally altered so he was drinking Carabao from a trough, was less successful.

The drink was introduced to the United States and Europe under the brand name _Carabao_ leading to an increase in sales of the Thai brand on the west coast of the US in 2004.[6] Exports to China and India began in 2007.[7] Carabao was introduced in Australia at the beginning of 2018.[8]

Market and share

The market for energy drinks in Thailand is estimated at 35 billion baht in 2018. Carabao research indicates that more than eight million Thais consume energy drinks. Nineteen per cent live in Bangkok, 32 per cent in other urban areas and 49 per cent in rural provinces. Carabao aims to increase its market share from 25 per cent in 2018 to 33 per cent in 2020, making it the leader in the domestic energy drinks market.[9]

Carabao Group expects 2018 revenues to reach 15 billion baht, up from 13 billion baht in 2017.[10]

Production

Carabao completed work on a new production site in the Bang Pakong District of Chachoengsao Province in mid-2018. The 8.7 billion baht, 180 rai facility includes a glass bottle plant, an aluminium can plant, and a bottling plant. Bottle production will increase to 1.6 billion bottles per year, up from 1 billion, and can production will increase from 800 million per year to 1.5 billion. Future plans include a fourth factory on the site.[11]

Sport sponsorship

In June 2015, Carabao Dang became the main sponsors of English Football League Championship side Reading F.C.,[12] renewing their contract as Reading's primary sponsor from June 2016 to the summer of 2019.[13] Additionally, Carabao Dang became the primary training kit sponsors of English football champions, Premier League club Chelsea F.C. in the summer of 2016.

In November 2016, Carabao Dang announced a three-year deal with the English Football League to become the official title sponsor of the EFL Cup, becoming known as the Carabao Cup from 2017 to 2018 to the 2019–2020 season.[14]

In December 2016, Carabao Dang announced a six-year deal to become a sponsor of Campeonato Brasileiro Série A club Flamengo until January 2017. In 2018 the company will be the main sponsor of the team.[15]

On 28 March 2019, Carabao Dang announced a sponsorship deal with Tajikistan League team FK Khujand.[16]

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title: Carabao Energy Drink

question: What is behind the Carabao Dang energy drink's success for the past 15 years?

answer: It's being sold as an "energy drink" typically ingested by Thai people amid the heat and steaminess of a Southeast Asian country, kept well and top cool.

critique: The answer is not relevant to the question.

critique: The answer misses to mention that Carabao Dang is a Thai energy drink.

critique: The drink is not associated with heat or steaminess.

critique: The meaning of "It's being sold as an "energy drink" typically ingested by Thai people amid the heat and steaminess of a Southeast Asian country," is very difficult to parse.

critique: This is not as important as its predecessors

critique: "It's being sold as an "energy drink" typically ingested by Thai people amid the heat and steaminess of a Southeast Asian country, kept well and top cool." - this is not a reason for the drink's success but rather a setting for the drink.

critique: There is no evidence to suggest that the drink is being sold as an energy drink.

critique: An ad campaign was run by the founder of the energy drink.

critique: The drink is not being sold as an "energy drink"

critique: There's no evidence in the article that suggest that people in Thailand typically ingest energy drinks in the heat and steaminess of a Southeast Asian country. The following sentence is false and needs to be improved for the question to make sense. "and top cool."

critique: No firm evidence that the drink is being sold well.

critique: The answer is not related to the question.

text: This is not relevant, as the drink being an energy drink is not the reason for its success (rather, the answer should focus on the ad campaigns and marketing overseas).

refinement: It's being sold as an "energy drink" typically ingested by Thai people amid the heat and steaminess of a Southeast Asian country, kept well and top cool.


text:
1

He dies.

----------

2

He treads water and clenches to his split and failing craft. He says,

"And so I lay here on the splinters of my self spun boat. These planks I hewed  and wrapped in sinewy fibers. These oars I snapped from limbs and carved. The cracks were caulked by mine own  hand. And proving water tight I sailed. And now it's just hardly sinking in.
So what of my final home? Where am I to set my weariness? It's been some years last I was blessed and sinned I have since. Not only under great duress but often.

For instance, more or less every time she was there. I'd break to stretch my legs and walk the block thru the market to saunter past she, the dancing lass on the corner. Just this bit uncovered by the buttressed booths awnings and she dancing in the break of it, in the eye of it, in that one shaft of light amidst all of it, she ran with the capstan and called to all hands, we weather this squall I'll see once more my betrothed!

She never saw me though. And I but briefly stood by there, to admire her twirlings and soak in her, illustrious. So my pleased smile, my eyes so warm, my even clap to the fiddler's foot, it all tasked the viewer to match my own gaiety.

And blending so, leading bystanders even by my example, it was a simple thing  to walk right past as she turned her back. I'd spin while I clapped and feinting a fall, grasp right and left and deftly snatch some lustrous coins right from her cup. Tumbling back up and cradling my split head, no one thought me for a second to be a simple street thief, they so stricken in grief with my wail, pain excruciate!

Not for the need was it did, not for the spare of loose change in my tailored track pants. And I didn't do it for the thrill of the deed, as some mischief making teen might to defy the truth of his prolonged wean from the bottle. No, for I drank like a fish myself! why had you bottled me up then I'd have been your greatest chum. So, no, no miscreant am I, for  I  never drew pleasure from my criminality. and never did  I consider my personal vices to be  the  essential stuff of my character. Why, I washed in the drink like some wash in the tub, that virtue I claim.

And in virtue I am poor, I'll scrap till the last for any bit of it. So no miscreant am I. You might think me then some wayward soul, aimless and in need of direction. You couldn't be wronger. Now, my aim is fine and when I set mine I hit it near every time. But my sights have long been set low, and by some force of inertia, or by that complacentness so apt to befall idealists like myself, I've settled low and never flown far. And in my shade all canopy bowered I've lurked so long I remember none else. Now when I dream, I dream of a cavern deep, one watered dark and pooled.

Some irony then! Me, here, adrift all sun baked and isolate, like a toy in the bath. But this pool interconnects all over the globe and so really never seperated, I can say my last gasp and wherever she might be sea gazing she need only crane one ear cupped and strain some little bit to hear my words thus:

Please pray for me Amanda, our hearts once joined fast, so that I may see you again when all this has passed."

His tawny hair drops below the surface, there's no thrashing. Only bubbles, and soon naught.

----------

title: Last Musings Adrift

question: What does the story say about Amanda?

answer: She's an unnamed woman the narrator is infatuated with. She's a dancer on the street corner, and the narrator has been stealing from her for years. He dreams of her and he prays for her to pray for him so that they may be together again.

critique: The answer omits that Amanda is the narrator's betrothed.

critique: The answer is missing an important detail because it doesn't share that she's the narrator's betrothed.

critique: It's omitted that Amanda is the narrator's betrothed.

critique: The answer should mention that Amanda is the narrator's betrothed.

critique: The answer could mention that Amanda is his betrothed.

critique: The story doesn't say that the narrator has been stealing from her for years.

question: What does the story say about rebelling against death?

answer: The unnamed narrator is adrift at sea, at the end of his life. He ruminates on his life and death and goes on to express his love for Amanda. He wants her to pray for him so he can see her again when it's all over. When he dies, he leaves on the waves, his letter for Amanda to read after: In it he tells Amanda that his life was a failure, that he succumbed to death like the rest of his life, and the tiniest goal he set for himself was never even wrought.

critique: The narrative just unfolds without addressing rebelling against death directly.

critique: The response inaccurately mentions that the narrator's letter is to Amanda.

critique: The narrator's letter is not relevant to the question.

critique: The letter is not for Amanda to read after his death.

critique: The response contains inaccurate information.

critique: The narrator's letter to Amanda is not relevant to the question.

question: What does the article say about the kind of life the narrator lives?

answer: The narrator is a street thief who drinks like a fish. He is aimless and in need of direction. He has settled low and never flown far. He has been adrift all sun-baked and isolated.

critique: The response misses to mention that the narrator has a low aim and idealist who has settled low and never flown far.

critique: The answer should mention that the narrator is poor.

critique: The answer omits that the narrator is an idealist.

critique: "the kind of life" - needs to state what sort of life ("kind") the answer is referring to.

critique: The narrator is not a street thief. He is a thief.


text:
I was flying back to work on christmas day.  My flight would take me first to the city of Houston for an hour layover before continuing on to my final destination.

My first flight is delayed.  First 10 minutes, then 20 minutes, then we stopped getting updates and were told it would be any moment.  The plane arrives and begins unloading the small batch of occupants before a sweep of the aircraft and boarding begins.  Boarding group 3 is called and I board.

The plane is small and my seat is in the back row before the emergency exits and the toilet for all those not in first class.  I take my seat and see her.  She is one of two flight attendants on board.  Her smile catches my eye as she makes her rounds, checking that everyone has figured out those complex seatbelts and has their bags tucked under the seat in front of them.

After the other flight attendant has done her speech about safety, it's her turn to come over the PA with some facts about the planes specifications.  She fumbles over the words and I turn my head to see her.  After she finishes she looks at me and says, "Welp, I screwed that up."

I chuckle a little and tell her, "Meh, it could have been a lot worse."

She smiles.

I return to the sunset drenched runway as the plane begins to speed up.  I slip on my headphones and "In The Waiting Line" by Zero 7 begins as the runway disappears and red, purple, and gold coat the clouds.

I check the time.  I'll be lucky to have ten minutes between my arrival in houston and my departure.  What if I miss my flight? There is still a two hour drive after waiting for me at the end of my next flight.

I think of her.

The flight lands and we find our gate.  Everyone stands.  I have ten minutes until my connectionsm flights boarding closes and my gate us at the end of the terminals.  I sit up a little and turn to find her with her head and arms resting in a hole in the wall behind me.  I smile and ask her where she's headed next.

She tells me she's headed home to rest and how she had intended to be with family before she got these flights last minute.  She asks me questions about my destination and my job, and after a few minutes I tell her my name.  She offers hers.

I want to speak to her again.  I want to know more about her and spend more time with her infectious smile.  I want to give her my number and just see what happens.

7 minutes.

I glance towards the front of the plane and see my turn to walk out of my isle and off the plane approach with an unexpected speed.  I grab my bag and stand up.

"Get home safe, it was nice talking to you," I say as I leave.

My moment is gone.  I immediately regret not taking my chance.  Her name fills my head and though I maybe exchanged 50 words with her I was left wondering what if.  Cursing myself as I half walk half jog down the terminal.

5 minutes.

2 minutes.

I run.

1 minute.

I see my gate ahead and push forward.  Boardi Boarding pass in hand I get to the closed gate.  The flight had been delayed 20 minutes and hadn't begun boarding yet.

I could have taken my time.  I didn't have to run.  The moment had disintegrated before me as I failed to jump off the edge of the cliff that is my mind.  I wish I had taken the leap of faith.  I wish I hadn't given in to my cold feet.  All this worrying about someone who was in my life for an hour seems silly.  I didn't even know her, but I wanted to.

I slip on my headphones and fade into the music.

title: [NF] Just my story

question: What does the story say about the theme of regret?

answer: The narrator is on his way back to work on Christmas day. His first flight is delayed, and he is on the last flight of the day. He is seated in the back row before the emergency exits and the toilet for all those not in first class. He sees a flight attendant, and they talk for a while. He regrets not taking his chance and giving in to his cold feet.

critique: It's omitted that the narrator has to make a connecting flight and they rush to the end of the terminal after disembarking. The connection has closed, however, and they miss their flight.

critique: The narrator's destination is irrelevant to the theme of regret.

critique: The answer omits that he regrets not getting her number.

critique: The narrator's regrets are more general than what is mentioned in the response. He is regretful that he missed his chance to get to know the flight attendant better.

question: Summarize everything relating to occupations.

answer: The narrator is flying back to work. The flight attendant is headed home to rest. The narrator has a job. The narrator's destination is a two hour drive after their flight.

critique: Doesn't mention the flight attendant's occupation.

critique: It is not stated that the narrator's destination is a two hour drive after their flight.

critique: The narrator's destination is not a two-hour drive after their flight.

critique: The flight attendant does not have a job.

critique: The narrator's destination is not a two hour drive after their flight.

text: The answer includes extraneous information not useful for the task, such as the narrator's destination.

category: coherence

question: What does the story say about the flight attendant's feelings toward the narrator?

answer: No answer

critique: The answer should mention that the narrator tries to get the flight attendant's phone number before running off to his next flight.

question: What does the story say about the narrator's feelings toward the flight attendant?

answer: The narrator felt attracted to the female flight attendant and wanted to get to know her better. He was regretful he didn't get her number. He wanted to give his name to her and pursue a relationship with her.

critique: The narrator's feelings aren't explicitly stated.

critique: "The narrator felt attracted to the female flight attendant and wanted to get to know her better. " - unnecessary information because it's already clear enough from the rest of the response. The narrator didn't even ask for her number.

critique: The narrator's feelings are not explicitly stated.

critique: The narrator's feelings toward the flight attendant are not explicitly stated.

critique: The second and third sentences are redundant.

text: The answer inaccurately mentions that the narrator wanted to give his name, however the passage says they did exchange names.


text:
“Ohhh god.....” Sighed Steven, collapsing down into bed.

Stevens girlfriend cuddles up from behind him and asked the mandatory, “Rough day at the clinic?”

“Ha, that’s one way to put it.”
“Is it the stress getting to you? Or is it someone specific?” Dian’s thoughtful words were comforting as always to Steven, but it seemed to him something else lay behind them. Possibly guilt, he diagnosed. He decided that he’s address it later.

“Well there’s this one guy, he’s really just a pain in the ass, I guess.” Steven’s heart rate quickened ever so slightly thinking about it, and Dian took notice, giving his hand a comforting squeeze.

Steven continued, “This guy is so frustrating to work with. I can deal with mental issues, I mean, I completely understand him, but it’s just such a rare case. It’s defiantly schizophrenia, no doubt about it, but this specific guy just seems like he was designed for some sort of final exam back at... School.”

Dian nodded encouragingly, showing far too many signs of guilt for his liking. What had she been up to? Doesn’t she know she can’t get away with anything while dating a psychologist? Maybe she’s cheating.

“Steven?” She asked, breaking the extended silence.

Steven decided to keep going with his story anyway. “Right, sorry. As I was saying, this specific schizophrenic patient of mine seems like too perfect a case. This guy, along with having countless imaginary “friends,” actually believes that he’s a psychologist.”

“Oh.” Was the only response Dian had. If it was one of his colleges, Steven supposed he would have gotten at least a laugh. But that ‘Oh’ seemed to contain more than just guilt; now it seems to have manifested some fear as well. Steven officially decided that it was time to figure out what was going on.

“Dian, is there something wrong? Something you need to tell me?”

“Well...” She started, “I guess I always knew this day would come.”

Steven was confused. “What do you mean Dian, do you know many schizophrenics? You can’t know more than I do.” Steven smiled at his own little bit of humor.

“Never mind. I meant nothing by it.” Dian reassured.
Sometimes, Dian almost seemed foreign to Steven. Almost. “Um... Alright then, I guess I’ll go on. So this guy took one look around my room, and instantly asked me why I was sitting in his chair. Ha! His chair! Of course I had been told of his condition beforehand, so I willingly moved to the patient’s chair. But this is when it got bad. As I was supposed to be analyzing his mind, he started interviewing me! I could barely get a question in!”

“Uh-huh.” Agreed Dian. Nearly silent now.

“All I figured out was that he thought he had a girlfriend. Not a word about abuse, neglect, and only a few thoughts on his feelings. But back to the girlfriend, this is when it got weird. I swear that in the one glance around my room, he must have memorized everything he saw. He called his “girlfriend” Dian! He must have seen your picture on the desk, because he described you perfectly! His short-term memory must be amazing, because he went on to talk about my college degree and he even called himself doctor Ste-... Dian? Are you alright? Why are you crying?”

The warm dampness of Dian’s tears was spreading on the sleeve of his shirt. Funny, he thought he had taken off his work jacket. That was probably why he was so uncomfortable, and probably why Dian was refusing to be held.

“There’s no reason to cry Dian, it’s just a man who has something wrong with him.”

Dian let out another sob. “I’m not crying because of him, it’s you!”

Steven thought then. Had he done anything to upset Dian? Not that he could remember.

“Dian, why are you crying?”

“I’m not.” Said Dian. And she was right. But where were those tears coming from? My eyes. I’m crying, thought Steven. But why am I crying?

“Because it’s all falling apart.” Said Dian. No, said Steven. NO! Get it right! I just said that!

“And why is my shirt SO tight?” Steven- No- I just yelled out to the world! To whoever was beside me, as it obviously wasn’t Dian!

“I think she’s cheating on me.” The other Steven had told him. “It makes me mad, because she should know that I can tell she’s guilty!” But I just thought that minutes ago!

“NO!” I yelled, straining against-

“-these infernal straps! Dian now gone, I finally opened my eyes to look for her! Where is my bed?!?! I yelled, for now I was in my office. I can see Dian’s photo from where I lay. Still in the patient’s chair.”

title: Steven

question: Summarize the plot twist in the story.

answer: The plot twist is when Steven realizes that he's in the patient's chair in his office, and not in his bed. He's strapped down and is having a schizophrenic episode. He thinks Dian is cheating on him.

critique: The answer should mention that Steven is having a schizophrenic episode.

critique: "The plot twist is when Steven realizes that he's in the patient's chair in his office, and not in his bed. He's strapped down and is having a schizophrenic episode. He thinks Dian is cheating on him." - it is unclear if Steven is having a schizophrenic episode. The answer should be rewritten.

critique: The response doesn't adequately answer the question.

critique: The answer should mention that Steven believes that Dian is cheating on him with his patient.

critique: The answer should mention that Steven thinks he's talking to Dian.

question: What according to the story is the reason for Dian's tears?

answer: She is crying because Steven is having a schizophrenic episode.

critique: The answer should mention that the schizophrenic episode is in the mind of the real Steven.

critique: Steven is having a schizophrenic episode, not Dian.

critique: She is crying because Steven is having a schizophrenic episode. - Dian isn't crying because Steven is having a schizophrenic episode. She is crying because Steven is having a schizophrenic episode.

critique: It is not stated that she is crying because Steven is having a schizophrenic episode.

critique: It is incorrect that she is crying because he is having a schizophrenic episode.

critique: The answer is wrong. Dian is not crying because Steven is having a schizophrenic episode. She is crying because Steven is having a schizophrenic episode.

critique: The answer is incorrect. Dian is crying because Steven is having a schizophrenic episode.

text: Dian is one of Steven's imaginary friends. Steven realizes that what he perceives as Dian's tears is actually him crying, because Dian does not exist.

question: What is Dian's role in the story?

answer: Dian is the voice of reason and sanity. She is the one who knows what's happening.

critique: Dian is not the only one who knows what's happening.

critique: The answer is a bit misleading. Dian is not the voice of reason and sanity. She is the one who knows what's happening.

critique: Dian is not the voice of reason and sanity. She is the one who knows what's happening.

critique: Steven is the one who knows what's happening, not Dian.

text: Dian is a figment of Steven's imagination.

question: What was the schizophrenic patient's motivation?

answer: The schizophrenic patient was motivated to interview Steven.

critique: It is omitted that the schizophrenic patient was also motivated to interview Steven because he believed he was a psychologist.

critique: The answer should mention that the patient was motivated to interview Steven because he believed he was a psychologist.

critique: Steven should not mention the motivation systematically in this question because he will never know what the patient's motivation was. This answer is only accurate because he did not gain access to the patient's perception.

critique: The patient was motivated to interview Steven because he thought he was a psychologist.

text: The patient is a projection of Steven's own schizophrenic, and causes him to realize that he is the one having an episode.


text:
This new tutorial takes users through the amazing process of using a 3DS MAX SCRIPT called SUBSPLINE, by SPLINEDYNAMICS.

SUBSPLINE script works mainly with splines, and allows users to CREATE AN ARRAY OF DIFFERENT SELECTIONS, MATERIAL IDS and ID PATTERNS WITH GREAT EASE.

Users have UNIQUE SPLINE FUNCTIONALITIES such as to, SET ID PATTERNS, COPY/PASTE ID NUMBERS, SELECT ID RANGE, RANDOMIZE IDS, REVERSE IDS, RANDOMIZE IDS AND MUCH MORE.

I really hope you find the tutorial useful, like, comment and share it.

P.S: TAKE CARE AND STAY SAFE

ALSO, please Join my PATREON page or my GUMROAD page to download other Courses; Project files; Watch more Videos and receive TECHNICAL SUPPORT. Finally, check my New channels below:

[][][][][][]  [] [][https://www.patreon.com/user?u=2469908]

IMPORTANT TERMINOLOGIES & DESCRIPTIONS:

 3D RENDERING: Is the process of converting the three dimensional (3D) data seen in a 3d scene into 2D image/s (rasterized).
The rasterization process include, the rendering parameters, the rendering engine, lights, 3d models, textures, shaders, and other effects.
3D renders can be a sequence of animated objects/effects/cameras, or a single frame with a still camera and object/s.
Some of the articles, Videos and Tutorials depicted here will take you through the process of rendering.
PHOTOREALISTIC RENDERING: Is the Process or Art of making a typical Computer Generated Image/render (CGI) look indistinguishable from a real photo.
To achieve this, users often need to possess the skills and the"eye" to appreciate good photography, cameras, composition, lighting, shaders, materials, 3d modelling, rendering and have some post-production skills.
Some of the articles, Videos and Tutorials depicted here will help you achieve truly photorealistic renderings.

POST-PRODUCTION: Is the process of creating effects or/and results after/post the main process.
This terminology can be used to describe the results (post-production) of main processes such as 3d renderings  and/or filming a scene.
The post-production often takes place in applications such as Photoshop, After Effects, Nuke, etc.
Some of the articles, Videos and Tutorials depicted here will take you through the process.

ARCHITECTURAL RENDERING, or architectural illustration/VISUALIZATION, is the art/process of creating two-dimensional images or animations depicting the attributes of an architectural design, while using state of the art applications such as, Autocad, 3ds max, VRay, Cinema 4d, Blender, Maya, Corona, Photoshop, etc
Some of the articles, Videos and Tutorials depicted here will take you through this amazing process.

TEXTURES: Is a term often used to describe photographed  2d images to be later used in a toggle of a shader or procedural map.
Textures can be used in the Diffuse toggle, Reflect, Glossy effects, Bump, Displacement, etc.

Some of the articles, Videos and Tutorials depicted here will take you through the process of applying textures.

MATERIALS: Is a term often used to describe maps, textures,procedural maps or shaders, depending on the context the term is being used.
Some of the articles, Videos and Tutorials depicted here will take you through the process of applying materials.

PROCEDURAL MATERIALS: Is a term often used to describe maps with editable/proprietary parameters/functions.
Some of the articles, Videos and Tutorials depicted here will take you through the process of applying procedural materials.

SHADERS: Is a term often used to describe complex materials with functions and procedural maps created for a specific purpose.
Some of the articles, Videos and Tutorials depicted here will take you through the process of applying shaders.

ARCHITECTURAL RENDERING, or architectural illustration/VISUALIZATION, is the art/process of creating two-dimensional images or animations depicting the attributes of an architectural design, while using state of the art applications such as, Autocad, 3ds max, VRay, Cinema 4d, Blender, Maya, Corona, Photoshop, etc
Some of the articles, Videos and Tutorials depicted here will take you through this amazing process.

STUDIO LIGHTS are fundamental in the process of creating appealing images/renders.
The overall lighting determines not only the brightness and the darkness; but also the tone, mood and the atmosphere of a scene.
Hence the importance to control and manipulate the lights accordingly, in order to fully capture the textures and the vibrancy of your objects.
By distributing the shadows and the highlights accurately, you can achieve truly appealing images/renders.
Some of the articles, Videos and Tutorials depicted here will take you through the process of creating and applying Studio Lights.

V-RAY: Is a rendering engine that uses global illumination algorithms, including path tracing, photon mapping, irradiance maps and directly computed global illumination.

Furthermore, it is used as a commercial plug-in for third-party 3D computer graphics software applications such as 3ds max, Maya, Houdini, Blender, Nuke, etc,  for visualizations and computer graphics in industries such as media, entertainment, film and video game production, industrial design, product design and architecture.

3DS MAX: Autodesk 3ds Max, formerly 3D Studio and 3D Studio Max, is a professional 3D computer graphics program designed to create 3D animations, models, games and images.

In addition, it has modelling, animation and movie effects capabilities, frequently used by video game developers, TV commercial studios and architectural visualization studios.

3ds Max also features shaders, dynamic simulations, particle systems, plug-ins, and much more, with its own scripting language.

ADOBE PHOTOSHOP: Photoshop is a powerful raster based graphics program produced by the Adobe Corporation.

It is widely used for a variety of photo/image editing purposes worldwide. The program has a huge number of filters, functions, plug-ins, scripts, etc.
In addition, there is a huge online support for this software, and countless online sites with tips and tutorials.
Finally, there are readily available books, online/college courses, and its full documentation at Adobe.com

A 3D VISUALISER works within the realm of 3d visualization, a sector of the Computer Graphics Industry (or CGI) that is primarily concerned with the visual presentation of design concepts and ideas. And a company within the 3d visualisation sector offers to its customers (among many things) 3d Visualization Services.

INTERIOR DESIGN is the art and science of enhancing the interior of a building or/and a space to achieve a more aesthetically pleasing and comfortable environment for those using the space.

An INTERIOR DESIGNER is someone who plans, researches, coordinates, and manages such projects. Interior design is a multifaceted profession that includes conceptual development, space planning, site inspections, programming, research, communicating with the stakeholders of a project, construction management, and execution of the design.

RETAIL REAL STATE are properties developed/catered for Entertainment and Shopping Purposes.

These include Shopping Centers (or Malls), Clothing Stores, Cinemas, etc.

question: What is Post-Production?

answer: The process of creating effects or/and results after/post the main process.

critique: The answer does not mention what Post-Production is.

critique: The answer should mention that it is used in the context of 3D rendering.

critique: The answer should mention that post-production takes place in applications such as Photoshop, After Effects, Nuke, etc.

critique: The answer can be more specific, especially when talking about Rendering.

critique: The answer should mention that post-production is often done in Photoshop.

critique: The answer could be clearer in its pronoun use.

text: Remove "/post"

question: What are Textures?

answer: Textures are 2D images that are later used in a toggle of a shader or procedural map.

critique: "later used in a toggle of a shader or procedural map." - add "to" before "a toggle of"

critique: The answer isn't clearly stated. It uses the wrong verb tense.

critique: This text is unnecessary for the answer.

critique: The answer should mention that textures are used in the Diffuse toggle, Reflect, Glossy effects, Bump, Displacement, etc.

critique: The answer could be phrased as a complete sentence.

critique: The answer could be clearer in its pronoun use.

question: What is the purpose of this glossary?

answer: The purpose is to describe the terms mentioned in the tutorial.

critique: The answer is too vague. The tutorial is about using a 3DS Max Script called Subspline. The terms are all related to 3D rendering. The purpose of the glossary is to explain the terms used in the tutorial.

critique: The answer should mention that the terms are described in the tutorial.

critique: The answer should include the name of the tutorial.

critique: The answer could be clearer in its pronoun use.

critique: The answer should be a complete sentence.

critique: Most of this answer is flatly incorrect, though it comes close to some accuracy in its final two sentences.

question: What is Adobe Photoshop for?

answer: It is a powerful raster-based graphics program.

critique: The answer should mention what Photoshop is used for.

critique: The answer should mention that Photoshop is used for photo/image editing.

critique: The answer should mention Photoshop's uses.

critique: The answer should mention that Photoshop is used for photo editing.

critique: The answer could be more specific about what Photoshop is used for.

critique: It's omitted that Photoshop is used for photo/image editing.


text:
LUCAS DE TUI (or O TUDENSE) (died 1249) was a Leonese cleric and intellectual, remembered best as a historian. He was Bishop of Tuy from 1239 until his death.

Born in León, Lucas was a canon of San Isidoro there between 1221 and 1239. While a canon he wrote _De Miraculis Sancti Isidori_ in defence of Isidore of Seville. He also travelled extensively: to Rome, Constantinople, Cyprus, Jerusalem, Armenia, and France. He visited all four of the Holy Nails: in France, Constantinople, Nazareth, and Tarsus. In 1233 or 1234 he passed Easter in Rome and completed his tract _De altera vita fideique controversiis adverus Albigensium errores_ against the Cathars, taking inspiration mainly from Isidore and Jerome.

In 1236, upon a request from Queen Berenguela, he composed the _CHRONICON MUNDI_, a four-part chronicle of world history and his _magnum opus_. Beginning with Creation and ending in 1236, the _Chronicon_ aspired to give comprehensive coverage to two topics: the world and the Spains. Lucas' principal sources are Isidore, John of Biclar, Hydatius, Orosius, the _Chronicle of Alfonso III_, the _Crónica Silense_, and Sampiro. Lucas does contain a few historical titbits which are found nowhere else, but he is not generally regarded as reliable in this regard.

In 1239 he was made bishop of Tuy, and there he died ten years thence.

Bibliography

-   Davis, Gifford (1935). “The Development of a National Theme in Medieval Castilian Literature.” _Hispanic Review_, 3:2 (April), pp. 149–161.
-   Falque, Emma (2002). “Lucas de Túy y Rodrigo Jiménez de Rada: diferencias y similitudes en la narración histórica.” _Colloquium: Rodrigue Jiménez de Rada (Castille, 1ère moitié du XIIIème siècle) : histoire, historiographie_, University of Salamanca.
-   Falque, Emma (2003). _Lucae Tudensis Chronicon Mundi_. _Corpus Christianorum: Continuatio Mediaevalis_, LXXIV. Turnhout: Brepols.
-   Fraker, Charles F. (1978). “Alfonso X, the Empire and the _Primera crónica_.” _Bulletin of Hispanic Studies_, 55:2 (April), pp. 95–103.
-   Franklin, Albert B. III (1937). “A Study of the Origins of the Legend of Bernardo del Carpio.” _Hispanic Review_, 5:4 (October), pp. 286–303.
-   Gilbert, Creighton (1985). “A Statement of the Aesthetic Attitude around 1230.” _Hebrew University Studies in Literature and the Arts_, 13:2, pp. 125–151.
-   Gutiérrez, M. T.; Trobajo, A. (1993). “The Ends in Lucas de Tuy's «Book of the Miracles».” _Studium legionense_, 34, pp. 241–268.
-   Roth, Norman (1976). “The Jews and the Muslim Conquest of Spain.” _Jewish Social Studies_, 38:2 (Spring), pp. 145–59.
-   Roth, Norman (1981). “Jews and Albigensians, in the Middle Ages: Lucas of Tuy on Heretics in León.” _Sefarad_, 41:1, pp. 71–94.
-   Russell, J. C. (1938). “Chroniclers of Medieval Spain.” _Hispanic Review_, 6:3 (July), pp. 218–235.

title: Lucas de Tuy

question: Describe some interesting facts about Lucas de Tuy.

answer: He was Bishop of Tuy from 1239 until his death. Lucas was a canon of San Isidoro in León between 1221 and 1239. He wrote De Miraculis Sancti Isidori in defense of Isidore of Seville. He also travelled extensively and wrote many works, including the CHRONICON MUNDI. He died in 1249.

critique: The response includes extraneous information not useful for the task.

critique: The answer could include more interesting facts about Lucas.

question: Did Lucas de Tuy enjoy traveling?

answer: Not really seen as he travelled extensively but it is not known the motivation behind traveling.

critique: There is no evidence in the text to suggest that he did not enjoy traveling.

text: The fact that he traveled to Jerusalem and visited all four of the Holy Nails implies his motivation and enjoyment as he was a cleric.

category: coverage


text:
-1-
Hello readers, I'm A.J.  I am born and raise in Newport Beach, California.  Life is pretty good, but in every life, people face their own challenges.  For me, my challenge is High School, not academically, but socially.  Next fall, I will be a Junior, yet I'm only 15 years old.  I'm pretty sure I'm the youngest one in my grade.  I like to consider that I have friends, but the ones I have don't really treat me like they are one.  I have never had a girlfriend, or any sort of relationship.  I've never even had my first kiss.  I guess you could say that when it comes to girls I'm a nervous wreck, or a shy guy.  I don't really know how to talk to girls that I find attractive or that I like, but I can to those who are just simply my friends.  I do great in my academics, but that's not what this story is about.  This story is about what it's like being in the shoes of a teenage boy living in Southern California.

-2-
So my friends are ass holes.  First they are my friends, and than the next thing I know they are total dicks.  However, as much as I don't want to hangout with them, I kind of want to.  They are just entertaining to be around.  I guess this must be because if I'm not with them, I'm usually alone at home, being bored out of my mind all day.  These kids have serious issues though.  I have a younger sister who will be a freshman in the fall.  My friends know her, and came up with idea that next year, they are going to fuck her, rape her, hook up, butt fuck her, etc.  My sister is 13, and my friends, (who are the kids that say that), are 16 and are going to be juniors as well.  I can't do anything about it either, because I'm outnumbered, so I just try to keep quiet and ignore it.  I've been in fights with three out of the eight of them before, like actual fist fights.  There is so much crap about these kids I call friends that I could literally write this whole story on them.
When I'm not with my asshole friends, I'm with my boring friends.  I call them that because they don't really want to do anything, except the same routine we have done in the past.  That's one of the reasons why I tend to hangout with my asshole friends because they are more energetic and willing.

-3-
The girls in Southern California are beautiful.  I just have no skill at all when I try to talk to them.  I just don't understand girls.  I know quite a bit about them because of my younger sister.  Over the years I've watched her girly tv shows and movies, with her of course.  I actually found a lot of them entertaining and would enjoy watching them.  For example, she got me hooked on a show called Gossip Girl.  I know this knowledge on what girls like because of these shows and movies, but I'm just never given a chance to show them that I can be fun to be around.  I haven't been on an actual date before. I've tried before in the past, but girls have friend zoned me or turned me down.  There's this one girl who I really want to hangout with.  Her name is Corinne.  I tried to talk to her over the phone, but because I don't have her number, I was forced to use Instagram direct.  So I would send her these completely random photos to try to talk to her.  She is literally the definition of beautiful.  I've tried to ask her now a couple of times if she wanted to hangout, but I have been given the same response, "I can't".  She must not be that into me, but isn't the point of hanging out to try to get to know the person better?  I don't even want to be like other guys and just leave after they hookup. I want to go on dates, or go do something fun.

-4-
The people of Newport Beach are just regular people, except quite a bit of them come from wealthy families.  At my High School, we have pretty much the same social circles.  There are the stoners, surfers, jocks, band geeks, drama nerds, party animals, skateboarders, etc.  The more popular kids are the party animals.  They're the ones who you hear stories about around campus.  Such as, so and so hooked up with that one girl, she is such as slut, or he/she got so drunk.  I've never been to a high school party yet.  I've drank before, but not at an actual party.  I'm friends with a few kids from all social circles, which is nice because it allows me to jump circles to talk to other people.  But when schools out, none of these kids want to hangout, forcing me to look towards my asshole friends.   In every social circle, a few of the kids are rich.  You see guys getting Mercedes as their first cars, and girls with BMWs like it's no big deal.  I've seen some kids with personal drivers even.

-5-
Well I'm half way through my High School experience, and I'm ready to move on and start with my life.  I'm ready to leave Newport Beach to go travel and see the world.  This next year, I'm going to push my self academically so I can get into a good college.  My sister thinks I should start to model, she claims that I am "anorexic".  I'm 5'11 and weigh 135 lbs, so I guess you can say I sort of am.  In the fall I will play on the JV soccer team for my school, and the schools club hockey team.  I'm ready for school to start, although Summer is pretty great.  I'm going to be less nervous to talk to girls, and especially to Corinne.  I'm going to make some changes this next school year, hopefully good things will come with it.

title: [NF] High School is Complicated

question: What are the main problems the author faces in high school?

answer: The author doesn't have many friends, and the ones he does have are also his worst enemies. He doesn't have a girlfriend. He also doesn't know how to talk to girls he finds attractive.

critique: The author's friends are assholes, not his worst enemies.

critique: The author's problems are social, not academic.

critique: The author doesn't have many friends, and the ones he does have are also his worst enemies. He doesn't have a girlfriend. He also doesn't know how to talk to girls he finds attractive.

critique: It is omitted that the author enjoys hanging out with his friend.

critique: The author doesn't know how to talk to girls he finds attractive.

critique: The author is more than just a boy, he's a teenage boy.

critique: The author's social circle is also a problem.

critique: The answer should mention the social circles.

question: What does the text say about the poor kids in Southern California?

answer: No answer

critique: The text does mention poor kids in Southern California.


text:
CHEMPERI is a town on the bank of the Chemperi River, in the Western Ghat, in the Kannur district of South India. Chemperi is often referred as the education city of Kannur with the establishment of Vimal Jyothi Engineering College, Chemperi. It is characterized by its production and export of rubber and spices, its beautiful hillocks, and its serene streams. Village and Panchayath of Chemperi is Eruvessi. Both Panchayath and Village offices of Eruvessi are located in Chemperi. Also Lourde Matha Forane Church, Chemperi is another attraction.Paithalmala and Palakkayam thatt is also a few kilometres away from here.

History

Previously, the land served as the epicenter of people migrating from Travancore to the north districts of Kerala. The modern history of Chemperi starts in the 1930s with the arrival of migrants from the Kottayam district of Kerala. These migrants made Chemperi a big town with almost all the facilities needed to serve its population. More recently, the town has become a local business hub.

Eruvessy, which is very near to Chemperi, has a different historical background. It is believed that the inhabitants there descend from 18th century settlers of the Eruvessy region. The culture and belief system of the people of Eruvessy is entirely different from that of the people of Chemperi, though the neighboring communities live harmoniously.

Economy

The economic mainstay of Chemperi is agriculture. Primary crops include rubber, coconut, pepper, cashew, tapioca, areca nut, and other plantation crops. Rubber occupies the largest land area among plantation crops. Recent increases in the price of rubber have improved the economic condition of many local families. Next to rubber, coconut is the most popular crop. Cashew is yet another important plantation and areca nuts are also important. Pepper is generally intercropped with coconut, areca nut and various fruit trees. In the hilly surroundings of Chemperi, such as in Nellikutty and Areekamala, this inter-cultivation is done between rubber and cashew. The employment situation in Chemperi is slowly changing. Many people seek employment in the Middle East and in other cities of India. Also, as Chemperi and neighborhoods are more depended on agriculture for income, many people are engaged with jobs related agriculture such as rubber tapping, farming related jobs, etc. Many other people depend construction field for job in Chemperi and neighborhoods. The establishment of Vimal Jyoti Engineering college has improved both the employment and education outlook in Chemperi.

Climate

Chemperi's climate is humid. The weather is pleasant in December, January and February. An oppressive hot season stretches from March until the end of May, followed by the southwest monsoon, which continues until the end of September. October and November bring the northeast monsoon, _Thulamazha_.

Average Weather Condition: 22 °C - 34 °C

Education

Nirmala Lower Primary School was the first educational institution in Chemperi. It was founded in 1950 by the parish of Chemperi to fulfill the wish of the migrant fathers. The school was first managed by the parish of Chemperi. Later, the diocese started a corporate educational agency and the school became a part of it. In 1953, Nirmala Higher Secondary School was established and was the first high school in the migrant areas. Students from Alakode, Chandanakkampara, Paisakkari, Nellikutty, Pottamplavu, Kudianmala, Vellad, Vayattuparamba were educated in this school.

In 1998, the high-school was upgraded to a higher secondary school; the first higher secondary in the migrant area; catering to the needs of all the people in and around Chemperi. There is a network of government schools, corporate schools and CBSE schools in and around Chemperi.

VIMAL JOYOTHI ENGINEERING COLLEGE

Chemperi has lately become a center of professional education in Kerala. The new Vimal Jyothi Engineering College or Vimaljyothi Engineering College, in _Jyothinagar_, Chemperi, is affiliated with APJ Abdul Kalam Technological University and is a self-financing engineering college, sanctioned in 2002 by the All India Council For Technical Education. It is one of the premier institutes of technology in Malabar, and recently the college has been ranked among the A grade colleges in Kerala. It is an educational project of the Archdiocese of Thalassery and is managed by the Meshar Diocesan Educational Trust. MSGR MATHEW M CHALIL, the Vicar General of the Archdiocese of Tellicherry is the manager of the college. The project includes a management institute, with more rural educational opportunities designed for the future.[1]

Schools and colleges

-   Nirmala LP School, CHEMPERI
-   Nirmala UP School, CHEMPERI
-   Nirmala Higher Secondary School, CHEMPERI
-   St. Thomas Public School, CHEMPERI
-   Vimal Jyothi Engineering College, CHEMPERI

Tourism

Paithal Mala is a tourist attraction near Chemperi, which tourists can visit year round. It is a hillstation near Kudianmala, on the Kerala-Karnataka border and is 65 km north of Kannur. According to the Kerala Government Department of Tourism, the place is ideal for trekking, and adventure tourism. Paithal Mala is located at around 1,450 metres (4,700 ft) above sea level. There is a base reception centre at Pottamplavu and a watchtower atop the cliff.

Health

VIMALA HOSPITAL in Chemperi is the major healthcare provider of modern medicine. In this hospital, all advanced medical treatments, except emergency management, are available. The resident medical officer is Dr. Sandeep C Reddy, MBBS, Fellowship in emergency medicine. There are also other allopathic, ayurvedic and homeopathic clinics in Chemperi.

Transportation

Chemperi has a wide network of roads. Hill Highway, the prestigious road of Kerala, passes through Chemperi. There are well-maintained roads connecting Taliparamba, Iritty, Alakode, Cherupuzha, Kudianmala, and Paithalmala. The newly established Kannur International Airport is 35 km from Chemperi. The nearest railway station is Kannur; away. The nearest port is Mangalore. The national highway passes through Taliparamba town. Mangalore, Goa and Mumbai can be accessed on the northern side and Cochin and Thiruvananthapuram can be accessed on the southern side. Taliparamba has a good bus station and buses are easily available to all parts of Kannur district. The road to the east of Iritty connects to Mysore and Bangalore. But buses to these cities are available only from Kannur, 22 km to the south. The nearest railway stations are Kannapuram and Kannur on Mangalore-Palakkad line. Trains are available to almost all parts of India subject to advance booking over the internet. There are airports at Kannur, Mangalore and Calicut. All of them are small international airports with direct flights available only to Middle Eastern countries.

[1]

title: Chemperi

question: What does the article say about the local importance of Chemperi?

answer: Chemperi is an education city in the Kannur district of South India. It's an agricultural community and the economic mainstay of Chemperi is agriculture with rubber, coconut, pepper, cashew, tapioca, areca nut, and other plantation crops being primary crops. Chemperi is characterized by its production and export of rubber and spices, beautiful hillocks, and serene streams.

critique: The answer should mention the Vimal Jyothi Engineering College.

critique: The answer is not relevant to the question.

critique: This is not a summary of the local importance of Chemperi.

critique: Mention that it receives lot of rainfall

critique: The answer omits the importance of Vimal Jyothi Engineering College.

question: What does the article say about local cuisine?

answer: No answer

critique: The article does not mention anything about local cuisine.

critique:
As the name 'Chemperi' would suggest, it would be prudent to conclude this response with the ancient village of Eruvessi. Whilst their cuisine may be different, the they may well have ingredients in common with their neighbouring town of Chemperi.

It is imperative to mention the spices, the extensive agricultural activity and the climactic conditions necessary to grow produce. The article also makes note of the rubber production and its significance in the town of chemperi suggesting that it would be utilised in foods as well as medicinal uses.

In short, Chemperi's cuisine could be significant and as a result, a complete unknown.

It is also well worth noting that their cuisine could be spicy and utilize the likes of cumin, clove, and coriander.

In the modern age and due to the nature of global commerce, it is likely that their cuisine would reflect the cuisine of their nearest neighbours- either Thalassery or Malabar.

As such, this response should reflect these possibilities- anyone living in Chemperi who is able to verify, please do.

question: What does the article say about living conditions in Chemperi?

answer: Living conditions in Chemperi are characterized by hillocks, streams, and beautiful rubber trees. There are townhouses, agricultural living surroundings, and areas with businesses. There are also a public and a private hospital, though considerate of international access, all these amenities are only available for certain areas of the country.

critique: "Living conditions in Chemperi are characterized by hillocks, streams, and beautiful rubber trees. There are townhouses, agricultural living surroundings, and areas with businesses. There are also a public and a private hospital, though considerate of international access, all these amenities are only available for certain areas of the country." - this is incorrect. There are no townhouses, agricultural living surroundings, or areas with businesses in Chemperi. There are no public or private hospitals in Chemperi as well.

critique: The answer is not relevant to the question.

critique: The answer doesn't make distincions between the different areas of Chemperi and it seems unclear what kind of amenities exist in which area. The international access is to Hospitals and airports. The availability of local transportation options should be mentioned too.


text:
In response to the loss of the strategic al-Faw Peninsula during the Iran–Iraq War, the Iraqis pushed into Iran to seize the strategic Iranian city of Mehran to trade for the strategically important territory. Saddam was able to seize the city in May 1986, for the third time. He then offered to trade it for al-Faw, but instead of negotiating, the Iranians recaptured the city in June 1986, humiliating Saddam.

Background

On February 10, 1986 Iran launched a successful surprise amphibious assault, (what became known as the first Battle of Al-Faw), across the Shatt al-Arab (_Arvand rud_ in Persian) waterway and seized the strategic al-Faw Peninsula. The Iraqi units in charge of the defenses were mostly made up of poorly trained Iraqi Popular Army conscripts that collapsed when they were suddenly attacked by the Iranian Pasdaran (Revolutionary Guard) forces.

The battle

Immediately after the Iranian capture of Al-Faw, Saddam declared a new offensive against Iran, Al Defa Al Muthaharraka (Arabic for The Dynamic Defense), designed to drive deep into Iran. The Iranian border city of Mehran, Ilam Province on the foot of the Zagros Mountains was selected as the first target. This city was situated on an important road leading into Iran. On May 15–19 the Iraqi Army's II Corps supported by helicopter gunships captured the city. Saddam then offered the Iranians to exchange Mehran for Al-Faw.[1] The Iranians rejected the Iraqi offer. Iraq then continued the attack attempting to push deeper into Iran. However, Iraq's attack was quickly smashed by Iranian AH-1 Cobra helicopters with TOW missiles destroying an unspecified amount of Iraqi tanks and vehicles.[2]

Iranian troops using mountain warfare built up their forces on the heights surrounding the city. On June 30, they launched OPERATION KARBALA 1, recapturing the area by July 3.[3] Saddam ordered the Republican Guard to retake the city on July 4, but their attack was thoroughly defeated. The Iraqi losses were so heavy the Iranians managed to capture some territory inside of Iraq as well. Iraq's defeats at al-Faw and at Mehran was a severe blow to the prestige of the Iraqi regime. The western powers including the U.S. also became more determined to prevent an Iraqi loss.[4]

Aftermath

After the defeat, Saddam and the Baath Party held an “Extraordinary Congress” and decided on a full mobilization of the Iraqi Popular Army.[5] Enlisting men as old as 42, the regime initiated a total call-up of available manpower in 1986. At the time the government feared that calls for the mobilization would lead to draft riots, but the response was good: young men – even college students – reported without incident. The fact that the public answered the call, indicated that Iraqis feared invasion during the war.[6][7]

Order of battle

Iraq

Iraqi Army

-   2nd Corps
    -   17th Armored Division
        -   70th Armored Brigade
        -   59th Armored Brigade
        -   705th Infantry Brigade
-   433rd, 417th, 425th Infantry Brigades
-   1st Commando Brigade, Commando Battalion of the 40th Infantry Division

_Reinforcements sent:_

Republican Guard

-   1st Mechanized
-   4th and 5th Infantry Brigades
-   3rd Special Forces Brigade
-   2nd and 10th Armored Brigades

Iraqi Army

-   35th Infantry Division
    -   71st, 72nd, 3rd Infantry Brigades
-   501st, 113th, 95th, 118th, and 108th Infantry Brigades
-   24th Mechanized Brigade
-   2nd, 3rd, and 5th Commando Brigades, Commando Battalion of the 20th Infantry Division, Commando Battalion of the 2nd Infantry Division
-   65th Special Forces Brigade
-   763rd, 110th, 15th, 766th, 217th, 238th, 53rd, 247th, and 489th Artillery Battalions

Iran

-   Najaf Headquarters

        Commanded by Mostafa Izadi

    -   27th Muhammad Rasulullah Division

            6 infantry battalions, 1 tank battalion

    -   17th Ali ibn Abi Talib Division

            Commanded by Gholamreza Jaafari
            3 infantry battalions, 1 tank battalion

    -   5th Nasr Division

            3 infantry battalions

    -   25th Karbala Division

            Commanded by Morteza Ghorbani
            4 infantry battalions, 1 tank battalion

    -   10th Sayyed-osh-Shohada Division

            3 infantry battalions

    -   41st Sarallah Division

            Commanded by Qassem Soleimani
            4 infantry battalions, 1 tank battalion

    -   21st Imam Reza Independent Brigade

            2 infantry battalions

    -   15th Imam Hassan Independent Brigade

            5 infantry battalions

    -   662nd Beit-ol-Moqaddas Independent Brigade

            2 infantry battalions

    -   38th Zolfaghar Independent Armored Battalion

            1 tank company

    -   2 artillery battalions from IRGC, 4 artillery battalions from Army

-   Islamic Republic of Iran Army Aviation

[1]

[2]

[3]

[4]

[5]

[6]

[7]

title: Battle of Mehran

question: Describe the aftermath of the battle.

answer: Despite this loss, the Iraqi regime called on a total mobilization of the Iraqi Popular Army. This assembly on June 1986 showed the people's support of their leader and his attacks on Iran.

critique: It is omitted that the regime feared that calls for the mobilization would lead to draft riots, but the response was good: young men – even college students – reported without incident.

critique: The response is missing a few details about the aftermath of the battle.

critique: The response is confusing and not a useful response.

critique: "This assembly on June 1986 showed the people's support of their leader and his attacks on Iran." - is false. The authors does not mention anything about this in the article.

critique: The response is not relevant to the question.

critique: The response misses to mention that the regime initiated a total call-up of available manpower in 1986.

critique: The response could include the fact that the regime was worried about the draft riots, but there were none.

critique: "this assembly" is an oddly-phrased answer.

critique: The response is not related to the question.

critique: The response contains inaccurate information.

critique: Even though this response is wrong, a confusing response, the answer it comes up with is pretty accurate. Our answer needs to flow more and have more detail to it.

critique: The response does not indicate that the regime called on a total mobilization of the Iraqi Popular Army. It is incorrect that the assembly showed the people's support of their leader and his attacks on Iran.

question: What discipline would find the Battle of Mehran the most important to study?

answer: The discipline that would find the battle the most important to study would have to be military strategy. This would be a very important seminar because we can study how different tactics were used and who used them the best.

critique: the answer is not related to the question

critique: More than just strategy would be necessary to study the battle and its historiography.

critique: The answer is too general and nonspecific.

critique: Replace all of the underlined text with nothing. This was not extracted from the passage.

critique: The response is not related to the question.

critique: "This would be a very important seminar because we can study how different tactics were used and who used them the best." - is irrelevant to the question and should be deleted.

critique: It makes the assumption that the battle is the most important to study.

critique: This is a good response but the text does not mention any specific discipline.

critique: "This would be a very important seminar because we can study how different tactics were used and who used them the best." - irrelevant information that should be deleted.

critique: The answer is not related to the question.


text:
[tpsnews.ca]

To get in touch with us, please send an email to: corpcomm@torontopolice.on.ca, or call us at 416-808-7100.

Above contact details should NOT be used to report emergencies. If you have an emergency, please dial 9-1-1.
To report a crime please call 416-808-2222 or anonymously with Crime Stoppers at 416-222-TIPS (8477).

If you need to change the text size on this site, please use your browser's zoom function.

As of December 18, police officers with an approved screening device on hand can demand a breath sample of drivers they lawfully stop, even without reasonable suspicion that they have alcohol in their bodies.

[A machine with a nozzle and buttons]
A roadside alcohol testing device that can be used n any traffic stop after Dec. 18, 2018

Bill C-46 significantly reforms the Criminal Code regime dealing with transportation offences, including alcohol-impaired driving.

Sgt. Brett Moore said a Mandatory Alcohol Screening (MAS) will be done after the person is stopped lawfully by a police officer. Refusal to submit a breath sample could lead to a criminal offence and a mandatory minimum $2,000 fine.

“Research suggests that up to 50 per cent of drivers with a blood alcohol concentration above the legal limit are not detected at roadside checkpoints,” said Moore. “Mandatory alcohol screening will assist in deterring individuals impaired by alcohol from driving as well as better detect those who do.”

MAS is currently authorized in more than 40 countries.

The legislation also focuses on drug-impaired driving, giving police the authority to demand either a Standardized Field Sobriety Test or the use oral fluid drug screeners. If presence of a drug is detected, young, novice and commercial drivers can be immediately suspended from driving. These drivers also have zero tolerance for alcohol.

Sgt. Moore pointed out that on one hand the legalization of cannabis has loosened some aspects of the law pertaining to possession and consumption, but to balance this out, the laws pertaining to operating any form of transportation (motor vehicle, boat, train, and airplane) while under the influence of drugs or alcohol have been strengthened.

Bill C-46 also increases the mandatory fines for first offenders with high blood alcohol concentrations (BAC) without causing bodily harm or death:

-   A first offender with a blood alcohol concentration (BAC) of 80 to 119 mg of alcohol per 100 ml of blood is subject to the current mandatory fine of $1,000
-   The mandatory minimum fine for a first offender with a BAC of 120 to 159 mg of alcohol per 100 ml of blood is raised to $1,500
-   The mandatory minimum fine for a first offender with a BAC of 160 mg or over of alcohol per 100 ml of blood or more is raised to $2,000
-   A first offender who refuses to comply with a lawful demand is subject to a $2,000 minimum fine
-   Second offence is mandatory minimum 30 days imprisonment
-   Third offence is mandatory minimum 120 days imprisonment

A first offender who refuses to comply with a lawful demand is subject to a $2,000 minimum fine.

Impaired driving is the leading criminal cause of death and injury in Canada.

So far this year, Toronto Police has charged over 900 people with an impaired driving offence.

“The number is intolerable,” said Moore. “We also want to remind members of our community and partners that if you suspect an impaired driver on our roads, call 9-1-1.”

Nearly 7,000 calls have been made so far this year.

[TPS crest watermark]

question: Summarize what this article says about US society's views on drinking alcohol.

answer: No answer

critique: The article does not explicitly state what the views on drinking alcohol are.

critique: The article said that the police are being trained to detect people who are driving while drunk.

question: Summarize the consequences for someone who has drunk over the legal limit in the States.

answer: The individual is subject to a fine of $2,000, or 30-120 days of imprisonment depending on the amount of the blood alcohol concentration. There is also a fine for refusing to comply with a lawful demand of a police officer.

critique: The response could include more details about the consequences of being above the legal limit in the US.

critique: The answer should mention the consequences for a first offense.

critique: The answer omits the consequences for a first offense.

critique: The answer omits that the fine for refusing to comply is $2,000.

critique: The consequences are not just in the United States.

question: Explain what leads up to consuming alcohol in relatively high quantities and then operating a motor vehicle.

answer: No answer

critique: The passage does not answer this question.

critique: It is omitted that it is implied that the consumption of alcohol leads to operating a motor vehicle.


text:
HARRINGTON is a township municipality in the Laurentides region of Quebec, Canada, part of the Argenteuil Regional County Municipality. It is located in the Laurentian Mountains, about north-west of Lachute.

Its population centres include Harrington, Lac-Keatley, Lakeview, Lost River, and Rivington.

Geography

Harrington is a land of lakes and rivers, stocked with abundant fish. The Rouge River is the main river flowing through it, and the largest lakes include Lake (Lac) MacDonald, Green Lake, and Lake Harrington, each attracting a large number summer cottage vacationers. Its territory has a characteristic appearance of the Laurentian region with dense forests, rising to an elevation of in the north-east, which is more than Mont Chauve which dominates Green Lake.[1][2]

The Lost River flows for some miles from a spring that disappears under a calcareous rock between Gate Lake and Fraser Lake.[3]

History

Harrington Township first appeared on the Gale and Duberger Map of 1795, but was not settled until 1830 when Scottish pioneers settled in the Lost River area in the east. In 1841, the township is officially established and in 1855, the township municipality was formed.[4]

It is believed that the name Harrington may be attributed to a location in England, however, the local post office was identified under the name of Rivington between 1878 and 1961.[5]

Demographics

thumb|upright=2|Buddhist Monastery of Tam Bao Son in the Township of Harrington Population trend:[6]

-   Population in 2011: 853 (2006 to 2011 population change: 9.8%)
-   Population in 2006: 777 (2001 to 2006 population change: -1.0%)
-   Population in 2001: 785
-   Population in 1996: 730
-   Population in 1991: 729

Private dwellings occupied by usual residents: 436 (total dwellings: 1,361)

Mother tongue:[7]

-   English as first language: 52.6%
-   French as first language: 40.4%
-   English and French as first language: 2.4%
-   Other as first language: 5.6%

Education

The Commission scolaire de la Rivière-du-Nord operates French-language public schools.[8]

-   École polyvalente Lavigne in Lachute

Sir Wilfrid Laurier School Board operates English-language schools:

-   Arundel Elementary School in Arundel serves a portion[9]
-   Laurentian Elementary School in Lachute serves a portion[10]
-   Grenville Elementary School in Grenville serves a portion[11]
-   Laurentian Regional High School in Lachute[12]

[1]

[2]

[3]

[4]

[5]

[6] Statistics Canada: 1996, 2001, 2006, 2011 census

[7] Harrington Census Prolife 2011

[8] “Trouver une école ou un centre.” Commission scolaire de la Rivière-du-Nord. Retrieved on September 24, 2017. For attendance boundary information, click “Par bassin d'école”

[9] “Arundel Elementary Zone.” Sir Wilfrid Laurier School Board. Retrieved on September 16, 2017.

[10] “LAURENTIAN ELEMENTARY ZONE.” Sir Wilfrid Laurier School Board. Retrieved on September 16, 2017.

[11] “About Us.” Grenville Elementary School. Retrieved on September 17, 2017.

[12] “LAURENTIAN REGIONAL HS ZONE.” Sir Wilfrid Laurier School Board. Retrieved on September 4, 2017.

title: Harrington, Quebec

question: What makes Harrington unique when compared to other territories in the Laurentian region?

answer: Harrington is a township municipality that is located in the Laurentides region of Quebec, Canada. The township is located in the Laurentian Mountains, and it is a land of lakes and rivers stocked with abundant fish. The Rouge River is the main river flowing through it, and the largest lakes include Lake MacDonald, Green Lake, and Lake Harrington, each attracting a large number of summer cottage vacationers.

critique: The answer does not answer the question.

critique: The answer is a description of Harrington, not what makes it unique.

critique: The answer is irrelevant to the question.

critique: The answer should mention the elevation.

critique: The description of Harrington's location and rivers is factual and not useful


text:
(Also found at mrhoneywell.wordpress.com)

It’s 12:47am and I’m in a bar at a chatty table of 8, though I don’t understand a word anyone is saying. A game show is on TV, the players dolled in bowl cut wigs and antique soldier outfits. I rub my eyes hard, and open them to my neighbor looking at me saying something I can’t understand. He sounds concerned. He says something to the other people at the table, they look at me with similar concern and nod in agreement. My neighbor stands up and pulls on my jacket sleeve, motioning for me to get up, so I do and he leads me to the bathroom. When inside, he brings me to the sink and points at the mirror. My eyes are bloodshot red, and my neighbor keeps saying things I can’t understand, pointing to my eyes, and I stare at him blankly. He turns me toward him, gesturing and repeating something with concern. He washes his hands, turns to me again, leans my head back, then slowly and carefully removes my contact lenses one at a time. I blink and look at him, he says something with a seemingly relieved tone of voice. I look in the mirror and rub my eyes long and hard.

I open them to a blurry, empty bathroom. The door leading back into the bar is open, and I can tell the bar is empty as the flashing, cartoonish images are lost on the dead, black TV screen, chairs are overturned on the table tops, the vibration of life long gone.

The front door of the bar is open and I carefully step into the rainy night. I empty my pockets: I have a key to a locker, a train ticket reading 6:00 AM, a dead cell phone, and a wet map. I start walking, looking for a sign of other people to ask for directions, but the streets are empty. I peer at street signs, trying to find something recognizable on the map, but the signs are illegible or in a language I never knew. I hear cars moving by down a side street and follow the sounds of acceleration, which seem just out of reach. I come up to a street with a few cars driving by but no sidewalks and no people. I follow the direction most cars are going, my thumb out, hoping for a ride or just for someone to look at me and let me know I’m not alone. The rain is light, and a fog hovers over my path. Fleet Foxes “An Argument” can be heard from somewhere, humming echoes of discordant, unarranged horn and violin notes squeaking out of rhythm forming confusion and cacophony. I walk for who knows how long, while the sun stays asleep and I slosh one soaked shoe in front of another, thumb hanging by my side.

In time, the sound of twenty cars or more tumbling through a city street rises and fluorescent lights make the fog and haze faintly glow. Someone is walking towards me and I hold up my hands and say excuse me but they pass by like they would pass through a ghost. The road ahead opens up with more lanes feeding and connecting into city streets with color, lights, and music from cars. I feel out of place, like a wet remnant of the world I’ve just passed through, or maybe the world that passed through me. A couple is walking past, again I reach my hand out with a map, but they hush and turn their heads away as if something in the dark, empty store next to us caught their eye. Soon people are passing me more regularly in the streets, none of them take notice of me as I hold out my map in pleading. The phantom train whistles in my head, or outside, I can’t tell. I see a clock tower displaying 5:00 AM, and I remember my train is at 6:00. I look down at the fumbled bunch of papers in my hands, soaked with tears or rain, when I feel the warmth of a woman walking by me with a bright red umbrella. She seems to glow, wearing a summer dress with soft skin and light brown hair. I watch her pass like the dead watch the living, yearning to reach out for what has not been invaded by the hazy night. She walks about ten feet in front of me, then hesitates for a minute, and turns slowly towards me like a lighthouse swinging its beam for lost sailors.

There we stood facing each other, and her with her head cocked to the side in consideration. I held up my map like a signal flare, and she took a few quiet steps toward me as the rain seemed to die down. “Do you know where the train station is?” I asked. She looked at me me, confused, then fired off a rapid series of questions in another language. I half heartedly laughed, and with a smile pointed to myself and said “English.” I pointed to the faded picture of a train station on my map, and she nudged closer to me for a look, bringing me under her umbrella. She looked over the map and nodded, then pointed in a general direction, saying “choo, choo” and tugging on an imaginary foghorn. I looked in the direction, which seemed like a dark, misleading forest at the time. I gave her a long, hopeless look, and pointed to my eyes, making a thumbs down gesture. She looked around into the dreary night with a smile like a hiker atop a mountain, then flashed her bright eyes toward me and says OK.

Through a chance street that seemed to lead straight to the horizon, the pinkish-orange tint of the sun began to crack through the night. She hooked her arm in mine and pulled me down the city street lovingly, and I felt my clothes drying from her warmth and the shelter of her bright umbrella. She asked “America?” and I said yes. She seemed delighted. “You like here?” I said yes, and she gave out a little cry of joy. As we walked, I tried to act out the things I’d seen and the people I’d met, the places I’ve been and the rooftops and overlooks of the wide river nearby. We laughed and laughed. We passed through an opening market that smelt of boiling eggs and freshly cut basil. Lost in time, I felt that we would walk forever arm in arm, that I was home, and I could happily die that way. As we approached the river I had once overlooked, we stopped and saw the sun firing off colors through wisps of cloud and jet streams. A mercury vapor lit clock tower read 5:45 as we reached the front train station steps. We turned to each other, and she squeezed my arm, then in a moment were locked in a kiss. We stayed there for who knows how long, but when eventually we let go, I ran my fingers across her warm arms and took one last look into the lamps of her eyes, then turned into the train station, the words “thank you” on my smiling lips.

Hours later, riding the train through the clear, blue day, I struggled to remember the exact details of her face, the curves of her body, the sound of her voice. Today I have come to grips with the fact that I’ll never really know.

title: The Lighthouse (Travel Fiction)

question: What happens to the narrator in the bathroom?

answer: The narrator's neighbor takes them to the bathroom and points at the narrator's bloodshot eyes. The narrator's neighbor washes his hands and turns to the narrator again. He then carefully removes the narrator's contact lenses.

critique: The narrator washes his hands and turns to the narrator again. He removes the narrator's contact lenses.

critique: The narrator's neighbor doesn't remove the narrator's contact lenses.

critique: The narrator's neighbor washes his hands and turns to the narrator again. He then carefully removes the narrator's contact lenses.

critique: The narrator's neighbor is washing his hands, not the narrator.

question: Summarize why is the narrator having issues getting to the train station?

answer: The narrator is having issues getting to the train station because he is lost. He is also having issues because he is drunk.

text: The narrator isn't having issues at the train station; he is having issues finding the train station.

question: Summarize how the author communicated with the lady that helped him.

answer: The lady helped the author by translating her questions into English. She asked him where the train station was and if he liked her country. She walked him to the station and kissed him.

critique: The answer omits the author's gesture of pointing to his eyes.

critique: The answer should mention that the lady helped the narrator by translating her questions into English.

critique: The answer omits the author's gesture to indicate that he doesn't speak the language.

critique: "She asked him where the train station was and if he liked her country." - these were two separate questions, and the answer is not found in the passage.

critique: He asked her where the train station was and if she liked her country.

critique: The answer omits that the author communicated with the lady by pointing to his map and showing her the train station.

critique: - The model should consider rewriting the last sentence in a more coherent manner.

text: The last sentence is irrelevant

question: What does the text say about where the lady works?

answer: The text mentions that the stranger lady worked at some sort of market.

critique: The text does not mention where the lady works.

critique: The detail of the market is not right and should be omitted.

critique: The answer is incorrect. The text does not mention where the lady works.